兵马俑英语导游词五分钟(合集20篇)

Each friend: hello! Very glad to know you, today let me take you to watch the famous world culture heritage in China, qin shihuang terracotta warriors. My name is Jiang Zhiyou, you can call me jiang guide. Before the qin Terra Cotta Warriors pit, I first to introduce the basic situation of qin Terra Cotta Warriors: qin Terra Cotta Warriors is a more than 20xx years ago the qinshihuangs large Terra Cotta Warriors PeiZangKeng. Xiyang village, it is in March 1974, farmers in drilling Wells. In 1987 by UNESCO listed in the "human world cultural heritage list", are the only one like you, is famous in the world of rare and precious cultural relics, known as "the eight wonders of the world". Well, to the Terra Cotta Warriors pit, please get off the bus. After get off after me, please. Attention, please be sure to do a civilization of passengers, consciously protect cultural relics. Ok. Now we have entered the pit.

Pit no. 1 thing is 230 metres long, north and south 62 meters wide, with a total area of - square meters, is the largest in all the Terra Cotta Warriors pit pit; The pit of the Terra Cotta Warriors, most also have more than 60. In addition to a pit, and no. 2 pit, pit no. 3, its enough to large-scale visible the Terra Cotta Warriors. The variety of the terracotta warriors grand not only, and personality is distinct. Then, we will go to watch the beautiful works of art - the Terra Cotta Warriors. You see, that a man named general figurines, it wore a He crown, wearing armor, sword in hand, with pride, filled with the general spirit; You look at that in short armour again, under wear tight pants of mouth of the warrior figures, that call cavalry figurines. And here, you see that wearing a shirt, wear armor oh, the foots front end up the cock combat boots warrior figures, that is called the warriors. The most striking is the horse figurines, we look at the horse figurines, a horse horse body, muscle plump, see the itch to try, like cracks, casting its hooves, taking off, on a journey.

When it comes to the beauty of qin Terra Cotta Warriors, one thousand thousand of the terracotta figures beauty, make the person aftertaste endless. Among them there are promising, general big sound; A terrible resolute, battle-hardened army collectors; More different expression, vivid and soldiers. These Terra Cotta Warriors, let we have to marvel at the ancient sculptors how exquisite skill is! Qin Terra Cotta Warriors, is unique in DiaoSuShi of ancient and modern, Chinese and foreign. Arrange it perfectly simulate the ranks, vividly the qin soldier millions, thousand chariots grand qin Terra Cotta Warriors commentaries, vividly demonstrates the power of the Chinese nation and heroism. It is no wonder that former U.S. vice President walter mondale said: "this is the real miracle, take a look at the people all over the world should be here."

From his words of the concentrated, it is easy to see that army, historical value and artistic value. Dear friends, today we are together to watch the world famous cultural heritage - qin Terra Cotta Warriors, feeling the ancestral splendid culture. Thank you for your cooperation! Wish everybody safe and pleasant journey, goodbye!

Good morning, everyone! Now, I will take you to visit Wuhou Ci, which islocated in WoLonggang, the western suburb of Nanyang city. The temple of marquisWu in Nanyang, also known as Zhuge cottage, is the former site of Zhuge Liang, afamous statesman and militarist in the Three Kingdoms period, who "worked hardin Nanyang". The place where uncle Liu visited three times in those days wasalso the place where people in the past dynasties paid homage to and sacrificedZhuge Liang.

Zhuge Liang (181-234), with the name of Kongming, was born in Yangdu,Langya County, Shandong Province (now the south of Yishui County, ShandongProvince) in the late Han Dynasty. He lost his father when he was young, andthen went to Mu Liubiao in Jingzhou with his uncle zhugexuan. After Zhuge Xuansdeath, Zhuge Liang and his younger brother Zhuge all worked in Jielu,WoLonggang, Nanyang, and lived a life of cloth clothes that "lived in troubledtimes and did not seek fame and fame from Princes". However, he made friendswith famous people all over the world. He was full of wisdom and goodintentions. He lived in seclusion and pursued ambition. Mr. pound, a famousscholar at that time, compared him to a "Wolong" waiting for time to take off.In 207, Liu Bei, Guan Yu and Zhang Fei paid homage to Zhuge Liang in Maolu.Since then, Zhuge Liang, 27, left WoLonggang, where he had been working for tenyears, and joined Liu Beis political group. Later, he became the Prime Ministerof Shu Han and became the Marquis of Wuxiang. After his death, he became loyalto the marquis. Therefore, Zhuge Liangs ancestral temple is called "MarquisTemple".

According to the records of Emperor Kangxi of the Qing Dynasty, WuhouTemple was built in the late Wei and Jin Dynasties. Through the continuousrepair and construction of generations, it has formed its present scale. Today,we see Wuhou Temple, covering an area of more than 200 mu, with more than 150halls, more than 70 procuratorial couplets and more than 300 inscriptions. It isthe largest ancient architectural complex in memory of Zhuge Liang in China.Todays Wuhou Temple maintains the layout style of the yuan and Ming Dynasties,and its wooden buildings are mostly rebuilt or added in the Ming and QingDynasties. The ancestral temple is built in accordance with the hillock, withBaihe River in the South and Zishan mountain in the north. The courtyard issurrounded by bamboo trees, pines and cypresses, clear water and pleasantscenery. The beautiful natural scenery and popular cultural landscape complementeach other, making people forget to return.

Well, members of the group, now we have come to the population of WuhouTemple. Look at this "Eternal Dragon" stone square, which is 9 meters high and13.5 meters wide. It has three doors and four columns and is full of carvings."Eternal Dragon" means that Zhuge Liang is the dragon among the people,metaphorically WoLonggang is the land of Hidden Dragon and crouching tiger. Youcan see that the second Daofang is called "Sangu Fang". It was set up during thereign of Emperor Daoguang of the Qing Dynasty. On both sides, it is engravedwith "Sangu Chu, Emperor zhaolie of the Han Dynasty" and "true God Man". It isto commemorate Liu Beis three talents. It is because of Liu Beis sincereconsideration that Zhuge Liang left WoLonggang, where he had lived in seclusionfor ten years, to assist Liu Bei. He devoted his whole life to the army anddied. Only when he died, could Liu Bei divide the world into three parts andachieve the imperial career. Therefore, Zhuge Liangs achievements areunparalleled. Liu Beis respect for knowledge and talents is real, not justverbal. This advantage is really worth learning from some of our leaders today!The three words "true God and man" come from Su Shis eulogy of Zhuge Liang:"man, God, immortal, I dont know, true Wolong." Take a look at wolongtan in thenorth of Shifang. There are three ancient catalpa trees on those sides. It issaid that they were the trees that Liu, Mei and Zhang Sangu used to tie horsesin those days. Now there is another one. Guess whos horse was tied to the treesmore than 1700 years ago?

Through sangufang and Xianren bridge, this road leads to the mountain gate.The mountain gate is the main gate of Wuhou Temple, which is simple anddignified. The three characters "Wuhou Temple" engraved on the stone plaque onthe forehead of the central gate are inscribed by Mr. Guo Moruo. After themountain gate, the first courtyard to enter Wuhou Temple is spacious, withancient cypresses covering the sun and green bricks covering the ground, whichis simple and natural. The stone square of "three generations of talents" on thecorridor in the courtyard corresponds to the hall of worship. This is to praiseZhuge Liangs talent and moral character, which can be compared with Yiyin, LVShang, Fu Shuo and so on. Lets turn around and look at the four big charactersof "master of military strategy". Military strategy originally refers to theancient Chinese military books and military tactics, and later used to refer tomilitary tactics. Here is also a praise for Zhuge Liangs military strategy.

Members, this is the hall of worship, which is the main building of WuhouTemple. At the main entrance of the Dabai hall, there is a plaque in the runningscript of Liao Wenjin, the magistrate of Nanyang in the third year of Daoguangreign of the Qing Dynasty (1823). Inside the hall, there is a statue of Kongmingduan sitting on the front. He has a silk napkin and a feather fan, and hisdemeanor is solemn. It is the typical costume of the hermit Confucians in thelate Eastern Han Dynasty. On the left is his eldest son Zhuge Zhan, and on theright is his eldest grandson Zhuge Shang. The pillars under the eaves of thehall are covered with couplets and plaques of celebrities and poets of pastdynasties, which are full of the worlds respect and admiration for ZhugeLiang.

Look at this pair: "Lv Panxi yixinye King Zuo Qis talent has been followedby Wan Langyas winner, Chang Jing Lun Bu Huan, and Qi Baos uncle Zheng Zipisholy gates promise is also in line with Xu Yuans direct view of the virtuousand able peoples efforts.". This couplet eulogizes LV Shang, Yi Yin, Guan Zhongand Zhuge Liang, who can help the emperor to turn the tide and run the country.It also eulogizes Bo Le, who recommends talented people like Bao Shuya, ZhengZipi and Xu Yuanzhi. It has profound implications and enlightens people.

Look at this pair: "standing between Xinye and Weibin, I read that I was amaster of two dynasties. I was surprised by Sima. Jielu was singing Liangsfather in the white water of Zifeng. The wind and cloud rose from Wolong forthousands of years." Here, product refers to grade and grade.

Xinye Weibin refers to Yiyin and lvshang when they lived in seclusion. Thetwo dynasties refer to Liu Bei and Liu Chan. Jing Sima refers to the use ofwooden statues after Zhuge Liangs death, which made Sima Yi dejected. In thesecond couplet, Zifeng Baishui refers to Zishan and Baihe in the suburbs ofNanyang. Qu Yin, Liang Fu, or Yinyong, tells the story of Qi Xiangman Yingkilling three scholars with two peaches. It is said that it was written by ZhugeLiang. This couplet fully praises Zhuge Liangs lofty integrity and greatachievements. When he lived in seclusion, he was indifferent to his ambition,quiet and farsighted, which could be compared with the noble behavior of Yiyinand lvshang. He built the thatched cottage at the foot of Zishan mountain andthe Bank of Baihe River. He compared himself with Guan Zhong and Leyi, andpeople like Jiang Ziya and Zhang Zifang, who had been prosperous for 800 yearsin Zhou Dynasty and 400 years in WangHan Dynasty I know that "thatched cottagepair" talks about the worlds situation and strategic decision-making, whichshows his political foresight and great talent; how strong and fierce his mindis, moving tears! With the spirit of dedicating himself to death, he helped thetwo emperors to establish the great cause of Shuhan.

Just imagine that it was Liu, Guan and Zhang who came here to look afterthe cottage that led to Zhuge Liangs official career and the magnificent andcolorful history of the war of the Three Kingdoms. Despite thousands of years ofvicissitudes and vicissitudes, Zhuges great name is still in the universe, andthe stories of the three kingdoms are popular all over the world. Zhuge Liangspolitical, military and governing strategies are the precious spiritual wealthof the Chinese nation. Zhuge Liangs immortal reputation is always worthy ofpeoples memory. At this moment, standing in the temple of marquis Wu andremembering the great cause of Kong Mings life, why dont we go back to ancienttimes and think about the time when Zhuge Liang lived in seclusion inwolonggangtou, Nanyang, studied hard history books, looked around the world, setgreat ambitions and cared about the peoples livelihood, and spent his youthhere. In the last years of the Shu Han Dynasty, however, there was a Dou whocould not support him. In addition, his national strength was poor. AlthoughZhuge Liang was determined to unite the Central Plains, he went out of the QiMountain six times, but he could not sing alone. Whats more, he lamented thathe died of illness after a long hard work. Later generations think about it, allof them feel regret. Just as Du Fu said in his poem, "if you look at the worldfrequently, you will benefit the old ministers in the two dynasties.". Beforeyou succeed, you will die first. "The heart is in the court. No matter what theleader is, why should you argue about Xiangyang and Nanyang?"

This is a famous couplet written by Gu Jiaheng in Qing Dynasty. The firstcouplet says that Zhuge Liang is dedicated to the country, regardless of whetherthe monarch is the wise Liu Bei or the fatuous a Bandou. The second couplet saysthat Zhuge Liang is famous forever and praises the world. Why should wedistinguish between Xiangyang and Nanyang? This is a historical "case". It turnsout that Zhuge Liang recalled that he said before he left the thatched cottage:"Chen Ben Bu Yi, devoted himself to farming in Nanyang", but there was another"Longzhong Dui", which was in Xiangyang, Hubei Province.

As a result, both Nanyang people and Xiangyang people said that Zhuge Lianglived in seclusion in his hometown. Scholars quoted classics one after anotherand refused to give in to each other. In the Ming and Qing Dynasties, there wasa lawsuit. Gu Jiaheng, a native of Hubei Province, was also the magistrate ofNanyang, Henan Province at that time. In order not to offend the people of hishometown, but also not to stab the official land, he had to come to "he xianni"and wrote down this pair of eclectic couplets riding on the wall, askingeveryone not to divide Nanyang and Xiangyang, thus alleviating a long-standingdispute. Therefore, this pair of couplets became famous for peoples recitation.In 1959, Hu Yao, then Secretary of the Secretariat of the Central Committee ofthe Communist Youth League, came to Nanyang to inspect his work. He appreciatedthe couplet and changed it into a couplet: "the heart lies in the people. Nomatter what the big or small things are, why should we fight for more or less?"The new content given to the revolution by the old form of the ancient namecouplet fully embodies the broad mind and noble sentiment of Comrade Hu Yao, therevolutionist of the older generation.

It seems that up to now, Gu Jiahengs couplet still gives us usefulenlightenment. In addition, there are many famous couplets in Wuhou Temple, mostof which praise Zhuge Liangs talent and virtue. If these couplets are puttogether and analyzed vertically and horizontally, it can be said to be an epicof the Three Kingdoms. Such as this pair: set three points, burn Bowang, go outof Qishan, immortal; Qi zhouyu, Ping Sima, capture Menghuo, spread from ancientto modern. There is also a wonderful couplet: collect two rivers, set up eightformations, seven capture and six out. Wuzhang originally set up 49 brightlights, only for the sake of kindness; take western Shu, attack Southernbarbarians, and refuse to the East and the north. The Chinese Armys account issealed with gold, wood and earth, and the water surface can be attacked by fire.The first couplet skillfully uses one, two, three, four, five, six, seven,eight, nine, and ten numbers. The second couplet flexibly uses 10 characters,including East, West, north, South, middle, gold, wood, water, fire, earth, andthe whole couplet contains 54 characters. It succinctly expounds Zhuge Liangslife of fighting, which helped Liu Bei and his son to fight in the army after heleft the thatched cottage.

Please come here with me to visit the calligraphy of Yue Fei. This iscomposed of 2l stone tablets. They are exquisitely carved and very spectacular.Chushibiao is Zhuge Liangs memorial to Liu Chan in the fifth year of Jianxing(227 years). It describes his loyalty thought of "devoting all his efforts" torevive the Han Dynasty. It has become an eternal masterpiece with strong appeal.In 1138, Yue Fei, a famous general of the Southern Song Dynasty who foughtagainst Jin Dynasty, passed by Nanyang on his way to fight against Jin Dynasty.After watching chushibiao, he was moved to tears by Zhuge Liangs spirit ofworking hard and dying. He could not sleep at night. He was filled with emotion.Later, at the request of Taoist, he wrote more than 1300 words of chushibiao inone go Recite and write to express your mind. Its characters are iron andsilver, and the Dragon flies and the Phoenix dances. It is natural and graceful,unrestrained and incisive, which shows the superb art of calligraphy. Today,when we visit Wuhou Temple and watch chushibiao, we can not only see Kong Mingsmind and ambition, but also appreciate Yue Feis calligraphy. Its a greatblessing in this life.

Now we go up the steps around the main hall and enter a quiet and beautifulcourtyard. The courtyard is surrounded by ancient trees, flowers and cypresses.This octagonal building is the world-famous Zhuge cottage. The thatched cottageis of brick and wood structure, covered with thatch and connected withcloisters, which is simple and crude. A stone tablet in 1478, the 14th year ofChenghua of Ming Dynasty, was erected in lunei. On the front of the stele, sevencharacters were engraved with "the old Lu of Zhuge and Kongming of Han Dynasty".A plaque written by Mr. Guo Moruo and the Democratic Party yuan Laoyu was hungin lunei and on the forehead. The eight corners of the thatched cottage are setup and eight wind chimes are hung, with a unique style. Whenever the wind blowsgently, the wind chimes jingle, as if telling a story that has been passed downthrough the ages. We can have a close view of the surrounding scenery when wetake a rest in the Lu. The ancients once said that there are eight scenes in oneLu. Eight of the ten scenes in WoLonggang can be seen here: Gubai Pavilion,yeyundi, banyuetai, Gonggeng Pavilion, Xiaohong bridge, Baoxi stone, Laolongcave, etc., which are built around the Lu, forming the trend of many starsarching the moon. Although these scenic spots are located in the same courtyard,there is no sense of congestion and embarrassment. The steles and corridors areconnected with each other. They are opposite to each other, forming a beautifuland quiet garden scenery. When you move, you can guide the scenery, showing thesuperb gardening art of the ancients.

At the right back of the thatched cottage, it is a brick and stonestructure with a table structure. The plane is square and the height is aboutseveral feet. It can spiral up along the stairway. There is a brick wall patternplatform on it. You can watch the sky from a distance by relying on the railing.Zhuge Liang, who knew astronomy and geography, was good at making use of naturalphenomena such as wind, rain and fog to serve the war. Folk stories such asgrass boat borrowing arrows and offering sacrifices to the east wind were wellknown to women and children. There is a poem in the Qing Dynasty praising it:"the moon in the Han Dynasty is hollowed out to show the blue sky. With a highview, you can see the cold smoke. You can see the water in the forest and waitfor the full moon." The front of the platform is a semi-circular brick gate withthree characters of "banyuetai" written by Gu Jiaheng embedded on it and a halfmoon pattern on the side. On both sides, it is engraved with the couplet "sincethe universe, how many cloth clothes can make the mountains and rivers colorful?Whats wrong with the humble room?" which evolved from Liu Yuxis "this is thehumble room, only my Dexin" and "zhugelu in Nanyang, Ziyun Pavilion in Xishu,Confucius said: what is the humble room.".

Dear tourists, now we come to Ningyuan building, also known as Qingfengbuilding. Sitting at the end of the central axis, it is the highest building ofthe whole temple. It is said that it is the former site of Zhuge Liangs studywhen he lived in seclusion in Nanyang. The name of the building comes from"quiet Zhiyuan". The plaque of "eternal cloud" originated from Du Fus poem "Odeto historic sites": "the great name of Zhuge falls down to the universe, theportraits of Zong Chen are lofty, the three separate regimes are fiber planning,and the eternal cloud has a feather." On the doorpost hung a famous coupletwritten by Zhao fan, the salt tea envoy of Sichuan in the Qing Dynasty, at WuhouTemple in Chengdu: "if you can attack the heart, the opposite will disappear.Since ancient times, you know that soldiers are not belligerent. If you dontjudge the situation, you will be lenient and strict. You have to think deeplyabout how to govern Sichuan."

When Zhuge Liang was in the southern expedition, Ma Shi once suggested that"attack the heart first, attack the city first, fight the heart first, and fightthe Army second". Zhuge Liang adopted this suggestion, and captured and releasedMeng Huo seven times, which had a soothing effect. Leniency and strictness arethe focus of Zhuge Liangs Dafa Zhengshu. After Zhuge Liang helped Liu Bei toestablish his political power in Shu, he carried out severe rule of law andcarried out various reforms in accordance with the situation of "Liu Zhang wasweak in the dark, and the punishment was not severe" and "the local people ofShu were in a state of dictatorship". At that time, the prefect of Sichuanthought Zhuge Liangs "criminal law was severe" and suggested Zhuge Liangs"punishment should be relaxed" according to Liu Bangs lenient punishment whenhe entered Sichuan. Zhuge Liang analyzed the history and wrote the book of replyto the law according to the situation. He pointed out that according to theactual situation, we cant copy the lenient punishment of the people of Sichuan,and advocated that the rule of law should be strictly implemented according tothe situation of Yizhou at that time. Lianwen spoke highly of Zhuge Liang andemphasized the importance of judging the situation. This couplet isthought-provoking and full of profound and vivid dialectic thoughts of unity ofopposites, such as positive and negative, leniency and strictness, harmony andwar, cultural administration and martial arts. Therefore, Mao Zedong highlypraised this couplet and praised it as a thought-provoking "administrativechapter" and "public security policy".

Now, lets take a look at Sangu temple. The couplet of "two watches rewardthree looks, a pair of feet for thousands of years" is hung on the gate post ofSangu temple. In the temple, the cypress stands upright, the grass is as greenas fungus, the courtyard is vast and deep, and the surrounding walls are coveredwith inscriptions, which is known as "stele wall". In the hall, there are goldstatues of Guan Yu and Zhang Fei. Guan Yu has red face and Phoenix eyes. He hasbeautiful beard and chest. He is calm and relaxed. He is majestic. Zhang Feisface is dark. He has leopard head and eyes. He has swallow jaw and tiger beard.He is impatient. When it comes to Zhang Fei, he is not a politician. He is notas far sighted as Liu Bei. He does not see the value of Zhuge Liang. When helooked at the hut, he didnt see Kong Ming. He said, "since I didnt see him, Iwill go back." He didnt complain. His performance was fair and reasonable. WhenLiu Bei was ready for the second visit, Zhang Fei said, "measure a villager. Whyshould my elder brother go by himself? He can be called here." Liu Beiscriticism

这里就是秦兵马俑了。秦兵马俑是秦始皇的陪葬坑。在今西安市临潼区东约5千米去，大家应该知道陵都都看风水吧？正因为它南依骊山，北临渭水，所以它风景特别的秀丽。看！秦兵马俑类型众多，多么像一座丰富的地下文物宝库呀！你们相信吗？秦兵马俑的武器虽然在土里已有两千多年，但依然刃锋锐利，闪闪发光。可说是历史上的奇迹。游客常说：“不看金字塔，不算到埃及；不看兵马俑，不算到中国。”不知你们是否有同感？

大家请看兵马俑！那个是将军俑，将军俑很强壮，头戴鹖冠，身穿铠甲，手握利剑，若有所思，好像在设计战斗方案。

这个是武士俑，他们身着铠甲，手拿武器，好像随时准备战斗。

这个是骑兵俑，身穿短甲，拿着弓箭，好像正在准备上马冲杀。

旁边是陶马，陶马全身丰满的肌肉，那兴奋地样子，好像要散开四腿，踏上征程。

世界上有了七大奇迹，秦兵马俑的发现，可算是八大奇迹！

Junction of the Yangtze river and wujiang river within the territory of chongqing is an ancient city, the country make a fuling. In ancient times known as is located in north latitude 29 ° 43 , longitude 107 ° 24 . Total length of 1600 meters, 10 to 15 meters wide, stretching from west to east, show a glyph parallel to the river. Water level elevation 81 meters, 137 beam ridge above the lowest water level 2 meters, 30 meters below the highest water level. 100 meters from south of the Yangtze river, stands at the junction of the Yangtze river and wujiang river in the east. Since the tang dynasty at more than 1200 years of over 170 words inscribed copy engraved on it, this is the famous built inscribed copy.

Built, why the poetic name, although opinions vary, but are associated with a person called er Zhu Tong micro. According to legend, when the northern wei dynasty, er Zhu Tong reluctant to usurp the throne and cousin, Zhu Rong confluence, abandoned the family, as, number, zhu reality. , zhu, an city, to close state, proud satrap. The satrap anger, will cage zhu jiang. Bamboo cage is not heavy, but, down the river to crane fucheng states gathered Shi Liang, encounter a fisherman for network and white stone. , zhu is a deep sleep, fishermans long should not be, qing fang su, hence to alter ego. Fisherman still cloth net, canoe, Zhu Jixu fix true blast; Knee is relatively late chat, tired foot LAN rivers dream. Bamboo flute fishermans song, copper qing scripture, each had its interest, a special love between both sides. Day, take Dan zhu with baishi fisherman and alcoholic drink, drunk after, take the fairy to crane. Built so named.

Built in tang dynasty inscribed copy the beginning moment GuangDe first year (AD 763), the existing 165 segments, 30000 words, 18 stone fish tail, 1, 2 statue of guanyin, crane, which involves the value of the hydrological 108 period, is the worlds only be sharpening the fish as the "water mark", ancient hydrological stations and observation records of hydrology. In the Yangtze river in China than in 1865 set up the first draft - wuhan jianghan shut hydrologic water level observation records 1100 years earlier, so the first ancient hydrological station of the world ".

According to the relevant departments of the observation, built in the tang dynasty stone fish belly, roughly equivalent to fuling district of modern the average of the calendar year low water level, and 24 years of the reign of emperor kangxi burring fish fish eye height, and roughly the same familiar channel department of the local water level zero. In August 1988, published by the state council as one of national key cultural relics protection units.

20xx by the state administration of cultural heritage in the Chinese world heritage tentative list. 175 meters after the impoundment of the three gorges dam, built inscribed copy will always drown in nearly 40 m recently. From central to local leaders at all levels attach great importance to built inscribed copy protection work, to built inscribed copy protection or not, is directly related to the world that the key to whether the three gorges project belongs to the civilization construction. Built protection engineering has produced a total of seven protection plan, more than 10 member of Chinese academy of engineering, academy of sciences has participated in the built in the evaluation of protection scheme. After 10 years of repeated proof, according to the international "Venice charter" in mobile give priority to the principle of protection of cultural relics in situ, 20xx countries have adopted the academy of engineering ge XiuRun offered to "no pressure vessel" way of protection, creatively built the worlds only built with a depth of 40 meters underwater museum. Built the site protection underwater engineering is first of the four cultural relics protection project of three gorges project. Built to protect the project started in 20xx to build, officially opened on May 18, 20xx, the first prize of science and technology innovation by state administration of cultural heritage, and a total investment of about 200 million yuan.

Built underwater museum in April 20xx during the first three gorges international tourism festival official trial opening to the outside world.

Chengdu, the capital of Sichuan Province, was designated by the StateCouncil as the center of science and technology, commerce, finance,transportation and communication in Southwest China in 1993. It has the largestnumber of foreign consulates and the largest number of international routes. In20__, it was approved by the State Council and upgraded to an important nationalhigh-tech industrial base, business logistics center and comprehensivetransportation hub, and an important central city in the western region.

Chengdu is located in the west of Sichuan Basin and the hinterland ofChengdu Plain. It is adjacent to Deyang and Ziyang in the East, Yaan and ABA inthe West and Meishan in the south. Chengdu has 10 districts and 5 counties,including Jinjiang District, and 4 county-level cities. By the end of 20__, thebuilt-up area of Chengdu City was 604.1 square kilometers, with a permanentresident population of 14.428 million.

Chengdu is "one of the first batch of national famous historical andcultural cities" and "the best tourist city in China", with a history of morethan 3000 years. It has many places of interest and cultural landscapes, such asDujiangyan, Wuhou Temple, Dufu thatched cottage, Jinsha site, Ming Shumausoleum, Wangjiang tower, Qingyang palace, etc.

The 22nd plenary session of the United Nations World Tourism Organizationwill be held in 20__, and the 22nd world route development conference will beheld in Chengdu in 20__.

Hello, fellow passengers. Im the tour guide responsible for explaining toyou. You can call me Xiao Fan. First of all, thank you and welcome you for thistour. Ill serve you sincerely and let you have a wonderful and unforgettableexperience. Before starting this tour, Id like to briefly introduce Baiheliangto you.

Baiheliang is located on the Bank of the Yangtze River in the center ofFuling District, Chongqing. It is a national key cultural relic protection unit.It is a historical and cultural cultural cultural scenic spot. It is a naturalrocky and sandy stone beam in the vast river water. It extends from the west tothe East, parallel to the river, with a slope of 14.5 degrees to the center ofthe river. It submerges in the river all the year round. Only at the turn ofwinter and spring each year, when the water level is low, part of it will comeout of the water. There are more than 160 stone inscriptions on the beam (someinscriptions are submerged in the water). The calligraphy of the inscriptions ishighly accomplished and the carving is exquisite. However, due to the high waterstorage of the Three Gorges, an underwater museum was built to protect theinscriptions. It was started in February 20__ and completed at the end of20__.

Baiheliang was called baziliang in ancient times. There is a saying aboutthe origin of his name, because the white crane group gathered on the beam, itwas named Baiheliang,. There is also a beautiful legend about Baiheliang. Asearly as the Northern Wei Dynasty, there was a Hezhou (now Hechuan) man namedErzhu who was an official in the imperial court. Because he lost the throne withhis brother, he hated the emperors evil identity and decided to abandon hisofficial position and go to folk Alchemy to sell in Hezhou. Erzhus Dan wasfinally bought by the state officials, and the price was increased by 10 times.After finding out the details, Houzhou official was very angry. He stabbed Erzhuto death with his sword and threw the corpse into Jialing River in a bamboobasket. Because Erzhu daogao was able to bring the dead back to life, he driftedto the edge of Fuzhou City on the Yangtze River like a sleepwalker after hisdeath. Fortunately, a fisherman found him, rescued him and put him on the stonebeam to guard him. The next day, he was awakened by the roaring bell from FuzhouCity. He was very grateful to the fishermen, so he gave him the elixir, and theybecame brothers from then on. After drinking, he walked hand in hand on thestone beam and told his life experience. One day, a silver crane came to thebeam and lifted Er Zhus camel to the sky. There was no trace of pengque.

Although its a legend, its still more mysterious. It is a natural stonebeam in the Yangtze River in Fuling City, 1600 meters long and 15 meters wide onaverage. Since the first year of Guangde in Tang Dynasty, many poems andpatterns and low water level of the Yangtze River have been inscribed on thestone beams. It has a history of more than 1200 years. It is known as "theworlds first ancient hydrological station" and "underwater forest of Steles".The stone fish carved on the stone is the symbol of ancient hydrologicalobservation, and the inscription on the stone is the record of ancienthydrological observation, which is an extremely important hydrologicalhistorical data. Its inscriptions and images record the historical low waterlevel of 72 years in more than 1200 years, which is of great historical valuefor the study of low water law, shipping and production in the middle and upperreaches of the Yangtze River. At the International Conference on hydrology heldin Paris in 1974, the Chinese delegation submitted a report entitled"inscription on Fuling stone fish" to the conference, and the scientific valueof Baiheliang was recognized by the world. On Baiheliang, there are many poemsand inscriptions written by Huang Tingjian, Zhu Xi, Pang Gongsun, Zhu ang, WangShizhen and other poets in the past dynasties. Seal, official script, line andgrass are all available. Yan, Liu, Huang and Su are presented together. Thereare also low relief, deep relief, line carving, ah pattern, lace, etc One of theworlds underwater wonders.

Due to the construction of the Three Gorges project, the inscription onBaiheliang, which is located under the submerged water level, will sink at thebottom of the river forever. In order to protect this underwater treasure, theunderwater protection project of Baiheliang inscription was approved by theState Administration of cultural relics to build an underwater Museum. Theproject consists of four parts: "underwater Museum", "connecting trafficcorridor", "underwater anti-collision pier", and "on shore exhibition hall". Theengineering design of the protective cover of the underwater museum is called"dome", which is located directly above the inscription and is oval in shape tocover the whole inscription plane. There are three ways for visitors to visit:through the glass of the corridor, through the underwater camera and wearingdiving suit.

Time is like flowing water. Ill talk about the introduction before thetour. Well start the formal journey soon. Lets get ready. OK, now please comewith me and witness with your own eyes.

My hometown is in jiangxi, where beautiful scenery, the scenery pleasant, specialty is rich, is a beautiful and rich place.

In jiangxi jiujiang region, there is a danger yan stands of lushan mountain, where there is a sea of clouds five-old-man peak of sea fog, swallowing wave HanPoKou waves, steep steep dragon cliff, rapids rumble of shimen ravine waterfall, a new modified donglin temple, through the "fairy cave of yunfei, majestic Triassic springs. ... They are all with their own appearance beautiful condition attracts many tourists. As if to say: "come on, friends all over the world, we welcome you!"

Home not only mountain the United States, water is more beautiful. The dragon is the national key scenic spot, has the mystery hanging coffins, past hanging coffins hanging on a steep cliff, puzzling, thought-provoking. But the most beautiful is the water there, hill carry water, water around the mountain, we sat on a bamboo raft, enjoying the beautiful scenery, listening to the fish to play, as they say, the dragon of water bow can enjoy water, give ear to hear sound stream, stretched out his hand to touch the desire, in this, let a person find the scenery pleasing to both the eye and the mind.

Ah! I love my hometown mountain, love hometown more water. Advice I determined to study hard and make the home more beautiful, rich.

大家好,欢迎大家到秦兵马俑博物馆来参观,我是兵马俑的一名导游员,我叫devil。兵马俑博物馆一种遗址性的博物馆,是我国5A级景区之一;位于西安临潼县秦始皇陵东1.5公里处。被誉为“世界8大奇迹之一”。1974年3月29日被发掘。此发现震惊了国内外。1975年国务院批准在1号坑原址上建一座占地16300平方米的遗址保护大厅，1979年10月1日正是对外开放。随后，2号坑，3号坑相继在1989年和1994年被展出。目前展出的文物是距今2200多年的文物。除3个坑之外，还有一个综合展厅,一个环幕影院,希望大家在参观过程中玩的愉快。下面我们到一号坑参观一下。

首先，尽我所知介绍一下秦始皇吧。秦始皇名叫赢政，公元259年生，他13岁时，父亲去世后继承王位，秦代国王应在22岁举行戴冠式，即为了向天下宣布登基而加冕世传宝冠的仪式后才能独立执政。因此当时的实权掌握在一小撮阴谋家(吕不韦)手里。前238年阴谋家们为夺取政权，在赢政戴冠式的回家路上设伏兵暗杀，但以未遂而告终。其后，嬴政将阴谋家杀死，消灭了政权内部的敌对势力，巩固了自己的地位。然后，采取了“远交近攻，离间外敌”的策略，将敌各个击破，并统一了中国。于是，他结束了春秋战国以来长达520xx年的战乱时代，花了20xx年时间统一六国，建立中央集权的封建国家。

他平定六国，自封秦始皇。其后，统一全国的法律，文字，货币，度量衡，促进了封建社会经济，文化，政治，思想的发展。他的性格是刚愎自用，冷酷无情，同时还有着永不满足的欲望，全国统一以后，他在统一前表现出来的雄才大略变而为好大喜功，追求丰功伟绩变为堂皇的帝王气象的企慕。这些都表现在他无止境地奢靡挥霍，大兴土木，广筑宫室以及修建骊山陵墓上。他成为皇帝后，将秦，赵，燕三国作为防御墙分别建造的城墙连成一体，并予以扩建，建造了全长达6700公里的万里长城，有效地抵御了北方游牧民族的入侵。“万里长城”也是“世界8大奇迹之一”。

女士们、先生们：

大家好，欢迎您来清西陵观光游览，我是导游员__，旅途中您有什么意见和要求尽管提出来，我愿竭诚为您服务，我们今天的日程是这样为大家安排的：首先参观泰陵,中午到行宫就餐，下午参观崇陵。

泰 陵

清西陵是中国最后一个封建王朝—清朝的陵墓建筑群之一，位于北京西南125公里处的河北省易县境内。在800平方公里的陵区范围内，建有帝陵、后陵、妃园寝、王爷、公主、阿哥园寝等十四座，还有行宫、永福寺两处附属建筑及衙署营房遗址，品种齐全、布局合理。陵区内保存有古松一万五千余株，这些树不但美化了西陵，而且可以避免外界风沙的侵袭和热气、寒流的影响，为西陵营造了一个特别的小气候，使陵寝处于一个独立完整的自然环境之中，使这里的建筑，得以很好地保存。清西陵的历史、文化艺术价值极高，在20__年11月30日被联合国教科文组织列入了《世界遗产名录》，在20__年1月11日被国家旅游局评为首批4A景区。

清西陵中，雍正皇帝的泰陵建筑最早、规模最大，堪称首陵。这是一处清朝盛世时期遗存下来的古建群体，从它的选址、规划，布局都反映出当时国家的强盛以及政局的稳定，在建筑用料、工程技术，传统工艺等方面也都非常考究。

当代建筑学家讲，泰陵是一处典型的风水宝地的模式。站在大红门前五孔桥上环顾四周，可以看到，北面有连绵起伏的永宁山，为靠山，酷似屏障。永宁山是太行山的余脉，与东陵的昌瑞山属于同一脉系，此山从山西过来，如巨龙横卧中原;大红门两侧的东、西华盖山为天然门户;九龙、九凤山为环护左、右的低岭;南面形态端庄的元宝山，为泰陵的朝山;在中间广阔的平原上座落着泰陵辉宏壮丽，错落有致的建筑群。易水河从五孔桥下流过，形成山映于水，水扶于山的格局。“陵制与山水相称，天人合一”的宇宙观在这里充分体现出来，同时又展示出古代建筑学家巧夺天工的高超艺术。正如美国景观建筑学权威西蒙德先生所说的：“埃及人是在他自己预定的一条不能改变的需求道路上一直走到底，中国人在他的世界里独自徘徊时有友好的大自然来引导他拜谒上天和祖坟。所以没有任何一个地方，风景会真正成为建筑艺术材料。”

泰陵的建筑布局也非常考究，完全依照帝王生前所居宫廷格局，按礼制的需要而规划设计。以神道为中轴线贯穿南北，主体建筑安排在中轴线上，一律座北朝南;地宫座落在中轴线的末端，居中当阳，其余建筑沿中轴线次第排开。这些建筑都以准确的尺度，适宜的体量，斑斓的色彩，灵活巧妙的手法进行配制和空间组合，使陵寝的纪念性、礼制性主题有条不紊地展开并不断深化。

石牌坊是泰陵最具特色的建筑之一，泰陵设三架，无论是从数量还是排列形式上都独具一格。一架面南、两各东西，与北面的大红门形成一个宽敞的四合院。三架牌坊的大小、规制完全一样，均由66块大小石料，仿木卯榫结合而成，每架牌坊高12.75米，宽31.85米，为五间六柱十一楼造型，全部用巨大的青白石打造，各个部位还雕有丰富的纹饰，画面布局合理，造型生动，雕工细腻，玲珑剔透，生机盎然。这在中国历代帝王陵墓中尚属孤品。成为清西陵列入世界文化遗产最具有价值的建筑之一。

整个陵区注重对门的处理，门既可作为出入之用，也可截断空间界面。大红门是进入陵区的总门户，单檐庑殿顶，看上去质朴、凝重、敦实、稳重，视若腾龙偃卧，镇守陵前。两侧有42华里的风水墙，逶迤延展，包护陵区，愈发显出大红门的庄严气派。

具服殿独成一院，是供后代皇帝、后妃来谒陵祭祖时更换衣服的场所，沿续明代拂座殿而建，殿内有净房，类似于现在的洗手间，内有绣花墩马桶。而今为了方便游人，在净房的旁边建有一座水冲厕所。

·张家口旅游导游词 ·山海关导游词 ·秦皇岛祖山导游词 ·北戴河导游词 ·角山导游词

圣德神功碑楼是记述皇帝生平功德的主要建筑之一，俗称大碑楼，建成于1739年，花费白银十三万一千五百两。大碑楼占地5.54亩，高26.05米，四面辟门，为重檐九脊歇山顶，稳中有变，富丽典雅。它座落在方形广场的正中，四角各有一根高12米的华表相衬，使碑楼显得更加庄严、肃穆、雄伟、壮观。四根华表的柱身均用整块石料雕成，呈圆柱形，直径1.5米，周身浮雕着朵朵云团，一条巨龙于云朵间盘绕柱身扶摇而上，带有呼之欲出的动态感。华表也叫擎天柱，又称墓表。起源于远古时代，初为木质，为纳谏而设，又叫诽谤木。在陵墓神道上设华表，在西汉时期就很流行，是木质华表，石刻华表在东汉时盛行。华表装饰着象征皇权的云龙图纹，作为皇家建筑的特殊标志，衬托出主体建筑的高大，使其更加宏伟壮观。

碑楼内，矗立着两统巨大的石碑，每统碑重56.55吨，碑身阳面用满汉两种文字镌刻着雍正皇帝生前的丰功伟绩，大约五千字，这是一部给雍正歌功颂德的重要资料。

绕过碑楼，是一座七孔石拱桥，这是清西陵四十九座桥梁中最长的，长107米，宽21米。(栏板上是二十四节气望柱头，又称火焰望柱头。柱头上有二十四条阴刻线，代表二十四节气。因为有河才有桥，而河位于田野之中，大地与田野不可分，与二十四节气有一定的关系，耕种、浇灌都离不开二十四节气。)像这样巨大而完美的石桥在中国是不多见的。它对于建筑物的布局组合起着连接作用，使组合群的层次明显，过渡自然，紧凑而不松散，同时也显示出一种庄严肃穆的气氛。

走下七孔桥，可见在神路的两侧对称排列着的雕刻精美的石望柱、石狮、石象、石马、武将、文臣等五对石像生。

望柱为六角形石柱，柱身雕流云纹饰，底部为六角形的须弥座。在宋代以前，石望柱置于墓道的最前面，为主要建筑，因为明、清陵时石牌坊作为陵墓前主要建筑，所以石望柱退居次要位置，纯属装饰。

石像生是设置在陵墓前的由石人石兽组成的石雕群，来显示死者生前的地位，身份。泰陵原来并未安设石像生，乾隆登基后，认为陵寝不设石像生，与典制不符，想在此泰陵增设石像生，而臣工们(风水大师：高其悼、洪文澜)则坚持：“泰陵甬道，系随山川之形势盘旋修理，如设立石像生，不能依其丈尺，整齐安设，而甬路转旋之处，必有向背参差之所，则于风水地形，不宜安设”。所以泰陵不设石像生并非违备典制，而是与风水有关。乾隆建议将大红门，龙凤门向南展拓，于是臣工们尊旨赴现场审核了原有计划并向乾隆奏议：“大红门正在龙蟠虎踞之间，护北面随龙升这旺气，纳南面特朝环抱之水，前朝后拱，天心十道，时天造地设之门户，不便展拓向外，况石像生之设，古制未详，无大关典礼之处，似可毋庸添设”。一言九鼎的天子，面对臣工的据理力争，也无可奈何，于是在奏折上批道：“知道了”。此事不了了之。事隔几年，乾隆旧事重提，最终在1748年，大臣拗不过皇帝，在泰陵前安设了五对石像生，这样就失去了龙凤门横陈为底景的依托，而又失去了石像生拱卫迎候于门前，聚巧形而展示的效果。所以泰陵石像生在所有建筑中是一个败笔，但由于臣工们极端负责的态度与皇帝的据理力争，所以也未伤及大雅。

蜘蛛山是泰陵的案山，据刘敦祯先生讲，此山系人工所为，可这里原有一座小山，又往上放了一些施工中剩下的废料。那么案山在陵区究竟起什么作用呢?因风水讲，无朝案遮拦未免飘散生气，所以案山会使陵区生气发越。

通向宝顶的引导大道—神道在里突然拐弯，是因为中国古建筑讲：贵含蓄，忌直接。

后面的建筑不能直接尽收眼底，应该慢慢展开，所以当我们漫步于弯弯曲曲的神道上，就好像置身于意向深远的空间环境氛围之中。

龙凤门是一座雍容华贵的建筑，为庑殿顶火焰式石牌坊柱门，黄色琉璃瓦的看面墙，墙下有宽厚敦实的洁白色须弥座，构成丰富细致，色彩斑澜、华丽富贵的形体，整座龙凤门充满了动势。高低错落的轮廓线，挺拔的石柱上雕刻云板、云墩和蹲龙，横直如矢的大小额坊和顶部火焰宝珠，看面墙上云纹腾龙的花心和岔角牡丹花叶，墙顶蓝绿色三彩斗拱所撑托的金色琉璃庑殿顶等等，都给人以丰富多彩，引人入胜的感受。龙凤门的近形风姿与远视气魄巧妙溶汇，相登相生，出神入化，给人以丰富的视觉艺术感受，不愧是古代哲匠的精心杰作。

三孔桥虽没有七孔桥那么宏大，但工匠师们都把它建造的小巧玲珑，优美动人，将两侧的栏板用优雅的券形曲线组合。站在三孔桥上驻足观看，陵寝宫殿群在紫色的永宁山衬托下，同时向东西两翼逶迤延展，把一种统一性的内涵，一种非同凡响的稳重、宁静、庄严肃穆的气氛，充分体现出来。

三路九孔桥并肩横跨于最后一座马槽沟上，除自然形成的三条河以外，后两道是人工开凿而成，山陵环境质量的完善非常注重对水的处理。水对于大地来说为血脉，能够造就大自然的钟灵毓秀，使生气发越;水还可以界分空间，形成丰富的空间层次及谐和的环境组合，而且山水相得如方圆中之规矩，山水相济如堂室之门户。因此陵区所有随桥泊岸，酌量地势修理，不使浸湿地宫;修筑堤坎，而且也使水流弯环，免其激射有声，破坏宁静的山陵气氛。所以马槽沟弯如飘带，柔如轻纱，造成“来宜曲水向我，去宜盘旋顾恋”的水势。充分体现出水对帝穴的留恋之情。所以陵区一山一水皆有义，一草一木总关情。

神厨库是座东朝西的小院，内建神厨。神库和省牲亭等建筑，是祭祀时制作和存放各种肉食品的地方。

神道碑亭又称小碑楼，内矗立皇帝谥号碑，重檐歇山，黄色琉璃瓦覆顶，四角翘飞，形式与大碑楼相仿，但规模缩减了二分之一左右。内竖一统石碑，用满、汉、蒙三种文字刻写着雍正皇帝谥号。

东、西朝房是为祭祀准备奶茶和瓜果的地方，又叫茶膳房，是根据关外奶房，果房的遗制而制造的。

东、西班房均为布瓦卷棚顶，为值班房，也叫守护房。清代皇帝继位之后，便大兴土木，耗费大量的人力、物力、财力为之修陵筑墓。因而皇陵的保护便成为重要任务，这一任务由深受皇帝信任的八旗兵来担负。他们采用换班的方法沿着陵院外的更道昼夜巡逻。如阴雨天气可在值班房内躲避休息。

隆恩门是进入宫殿区的门户，是整个陵寝组合群引导建筑的结束与主体建筑的开始。两侧是宽厚高大的朱红围墙，把宫殿区的所有建筑包围起来，使其形成结构严谨的两层院落。

焚帛炉，又叫燎炉，是为皇帝祭祀时焚烧五色纸和金银锞的地方。炉高4米，单檐歇山顶，周身用黄琉璃瓦构件制成，炉基为须弥座。炉内四壁及上下均为铁板，下面是三个铁槽，顶部两角各有一出烟孔，底座下部两侧各有一扒灰口。整座建筑比例适中，色调合协，雍容华贵，精巧秀致。

东配殿是存放祝板和制帛的地方，同时又是临时存放神牌的地方。每当大修隆恩殿时，帝、后的神牌就移到这里安放，在维修期间如遇上祭祀，也在此进行。西配殿则是喇嘛念经的地方，每当帝、后忌辰大祭之日，由永福寺派十三名喇嘛到此念经，为死去的皇帝超度亡灵。

正面的隆恩殿是陵寝地面建筑中最重要的建筑，为祭祀的主要场所。整座建筑建在巨大的汉白玉基座上，面阔五间、进深三间，重檐歇山式建筑，黄色琉璃瓦盖顶，显得庄严肃穆。其建筑结构非常牢固，所有的木件全部采用卯榫对接形式，梁、柱、檀、椽结合不死板禁锢，有灵活移动的余地，具有很强的防震功能。在发生强烈地震时，榫卯之间具有活动性能，将外部力量缓冲分解，震后仍可恢复原位。因此雍正八年以来的多次地震和一九七六年的唐山大地震，都没使清西陵的大木结构受到显著破坏，充分显示了中国古代工匠高超的建筑水平。

三座门也叫琉璃花门，中门比较高大，两侧墙上有琉璃岔角花和中心花，檐端用琉璃斗拱装饰。这种门占地面积较小，看上去显得较厚重，图案丰富，雍容华贵，具有很好的艺术效果。而且材料非常坚硬，耐高湿，有一劳永逸之功效。两侧分别接卡墙。阻隔南北，使宫殿区形成两层院落。清代建筑学家，不仅注重陵区单体建筑的形象与外观，而且更注重了它们之间的关系，组群布局发展到了登峰造极的地步，这种组群布局的实现依靠门户和墙体，将各单体建筑有效地组合分割，形成一个个院落，并将院落形成复杂的整体给人“庭院深深深几许”的意境。

二柱门横跨神道，石柱上架额坊，建筑形式为斗拱夹山顶。作为方城明楼的屏障。清朝前五代皇帝陵寝都在三座门以后建二柱门，自道光以后则裁撤，因为建筑中缩短了三座门与方城明楼之间的距离。

石五供是一组象征永久性祭祀的供品。基座是由三块巨石雕成的须弥座，这是我国传统建筑的台基样式，上面刻有八仙、八宝、八卦、琴棋书画等图案，所有这些都象征着吉祥如意，对研究中国古代的雕刻艺术有很好的参考价值。明楼属于纪念性的建筑物，高高地耸立在方城之上，使人置身于仰崇桥山的氛围之中，它与朱红色的墙体、金黄色的瓦顶与湛蓝的天空构成了一幅绚丽的画卷。

当我们踏上明楼在向南方远眺时，心中升起一种无比自豪的感觉。正前方五里之外的东西华盖山，九龙九凤山形成的自然门户，郁郁葱葱的古松树弥漫于30里内外，座座殿宇、桥梁、门房、树木山川疏密相间，错落有致，气势北京的故宫、颐和园、承德的避暑山庄，明十三陵大有过之无不及。清陵在中国建筑史上留下了辉煌的一页，是中华民族的骄傲，是世界人民的骄傲，所以英国著名科学家里约瑟说：“皇陵在中国建筑制式上是一重大成就，它整个图案的内容也许就是整个建筑部分与风景艺术相结合的最伟大的例子”。雍正在选定易州境内天平峪时，说这里是：“乾坤聚秀之区，阴阳合会之所，龙穴砂石，无美不收，形势理气，诸吉咸备”的风水宝地。而历经180年，十四座陵寝完工以后，自然景观又加之人文景观，就形成了：“山自太行来，巍峨耸拔，脉秀力丰，峻岭崇岗，远拱于外，灵岩翠岫，环卫其间，迄下山岗无数，如手之有指，每两岗之平坦开拓处诸陵在焉，花之瓣，笋之箨，层层包护”，的人间胜境，是“龙蟠风翥，源远流长，左右回环，前后拱卫，实如金城玉笋的秀美风光”。

朋友们，到次为止，西陵的参观就告一段落，谢谢大家的合作，请您留下宝贵的意见，真诚的欢迎您的再次光临，祝大家归途愉快，再见!

昌 陵

昌陵位于泰陵西侧1公里处，葬有嘉庆皇帝和孝淑睿皇后，自1796年开始修建到1803年峻工，距今已有190多年的历史。

昌陵是东、西陵中较有特色的一座，是研究清代陵寝制度不可多得的实物见证。在清代所有陵寝中昌陵是唯一一处由太上皇选定的陵址。1796年，乾隆在当满了60年皇帝之后，履行自己继位之初的诺言，让位于嘉庆，自己当上了名副其实的太上皇，并根据自己曾有谕旨：“嗣后吉地，各依昭穆次序;在东、西陵界内分建”。把自己在泰陵西侧1公里处选定的陵址赐给了儿子嘉庆。这对嘉庆来说是一种莫大的殊荣，同时也体现出太上皇的威严。

嘉庆皇帝是清朝入关后第五代皇帝，为乾隆的第十五子，37岁继承皇帝位，但仍由乾隆皇帝训政。嘉庆四年，太上皇驾崩，此时40岁的嘉庆才有了实权，而大清帝国也已从鼎盛的巅峰跌落下来，开始走下坡路。当时清王朝已危机四伏，内创累累。嘉庆皇帝在这种情况下，能够励精图治，革除弊政，全力维持祖宗留下的基业。但却墨守成规，遵循守旧，所以一生中没有什么特殊的政绩，昌陵正是在这样的背景下建造起来的。

尽管如此，昌陵的建筑规模与规制仍能与泰陵相媲美，除没有石牌坊、大红门、具服殿和七孔桥外，其它建筑的种类与式样均等同。而宝顶比泰陵宝顶还要高出数尺，圣德神功碑楼与隆恩殿也比泰陵的更为壮观。

昌陵隆恩殿的地面更独具特色，全部采用珍贵的紫花石铺墁。紫花石，产于河南，每块62厘米见方，呈正方形，磨光烫蜡，不滑不涩，缝细如线，平亮如砥，石面呈黄色，缀以天然形成的紫色花纹图案。其状如竹笋、似春蚕、若芙蓉、像绒球，千姿百态，在阳光照耀下，似满堂宝石，熠熠生辉，令人叹为观止，所以昌陵有“满堂宝石”之称。

隆恩殿内东暖阁的佛楼仍保持着当初的模样，其它各帝陵隆恩殿的佛楼，经过战争的毁坏，只剩下空间，唯独这座佛楼至今整体完好。佛楼分下、下两层，上层有木雕垂花，精湛优美，涂金闪亮;下层有木制边饰，朱红底色，鲜丽耀眼。按清代建陵规制，东暖阁均为佛楼，佛龛里供奉着金、银、玉、翠的佛像。

据现存的“雷氏图纸”中考证，昌陵地宫结构比泰陵还要宏大，雕刻也十分精美，为“四门九券”，且有佛像经文雕刻。与现已开放的清东陵境内乾隆的裕陵地宫规模装饰相近。而裕陵地宫为现已考证的清帝陵地宫中最为壮观、珍贵的一座，既是一座不可多得的石雕艺术宝库，又是一座庄严肃穆的地下佛堂。同样昌陵地宫也具有诱人的魅力，券顶外的宝顶封土内也有石雕，其结构造型与陵寝宫殿的瓦脊、勾滴等相同，先按地面建筑的要求营造好地宫，然后再覆土掩埋。形成清代皇帝陵寝地宫结构中独具特色的风格。

慕 陵

慕陵位于陵区的最西端，始建于一八三一年，完工于一八三五年，内葬道光皇帝及孝穆、孝全、孝慎三个皇后。慕陵建筑面积虽没有泰陵那样广阔，建筑也不如泰陵那样宏伟，布局更不如泰陵那样完善，但它那别出新裁的设计以及独特的建筑手法，却成为清代帝王陵寝中绝无仅有的艺术珍品。

按照乾隆开创的父、子分葬，选定东、西的“兆葬之制”，道光皇帝应该在清东陵境内选选址建陵，所以道光于1821年即位后，花费了七年的时间在东陵的宝华峪营建了陵墓，但后因施工质量问题，造成地宫浸水。于是道光皇帝便下令拆掉原陵，又于1831年来西陵祭祖之际亲自选定了一块高平之地—龙泉峪作为自己的万年吉地，第二次营建了陵墓。

这次建陵，道光皇帝一改其它帝陵的建筑特点，裁撤了石像生、圣德神功碑楼、方城明楼等项建筑，而且主体建筑的三大殿全部采用昂贵的金丝楠木制作，不施彩绘，保持了木本色。外面烫蜡。虽看起来不是那么富丽堂皇，但却赋予人们古朴，典雅的感觉。最令人惊叹的是在三座殿的门窗膈扇、梁柱、雀替、天花、藻井上布满了形态各异的木雕龙，尤其天花板上都以高浮雕的手法制成向下府视的龙头，有的地方还采用高出平面半尺有余的透雕手法。走进殿内，举目上望，但见龙头济口，张口鼓腮，栩栩如生。整个雕刻构思严谨，线条流畅，刀法娴熟，制作精巧，形象生动，充满着详和气氛，成为稀世珍品。使人仿佛来到了一座雕龙博物馆，难怪有人说：“慕陵是座雕刻艺术的殿堂”。

隆恩殿后面的三座门由一架天然汉白玉石牌坊代替，牌坊正中刻有“慕陵”二字，背面刻有道光皇帝亲笔诛谕：“敬瞻东北，永慕无穷，云山密尔。呜呼!其慕与慕也”。依清朝规制，帝、后陵名一般由后继皇帝钦定，但是慕陵名称却是道光皇帝生前亲自默定。道光十五年，他来西陵谒陵，顺便阅视了正在修建的陵寝工程，并赴隆恩殿至孝穆、孝慎梓宫前奠酒，而后立于月台上，仰望东北方感慨地写下了这道诛谕。道光驾崩后，咸丰即位，重读诛谕，见“其慕与慕也”一句，便心领神会，于是立刻命雕工把“慕陵”二字雕于牌坊之上。

无论从规划布局，还是建筑风格方面，慕陵处处体它的独到之处，成为清朝入关后皇帝陵寝建筑中的珍品。

崇 陵

崇陵是中国封建皇帝最后一座陵墓，始建于1909年，完工于1915年，内葬光绪皇帝和孝定景皇后。

崇陵工程是在光绪皇帝死后第二年才开始修建的，这与清朝建陵典制完全不符，大清皇帝在承袭了明代陵墓制度的同时，又不断完善陵寝制度，不仅活着的时候讲究安逸奢侈，而且死后在建筑陵寝上也要表示出至高无尚的尊贵地位。所以生前就选好陵址，并建好陵墓。

据考证，崇陵陵址是在光绪十三年(1887年)选定并定陵名，但由于当时的清王朝国库空虚，外债累累，加之光绪和慈禧之间形成了尖锐的矛盾和斗争，陵寝的营建就不可能了。直到1909年，光绪死后第二年，崇陵工程才开始动工修建，其间又值1911年辛亥革命爆发，工程被迫停止。1912年，末代皇帝溥仪向民国宣布退位时，向民国政府提出了八项优待皇室条件，其中第五条要求：“德宗崇陵未完工程，如制妥修。其奉安典礼仍如旧制，所有实用经费均由中华民国支付”。1913年春，民国政府根据这一条件，经协商之后立即拨款，并于1915年全部完工。

崇陵在建筑规模上比其它帝陵均小，没有大碑楼、石像生、二柱门等项建筑，但基本上沿袭了明、清两朝的陵寝制度，并集清代各陵的建筑经验于一体，采用先进的建筑技术，用料考究，主要建筑的三大殿全部采用质地坚硬的铜藻、铁藻木料构成，素有“铜梁铁柱”之称。隆恩殿内的四根明柱采用沥粉贴金盘龙装饰，为皇帝陵中的独到之处。檐下增设了通风孔，可使殿内空气流通，以防木料腐朽。就其建筑群体而论，设有较完备的排水系统，宫殿四角设有散水坡，便于雨水的排放。明楼与三座门前分别挖砌了御带河，地宫内凿有十四个漏水眼与之相通，为地宫排水之用。

崇陵虽建于清末民初，但建筑规制仍宏伟壮观。在众多的建筑物中，地宫工程最为浩大，崇陵地宫如同其它帝陵的地宫一样，为拱券式石结构建筑，共有四门九券。墓道全长63.19米，面积349.95米，空间2170.65立方米。四道石门是地宫的重要组成部分，每扇石门上浮雕菩萨立像一尊，佛像大小与真人差不多，各个头戴佛冠，身披伽裟，足蹬莲花座，手持法器，分别代表力量、智慧、愿望、富贵等。过了四道门便是地宫九券中最大的一个券—金券，这里是地宫的主体建筑，高大宽敝，内有宝床，上面安放着皇帝、皇后的梓宫。

1938年，一伙不明身份的军人盗掘了崇陵地宫，1980年由政府将其清理并对外开放。虽然崇陵地宫没有乾隆的裕陵地宫那样规模宏大，雕刻精美，但它却成为研究晚清皇帝陵寝地宫规制的实物见证。

昌西陵

在清西陵境内共有三座皇后陵，分别为泰东陵、昌西陵和慕东陵，其中泰东陵，无论从规模、规制上都是清代后陵中的姣姣者，而昌西陵在这些方面却无法与之媲美，但它却形成了自己独到的建筑风格。在中国古建筑中只有两处回音壁，一处是天坛，而另一处以是昌西陵。

昌西陵始建于1851年，完工于1853年，内葬嘉庆的孝和睿皇后，清朝从康熙初期开始，皇后薨于皇帝之后，便另选陵址，不再合葬帝陵地宫，而且陵寝不再另立陵名，而按皇帝陵寝所处方位而定，因其陵寝在昌陵西侧，所以定陵名为昌西陵。

与其它皇后陵寝比起来，昌西陵的规制大为缩减。主要裁撤了方城明楼，缩减了隆恩殿和配殿的规制，隆恩殿由重檐歇山顶，面阔五间，改为单檐歇山，面阔五间，并裁撤了大殿及月台周围的石栏杆，不设丹陛石，配殿由五间改为三间。隆恩门也由五间改为三间，陵寝门的两个角门由带门楼改为随墙门，与妃园寝的园寝门一样。

尽管昌西陵规制大为缩减，较前代皇后陵大为逊色，但也有其独特和值得称道的地方。

昌西陵有回音壁。和其它陵寝一样，昌西陵后围墙也是弧形墙在陵寝建筑中叫罗圈墙，就可听到很大的回声，其形式和原理与北京天坛的回音壁一样，因此人们把昌西陵的罗圈墙也称作回音壁。

除回音壁以外，这里还有一块回音石，那就是宝顶前面倒数第七块条石。站在这块石头上讲话，就能听到比原声大十倍或数十倍的回声，所以人们称它为回音石，这种奇特的回音壁和回音石现象的出现，是声学原理和古代建筑形式的巧合。声波的波长肯定小于围墙半径，声波以束状沿墙连续反射前进，使声音像打电话般清晰地传到对方耳中。

正是由于昌西陵的独到的建筑风格，使它对游人产生了无可替代的魅力，同时也对研究古代建筑提供了不可多得的实物例证。

不难看出，清西陵是一部清朝历史的写照，体现了中国历代帝王陵寝的最高水准，更是一部精美的艺术杰作，座座陵寝都反映出清朝的历史文化，建筑文化，生态文化和风水文化。成为自然环境与陵寝建筑相结合的最伟大的例子。

朋友们，我们今天的旅游到此结束了，谢谢大家的合作，请您留下宝贵的意见，真诚的欢迎您的再次光临，祝大家归途愉快，再见!

St. laorenzo church, known as Fengshun church, is one of the three oldestchurches in Macao. It is located in fengshuntang street, just opposite to MacauCiyou middle school. The actual construction year is unpredictable, butaccording to historical records, it is estimated that the church was a woodenchapel founded by Jesuits around 1569. According to the inscriptions on one ofthe stone inscriptions in the church, it was first rebuilt in 1618. As for thescale of the church, it was rebuilt in 1844.

When St. laorenzo church was built in the early years, because it was closeto the wharf, there was a flag pole in the church, which was an importantindicator for Portuguese to decide whether to go to sea or not. "A brief accountof Macao" states: "in the southwest, there is Fengxin temple. Since the Tibetanships came out, the family members came back every day and prayed for Fengxinhere." Therefore, this church is also commonly known as "fengxintang". Later,because of the homonym of "Xin" and "Shun" in Cantonese, perhaps to pray forgood weather, "Feng Xin" became "Feng Shun", and "Feng Shun Tang Street" and"Feng Shun Tang district" got their names. Different from the rose church andSt. Josephs Chapel, St. laorenzos building is towering and imposing. TheEuropean classical style has a baroque flavor. Because the whole building is notlocated in the square (front ground), or out of the position of a certainsection of scenery, in order to highlight the existence of the whole church andserve as the center of a residential area, a high platform with nearly one flooris added below the church to make it more upright and conspicuous. And theprocess of the faithful men and women climbing up the ladder has become a kindof ceremony before they enter the church to worship. Another difference from thefirst two churches is that St. laorenzo church covers a large area, so there isa large courtyard around the church. The courtyard is full of vibrant plants,and it is separated from the residential buildings nearby in space and vision.Therefore, the entrance to the church basically focuses on the building itself,the surrounding plants and the blue sky There is no earthly noise, quiet andpleasant.

Many years ago, Fengshun hall was called Fengxin hall among Chinese people,which means Shunfeng Shunshui. Most of the Portuguese who lived in Australiamade a living by going to sea for business. Their families prayed for the safereturn of their relatives more than this church, hoping for the protection ofthe gods. The hyacinth flagpole set up in the church provided an important indexfor the Portuguese sailing boats which were mainly driven by wind at that time."Fengshun" is the Cantonese homonym of "Fengxin", which makes the church moreChinese.

The Fengshun hall was established as early as 1569, during which it wasrebuilt several times, including one in 1618. The old church was decorated in1979, which added to its splendor. Church design, magnificent, left and rightbell tower and Qi, one is a clock, used to tell the time; one is a bronze bell,used for church mass shaking roar. The roof of the church is covered withChinese style golden tiles, and the interior decoration is full of Orientalcolor and elegant. The hall is spacious and magnificent, with huge beams andexquisite chandeliers, which is quite luxurious and grand.

In the altar, there is a statue of Saint laorenzo, wearing gorgeous robes,holding the Bible in one hand and the staff in the other. It is solemn andsolemn. In the eyes of Portuguese who often sail, it is the God of peace andgood faith.

The church is not far away from the temple of mage. However, in the shortdistance, we can see the echo of Portuguese maritime patron and Chinese sea god,witness the collision and integration of Western and Chinese culture, andappreciate the tolerance of Macao people to different cultures.

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下

龙潭景区坐落在井冈山北面，黄洋界南麓，距茨坪7公里。这是一个以群瀑集聚为显著特色的景区，素有“五潭十八瀑”之称。主要游览景点有：龙潭、金狮面、小井红军医院、小井红军伤病员殉难处等。“五潭十八瀑”潭潭无俗水，瀑瀑似神女，随景畅想曲，千姿心中意。

龙潭景区坐落在井冈山北面，黄洋界南麓，距茨坪7公里。这是一个以群瀑集聚为显著特色的景区，素有“五潭十八瀑”之称。主要游览景点有：龙潭、金狮面、小井红军医院、小井红军伤病员殉难处等。“五潭十八瀑”潭潭无俗水，瀑瀑似神女，随景畅想曲，千姿心中意。揽云台，将云彩怀抱，似蓬莱天台。这里悬岩峭壁，常年云腾雾绕，称为揽云台。往峡谷中观看，可见“思远”而字，嶙峋石壁如抓，称为“龙爪”，古树奇花缀满山谷，令人生出奇险之感。丛林之中，羞藏小家碧玉。碧玉潭的瀑布水从小井山涧五神河溪水飞流直下，犹如一条白练凌空垂挂，喷珠吐玉，气势磅礴。瀑布跌水高近70米，崖壁中段褶皱，酷似一观音坐在蓬花上，在帘中沐浴;又似一座观音坐莲，侧左身双手捧着净水瓶将甘露洒向人间。这是井冈山最壮观的瀑布之一。

大珠小珠落玉潭。第三潭叫珍珠潭。瀑布从高空倾泻而下，落差30余米，激起潭面水花四射，如同串串珍珠，在阳光下闪灼耀眼，美丽无比。五龙潭和金狮面两个景区组成，是以自然与人文景观相结合的景区。五神河是龙潭“五潭十八瀑”的源泉。溪水冲击小井峡谷后，陡然跌落绝壁之下，又连续飞下四级断崖，形成梯状的五个气势磅礴的瀑布和深潭，这就是碧玉、金锁、珍珠、飞凤、仙女等五潭五瀑。

临龙潭，观海台，“日月之行，若出其中;星汉灿烂，若出其里。”进入景区约一百米，但见一块三面凌空的巨石伸向半空，称为“观海台”或观景台。一眼望去，有如碧海，时有山岚云霭布满山谷。旁有巨石如鹰，称为鹰嘴岩，酷似雄鹰展翅飞向大海。

锁龙潭又称金锁潭，金锁潭的瀑布掩映在深邃的幽谷和杜鹊林中，水声谙哑，碧水泱泱，汀芷竞秀，委婉动人，好似未出阁的龙女锁在深闺，羞于见人，特别耐人寻味。

将云彩怀抱，似蓬莱天台。这里悬岩峭壁，常年云腾雾绕，称为揽云台。往峡谷中观看，可见“思远”而字，嶙峋石壁如抓，称为“龙爪”，古树奇花缀满山谷，令人生出奇险之感。

各位朋友下午好!今天，就由我带领大家参观举世闻名的秦兵马俑。

进入景区之前，先让我给大家简单地介绍一下秦兵马俑。

秦兵马俑是世界第八大奇迹，也是我国享誉世界的珍贵历史文物。它也位于西安市东 35公里处。它是在1974年3月西杨村农民们在打井的过程中发现的，这一发现震惊世界。法国前总理希拉克在1979年参观时说：“不看金字塔，不算真正到埃及;不看兵马俑，不算真正到中国。”美国前副总统蒙代尔也说过：“这是真正的奇迹，全世界人民都应该来看一看。”从这些话语中，我想你们都知道了秦兵马俑那威武的场面。

好，言归正传!请大家跟我来，看我右手所指的方向，那儿就是秦兵马俑，已发掘的三个俑坑，总面积达19120平方米，足有两个关足球场那么大，共有兵马俑近8000个。

最大的俑坑就是一号坑，它东西长230米，南北宽62米，总面积就有14260平方米，共有6000个兵马俑左右。瞧，多么像秦始皇当年统率的那支南征北战、所向披靡的大军啊!

请大家顺着我手指的方向看去，那边是将军俑，他们个个都昂首挺胸，为后面的军吏和士兵都做了榜样，你说哪个士兵能不听他的话?

坑里最东端是武士俑，他们分别是军队的左翼、右翼和后卫。他们都高1.8米左右，体格健壮、体态匀称，身上穿着战袍套着铠甲，脚上蹬着战靴，个个神态严峻，好像一场大战就在眼前。我左手指向那个是骑兵俑，他们身着轻装，可以便于骑马。

最奇特的还是马俑，它们都与真马一般大小，形象逼真，好像一声令下，就会撒开四蹄，踏上征程。

秦始皇已去世20xx多年了，但是，他留给世人的兵马俑永远留在人们心中。这次旅游你感觉怎样?祝大家旅途愉快!

现在我们漫步在丽江古城有名的四方街上。大家知道吗？这条古街雨季不泥泞，旱季不飞灰。看这石头上的花纹庄重雅致，与整个城市的环境非常符合。它是丽江古城的代表，位于古城的核心位置。也是缜西北地区的商业中心。四方街是一个大约一百平方米的梯形小广场，大家看脚下，我们踩在五花石铺的地上，这条街四通八达，一会儿自由活动的时候，我们可以细细游赏。

大家随着我往前走，这就是位于玉河水系上的古桥，因为从桥下中河水可看到玉龙雪山的倒影，又叫映雪桥。桥长10余米，宽近4米。桥面也是用五花石铺成的。

我们下一站将要来到的是木府。现在看到的是木府，它是1998年重新建的。重建时在付内多添了一个古城博物院。它共占地面积是46亩，坐西向东，木府里大大小小共162间。有人游览后曾评价说，“木府是凝固的丽江古乐，是当代的创世史诗”。

走出了木府，放眼看到的是福国寺五凤楼，它是云南省重点文物保护单位。它呈亚字形，楼台三叠，屋担八角，具有汉、藏、纳西民族的建筑艺术风格，是中国古代建筑中稀世珍宝和典型范例。

Dear tourists

Hello and welcome to Zhuzhou. Im your guide_

Yandi mausoleum is located in luyuanpo, Tangtian Township, 15 kilometerssouthwest of Yanling County, Hunan Province, also known as "tianzifen". EmperorYans mausoleum, the Shennong family, is a legendary tribal leader in ancienttimes, surnamed Jiang. In history, he taught the people to plant and harvestgrain, so he was called "Shennong". He also tasted herbs and invented medicine,so he was also the "God of medicine". Besides, it is also said that he used fireto benefit mankind, made musical instruments and advocated material exchange Ina word, the Shennong family of Yan Emperor is a God who is inseparable from theinvention and creation of agriculture, industry, commerce, medicine, literatureand other fields in the historical legend, so it has been greatly respected andsacrificed by the Chinese people of all dynasties. Finally, he died because hetasted the poisonous heartbroken herb and had no remedy. It was recorded inEmperor Century written by Emperor Fumi of Jin Dynasty. After his death, he wasburied in Changsha. According to Lu Shi written by Luo Mi of Song Dynasty, "theend of Changshas tea town is called Chaling" (Yanling County was divided byChaling in the Southern Song Dynasty). Ancient trees cover the surrounding areaof Yandis Mausoleum and water surrounds it. On the side of the mausoleum, thereis a "medicine washing pool", which is said to be the place where Emperor Yanwashed herbal medicine, as well as several Royal Sacrifice steles of the Mingand Qing Dynasties.

Yandi Mausoleum scenic area includes Yandi mausoleum, Yanling temple,Fengsheng temple, Chongde square, huzhenguan temple, Luyuan Pavilion,shenghuotai and other cultural landscapes, as well as Luyuan cave, longnaostone, longzhushi, xihuachi and other natural landscapes, which are allattractive places.

The mausoleum area of Yan Emperor was called "Huangshan" in ancient times,covering an area of 2.4 square kilometers. The mausoleum area is covered withgreen mountains, green water circulation, towering ancient trees, and themausoleum hall with national architectural style is brilliant, covering an areaof 3000 square meters. In 960 ad, song Taizu ascended the throne, visitedancient mausoleums all over the world, found Yan Emperor Mausoleum in Bailuyuan,and built a temple in 967. In 1950, Emperor Yans mausoleum was listed as a keycultural relic protection unit of the province. In 1954, the main hall wasburned down because of the fire of pilgrims. In June 1986, the main hall of YanEmperors mausoleum was officially rebuilt with the approval and funding ofHunan Provincial Peoples government. The rebuilt mausoleum hall is divided intofive parts: the first part is the Meridian Gate, in which there are Danlong, twocorridors on the left and right for the stele room, and the second part is theXingli Pavilion, which is an octagonal pillar Pavilion supported by eight stonepillars, with a horizontal plaque inscribed "the ancestors of the nation shineon the world" and a couplet under it saying "virtue shines on the gloriousindustry for thousands of years; great achievements are made for thousands ofgenerations"; The third entrance is the main hall, with 24 stone pillarssupporting the top of the hall. A plaque inscribed "Chinese people will neverforget their ancestors" is hung in the hall. On both sides of the hall, thecouplet says "making leidan to lay a foundation for agriculture and industry;tasting a hundred herbs to make a precedent for medicine". In the shrine of thehall, the statue of Yan Emperor Shennong is worshipped. The statue of YanEmperor is a gold body, with rice ears in his left hand and Ganoderma lucidum inhis right hand. In front of the statue is a bamboo basket containing grains andmedicinal materials. The banner of "Qi Tians ancestor" is hung on the shrine.There are couplets on both sides of the shrine, which are "the name of theuniverse; the grace of the Divine Land". The whole hall is magnificent andsolemn. The fourth entrance is the tomb Pavilion, with a stone inscription: "thetomb of Emperor Yan Shennong". The fifth entrance is the mausoleum of EmperorYan. Shennong is one of the ancestors of the Chinese nation, so the sacrifice tothe Yan Emperors mausoleum has been very solemn and grand since ancient times.According to historical records, it began to offer sacrifices to Emperor Yansmausoleum in the Tang Dynasty. In the Song Dynasty, since the founding of thetemple by Taizu of the Song Dynasty, it was set as a big sacrifice in threeyears. In the Qing Dynasty, the ceremonies were more frequent, with 41 times ofbig sacrifice alone.

Around the mausoleum hall, there is a red wall more than 10 meters high.Surrounded by a large-scale Fengsheng temple, huzhenguan temple, angel platform,Chongde square, Zaisheng Pavilion, Shiji mansion, yongfengtai and other ancientbuildings, there are Luyuan cave, Xiaqiao, pool (also known as Xiyao pool),Huangyang mountain, longzhushi and other monuments. There are also the tensceneries of Yan mausoleum. They are: the fragrant grass Pavilion (also known asthe grass Pavilion) with flowers and plants; the bank is like a dragons head,like a stone dragons bun; the clouds are misty and bleak, like autumn rain; thehaze around the pavilion is sometimes looming, like a dense haze; In spring,there are fine grasses, clusters of wild flowers, yellow and white flowers, redand purple flowers, just like Jinyin in the destination of Fangzhou springbrocade. Birds and deer in the mountains are inconstant, and sometimes silent.When sacrificing, they fly away and sing harmoniously. There are Sheng Huangsbird and deers harmonies (also known as Bailuyuan): the big camphor ishorizontal, hollow as a hole, and people can sit with a few cups to chant theempty camphor hole; There are thousands of ancient trees in Luyuan, which arestrange. There is a fir in front of the mausoleum, which is divided into twotrunks. It is surrounded by more than ten branches and leaves. After hundreds ofyears of moistening, it is called qiuzhang lingmu. In the north of themausoleum, the pool is deep and clear, and there are hundreds of scales. Everyday, the waves are warm, and the water and light match each other; As a result,the pavilion was built and engraved with a stele: Feixiang Pavilion of differenttrees (also known as Feixiang Pavilion).

The majestic palace of Yan Emperors Mausoleum and the ancient buildingsblend with the natural scenery here, and add the ten famous scenes of YanEmperors mausoleum to match, making the whole Yan Emperors Mausoleum quiet,beautiful and magnificent. Emperors of all dynasties regarded it as a holy land,held annual sacrifices, held ceremonies, and sent envoys to pay homage to it.During the spring and Autumn period, many local members came to offersacrifices. People who sacrifice animals, burn incense and worship, come in anendless stream throughout the year. As for new years festival, thousands ofworshipers can be seen in neat formation, full of offerings, incense shacklesaround, which can be regarded as a spectacle.

Hi, everyone! Welcome to "xinxinrong travel agency". My name is Gu Yuxin.Please call me Xiaogu. Todays "one day tour of Sun Moon Lake" will be explainedby me. I wish you have a good time today.

OK, the Sun Moon Lake is here. I hope you dont crowd when you get off andpay attention to safety.

In front of you is the largest lake in Chinese Taiwan Province, the Sun Moon Lake.The Sun Moon Lake is formed by stagnant water in the basins along the Yushan andAlishan faults. The circumference of the lake is 35 kilometers, and the averagewater depth is 30 meters.

Now lets take a boat with me to enjoy the beautiful sun moon lake moreclosely. You can see that the water of the Sun Moon Lake is green and looks morebeautiful against the background of the surrounding mountains. Lets look at themiddle of the lake again. There is a beautiful island called Guanghua island.The island divides the lake into two parts. In the north, it looks like a roundsun, which is called the sun lake. In the south, it looks like a curved moon,which is called the moon lake. Now the sun is shining high, and we have apanoramic view of the beautiful scenery of the Sun Moon Lake. The lake is vast,the water is as flat as a mirror, the water is blue, and the lake also radiatesbeautiful colors. Its so beautiful! It seems that everyone is intoxicated. Justnow I heard the tourists ask how the scenery of Sun Moon Lake is when it rains.When it rains, the scenery of Sun Moon Lake is not inferior. The sky isdrizzling with drizzle. The Sun Moon Lake seems to be covered with a veil, andthe scenery around it is hazy. It gives people a sense of mystery, like comingto a fairyland in a fairy tale

OK, tourists, "one day tour of Sun Moon Lake" is coming to an end. Xiaoguis here. Thank you for your cooperation in my work. The Sun Moon Lake is notonly the pride of the Chinese Taiwan people, but also the pride of the mainlandcompatriots. Welcome to the sun moon lake again. Thank you!

Everybody is good! I am you the tour guide. You can call me xiao Chen.

Qin Terra Cotta Warriors have been unearthed in xi an, it is the only one like you, are exquisite art treasures. Who knows the area have how old? Yes, thats 20xx0 square meters, there are about 50 basketball court, nearly eight thousand pit with the warriors. You want to know the origin of his? Let me tell you: there used to be a few farmers play well together, found some pottery, they went on well drilling, found that it was a channel. Trickling down look, they discovered the qin Terra Cotta Warriors. Good! Everybody together to have a closer look at!

The variety of the terracotta warriors scale not only, and personality is distinct. You see, the burly, head, cranes, wearing armor, sword in hand is what figurines? He is the general figures. The appearance of the poses, a see will know that they are battle-hardened, mission leader!

You come with me. The height of 1. 8 m what figurines, well-built, trim, wearing a shirt, wear armor, armed with weapons of figurines? Yes, thats the warriors.

Who knows in short armour, under wear tight pants, left hand bows and arrows, what is right hand holding the REINS of the figurines? Wrong, is a cavalry figurines. You see, every terracotta warriors is a very fine art treasures. Look carefully, they look different,, approached them, seem to still can feel the slight breath! Ha ha!!!!!!!!!!

Well, there are many wonderful things, everyone visit freely and enjoy yourself. Activity time, please pay attention to safety!

Welcome to Xijiang Qianhu Miao village, the largest Miao village in theworld. Im Xiao Yang, todays Guide. You can also call me director Yang. I willshare all I know with you today. I hope you can have more harvest today and havea good trip.

① Xijiang Miao village is located at the foot of Leigong Mountain in thenortheast of Leishan County, Qiandongnan Miao and Dong Autonomous Prefecture ofGuizhou Province. It is connected by more than ten natural villages built closeto the mountain. It is the largest Miao village in the world at present,according to 20 reports__ According to the annual statistics, there are 1288households in Xijiang Miao village, with a population of more than 6000, ofwhich the Miao population accounts for 99.5%. Therefore, we can say that thebase camp of the Miao people is in Guizhou, and the base camp of the Miao peoplein Guizhou is in Xijiang.

② Miao nationality is a hardworking nationality. It has a long history andis closely related to Jiuli, Sanmiao and Jinman in ancient times. They are in acontinuous line. Therefore, Miao nationality comes from Jiuli in emperors timeand Sanmiao in Yao, Shun and Yus time, while jingman in Shang and ZhouDynasties is a descendant of Sanmiao The second great migration finally arrivedin Guizhou, which is located in the southwest of China. They took root here andcreated the Miao culture with Guizhou characteristics. Guizhou is the placewhere the Miao people live and the area where the Miao culture is mostcompletely preserved. Guizhou has concentrated the main cultural characteristicsof the Miao people in China.

③ Miao people have always lived together to form different villages. Mostof them have one family name, and rarely live together. Now we see thetraditional architecture of Miao people, the stilted building, which is a symbolof Miao peoples hard work. The construction technology of the stilted buildingin Xijiang thousand family Miao village is far from the Ganlan architecture ofsouth peoples nest in Hemudu culture. It can be seen that the Miao stiltedbuilding has a long history Zhou is a place with green mountains and beautifulwaters. The Miao peoples villages are mostly built close to the mountains,forming a unique living style. The houses are mainly of wood structure, most ofwhich are two-story and a few of which are three-story. On the hillside, most ofthem are stilted buildings, the front of which are buildings, the back of whichare bungalows, and the lower layer is piled with firewood and animals. Peoplelive on the second floor. If there is a third floor, it is used for stackinggrain and so on. On the second floor of the hanging feet, there is usually adistinctive chair, because the beautiful Miao girls like to sit on it withembroidery,

Therefore, it was named "meirenkao". The Miao peoples stilted buildingconstruction technology was approved by the State Council and listed in thefirst batch of national intangible cultural heritage list.

Fuzhou Lin Zexu Memorial Hall (also known as "Lin Zexu ancestral hall") isa memorial hall for Chinese historical figures.

It was built in memory of Lin Zexu, a national hero of the Qing Dynasty. Itis located in Macao Road, nanhou street, Fuzhou City, Fujian Province. Foundedin 1982. The original site of the museum is Lin Zexus special ancestral hall,which was founded in 1905. It covers an area of about 3000 square meters. Thereare main buildings such as Yimen hall, yubeiting, Shude hall, North South Flowerhall, Quchi building, zhubaixuan and so on. It has the style of Jiangnan gardenand is a provincial cultural relic protection unit.

The destructed opium of Humen cigarette is embedded in the screen wall ofthe ancestral hall. The front gate is inscribed "Lin Wenzhong Temple". More than20 deacon boards were displayed in the corridors on both sides of the instrumentdoor, which wrote to Lin Zexus successive official posts. The pavilion ofimperial steles is square, with three imperial steles in the finished shape. Inthe middle of the story is the imperial edict of emperor Xianfeng of the QingDynasty when he learned that Lin Zexu had died of illness. On one side, thereare "Imperial Sacrificial inscriptions" and on the other side, there are"imperial inscriptions". Shude hall is the ancestral hall. In the center is astatue of Lin Zexus official costume. On the lintel there is a plaque of "FuShou" written by Emperor Daoguang of the Qing Dynasty. Quchi building is now anexhibition hall. Zhubaixuan is an ancient double-layer Pavilion. The downstairsis a place for audio-visual education, which can accommodate more than 100people. It can show feature films, serials, documentaries, etc. in cooperationwith the exhibition. The upstairs is a reference room and reading hall, whichcontains books and cultural relics for research and use by people inside andoutside the museum.

The main content of the exhibition is to reflect Lin Zexus life story.Among the exhibits are more than 120 couplets, striped screens, vertical frames,fans, letter ties, manuscripts, notes, etc. written by Lin Zexu himself, as wellas his used seals, residual ink, printing boxes, carving boards of politicaldocuments, etc. Lin Zexus handwritten poems and his father Lin binrishandwritten analysis of property are the most precious. YaZhai miscellaneousrecords is an official document and archives that Lin Zexu copied during hisGarrison in Yili. Many important files in these official documents and archiveshave been lost.

亲爱的游客朋友们：

你们好,我是今天的小导游，很高兴为大家服务，希望我们合作愉快。今天我们要去参观西安临潼的秦兵马俑，它举世无双，是享誉世界的珍贵历史文物。在这里我要提醒大家：秦兵马俑是世界文物，请大要文明参观，俑坑内禁止吸烟、乱扔纸屑，参观文物不要大声喧哗。请大家顺序排队，然后跟我走!

说起秦兵马俑大家一定都不陌生，我们小学课本里就有它的介绍，它可是被称为“世界第八大奇迹”呢!大家猜猜兵马用大概有多大?对!它有19120平方米，大概两个半足球场那么大呢!

我们今天主要是参观一号坑，一号坑在三个俑坑中面积最大，坑里的兵马俑也最多，有六千多个。看!这就是将军俑，它身材魁梧头戴鹤冠，身上披着铠甲，铠甲甲片小而细，前胸还系着彩色花结，让我们一下就可以看出他们的身份，将军俑手里还拿着宝剑，看它若有所思的样子，好像在考虑如何打败敌人。跪射俑则单腿撑地，另一条腿膝盖向上，眉宇间透出警觉，一副蓄势待发的模样;骑兵俑神情稳重，一手握住牵马的缰绳。远处的那个兵马俑是武士俑，它身穿战袍，披挂铠甲，脚上还穿着前端向上翘的战靴，手里还拿着兵器，敌人看见它神气的样子，准能把敌人吓得打哆嗦。

大家往远处看，那几个蹲在坑里工作的人员就是我铭家的考古工作者了，他们正在科学细致地挖掘文物，生怕有一点点伤害，我们期待着他们能为我们带来更大的惊喜!

游览完宏大的一号坑，我们再来参观一下二号坑。二号坑虽然没有一号坑那么大，但里面的兵马俑却千姿百态。瞧，可爱的陶马已经作好了战斗的准备。似乎骑士只要一骑到马背上，那匹马就可以撒开四蹄，腾空而起，踏上征程。

亲爱的游客们，今天的参观就结束了，虽然我们只在短短的时间内参观完整个兵马俑，可是，我相信这威武勇猛、栩栩如生的秦兵马俑一定会永远地印在大家的脑海中。谢谢大家参观!

Ladies and gentlemen: hello and welcome to Qingxiling. Im your guide.Located at the foot of Yongning mountain, Yixian County, Hebei Province, 125kilometers away from Beijing. It is the mausoleum group of four emperorsmausoleums, three queens mausoleums and some princesses, princesses andconcubines gardens in the Qing Dynasty. With more than 50000 square meters ofmausoleum buildings, more than 1000 temples and more than 100 stone buildingsand carvings, the Xiling mausoleum is one of the largest, best preserved andmost complete Imperial Mausoleums of the Qing Dynasty in China. It is the mostoutstanding representative of mausoleum architecture in China for 20__ years. Inthe 8300 hectare protection area of the Western Qing mausoleum, there are fouremperor mausoleums, three empress mausoleums, four Royal, Princess and elderbrothers dormitories, a total of 14 mausoleums and two ancillary buildings(yongsifu and Xinggong). There are 78 people buried, including four emperorsYongzheng, Jiaqing, Daoguang and Guangxu, nine queens, 57 concubines, twoprinces and six elder brothers. There are more than one thousand palacebuildings and more than one hundred stone buildings in the mausoleum area, whosearchitectural form and regulations clearly reflect the feudal social rules andregulations. Four Imperial Mausoleums and three rear mausoleums are covered withyellow glazed tiles, while concubines, princesses and princes dormitories arecovered with green glazed tiles or grey cloth tiles. These ancient buildings aresurrounded by green pines and cypresses, competing for glory in the vast forest.There is also Yongning mountain with five colors of auspicious clouds, standingbehind the mausoleum. The Yishui River, which traces back to the spiritualsource of Bagong, flows slowly in front of the dahongmen, which makes the QingDynastys western mausoleum more beautiful and grand. Among them, the largestYongzheng mausoleum, located in the center of the mausoleum area, is theearliest and largest building in the Western mausoleum. The rest of themausoleums are distributed in the East and West. The Shinto of the tailingmausoleum is made of three layers of huge bricks. On both sides of the Shintoare green pines and cypresses. From south to north, there are more than 40 largeand small buildings. The first building is a five arch bridge entering themausoleum area. There are three tall stone archways in the north of the bridge.The architecture of the memorial archway is solemn and beautiful with harmoniouscolors. The three stone squares, all in the form of five rooms, six columns andeleven floors, are built with blue and white stones, and engraved withmountains, water, flowers, grass, animals and other graphics. Their vivid formsare regarded as representative works of Xiling architectural art. The tomb ofJiaqing is called Changling. Changling and tailing are juxtaposed, with the samescale as tailing. Jiaqing was the 15th son of Emperor Qianlong. When EmperorQianlong passed on the throne to him, he selected the site of his mausoleum onekilometer south of the tailing mausoleum. The longen Hall of Changling is verydistinctive. The ground is paved with precious yellow mottled stones. The stoneslabs are also decorated with purple patterns. They are smooth and dazzling, andseem to be full of gems. The pillar is covered with gold and decorated withclouds and dragons. Daoguang mausoleum with exquisite craftsmanship is calledMuling mausoleum. The mausoleum is characterized by its small scale, withoutFangcheng, minglou, dabeiting, shixiangsheng and other buildings, but itsengineering weight is stronger than that of the two mausoleums of Tai and Chang.The whole wall, brick to brick joints, dry grouting, wall flush solid. Thebuilding technology of longen hall is exquisite. The main hall is made of Phoebeand is not decorated with oil paint. The original color of logs is maintained.When the door is opened, the aroma of Phoebe comes. There are dragons in eachsmall square on the ceiling, and purlin Fang, queti, also carved with upstreamdragons and flat dragons. These dragons open their mouths and puff their clouds.Chongling is the mausoleum of Guangxu, 5 kilometers east of the tailingmausoleum. It is the last existing mausoleum in China. The whole mausoleum areahas luxuriant trees and pleasant scenery. The ancient buildings in the imperialpalace where the emperor lived can accommodate tourists. At the end of the QingDynasty, Chen Zengrong, commander-in-chief of Taining Town, loved the beautifulmountains and rivers in his spare time, and determined eight sceneries of theWestern mausoleum, which were "Jingguan Ziqi", "resisting horses and rushingwaves", "clouds and emeralds", "Qifeng sunset", "Emei evening bell", "Fushanholding the sun", "Huagai Yanlan" and "Yishui cold current" . It is because ofthese pleasant natural scenery, which set off the auspicious land of "tenthousand years of dragon and tiger, every night of ghosts and gods", thatYongzheng, the third generation emperor of the Qing Dynasty, left his father andancestors and opened the first Xiling in Yizhou, in order to make the QingDynasty more prosperous. On March 2, 1737, Emperor Qianlong Fengan his father inthe underground palace of tailing. Later, Emperor Qianlong came up with a way tomake the best of both sides in order to make the eastern and Western mausoleumslast forever. Later emperors were buried in the eastern and Western mausoleumsof the Qing Dynasty in the way of "Zhaomu order and alternate generations".Therefore, he first built his own Yu mausoleum in shengshuiyu, which is withinthe boundary of the eastern Mausoleum of the Qing Dynasty. He was accompanied byhis grandfather Kangxi, and his son Jiaqing built a Chang mausoleum beside theTai mausoleum to accompany his grandfather Yongzheng. According to the system ofZhaomu, Daoguangs mausoleum was originally built in baohuayu of the easternmausoleum. After seven years of mausoleum construction and burial in empressXiaomu, he found that the underground palace was seeping continuously. Daoguanghad to choose a high and flat place in the Western mausoleum to demolish themausoleum of baohuayu and build a Mausoleum in the Western mausoleum. After theemperors of Xianfeng and Tongzhi, Guangxu also built the tomb in Xiling. If itis said that the mountains and rivers in the Western mausoleum are all made bynature, then after 185 years from the construction of the tailing mausoleum tothe completion of Chongling mausoleum, the ingenious combination of humanlandscape and natural landscape has been formed, and the cosmology of "makingman and nature in one" has been fully reflected in the mausoleum architecture.As sun dinglie said in Yongning mountain retinue Ji Cheng, "the mountains aretowering and vigorous from Taihang. The mountains are lofty and steep. They archfar out. The Lingyan is green and the environment is clean. There are countlesshills down there. It is like a finger in the hand. There is a flat developmentbetween the two hills. The tombs are in the place where the petals of flowersand the bamboo shoots are protected layer by layer." the dragon is flat and thePhoenix is bright. It has a long history The front and back arches are like"jade shoots in Jincheng". Well, dear tourists, the Qingxiling is here for you.Thank you for your support!

Hello, everyone! Its a pleasure to be here with friends from all over theworld.

first. On behalf of the travel agency, please allow me to express myheartfelt thanks and warm welcome to all of you. There is a saying that is wellsaid: looking back hundreds of times in the past life can only lead to a brushin this life. Maybe its a fate to get together. Since we are destined, letsget to know each other. Next to me is master Lin, the driver. He has richdriving experience and is escorted by him You can give us two hearts, one is"rest assured" to our escort ambassador, master Lin, and the other is "happy".Please give it to me. Im your guide this time You can call me Xiao Guo, Guo Daoand Xiao Dao, whatever you like!

In fact, tourism is a very happy thing. Travel doesnt have to care aboutits purpose. It only needs to care about the scenery along the way and the moodwhen seeing the scenery. So I hope the good mountains and good water in Lanzhoucan bring you a good mood. So during the whole journey, if you need any help,please feel free to come to me. I will try my best to serve you. At the sametime, I hope my work can be successful With your support and cooperation, I wishyou have a good time in Lanzhou! I hope this trip is just like my name. I warmlywelcome you to come, and then have fun, eat and enjoy In a word, I hope you havea good time. Thank you

Maiji Mountain is located about 45 kilometers southeast of Tianshui City,Gansu Province. It is a strange peak in Xiaolong mountain at the western end ofQinling Mountains in China. It is only 142 meters high, but the shape of themountain is peculiar. The isolated peak rises like a wheat pile, so people callit Maiji Mountain. To the southwest of the mountain is a precipice, on which thegrottoes are cut. Some of them are 20 or 30 meters away from the base of themountain, while others are 70 or 80 meters away. Hundreds of caves and Buddhastatues excavated on such a steep cliff are rare in Chinas grottoes.

The scenery around Maiji Mountain is beautiful. The mountains are denselycovered with cypresses, pines, wild flowers and grass. Climbing to the top ofthe mountain, you can see green hills all around you. You can see thousands ofmountains and valleys, mountains and peaks, pine trees like the sea, clouds andmist, and the distant scenery is intertwined, forming a beautiful picture. Thispicture is known as "Maiji misty rain" which is the first of the eight scenicspots in Tianshui. Among the famous Grottoes in China, Maiji Mountain is thebest natural scenery.

Maijishan Grottoes is a national key cultural relic protection unit. It wasbuilt in 384 ad. after more than ten dynasties of continuous excavation andrenovation, it has become one of the famous large-scale Grottoes in China and aworld-famous art treasure house. There are 194 caves, including more than 7200clay sculptures and stone carvings from the 4th century to the 19th century, andmore than 1300 square meters of murals. The Maijishan grottoes are located in anextremely dangerous position. Most of them are built on cliffs. All the grottoesare accessible by the aerial trestle road erected on the cliff surface. Visitorscant help but thrill when they climb these winding trestle roads. The ancientsonce praised these projects: "between the cliffs, carved stone into Buddha,thousands of niches and caves.". Broken from the human force, suspected to be amiracle. " There is also a saying among the people nearby that "after cuttingthe firewood in Nanshan Mountain, build the Maiji cliff" and "first there is tenthousand Zhang firewood, then there is Maiji cliff". It can be seen that theconstruction of the trestle road was arduous and grand.

Maijishan Grottoes art is famous for its exquisite clay sculpture art athome and abroad. Historian Fan Wenlan once praised Maijishan as "a largeexhibition hall for displaying statues". If Dunhuang is a large mural Museum,Maiji Mountain is a large sculpture museum. The statues here are more than 15meters high and only 20 centimeters small, reflecting the characteristics ofstatues of different ages in the past thousand years and systematicallyreflecting the development and evolution of clay sculpture art in China. Theclay sculptures here can be roughly divided into four types: high floatingsculptures protruding from the wall, round sculptures completely away from thewall, moulded shadow sculptures and wall sculptures pasted on the wall. Amongthem, thousands of life size round sculptures are regarded as treasures becausethey are full of life interest.

The statue of Maijishan has two obvious characteristics: strong nationalconsciousness and secularization. Except for the early works, from the NorthernWei Dynasty, almost all of the Buddha statues have the posture of looking down,with amiable faces. Although they are gods in heaven, they are like secularpeople, becoming the embodiment of peoples good wishes. From the shape andclothing of the statue, it is gradually getting rid of the influence of foreignart, reflecting the characteristics of the Han nationality.

Many caves in Maiji Mountain have been built into a unique "cliffPavilion". The seven Buddha Pavilion, 15 meters above the head of the clayBuddha on Dongya, is a typical Han style cliff Pavilion in China. It was builton a cliff 50 meters above the ground and was excavated in the middle of the 6thcentury. Although Maijishan grottoes are mainly clay sculptures, there are alsoa certain number of stone carvings and murals. Maijishan Grottoes have beenlisted as a key cultural relic protection unit of the state. More than 1300meters of elevated plank road have been newly erected and restored, so thatvisitors can successfully access all the grottoes. The largest statue inMaijishan Grottoes is 16 meters, and the smallest one is only more than 10centimeters. The statue in cave 44 is called "Venus of the East" by theJapanese. The clothes of the statues in caves 78 and 128 of the Western QinDynasty are carefully painted. The statues on the seven Buddha Pavilion, whichis more than 70 meters high, are beautiful. The frescoes on the top of thecorridor are exquisite. The pictures of cars, horses and pedestrians on the topof the west end are not the same no matter from which point of view, which canbe called the classic composition of frescoes in China.