徐闻导游词【通用20篇】

在三亚看落日真有诗意.夕阳滑落的景象美妙绝伦,一点儿也不比日出逊色.

三亚在海南岛的最南端,被蓝透了的海水围着,洋溢着浓浓的热带风情.蓝蓝的天与蓝蓝的海融成一体,低翔的白鸥掠过蓝蓝的海面,真让人担心洁白的翅尖会被海水蘸蓝了.挺拔俊秀的椰子树,不时在海风中摇曳着碧玉般的树冠.海滩上玉屑银末般的细沙,金灿灿、亮闪闪的,软软地暖暖地搔着人们的脚板,谁都想捏一捏、团一团,将它揉成韧韧的面.

活跃了一天的太阳,依旧像一个快乐的孩童.它歪着红扑扑的脸蛋,毫无倦态,潇潇洒洒地从身上抖落下赤朱丹彤,在大海上溅出无数夺目的亮点.于是,天和海都被它的笑颜感染了,金红一色,热烈一片.

时光悄悄地溜走,暑气跟着阵阵海风徐徐地远离.夕阳也渐渐地收敛了光芒,变得温和起来,像一只光焰柔和的大红灯笼,悬在海与天的边缘.兴许是悬得太久的缘故,只见它慢慢地下沉,刚一挨到海面,又平稳地停住了.它似乎借助了大海的支撑,再一次任性地在这张硕大无朋的床面上顽皮地蹦跳.大海失去了原色,像饱饮了玫瑰酒似的,醉醺醺地涨溢出光与彩.人们惊讶得不敢眨眼,生怕眨眼的那一瞬间,那盏红灯笼会被一只巨手提走.我瞪大双眼正在欣赏着,突然那落日颤动了两下,最后像跳水员那样,以一个轻快、敏捷的弹跳,再以一个悄然无声、水波不惊的优美姿势入了水,向人们道了“再见”.

哦,这就是三亚的落日!

列位游客伴侣们：

各人好。

我是本日教育你们嬉戏的导游，我叫__X。本日，我们要嬉戏的处所是颐和园。让我们走进颐和园的大门，绕过大殿，哪里有瑰丽的景致等着我们去看。这是颐和园里很著名的长廊。看，绿漆的柱子，红漆的雕栏，一眼望不到头，长廊是不是很长?你们先猜一猜长廊有多长，要是等一会儿你们猜不出来，我就汇报你们。你说是230米，你说是480米，你说是500米，哈哈，你们说的都差池。长廊有七百多米，分成了273间呢，让我们去看看长廊里是什么样子吧。看，那是什么，哦，原本是横槛上五彩的画。

汇报你们吧，长廊里有几千幅画，没有哪两幅画是沟通的，这可都是画家的心血。你们看长廊两旁是什么，那么多的花是不是很悦目?有玫瑰花，有牡丹花，尚有牵牛花……此刻我们走出了长廊，来到了万寿山脚下。让我们昂首向上看，有一座八角宝塔形的三层构筑矗立在半山腰上。黄色的琉璃瓦闪闪发光，那就是佛香阁。让我们爬上佛香阁。我们往下看看，颐和园的景致泰半收在眼底。

看那葱郁的树丛中潜匿着什么?对了，细心看可以望见黄的绿的琉璃瓦屋顶和朱红的宫墙。看正前面，昆明湖是何等静，静得像一面镜子，它又是何等绿，绿得像一块碧玉。你们知道吗?清朝乾隆天子诗曰“那里燕山最畅怀，无双风月属昆明”来歌咏昆明湖。让我们从万寿山下来，正前面就是昆明湖。昆明湖围着长长的堤岸，堤上有好几座式样差异的石桥。看，湖中心有个小岛，远眺望去，岛上一片葱绿。让我们到石桥上去。这石桥有十七个孔，以是叫十七孔桥。看，桥雕栏上有上百根石柱，石柱上还镌刻着小狮子。这么多的狮子，姿态纷歧，模样外形各异，没有哪两只是沟通的。好了，本日我们就到这里。你们本日是不是很开心呢?好了，来日诰日尚有更好的景致等着我们，再会。

东林念佛堂开山祖师定西法师(1895-1962)原籍东北海城，俗家姓于，先祖致力耕读，家颇小康，父母皆信佛。法师自幼已好跏跌坐，喜礼寺庙，研读经书。十八岁即入佛教宣讲堂为讲员，时常与友人王福庭(后出家，即倓虚法师)、陆炳南(后出家，即乐果法师)谈-道。1920xx年，定西法师赴南海普陀山，依法雨寺达圆大德受具足戒，后返住上海留云寺。1920xx年，在谛闲大师传千佛大戒0后，被公推为极乐寺第二任住持。定西法师并蒙谛老传授天台正宗法卷，是为天台宗法第四十四世，后来宝一和尚也传他法卷，为临济宗四十二世。法师教演天台，行修净上，特重律学，四众弟子求戒者甚多。1946年移锡于奉天(即今沈阳)南关般若寺，成立念佛堂，每日领众行持不懈。1949年，应倓虚法师之请，与乐果法师一道来港，协助倓公创办华南学佛院，并担任主讲凡三年。第一班学僧毕业后拟结茅蓬习静以弘所学。1952年，荃湾南天竺住持茂蕊法师将其东园菜地借以为庐，并得各方善信集资修建净室，初名东林净舍。是追法东晋庐山，净宗初祖慧远建东林寺事。法师先派圣怀、达成、净真三位法师购料兴工，自己与三位法师各出资五百元，继而永惺、妙境两位法师出资二百元，再而济涛、了一两位法师各出资四百元，并得吴蕴斋居士及各护法帮忙，得以大概完成。岂料同年八月初五，山洪暴发，建筑冲毁将半。各方闻讯纷纷施以援手，同年底复修完成初建。翌年，改净舍为东林念佛堂。之后再得竹林禅院舍后楼地基千余尺;竹林禅院又赠送东林后山地八千余尺，修建大雄宝殿(今极乐宝殿) 。

由于佛堂兴修之地来自各方捐献，恐产权未能归一，定西法师遂拟筹组东林念佛堂向政府注册，成立董事会。是时设永远董事包括：定西、茂蕊、济涛、圣怀、了一、永惺、圣照、智开、达成、洗尘、马宽广、净真、妙境等，并向香港佛教联合会备案，申明佛堂一切均为十方檀越布施，子孙眷属均无权承继，永为东林念佛堂常住所有。1962年正式获政府批准，成立东林念佛堂有限公司董事会，是为佛教团体机构。此举开香港佛教寺院之先河。东林念佛堂现任住持为净真法师，已经是第六任了。

现时东林念佛堂的僧众，专修净土，为十方比丘之选贤道场。常设法会有：释迦牟尼佛诞，药师如来诞、阿弥陀佛诞、弥勒菩萨诞、观世音菩萨诞、大势至菩萨诞，文殊师利菩萨诞、普贤菩萨诞、准提菩萨诞、盂兰法会、韦驮菩萨诞及伽蓝菩萨诞等。

英文的导游词范文

英文导游词范文——陕西西安大清真寺英文导游词

the great mosque at huajue lane

the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.

however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.

islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.

however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.

among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.

the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.

according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.

the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.

the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.

英文导游词范文——陕西西安秦始皇兵马俑英文导游词

emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum

emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.

in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.

after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.

emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”

emperor qin shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.

no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.

no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.

no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.

no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.

the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.

in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.

no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.

亲爱的游客们：

欢迎大家来北京旅游，现在，我们要参观的景点是被列入《世界遗产名录》的文化遗产——八达岭长城。请大家随我下车吧!

我们远看长城，它像一条土灰色的长龙，在崇山峻岭之间蜿蜒盘旋。近看长城就能很清晰地看到它的真面目。

让我们一起走进长城吧!你会发现城墙是齿轮行的，上面还有一些“小洞洞”。这些“小洞洞”真正的名字叫做瞭望口和射口。齿轮形的城墙上凹下去的就叫瞭望口。可以让人瞭望，射口可以让人射击。

大家跟我继续向前走，就来到城台。它每隔三百米就有一座，这城台有两种，一种叫墙台，依墙儿筑或凸出墙外，其高度与城墙齐平，周围有垛口和射口，台上还有遮风避雨的铺房，是守城士卒巡逻放哨的地方。另一种叫做敌台，分上下两层，上层顶部位平台，周围也有垛口和射口，下层为空室，可容数十人住宿，还可以储存弓箭、兵器、粮食等。

这里除了有很多特色建筑外，还有很多传说故事。接下来我跟大家讲一个。在古老的岁月，孤儿黑小子认了一只母老虎为妈妈。在老山神的指点下，他与虎仔、紫藤小丫费尽了千辛万苦得到了宝物山鞭。在烽烟四起的危急时刻，黑小子挺身而出，与众人一起战胜了妖怪化狸猫，用自己的身体填充长城的缺口，使长城绵延千里，巍然屹立。

听完了传说故事，现在大家可以自由活动，在自由活动之前先祝大家要成为“好汉”哦，因为“不到长城非好汉”。好了祝大家玩得开心、玩得尽兴。对了给大家提个醒，不要乱丢垃圾，乱涂乱画，保护环境，人人有责!

黄山风景导游词

游客们，大家好!欢迎大家来到世界遗产――黄山风景名胜区。很高兴成为大家的导游!我叫阮铄腾，大家叫我阮导好了。

俗话说：“五岳归来不看山，黄山归来不看岳。”黄山以奇松、怪石、云海、温泉、冬雪“五绝”闻名中外。这天我就给大家重点介绍黄山的奇松吧。

大家请看，黄山的松树能在岩石缝中生存，生命力极强。它们形状各异，姿态万千：黑虎松、龙爪松、连理松、迎客松等很多松树都因为它们的形状而得名呢!迎客松是黄山着名的景点之一，外形更是个性：它的树干中部伸出长达7.6米的两大侧枝展向前方，恰似一位好客的主人，挥展双臂，热情欢迎海内外宾客来黄山游览，成为中华民族热情好客的象征。等会儿我们还能够在那儿尽情拍照，作为纪念。

黄山的奇观说也说不完，看也看不够。此刻，请大家尽情去欣赏黄山的美景吧!

请大家在游玩的时候不要乱扔果皮和和食品包装袋，不要到危险的地方去。

祝大家玩得愉快!

天下张家界，人间武陵源。峻秀莫出其右，神奇世间尽知。解决交通瓶颈，设置百龙天梯。德国郎格尔生产，中英合资兴建。设计国际领先，质量绝对过硬。实力为后盾，品质有保证。耗资1、8亿元，投下真金白银，巨资打造精品，成就一流天梯。采用双层全暴露轿厢，直观世界。垂直高差335米，打造户外天梯新高度;运行高度326米，堪称世界第一。载入吉尼斯，畅享举世之誉。世界11大创意电梯，中国唯一上榜电梯。外观靓丽无双，气势恢弘无比。人造与天设之完美结合，美妙与快乐之升级之版。不断升级改造，速度达到秒级。每秒5.25米，达顶接地只需66秒，上上下下只在须臾之间，飞天入地踏上快乐之旅。秒上有鹰击长空之感，秒下有鱼翔浅底之乐。体验一次，快乐三生。高速运转，莫忧其安全;快速升降，尽享其美妙。输送游客三千万，毫发无损。运行至今，事故为零。放心升降，安心赏景，平安旅行。来有期待，去有留恋。

百龙天梯，功莫大焉。通行高速，便利空前。“山上游，山下住”的目标已然实现，往日遗憾已化为过眼云烟。以前欲去袁家界，徒步耗时三小时，不免奇曲之烦;乘车费时五小时，难避盘山之险。天梯落成，时间缩为分秒，恍有缩地之功，如在梦幻之巅。天梯建成，促进了景区宾馆撤出，促成了居民设施搬迁。不需要山上留宿，减少了环境污染;控制了接待设施，保护了绿水青山。助推了绿色经济，推动了地方发展。得国家领导之青睐，为世界名流所称赞。中外首创，不愧当世靓景;全新体验，堪称人间奇观。

昔日登临袁家界，费时而履险，今日坐上登天梯，极速而近奇。欢迎乘座百龙天梯，看奇峰三千，观秀水八百，尽赏张家界美景，毕揽武陵源奇迹。予您神奇秀丽，予以快乐无极。

黄石寨导游词范文

有人曾这样评价黄石寨：五步称奇，七步叫绝;十步之外，目瞪口呆。下面第一范文网小编带你来了解一下黄石寨导游词范文，希望对你有所帮助!

黄石寨导游词范文

各位游客大家好，欢迎来到秀丽的张家界参观游览。十分高兴能同大家一齐游览张家界最大的凌空观景台——黄石寨。先自我介绍一下，我姓x，大家能够叫我小x。

人们常说“不到黄石寨，枉来张家界”，可见黄石寨是整个张家界风景的精华。一位著名诗人以前这样评价黄石寨：“五步称奇，七步叫绝，十步之外，目瞪口呆。”

此刻呈此刻我们面前的这条“杉林幽径”，是十多年前人工开凿的。这条路陡峭而又曲折，在茂密宁静的杉林里若隐若现。而在还没有开凿这条路的时候阿，自古登黄石寨就只有后山一条路了。那此刻大家就随我一齐，沿着这条“杉林幽径”，来欣赏一下两边让人目不暇接的风景吧。

大家请注意听，是否有听到一阵阵歌声?前面就是土家姑娘的点歌台了。此刻就有土家姑娘正在点歌台上唱着悦耳动听的土家山歌。大家看，她们穿戴的都是极具代表的土家族服饰。土家姑娘们个个衣着秀丽，载歌载舞，那是对远道而来的客人表示热烈的欢迎。一路看着张家界秀美的山山水水，此刻再看到我们热情好客、善良淳朴的土家姑娘，大家是不是感悟到张家界“山美、水美、人更美”的真谛了呀

大家请看右边对面的山上，有一个大约20米高的圆形石柱，这上面还有一块长约三米的、宽1.5米的石匣。在石匣上，有一个石盖。这石盖一半凌空，一半盖于匣上，周围环绕着五棵翠绿的松柏。传说呀，张良曾将黄石公的三卷天书藏于匣内，后因战事平息，张良又取出天书，放置在其他的地方。但是，他却忘记了合上抽盖。至今，留下一支半掩半开的石匣。由于这石匣内曾藏过天书，因而被人誉称为“天书宝匣”。

大家再看看前面这座孤立的柱峰，猜猜那又是什么景点它拔地而起，直插云霄，高达300余米，根部稳扎大地，真像一根擎天石柱!这就是张家界有名的“南天一柱”了，因为立在南天门下面而得名。“南天一柱”是整个“武陵源”风景的特写，它拔地而起，上大下小。在它身上有一种历经万年沧桑却仍然坚忍不拔的精神，它是整个“武陵源”石英砂岩峰林地貌景观的缩影，也是“张家界国际森林保护节”的节徽和标志。

好了，此刻我要告诉大家，我们已经顺利的登上了黄石寨的寨顶了。前面这座上平下悬的圆形石峰，就是“摘星台了”。登上“摘星台”，就会让人产生一种“一览众山小”的感觉。个性是到了晚上，似乎一伸手，就能把天空上的星星摘下来。眼前的这个人工景点就是“六奇阁“。这”六奇“，准确地说是指山奇、水奇、云奇、石奇、动物奇，和植物奇。这也是公园内唯一的人造景观。

好了，我就给大家讲解到那里了。接下来大家自由参观。半个小时后我们再在此集合，回到宾馆。谢谢大家!

黄石寨导游词内容怎么写

各位朋友：

大家好!欢迎来到张家界，十分高兴能同大家一齐游览张家界最大的凌空观景台——黄石寨。人们常说“不到黄石寨，枉来张家界”，可见黄石寨是整个张家界风景的精华。从远处眺望，此山像一头威猛的雄师，所以称为“黄狮寨”。又因“石”音同“狮”，故又称“黄石寨”。

黄石寨位于张家界国家森林公园的中部，海拔约1200米，寨顶面积达200多亩，是由无数悬崖峭壁共同托起的一块雄伟、奇特而又秀丽的台地。从寨顶眺望四周，只见云漫万堑，千峰攒聚，绿树凌空，薄雾飘舞。黄石寨是张家界风景的精华，一位著名诗人这样评价黄石寨：“五步称奇，七步叫绝，十步之外，目瞪口呆。”

杉林幽径

首先呈此刻我们面前的是一排陡峭而又曲折的石级，隐隐约约躺在茂密宁静的杉林里，那就是“杉林幽径”。白古登黄石寨只有后山一条路，这天走的这条路，是十多年前人工开凿的。从杉林幽径上山，两边的风景，让人目不暇接。

罗汉迎宾

前面这个景点叫做“罗汉迎宾”。请大家注意左上侧的石壁上，一个大肚罗汉正靠近一棵松树盘腿而坐，他头戴僧帽，歪嘴斜眼，满脸堆笑地凝望着山下。大家若仔细看就会发现，他个性像民间传说中的“济公”和尚。

大岩屋

离开“罗汉迎宾”，请继续往上走。此刻所在的地方是一座岩罩，它高约3米，长约20米，上面有一个2米多宽的岩石悬罩，它叫做“大岩屋”。那里既是游客们小憩的好地方，也是一处绝妙的观景台，往东能够看到花溪峪、种子园与锣鼓塔一大片风光，其间重峦叠嶂，万峰耸立，云雾缭绕，恍如仙境。

半壁江山

在大岩屋的上面，有一座突兀在山腰上的山峰，色彩金黄，在阳光下灼灼闪光，人们称它为“半壁江山”。从下面看，它犹如一扇巨大的手掌，五指伸开，而且手掌略收。它耸立在那里，正如同大斧劈开的半边山一样，真是鬼斧神工!

点歌台

大家请注意听，前面传来了阵阵歌声。这是悦耳动听的土家山歌，前面便是土家姑娘的点歌台。看，一个个衣着秀丽的土家姑娘正在载歌载舞地欢迎着各位来宾，她们优美的歌声是否会唤起您对土家民风的无限向往呢?她们的热情好客、淳朴善良是否给您一种从未有过的简单和快乐?此时此刻，您是否感悟到了张家界“山美、水美、人更美”呢?

点将台

大家此刻已经到半山腰了，离寨顶只差一半的路程了。大家请看，前面有一块巨石凌空而出，崖下一片杉林连绵起伏，绿涛汹涌，这个景点就是“点将台”。相传汉留侯张良当年为了寻找师傅的踪迹，来到此地，却遭到大权在握、专横一世的吕后的猜忌。为了对付吕后的大军围攻，张良在此日夜操练人马，以防不测。据说，那里就是张良当年登台“点将”的地方。

娱乐台

过了“点将台”，大家往右边台阶向上走，上面是一处天然石壁拱成的凹形崖壁观景台，这便是“娱乐台”。那里能够近看“天书宝匣”，远观花溪峪，上眺千峰错列，下瞰林木苍翠。大家请看右边对面的山上，有一个约20米高的圆形石柱，兀自独立，顶端为一平台，上面有一块长约3米，宽约1.5米的石匣，匣上有一个石盖，一半凌空，一半盖于匣上，周围环绕着五棵翠绿的松柏。传说张良曾将黄石公的三卷天书藏于匣内，后因战事平息，张良又取出天书放置在其他地方，但他却忘记合上抽盖，至今留下一只半掩半开的石匣。由于石匣内曾藏过天书，因而被人誉为“天书宝匣”。

南天门

看过天书之后，继续攀登。大家请看前方，两山相挤，中间仅有一条通道，其形如门，大有“一夫当关，万夫莫开”的气势，那里就是“南天门”。大家请注意身旁的两座山峰，排列整齐，威武雄壮，酷似古代的武士，一左一右，常年守候在南天门身旁，人们称他们为“把门将军”。他们身穿铠甲，腰悬宝刀，背插羽箭，身材伟岸，形态逼真。据说这是把守黄石寨的山神。

摇钱树

不知大家注意到身边这一棵参天古木没有，其树龄在百岁以上，叫“青钱柳”。它结籽成串，形状如钱，成熟时色呈金黄，中间有仁，周围还有花纹，与古代的铜钱一模一样。它的树根从底部分成大丫，春夏季节，树冠就像是一把撑开的巨伞，枝繁叶茂，给我们一片清凉;秋冬时分，树叶泛黄，果实成熟，风一吹动，串串果实洒落在地上，就像是一串串金黄的铜饯，由此得名“摇钱树”。

定海神针与南天一柱

大家请看这边，过了“摇钱树”不远，前面便是“定海神针”。它高大挺拔，巍然屹立，似乎在用强硬的身躯支撑着整座大山。“定海神针”与“金鞭岩”遥遥相对，构成了一幅十分壮观的“天然壮景”。那前面这座孤立的柱峰又是什么景点呢?它拔地而起，直插云霄，高达300余米，根部稳扎大地，真像一根擎天石柱!这就是张家界有名的“南天一柱”了，因立在南天门下面而得名。它与“西天一柱”遥相呼应，传说二者是两只独脚猕猴所变，当年它们为救孙悟空，被二郎神点化，只得永久立在那里了。

“南天一柱”是整个“武陵源”风景的特写，它拔地而起，上大下小。在它身上有一种历经万年沧桑却仍然坚忍不拔的精神，是整个“武陵源”石英岩峰林地貌景观的缩影，也是“张家界国际森林保护节”的节徽和标志。

摘星台

大家此刻已顺利登上黄石寨了。前面这座上平下悬的圆形石峰就是“摘星台”。站在台上，使人油然产生“一览众山小”的感慨!那里可眺望“双门迎宾”、“天然壁画”、“玉瓶峰”、“兔儿望月”等主要景点。个性是到了晚上，有一种与星星近在咫尺的感觉，似乎一伸手，就能将天空上的星星“摘下来”。

六奇阁

前面这个人工景点就是“六奇阁”。“六奇”准确地说是指山奇、水奇、云奇、石奇、动物奇、植物奇。这是公园内唯一的人造景观，它采用大理石和钢筋混凝土等材料建成，高四层，攒尖飞顶，重檐突出，是一座集民俗、书法、自然景观于一体的特殊楼阁。站在三楼，能够尽情饱览张家界的壮丽风光。站在阁顶，能够看到袁家界、杨家界、天子山、朝天观、三姐妹峰……

接下来沿着长2200米的山顶环绕线游览五指峰、前花园、天桥遗墩等景点。那里的每一座岩峰都是一件古老的艺术品，每一座岩峰都隐藏着大自然的无穷奥秘。几年前，一位来自东北的女作家，就站在五指峰观景台感叹道：“看了张家界的风光，觉得真能够死了!”接下来她又说：“看了张家界的风光，觉得更有理由好好活了!”两句话看起来前后矛盾，其实不然：前一句是说能见到像张家界这样奇美的风光，此生足矣;后一句是说人生是如此完美，理应更加珍爱生命。

后山门

此刻来到后山门，它犹如一道石门，中间陡峭，两边狭窄，地势十分险要。过去那里是登黄石寨的唯一通道。1995年3月，就是从那里上下黄石寨的。上山途中，江在休息时兴致勃勃地拉起二胡，为当地的土家族女歌手伴奏;登上寨顶后，又情不自禁地唱起京剧《智取威虎山》中的“打虎上山”唱段，与游客们同乐。

我的讲解就到那里，期望张家界的美景留给大家的是永久完美的回忆，期望大家下次再来黄石寨观光旅游。

黄石寨导游词示例

各位朋友：

大家好!

欢迎来到张家界，十分高兴能同大家一齐游览张家界最大的凌空观景台——黄石寨。人们常说“不到黄石寨，枉来张家界”，可见黄石寨是整个张家界风景的精华。一位著名诗人以前这样评价黄石寨：“五步称奇，七步叫绝，十步之外，目瞪口呆。”

下面就请大家跟随我一齐沿着这条“杉林幽径”来欣赏两旁让人目不瑕接的风景吧。这是一排排陡峭而又曲折的山路。自古登黄石寨只有后山一条路，这天我们走的这条路，是十多年以前人工开凿的。

大家请注意听，前面传来了阵阵歌声。这是悦耳动听的土家山歌，前面便是土家姑娘的点歌台。一个个衣着秀丽的土家姑娘正在载歌载舞地欢迎着各位来宾，她们优美的歌声是否会唤起您对土家民风的无限向往呢?她们的热情好客、淳朴善良是否带给您一种从未有过的简单和快乐?此时此刻，您是否感悟到张家界“山美、水美、人更美”的真谛呢?

大家请看右边对面的山上，有一个约20米高的圆形石柱，上面有一块长约3米、宽l.5米的石匣，在石匣上有一个石盖，这石盖一半儿凌空，一半儿盖于匣上，周围环绕着五棵翠绿的松柏。传说张良曾将黄石公的三卷天书藏于匣内，后因战事平息，张良又取出天书放置在其他地方，但是他却忘记合上抽盖，至今留下一只半掩半开的石匣。由于这石匣内曾藏过天书，因而被人誉称为“天书宝匣”。

大家请看前方，两山相挤，中间仅有一通道，其形如门，大有“一夫当关，万夫莫开”的气势，那里就是“南天门”。

再请大家看这边。

顺着我手指的放向便是“定海神针”。它高大挺拔，巍然屹立，似乎在用强硬的身躯支撑着整座大山。“定海神针”与“金鞭岩”遥遥相对，构成了一幅十分壮观的“天然壮景”。那前面这座孤立的柱峰又是什么景点呢?它拔地而起，直插云霄，高达300余米，这就是张家界有名的“南天一柱”了，因为它立在南天门下面而得名。“南天一柱”是整个“武陵源”风景的特写，它拔地而起，上大下小。在它身上有一种历经万年沧桑却仍然坚忍不拔的精神，是整个“武陵源”石英砂岩峰林地貌景观的缩影，也是“张家界国际森林保护节”的节徽和标志。

说起石英砂岩峰林地貌，大家可能会奇怪，大自然为何会如此神奇?根据科学的论证，3亿多年以前，那里以前是一片汪洋大海，大约1亿年前左右，由于海浪的冲击，石英砂岩在海底沉积了500多米厚。之后经新构造运动强烈抬升，那里成了陆地，地面抬升以后，在流水的深切作用下，一些细小的砂石被冲走，加上在重力的作用下，岩石崩塌，又被雨水，溪流慢慢的冲刷等综合作用，使得五凌援地区在漫长的岁月中逐渐构成这中奇特的石英砂岩峰林地貌。

好了，此刻我要告诉大家我门已经顺利的登上黄石寨的寨顶了，我带大家来摘星台来看看。站在台上，使人油然产生“一览众山小”的感慨。个性是到了晚上，有一种与星星近在咫尺的感觉，似乎一伸手，就能将天空上的星星给“摘下来”。

眼前的这个人工景点就是“六奇阁”。“六奇”准确地说是指山奇、水奇、云奇、石奇、动物奇、植物奇。好了，我们的游览也要结束了。欢迎大家再次光临黄石寨。

hello everyone! Welcome to Jiuzhaigou for sightseeing. Jiuzhaigou is knownas "fairy tale world" and "fairyland on earth" because of its originalecological environment, spotless fresh air, snow capped mountains, forests andlakes, and its wonderful, fantastic and beautiful natural scenery. Jiuzhaigouspeak, Cailin, cuihai, Diebao and Tibetan customs are known as the "fivewonders". Now lets walk into Jiuzhaigou to enjoy its beautiful scenery.

In todays world, there are numerous scenic spots which are famous fortheir lakes and waterfalls. However, none of them can match Jiuzhaigou in therichness and fantasy of lakes, waterfalls, beaches and springs.

Jiuzhaigou was called zhongyangdong in ancient times, also known as cuihai.It is named after nine Tibetan villages, such as lotus leaf, tree and zharu.

First of all, we came to bonsai beach, where the water is clear, and avariety of high and low shrubs are all over the water, forming a naturalpicture. Further forward is the Reed Sea, where the reeds are full of wild fun.On the boundless reed marsh, the breeze blows, and layers of green reeds riseand fall, like green waves rolling. Groups of mandarin ducks and wild ducks livehere. Sometimes they fly on the water, sometimes they chase and play in the ReedSea, sometimes they beat the water with their wings, and they stir up waterspray after spray, which makes people flow Even forget to return.

There are many waterfalls in Jiuzhaigou, all of which are fascinating. Themomentum of Pearl Beach waterfall is particularly magnificent. It sounds liketen thousand horses galloping from afar and thunder rolling from afar. Thewaterfalls fly down like pearls splashing. Winter is more beautiful, and it is aworld of ice and jade.

The most beautiful and magical place in Jiuzhaigou is the sea of fiveflowers. According to legend, the sea of five flowers is the place where the Godof the north. Here, zeyiram, the daughter of the earth God, married darji, abrave and kind-hearted Tibetan youth, punished the chieftain father and son whobullied the Tibetan people, built nine mountain strongholds for the poor Tibetanpeople, and made them live a happy life. This beautiful love story has beenhanded down from generation to generation among local Tibetans. The legend isbeautiful, and the sea of five flowers is more beautiful. In the water area,there are many colors, such as goose yellow, dark green, dark blue and Tibetanblue.

The colors painted by nature are so bold, strong and varied. From thetigers mouth overlooking its panorama, it looks like a plump peacock withHuaping. Through the clear water, we can see that there is a spring rising atthe bottom of the lake, which is dazzling. As the mountain breeze comes, allkinds of colors permeate, inlay, mix and synthesize each other, and the sea offive flowers is full of life, active and beating. My heart is also beating withthis beating water wave, as if injected with a new blood in general, full ofvitality. In the face of such a gorgeous and fresh pool of clear water, my heartis full of joy and hope. Wuhuahai is the pride of Jiuzhaigou.

What I want you to pay attention to is that Jiuzhaigou is located in theplateau area. When you come here, you should bring more medicine and clothes,and eat more fruits and vegetables. Jiuzhaigou has beautiful scenery everywhere.I cant say enough. Please enjoy it slowly.

"朝辞白帝彩云间，千里江陵一日还。两岸猿声啼不住，轻舟已过万重山"。这是人人皆知的《早发白帝城》。这首诗描写的就是美丽的三峡风光。

让我们一起踏着这古诗的风韵，一起亲近这大自然，去看看风光秀丽的三峡吧!

三峡是瞿塘峡、巫峡和西陵峡的总称。在长江上游重庆奉节和湖北宜昌之间。三峡风光，美不胜收，雄奇险拔、清幽秀丽。这真是让人陶醉于其中呀!三峡的山，连绵不断、遮天蔽日;三峡的水，水涨湍急，交通阻断。春冬之时，水退潭清，风景秀丽;秋天之时，水枯气寒，猿鸣凄凉。山水的秀美，渔歌的悲凉，猿鸟的哀啭，无不反映出祖国山河的壮美!

现在就让我们走进三峡，用我们的心灵来感受祖国山河之美吧!

Chengdu, the capital of Sichuan Province, was designated by the StateCouncil as the center of science and technology, commerce, finance,transportation and communication in Southwest China in 1993. It has the largestnumber of foreign consulates and the largest number of international routes. In20__, it was approved by the State Council and upgraded to an important nationalhigh-tech industrial base, business logistics center and comprehensivetransportation hub, and an important central city in the western region.

Chengdu is located in the west of Sichuan Basin and the hinterland ofChengdu Plain. It is adjacent to Deyang and Ziyang in the East, Yaan and ABA inthe West and Meishan in the south. Chengdu has 10 districts and 5 counties,including Jinjiang District, and 4 county-level cities. By the end of 20__, thebuilt-up area of Chengdu City was 604.1 square kilometers, with a permanentresident population of 14.428 million.

Chengdu is "one of the first batch of national famous historical andcultural cities" and "the best tourist city in China", with a history of morethan 3000 years. It has many places of interest and cultural landscapes, such asDujiangyan, Wuhou Temple, Dufu thatched cottage, Jinsha site, Ming Shumausoleum, Wangjiang tower, Qingyang palace, etc.

The 22nd plenary session of the United Nations World Tourism Organizationwill be held in 20__, and the 22nd world route development conference will beheld in Chengdu in 20__.

各位游客朋友： 大家好，我是本次迪斯尼乐园的导游。我姓李，大家可以叫我小李。现在大家乘坐的是迪斯尼专线，本专线将在1小时候到达香港迪斯尼乐园，途中我会为大家做一些有关迪斯尼的介绍。 香港迪斯尼乐园是一个老少皆宜的童话王国，主要分为：明日世界、探险世界和幻想世界，这三个世界适宜的人群也不一样，下面就来听听你适合哪个世界吧!明日世界时一个充满刺激，变化莫测的游戏王国，它的代表游乐设施就是飞越太空山。飞越太空山又被称作“室内过山车”，乘客在车厢的整个旅途只有不到20秒的时间，可以看到亮光，其余全在黑暗中度过，太空车直上、直下、忽左、忽右，让许多乘客流连忘返;探险世界是一个与充满神秘的地方，丛林历险是探险世界最有趣味性的游戏，乘客们坐在船上，可以看到许多动物，喷水的象宝宝、伺机吃人的食人鱼、晒日光浴的大猩猩，通过船长风趣的讲述，乘客们会通过重重难关，最终到达终点泰山的木屋;幻想世界是每个喜欢童话的人必须要去的地方，那里的有了设施虽然不是很刺激、很神秘，但那是卡通人物的集结地，可以跟它们一起合影留念。对了，还要提醒大家，在整点的时候还会有迪斯尼人物表演的节目哟!下午3点和晚上7点分别有迪斯尼大巡游和星梦奇缘烟花表演。 现在到站了，大家赶快去尽情畅游童话王国吧!

大家好!我是你们的小小导游，叫蔡露旸，今天就让我和大家一起游览八达岭长城吧!

大家都知道长城是我国21处世界文化遗产之一，它有着悠久的历史，是我国古代劳动人民的杰作。长城像一条巨龙似的穿过大海、高山、草原和沙漠，蜿蜒曲折，绵延万里。

请往前方看，八达岭长城就要到了。长城的外侧一面有两米多高的垛口墙，垛口墙上设有排列有序的瞭望口、射击口和礌石孔，它们分别是用来观看敌情、射击敌人和滚放礌石用的。瞧，右前方有个烽火台，在古代烽火台是用于屯兵的堡垒，也是万里长城最重要的部分之一。

下面给大家讲一个与长城有关的动人故事--《孟姜女哭长城》。

秦朝的时候，有位温柔贤惠的女子叫孟姜女。一天，她在自家的葡萄架下发现一个饥饿难耐的人，就把这个人救了。原来这个人是一位男子叫范喜良，秦始皇四处抓人修筑长城，范喜良是逃难流落到这里的。没想到孟姜女和范喜良一见倾心，准备成婚。婚事那天晚上，一群官兵闯了进来，二话不说把范喜良抓走，去修筑长城了。好事落了一场空，孟姜女日日夜夜不见自己的丈夫范喜良回来就决定外出找寻。当孟姜女千辛万苦走到长城脚下时得知自己的丈夫已被活活累死后，伤心地哭了三天三夜，凄厉的哭喊感动了天地，惊动了众神。顷刻间，一道闪电划破长空，一段长城被立刻击倒，把埋在长城脚下的范喜良的尸首露了出来。孟姜女终于捡到了日思夜想的丈夫，可范喜良再也不能睁眼见到心爱的孟姜女了。

好了，这个故事讲完了，大家准备下车攀登八达岭长城。不过，请大家记住几条：1、不要破坏公物;2、不要离开八达岭风景区，如果迷了路要尽快和我联系;3、要注意安全并保管好自己随身携带的物品，不要乱丢垃圾;4、记住集合时间和地点。祝大家攀登愉快!!

九寨沟导游词

各位游客，大家好欢迎来到美丽的九寨沟。我是你们的导游，我叫黄月倩，你们能够叫我黄导。

九寨沟的名子是因沟内有九个寨子而得名。

请大家跟我走，我们先到的是，蓝天、白云、雪山、森林、尽融于瀑、河、滩、缀成一串串宛若从天而降的珍珠;篝火、烤火、锅庄美丽的传说，展出藏族人的好客。

接下来，大家看到的是翠海，如果，你把海水捞起来，是绿色的，如果，你把海水又放在翠海里，就是彩色的。

游客们，九寨沟，是一个秀丽神奇的好地方。其中，翠海、叠瀑、彩林、雪峰、藏情是九寨沟的五绝。

游客们，下面请大家跟我去看彩林的美丽神奇吧!

游客们，此刻，我们四周都是大树，大树有20000余种值物，争奇斗艳，林中奇花异草，色彩绚丽，可漂亮了。

3万顷莽莽苍苍的原始森林，随着天气变化，呈现出种.种奇丽风貌。

入冬，积雪使九寨沟变成了银白的世界，莽莽林海，以玉树琼花，冰瀑，冰幔，晶莹结白。

游客们，九寨沟的景色太多了，是走不完的，请游客们细细游赏。

Good morning! Ladies and gentlemen! Today, with such great joy, on behalfof Anhui Travel Agency. I’d like to extend our warm welcome to all of you, ourdistinguished guest from the other side of the Pacific. Please allow me tointroduce myself. My name is Li Xin and I work for Anhui Travel Agency .Duringyour short stay in jiuhuashan, I’ll be your local guide. It’s my honor to be ofyour service. If you have any request, go ahead! I’ll try my best to help youand make your stay comfortable!

It’s my honor to be of your service. If you have any special interest,please let me know, and I highly appreciate your understanding andcooperation.

Ok, now we are heading for Mt.Jiuhua, which is known as one of the fourBuddhist Mountains in China. It’s about 30 minutes’ bus ride. On the way you canenjoy the beautiful scenery and I’d like to give you a brief introduction aboutMt.Jiuhua.

Mt.Jiuhua was originally known as Jiuzi (Nine-Peak) Mount. Li Bai, a famousChinese poet over 1300 years ago wrote of the mountain: ”sailing on the YangtzeRiver, watching Mt.Jiuhua from after, green water falls from the sky, ninelotuses appear in the air.” This expresses the poet’s great admiration forMt.Jiuhua. From then on, the mountain was renamed as Mt.Jiuhua.

Mt.Jiuhua covers more than 100 square kilometers in area, which has beenknown to have 99 peaks, and the main peak of the Shiwang Peak is 1342m above sealevel. Mt.Jiuhua is full of waterfalls, streams, exotic-looking boulders,ancient caves, old pines and exuberant bamboo. With the richly variegatedlandscape, the ancient temples are tucked away amid the dense woods and the airreverberates with the tolling of the bells at dawn and dusk. Mt.Jiuhua isusually known as the No.1 Mountain of the southeast.

Ok, I have said too much about the Mt.Jiuhua, and I expect you have got ageneral idea about it. Seeing is Beliving. I’m sure you will learn a lot aboutChinese culture and Buddhism after the visit, and you will also be impresseddeeply by the wonderful scenery. Let’s get off the bus and bring your camera.I’ll show you around the scenic areas.

Look! So many monks, why? Yes, that’s it! Because Mt.Jiuhua is a Buddhistmountain. Especially on July 30th of Chinese Lunar is the birthday of EarchBuddha, and a great Buddhist ceremony is held on this day. Around that day everyyear, the mountain is the site of a temple fair. A large number of monks, nuns,pilgrims and visitors come to burn incense, chant and sacrifice food. Theactivities of each year are different. Though today is not the festival, we canalso enjoy the beautiful scenery. They are: Sunrise at Tiantai Platform, Eveningbell of Huacheng Temple, Sitting on East Stone with pleasure, Fairy mark ofTianzhu, Taoyan waterfall, clouds around lotus peak and Phoenix Pine.

Ok, here we are, this is Huacheng Temple of Jiuhua Street. It was the firstand oldest of all the temples of Mt.Jiuhua. Over 1500 years ago, Monk Beidubuilt a simple temple here. Then after 300 years it was reconstructed and namedHuacheng Temple.

You see it lies a round plaza. Look at the center! What do you see? Yeah!It is a crescent shaped lotus pond named “Crescent Moon Pond” you can go towardsit, what do you see? It is believed that Monk Jin Qiaojue used to free captivefish. Ok, now I say some brief introduction about it and then you can go aroundit. We’ll gather here after one hour, ok? The temple consists of four parts: thelobby, the grand hall, the back hall and the Scripture Tower. The ground slopesup with each part and the whole layout is natural. The doors, windows, brackets,beams, columns, steps and the cornerstone are carved with exquisite designs. Inthe hall are preserved horizontal boards inscribed by emperor in ancienttime.

Ok! Is everyone here? 1, 2, 3… Ok, now, let’s go to see the Phoenix Pine,in Minyuan Scenic Area. Phoenix Pine is over 1400 years old, and is one of thefour decorative trees in Anhui Province.

After seeing Phoenix Pine, we’ll finish our travel, and on behalf of mycompany, my Chinese colleagues and myself, I’d like to take this opportunity toexpress my thanks for your consideration, understanding, tolerance andcooperation.

香港太平山顶导游词五海拔554米的太平山顶俗称扯旗山，是香港岛之巅，也是俯瞰维多利亚港景色的最佳地点，游览香港的第一焦点。白天和入夜的山顶风景各有不同，不论你是不是个浪漫的人，也一定要安排到太平山赏夜景，赏景最佳的地点在凌霄阁的观景台、缆车总站旁的狮子亭，入夜的香港会让你念念不忘。

趣味游览：

搭太平山的山顶缆车是登顶赏夜景最好的方法，在中环花园通与下亚厘毕道交叉口乘缆车。买票进站后有一座“信不信由你奇趣馆”，展示了四百多件稀奇古怪的展品，如果时间充裕，还可以到“动感电影院”体验惊声尖叫的快感。

知道吗，在山顶缆车车厢里还能表演特技呢!搭缆车下山在快抵达花圈道总站，就是缆车最陡的时候，可以站成让自己与车厢地板形成30度的夹角，因为错觉会让人觉得自己飞了起来，很有趣。整理该文章，版权归原作者、原出处所有。

下山后可搭乘免费的双层观光巴士游览市区，一定要坐在敞棚的第二层，穿梭在星光闪闪的楼宇中，有点象是电影中的场景。沿路会经过“立法会”，它是一座具有殖民色彩的建筑，很多的电影或港剧曾在这里拍摄，晕黄的灯光及白色的梁柱，非常浪漫。

幽默导游欢迎词范文

幽默的导游欢迎词能够为游客在旅游的过程中体会到更多的乐趣，下面是小编为大家收集的幽默的导游欢迎词范文，希望大家喜欢!

幽默导游欢迎词

有一首歌曲叫《常回家看看》，有一种渴望叫常出去转转，说白了就是旅游。

在城里呆久了，天天听噪音，吸尾气，忙家务，搞工作，每日里柴米油盐，吃喝拉撒，真可以说操碎了心，磨破了嘴，身板差点没累毁呀!(众人笑)

所以我们应该经常出去旅游游，转一转比较大的城市，去趟铁岭都值呀，到青山绿水中陶冶情操，到历史名城去开拓眼界，人生最重要的是什么，不是金钱，不是权力，我个人认为是健康快乐!大家同意吗?(众人会意)

出去旅游，一定要找旅行社，跟旅行社出门方便快捷，经济实惠呀。

但找一个好的旅行社，不如碰到一个好导游，一个好导游能给您带来一次开心快乐的旅行。大家同意吧!

但找一个好导游，不如找一个女导游，在青山绿水之中，还有一位红颜知已相伴，那种感觉何其美妙呀!大家同意吧!(众人笑)

但找一个女导游，不如找一个男导游，男导游身强力壮，不但能给您导游，西北地区，而且还是半个保镖，碰到紧急情况，咱背起来就走人了。

找一个男导游，不如找一个多才多艺的男导游;

找一个多才多艺的男导游，不如找一个多才多艺、能歌善舞的男导游;

找一个多才多艺、能歌善舞的男导游，不如找一个多才多艺、能歌善舞、能说会道的男导游;

找一个多才多艺、能歌善舞、能说会道的男导游，不如找一个多才多艺、能歌善舞、能说会道、玉树临风的男导游;

找一个多才多艺、能歌善舞、能说会道、玉树临风的男导游，不如找一个多才多艺、能歌善舞、能说会道、玉树临风、潇洒飘亮的男导游!

各位知道中国现在有多少个导游吗，我告诉大家，中国现在有35万导游。

但这35万导游中，有25万女导游，只有10万男导游。

这10万男导游中，能称得上多才多艺的男导游只有1万人。

这1万多才多艺的男导游中，能称得上多才多艺、能歌善舞的男导游也就1000人。

这1000多才多艺、能歌善舞的男导游中，能称得上多才多艺、能歌善舞、能说会道的男导游也就100人。

这100多才多艺、能歌善舞、能说会道的男导游，能称得上是多才多艺、能歌善舞、能说会道、玉树临风的男导游也就10人。

这10个多才多艺、能歌善舞、能说会道、玉树临风的男导游，能称得上是多才多艺、能歌善舞、能说会道、玉树临风、潇洒飘亮的男导游也就1个。

三十万导游中，我们出门能碰到这样一个能称得上是多才多艺、能歌善舞、能说会道、玉树临风、潇洒飘亮的男导游，机率太小了。

今天早上，我和爸爸妈妈早早来到了上海迪士尼乐园。

在迪士尼乐园的门口有一个很大的喷泉，喷泉中间有一条用石头雕成的巨大鲸鱼，它喷射出来的水柱上面有一个踩着冲浪板的米奇，随着水柱的压力变化上升或下降。在四周分别是高飞、米妮、布鲁托等形态各异，生动有趣的形象。

进入大门后，我们去了幻想世界。那里的机动游戏都很好玩，不过“小小世界”让我印象深刻。在这里要乘上一条小船，穿过不同风格的地点，两旁有布满各种各样的小人偶，载歌载舞，整个过程十分有趣。玩完之后，我们就去“小小世界雪糕屋”买了一个巧克力香蕉味的雪糕篮来吃，味道好极了!

逛完了幻想世界，我们来到了探险世界，前往泰山树屋游玩。那儿要顺着楼梯爬到约二十米高的树屋上，那里会有各种场景告诉我们泰山的故事。

接下来在七个小矮人的行程中，我最喜欢的是“七个小矮人矿山车”。它在行驶过程中会突然下坠、急停甚至倒着走，只要你有足够的胆量，就来挑战它吧!

其实，最震惊我的是晚上那烟花们的聚会――星梦奇缘。瞧，仙女挥动魔法棒，三颗火焰小球欢快地跳上星空，拉开烟火序幕。然后，各种“花儿”争奇斗艳，……多么奇妙啊!有机会你一定要亲眼看看“星梦奇缘”。

这一天，多么难忘，又多么让人流连忘返!

伫立庙前，遥望对岸澳门半岛，八景之首“镜海腾龙”的`美景尽收眼底，确是都市人逃离繁嚣，平静心境的大好去处。在路?朊碛钪校?观音岩颇为与众不同。

一般的庙宇，习惯上多称为“庙”，独是这间被冠以“岩”之名，这与它的起源有直接关系;其次，庙宇的创建过程多是先建庙后请神，观音岩却正好相反，先有神像，再建庙堂;其三，在庙内右墙上，挂有一形状独特的铁块。状若蝙蝠，乃取“福”字谐音，敲之则声音洪亮震耳。

据值理称，当年建庙时由于经费拮据，为节省支出，故权以此充作铁钟之用。该庙的石刻上所记的年份，观音岩乃创建于清朝同治辛未年，即一八七一年，至今已有逾百年的历史了。

大家好，很荣幸能当你们的导游，大家可以叫我小悦导游，这次我们到的是世界遗产之一——乐山大佛。好，我们出发吧!

游客们，这里是乐山的港码头，请看对面的山，那就是凌云山。请仔细观察，那就是乐山的巨型睡佛，又叫隐形睡佛。它位于乐山城侧的三江(岷江、大渡河、青依江)汇流处，形态逼真的佛头、佛身、佛足由乌尤山、凌云山、东岩连襟而成，南北直线距离约1300余米，头南足北仰卧在三江之滨。巨型睡佛的胸部就是世界有名的乐山大佛，形成了“佛中有佛”的奇观。游客们，我们来到了大佛的脚下，请往上看，大佛通高71米，肩膀宽24米，头直径10米，耳朵有7米，劲高3米，指长8.3米，眉毛和鼻子的长度是5-6米，嘴巴和眼睛的长度3.3米，头上有1021个发根。现在大家亲眼目睹了，名不虚传吧!

据传：乐山大佛开凿于唐玄宗开元初年(公元720xx年)。当时，岷江、大渡河、青依江汇合于此，水流直冲凌云山脚，势不可挡，洪水季节水势更猛，过往船只常触壁粉碎。凌云寺的名僧海通见此甚为不安，于是发起修造大佛。一使石块坠江减缓水势，二借佛力镇水。海通募集20xx年，筹得一笔款项。海通去世后，剑南川西节度使韦皋，征集工匠，继续开凿，朝廷也诏赐盐麻税款予以资助，至到820xx年，历时90年大佛终告完成。

“佛是一座山，山是一尊佛;带领群山来，挺立大江边。”他造型广严，设计巧妙，以他不变的体态和姿容，给人以无穷的思索和遐想。据传：他老人家为镇住水妖，历经千年风霜雪雨，自今仍端坐在滔滔江水畔，静观人间沧海桑田。他老人家建国后两次显灵，1963年乐山地区饿死人无数，飘尸从老人家眼前流过，老人家不忍看，一夜之间闭上了眼睛。所以，现在你们手里拿的大佛是闭上了双眼。1996年被联合国教科新文组织列为世界级的文化与自然遗产，他当之无愧的成为世界级的璀灿明珠。

我的介绍到此结束，以下请你们慢慢欣赏大佛。请不要在景区乱涂乱画，爱护景区的一草一木，谢谢。

英文的导游词

当有外国友人到来时，大家是否能够用流利的英文为对方介绍中国的各地经典呢?以下是小编收集的两篇关于中国景点的英文导游词，欢迎大家阅读。

篇一：中国天安门

Tian’anmen Rostrum

tian’anmen( the gate of heavenly peace), is located in the center of beijing. it was first built in 1417 and named chengtianmen( the gate of heavenly succession). at the end of the ming dynasty, it was seriously damaged by war. when it was rebuilt under the qing in 1651, it was renamed tian’anmen, and served as the main entrance to the imperial city, the administrative and residential quarters for court officials and retainers. the southern sections of the imperial city wall still stand on both sides of the gate. the tower at the top of the gate is nine-room wide and five –room deep. according to the book of changes, the two numbers nine and five, when combined, symbolize the supreme status of a sovereign.during the ming and qing dynasties, tian’anmen was the place where state ceremonies took place. the most important one of them was the issuing of imperial edicts, which followed these steps:

1) the minister of rites would receive the edict in taihedian( hall of supreme harmony), where the emperor was holding his court. the minister would then carry the decree on a yunpan( tray of cloud), and withdraw from the hall via taihemen( gate of supreme harmony)

2) the minister would put the tray in a miniature longting( dragon pavilion). beneath a yellow umbrella and carry it via wumen( meridian gate), to tian’anmen gate tower.

3) a courtier would be invested to proclaim the edict. the civil and military officials lining both sides of the gateway beneath the tower would prostrate themselves in the direction of the emperor in waiting for the decree to the proclaimed.

4) the courtier would then put the edict in a phoenix-shaped wooden box and lower it from the tower by means of a silk cord. the document would finally be carried in a similar tray of cloud under a yellow umbrella to the ministry of rites.

5) the edict, copied on yellow paper, would be made known to the whole country.

such a process was historically recorded as “ imperial edict issued by golden phoenix”.during the ming and qing dynasties tian’anmen was the most important passage. it was this gate that the emperor and his retinue would go through on their way to the altars for ritual and religious activities.

篇二：丽江壁画

Ten kilometers (six miles) northwest of Lijiang Old Town, there are several ancient villages, including Baisha, Dayan, Shuhe, Yangxi and Xuesong. There, the invaluable Lijiang Mural is stored, preserved and displayed in 15 venerable temples, such as Juexian, Wande, Guiyi temples and Sanbi Garden. Altogether, the mural used to include more than 200 pieces of fresco. However, hundreds of years of historical vicissitudes have left only 55 pieces in good condition. The most famous frescos are known as Baisha Mural of the Dabaoji (Great Treasure) Palace and the Colored Glaze Temple (Liuli Dian) in the town of Baisha.

Most of the temples were built from the early days of the Ming Dynasty (1368-1644) to the early Qing Dynasty (1644-1911), and the Lijiang Mural was created at the same time, over the course of about 300 hundred years. In Lijiang, it was an era of rapid economic development, mutual acculturation of multinational culture, and the growth of religions. Accordingly, Lijiang Mural was an artistic representation of this cooperation, communication and progress. The authors of these mural paintings had come from different nations, including the local Naxi Dongba painters; the Taoist painter Zhang from the Central Plain; an Lama artist Guchang; Han painters Ma Xiaoxian and Li Zeng; and many other artists who were unknown to the public

The originality and figures of the mural paintings reflect the different religious cultures and artistic forms of Buddhism, Lamaism, Daoism and the Naxi Dongba religion, as developed in a Naxi school. Therefore, Lijiang Mural is quite different from other frescos. Each painting includes at least one hundred portraits, but perspective is used very well, and the close, middle and establishing images are clear. The various lifelike portraits are not only Buddhas but also ordinary people such as bureaucrats, criminals, tourists and executioners. Many of the scenes and subject matters are drawn from daily life-people are shown fishing, riding horses, weaving, dancing and casting iron. The painters used different methods of portrayal within the different elements of the fresco, such as flesh, garments, jewelry, weapons and many other components. The style of these true-life frescos is rural and unconstrained; the colors are strong and have intense contrast but are also unified. The Lijiang Mural fully demonstrates the superb artistic skills, outstanding creativity and rich imaginations of these excellent craftsmen. The vivid and exact figures, flowing lines, well-defined colors and powerful effects of the exquisite details make the Lijiang Mural not only the rare treasure of art, but also forceful proof of national solidarity and an important source of information for research on national religions, arts and history.