徐闻导游词（最新20篇）

阿里山导游词

各位游客大家好：

今天早上我们将要欣赏的是阿里山的日出云海。阿里山的日出闻名中外，多年来，为数众多的游客，不辞早起，摸黑上路，只为等待光芒乍现与太阳蹦出的顷刻喜悦。“阿里山云海”为中国台湾八景之一，其云层翻腾，波诡涛谲，极具神秘快感，在气候干冷的秋冬晨昏，最易见著。

看完日出，我们将进入阿里山的森林。阿里山为中国台湾三大林场之一，因地形、气候的影响，森林自山下而上呈热、暖、温三带垂直分布，林相清晰可辨，资源富而不竭。 其中最显著的，要数神木了！在阿里山蓊郁俊美的大片森林中，以已逝的旧神木最负盛名，是阿里山的地标。由于其主干苍劲挺拔，枝桠突出有力，加上树型优美，一直深受世人的喜爱。然而，神木惨遭雷劈而成为枯木，取而代之的新神木群，多达20余株，树龄从数百年至数千年不等，此外，阿里山的名木尚有以奇著称的三代木、象鼻木，和仅次于旧神木的小一号神木——千岁桧、光武桧。

阿里山素以花卉闻名，百花争艳中又以樱花称冠，早年即博得“樱都”雅号。3月中旬至4月中旬则有成片樱海怒放，称为阿里山花季。4、5月，当地特产的一叶兰及森氏杜鹃、牡丹、芍药、紫藤、金雀儿、毛地黄陆续报到，外貌像风铃成串的毛地黄，有紫、黄、白三种颜色，因造型讨喜，常引人亲近，但请游客门注意，他们其身含剧毒，碰触不得。

好了，下面请游客朋友们自行赏花，但请您在12点之前务必回来，否则，您将欣赏不到“眠月石猴”的奇观哦！

怀圣寺坐北向南，占地面积2966平方米，整体采用中国传统的对称布局，在主轴线上依次建有三道门、看月楼、礼拜殿和藏经阁。礼拜殿坐西朝东，礼拜时面向圣地麦加，建筑的比例、色彩、装饰均具西亚风格。

大殿梁下题字为：”唐贞观元年岁次丁亥鼎建，民国计四年岁次乙亥三月甘一日辛未第三次重建。”“大清康熙三十四年岁次乙亥腊月十七日乙己再重建。”除大殿之外，尚有望月楼、东西长廊、藏经室、碑亭、光塔(宣礼塔)等建筑。全寺占地面积4.5亩，建筑总面积1553平方米，其中大殿建筑面积400平方米。怀圣寺的光塔驰名中外，是极具价值的建筑古迹。光塔整个用砖石砌成，主要砖墙，内外谩灰，建筑平面为圆形。有前后二门，各有一磴道，两楼道相对盘旋而上，到第一层顶上露天平台上出口处相汇。在平台正中又有一段圆形小塔，塔顶在最初原是金鸡向凤飞翔。金鸡或凤是我国古典建筑喜用的题材。

到明代，该塔金鸡一再被飓风吹落。修复后，于康熙八年(1669年)，又复为飓风吹落，后遂改为葫芦宝顶，晚近改为橄榄形。该塔露出地面部分总高为35.7米，现据专家考查，认为塔下面土掩埋部分尚有数米。古代有关记载说塔高16.5丈。该塔因年代太久，现巳经日益倾斜，若遇地震，上部小塔将难免坠毁。这种古老的圆形砖塔，并使用砖磴道盘旋而上，在我国古建筑中确实很突出。我国砖砌佛塔，最古的如唐代多为方形、转筒状建筑，用木梯木楼板上下。到来代，塔才多用八角形及砖磴道的砌法，但砌工简单，与光塔的圆形双楼道的精巧技术，远远不能相比。专家以为我国清真寺宣礼塔的磴道技术，影响并提高了我国砖砌佛塔的建筑技术，在我国工程技术史上不是一件小事。有关光塔的建筑年代问题，目前尚未确定下来，有说唐代的，有说来代的，也有说元代重建的。现存寺内的元代至正十年(1350年)郭嘉从《重建怀圣寺碑》及南来方信孺《南海百咏》、南来岳珂《程史》都认为建于唐代，比较可信。寺有教民约2O00户，600O多人，多数为回族，奉行格迪国教礼。寺内藏有元代至民国中丈、阿拉伯文碑、匾共40余方。怀圣寺经常有国内外旅行者来寺礼拜或参观。同时，接待了许多穆斯林国家高级别的访问团。近年来，该寺自己也组团出访了伊朗、马来西亚等国和香港。

光塔位于寺门西南隅的正式名称“怀圣塔”，因教徒在诵经时常在塔顶用阿拉伯语呼喊“邦卡(呼唤之意)”，也被称为“邦卡楼”。粤语里“邦”与“光”谐音，另外塔位于珠江边，唐朝时入夜后塔顶悬灯来为来往的船只导航，故人称“光塔”或“番塔”。

此塔建于唐朝贞观年间，具有阿拉伯风格，高36米，青砖砌筑，底为圆形，表面涂有灰沙，塔身上开有长方形小孔用来采光。塔内有二螺旋形楼梯绕塔心直通塔顶。塔顶部用砖牙叠砌出线脚，原有金鸡立在上面，可随风旋转以示风向，明初被飓风吹落，1934年重修时改砌成尖顶。

各位游客：

你们好，欢迎你们来到张家界旅游，我是你们的导游_。

百龙天梯公司于1999年4月成立，位于世界自然遗产张家界武陵源风景名胜区内，由北京百龙绿色科技企业总公司、英国佛洛伊德有限公司合资兴建。百龙天梯于1999年9月动工，20_年4月竣工并投入试营运，电梯主要设备由德国Rangger(朗格尔)国际电梯公司研究生产，耗资1.8亿元。百龙天梯气势恢弘，垂直高差335米，运行高度326米，由154米的山体内竖井和l72米的贴山钢结构井架组成，采用三台双层全暴露观光并列分体运行。

目前以“世界上最高的全暴露户外观光电梯、世界上最高的双层观光电梯、世界上载重量最大、速度最快的观光电梯”三项桂冠独步世界而被载入基尼斯世界纪录，是自然美景和人造奇观的完美结合。百龙天梯的建成实现“山上游，山下住”的目标，将袁家界、金鞭溪、天下第一桥、迷魂台等绝世美景从幕后推向了前台，解决了多年困扰景区的交通瓶颈问题，实践证明建设百龙天梯是非常重要的。

20_年，百龙天梯进行扩容升级，单程运力每小时增加400人左右，速度由3米/秒提高到5米/秒。

20_年，百龙天梯再次进行升级改造，运力由单梯50人提升至64人，速度由1分58秒缩短至1分32秒。

百龙天梯开通至今，安全运达游客近3000万，是迄今为止景区内唯一一部零事故的交通工具。

百龙天梯给游人提供了交通便利，对景区内的宾馆、居民等接待设施的大撤迁起到了极大的促进作用，并对环境进行了最大、最有效的保护。袁家界，是武陵源世界自然遗产的另一风景集中地。以前，游客要去，必须走三个多小时的艰险山路，如果从山下水绕四门乘车至山上袁家界，奇曲的盘山公路非常险恶，行程要170多公里，费时达五个小时以上。自从百龙天梯建成以后，这个时间被缩短为1分32秒，这不能不说是一个奇迹。国内保护世界自然遗产的专家对百龙进行环境评估得出结论是：保留百龙电梯利大于弊。

海岸带景观：在海南长达1528公里的海岸线上，沙岸约占50-60%，沙滩宽数百米至数千米不等，向海面坡度一般为5度，缓缓延伸;多数地方风平浪静，海水清澈，沙白如絮，清洁柔软;岸边绿树成荫，空气清新;海水温度一般为18-30摄氏度，阳光充足明媚，一年中多数时间可进行海浴、日光浴、沙浴和风浴。当今国际旅游者喜爱的阳光、海水、沙滩、绿色、空气这5个要素，海南环岛沿岸均兼而有之。自海口至三亚东岸线就有60多处可辟为海滨浴场。环岛沿海有不同类型滨海风光特色的景点，在东海岸线上，还有一种特殊的热带海岸森林景观----红树林和一种热带特有的海岸地貌景观----珊瑚礁，均具有较高的观赏价值。目前，已在琼山市东寨港和文昌市清澜港等地建立了4个红树林保护区。

山岳、热带原始森林：海南岛有海拔1000米以上的山峰81座，绵延起伏，山形奇特，气势雄伟。颇负盛名有的山顶部成锯齿状、形如五指的五指山，气势磅礴的鹦歌岭，奇石叠峰的东山岭，瀑布飞泻的太平山，以及七仙岭、类锋岭、吊罗山、霸王岭等，均是登山旅游和避暑胜地。海南的山岳最具有特色的是密布着热带原始森林，最著名的有乐东县尖峰岭、昌江县霸王岭、陵水县吊罗山和琼中县五指山等4个热带原始森林区，其中以尖峰岭最为典型。

珍禽异兽：为了保护物种，海南已建立若干个野生动物自然保护区和驯养场，其中有昌江县霸王岭黑冠长臂猿保护区、东方县大田坡鹿保护区、万宁市大洲岛(金丝燕)保护区、陵水县南湾半岛猕猴保护区等。

大河、瀑布、水库风光：南渡江、昌化江、万泉河等河流，滩潭相间，蜿蜒有致，河水清澈，是旅游观景的好地方，尤以闻名全国的“万泉河风光”最佳。大山深处的小河或山间小溪，洄于深山密林之中，中间大石迭置，瀑布众多，尤其通什市的太平山瀑布、琼中县的百花岭瀑布、五指山瀑布等久负盛名。海南岛上还有不少水库，特别是松涛、南扶、长茅、石碌等水库具湖光山色之美，不是湖泊胜似湖泊。

火山、溶洞、温泉：历史上的火山喷发，在海南岛留下了许多死火山口。最为典型的一座是位于琼山市石山海拔200多米的双岭，岭上有2个火山口，中间连着一下凹的山脊，形似马鞍，又名马鞍岭。该岭附近的雷虎岭火山口，罗京盘火山口也保存得十分完整而奇妙。千姿百态的喀斯特溶洞也有不少，著名的有三亚市的落笔洞、保亭县的千龙洞、昌江县的皇帝洞等。岛上温泉分布广泛，多数温泉矿化度低、温度高、水量大、水质佳，大多属于治疗性温泉，且温泉所在区域景色宜人。兴隆温泉、南平温泉、蓝洋温泉、七仙岭温泉、官塘温泉和半岭矿泉等，适于发展融观光、疗养、科研等为一体的旅游。

古迹名胜：具有历史意义的古迹主要有：为纪念唐宋两代被贬谪来海南岛的李德裕等5位历史名臣而修建的五公祠、北宋大文豪苏东坡居琼遗址----东坡书院以及为纪念苏东坡而修建的苏公祠、为巡雷琼兵备道焦映汉所修建的琼台书院、丘浚(明代名臣)之墓、海瑞(明代大清官)之墓，汉武帝派遗率兵入海南的伏波将军为拯救兵马而下令开凿的汉马伏波井，还有崖州古城、韦氏祠堂、文昌阁等等。革命纪念地有琼崖纵队司令部旧址、嘉积镇红色娘子军纪念塑像、金牛岭烈士陵园、白沙起义纪念馆、宋氏祖居及宋庆龄陈列馆等。

民族风情：除汉族外，世居海南岛的少数民族有黎族、苗族、回族。各少数民族至今保留着许多质朴敦厚的民风民俗和独特的生活习惯，使海南的社会风貌显得丰富多彩。海南是我国唯一的黎族聚居区，黎族颇具特色的民族文化和风情，有独特的旅游观光价值。

热带作物及田园风光：海南岛上种植了大量的热带作物，极大地丰富了自然景观。游人上岛既可欣赏热带田园风光，增长见识，又可品尝到热带水果，一饱口福。

各位游客，大家好!热忱欢迎大家来抗日山风景区参观游览。

抗日山原名马鞍山，位于赣榆县西部苏、鲁两省交界处，素有“中国抗日第一山”之美誉。1941—1944年间，八路军一一五师教导二旅，以及滨海军区的广大军民曾四次兴工为死难烈士树碑建塔，抗日山由此而得名。

抗日山风景区占地20xx多亩，有大小景点20余处，主体景观抗日山烈士陵园占地360多亩，依山而建，分为八个坡段，363级台阶，由抗日烈士纪念塔、纪念堂、纪念碑、碑廊、国防园、盆景园、集会广场、马鞍石、景观亭、神龟泉等景点组成。抗日山烈士陵园是我国建园最早、规模最大以“抗日”命名的烈士陵园，它是在抗日战争最艰难的岁月里，由滨海区军民一边打仗一边修建的，这在全国是独一无二的;陵园内安葬的烈士既有八路军将士，又有新四军将士;陵园内既有国内革命烈士的墓碑，又有国际友人纪念碑;纪念馆里既有中共抗日将领事迹的展示，又有国民党爱国将领英勇抗日的事迹介绍。

1982年以来，景区先后被评为“全国重点烈士纪念建筑物保护单位”，“全国青少年教育基地”，“全国爱国主义教育示范基地”等，还被国家旅游局列入全国十二大红色旅游景区之一的“苏鲁皖红色旅游景区”，纳入全国30条“红色旅游精品线路”，20xx年被国家旅游局评定为国家AAAA级旅游景区，成为苏北鲁南地区重要的红色旅游胜地。

现在我们来到了陵园的第一坡段——集会广场。新中国成立后，党和政府多次对景区进行修整和扩建，仅20xx年至20xx年就一次性增加投资20xx多万元，新建了景区大门、水上乐园、曲桥亭榭、集会广场、碑廊、管理大楼和两处停车场，改建了革命烈士墓、烈士纪念馆、纪念堂，完成了水、电、通讯、音响等配套设施，增加绿化面积近10万平方米，使景区旅游环境和游客接待条件得到进一步改观。如今的抗日山风景区，已是亭塔耸峙，碑碣林立，松柏常青，花木峥嵘，一个以抗日烈士陵园为主体，以休闲旅游为内涵，集人文景观、自然景观、革命传统教育、旅游休闲于一体，山水环绕，植被茂密，景色优美，风光独特的风景区以其独特的魅力每年吸引着来自全国各地的50多万游客前来观光游览，成为远近闻名的红色旅游胜地。一幅“山上人文景观，山坡绿树果园，山下娱乐休闲”的壮丽画卷正在向世人缓缓展开。

抗日山烈士陵园始建于1941年7月，第一座纪念建筑物，抗日烈士纪念塔于1942年7月落成。目前，陵园墓区中有751座烈士墓，安葬着800余位烈士的忠骨，塔碑上铭刻着3576位烈士的英名。每年清明节期间，苏北、鲁南等地数十万群众前来陵园，瞻仰先烈，凭吊忠魂，一些大型集会、纪念活动等，就是在这片广场上进行的。

呈现在我们面前的碑廊，总长60米，建筑面积1300多平方米，碑廊建筑高度13米，共立200多块碑。碑上所刻内容来自于两方面：一是自建园以来各级领导和社会各界人士为陵园题写的字词诗，二是请国家、省、市领导同志为建园60周年纪念活动题写的字词诗等。

我们面前的就是小沙东海战烈士冢，两边分别是陈毅与陈士榘的题词——“浩气长存”、“英灵千秋”，背面是当年滨海军区政治部撰写的《纪念小沙东海战烈士文》。

秦兵马俑导游词

游客们，大家好，欢迎你们来到这举世无双、气魄雄伟的秦兵马俑。我姓孙，是山西旅行社的一名导游，大家叫我孙导好了。很高兴能带你们来游玩秦兵马俑。好了，时间不等人，话也不多说，我们立刻出发吧!

据众所知，秦兵马俑是一个浩大的地下军事博物馆，总面积达20190平方米，差不多有五十个篮球场那么大，坑内兵马俑近八千个，被誉为世界八大奇迹之一，里面有3个俑坑，每个兵马俑都个性鲜明，品种也很多，各拿着各种不同青铜兵器，如：刀、剑、戈等，大家觉得怎么样?够不够雄伟?

大家请往前走，看，我们已经到了一号坑，它的面积最大，有14260平方米，差不多有三十个篮球场那么大，东、西长230米，南、北宽62米，坑里兵马俑也最多，有六千多个，这一号坑上已盖起了一座拱形大厅。游客们请到大厅上来，再请你们往下看，坑里的兵马俑一行行，一列列，十分整齐，你们看，那像不像秦始皇当年统帅的一支南征北战的大军呢?

兵马俑不仅规模宏大，而且类型众多，个性鲜明。

游客们，现在请你们看看左边，那是骑兵俑，它上身着短甲，下身着紧口裤，足蹬长靴，右手执缰绳，左手执弓箭。还有许多兵马俑我还没说，如武士俑等。

秦兵马俑的遗迹说也说不完，看也看不够。今天的游览到此结束，谢谢大家的配合，有机会我们再见吧!

澳门大炮台城堡导游词

位于大三巴牌坊不远处，原名圣保禄炮台，300多年前为防海盗, 保护传教士及居民安全而建造的全澳最大的炮台，部份建筑于1835年与圣保禄教堂同遭火焚。一直以来为军事禁地，20多年来始辟为旅游景点，成为视野宽阔的公园。城堡高居市区中心，从上可眺望澳门全景，还可看见圣保禄教堂痕迹。

1622年6月24日, 凭借着城堡上的大炮击退了荷兰人的入侵。这天正是圣约翰礼，于是圣约翰被视为澳门的主保圣人，圣约翰浮像以及“1622”的年份便刻在了城堡入口之上。当年古老的铁炮现仍安放于城堡上。

大炮台城堡的中心，有一座南欧式的平房建筑，原为兵营，现为气象台。平常游人可入内参观气象变化图和各种气象观测仪器。城堡的东北角，保存着澳门早期石刻。

英文的导游词范文

英文导游词范文——陕西西安大清真寺英文导游词

the great mosque at huajue lane

the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.

however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.

islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.

however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.

among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.

the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.

according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.

the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.

the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.

英文导游词范文——陕西西安秦始皇兵马俑英文导游词

emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum

emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.

in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.

after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.

emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”

emperor qin shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.

no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.

no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.

no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.

no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.

the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.

in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.

no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.

各位游客：

大家好!欢迎来到八达岭长城观光，我是你们的导游黄巧倩，很高兴认识各位!今天我将带领大家游览长城，希望大家在八达岭度过一段美好的时光。

朋友们，再过十多分钟我们就会到达目的地，趁这些时光，让我为大家介绍一下长城吧：长城东起山海关，西至嘉峪关，全长一万三千多里，被称为“万里长城”。早在春秋战国时期，古人为了防御外族侵略，就开始修建长城。后来，共出现了三次修筑长城的高峰，我们把它们叫做秦长城、汉长城和明长城。今天带大家游玩的八达岭长城就是明长城的一部分，是保存得特别完好的一段。

朋友们，我们现在已经来到八达岭长城，这一段长城高大坚固，请大家低头看看脚下的方砖，平平整整，宽宽大大，古时候可以让五六匹马肩并肩在上面奔跑。大家再看看左右两边的垛子，上面都留着方孔，用来瞭望和射击。大家可别小看这四周的条石，一块有两三千斤重呢!古时候可没有汽车和起重机，这一块块条石全都是千千万万老百姓一步一步地搬运到山上的。年复一年地修造长城，不知道多少人累倒累死在这里!大家一定知道孟姜女哭长城的故事吧?她的丈夫范喜良就活活累死在长城脚下。从这个故事我们可以想象古代劳动人民修筑长城的艰辛。

现在，大家爬上了城台就可以休息一下，喘口气喝口水，我们脚下和远处的方形城台就是烽火台了，它是那时屯兵的堡垒。烽火台还可以传递信息!只要第一个发现敌情的烽火台点起狼烟，邻近巡逻的士兵看见了，就立刻通知下一个烽火台点火，就这样一个个地传下去，后方很快会得到消息。大家积极备战，为保卫国家誓死拼搏。故事“烽火戏诸侯”，用的就是长城烽火台。

关于长城不仅有民间故事，还有许多古诗词呢!陆游就曾写下“长城高际天，三十万人守。一日诏书来，扶苏先授首。”毛泽东也曾写下“不到长城非好汉”的名句。

现在，长城已被列为世界遗产，它是我们中华民族的骄傲。让我们再感受一下长城的雄伟壮观，为它自豪吧!一天的行程就要结束了，衷心祝愿各位游客的长城之行顺利愉快，希望我的服务大家可以满意，谢谢!

华山位于陕西省西安市以东约120公里的华阴县城南，是秦岭的一个小支脉，因其西临少华山，古称太华。华山北濒黄河、渭水，南连秦岭，共有 五峰，即南峰落雁、东峰朝阳、西峰莲花、北峰云台、中峰玉女，其海拔都在20xx米以上。古书《山海经》道“太华之山，高五千仞，削成四方，远望若华然”;北魏郦道元在《水经注》中说，华山“远而望之若花状”，故名华山，因为古时候，“华”与“花”两字是相通的。也有人说，华山起名于山顶的莲花池。

华山在五岳之中以雄险著称，向有“华山天下雄”的盛誉。华山属断层山，由抗风化能力特别强的花岗岩组成。大约在距今7000万年前的白垩纪时，秦岭一带发生强烈的地壳运动，形成一个巨大的花岗岩体的侵入“岩株”，其东西长15公里，南北宽10公里，面积约150平方公里。至新生代，由于华山北麓渭河地堑不断陷落，秦岭山地几经抬升，使形成华山主体的花岗岩侵人体出露地表，并在第三纪新构造运动中大幅上升，加上大自然的风雨雕琢，形成险拔峻秀的山势。

“自古华山一条路”。登华山只有一条长约15公里的峪道可行，山路逶迤曲折，艰险崎岖。玉泉院是游人登山的必经之地，相传在宋朝，道士贾得升为其师陈传(号稀夷)建的祠。因院中泉水与华山上的玉井潜通而命名，亦名希夷祠。院内长廊回合，殿宇、亭台、秀石别致，溪流环绕，茂林修竹，环境幽雅，泉水清冽甘美。康有为曾写道：“谷口清泉引曲流，长廊回合树无忧，泉声岳色可忘世，让与希夷睡万秋。”

从玉泉院进山，南行2500米，有石门挡路，这就是五里关，人称“第一关”。不远处希夷峡谷，又有一道石门，仅容只身通过，号称“华铁门”，俗称“第二关”。经沙萝坪、毛女洞、过云门，就到了青柯坪，路程恰为一半。前面西峰拔地而起，气势磅礴，北跳秦川，渭河如带，黄河隐约可见。“西岳峥嵘何壮哉!黄河如丝天际来……。”坪东有块“回心石”，石前万丈陡崖直耸云端，令人望而生畏。游人至此，上则畏险，退则不舍，有徘徊犹豫之感。

从回心石挽索拾阶而行就是华山第一天险--“千尺”。危崖峭壁、突兀凌空，高约20米，凿有370多个石阶，左右垂有铁索，宽仅容身。仰望直岩崭立，一线天开，俯视如临深井，确有“一夫当关，万夫莫开”之险。与“千尺”紧邻的“百尺峡”，其陡险之状更甚于“千尺”，现在几经修整，已化险为夷。“老君犁沟” 也是登山必经险路，依山傍壑，陡坡直上，铺有570多个石阶。相传是当年太上老君在华山修炼，看到人们开山凿道， 十分艰辛，便以自己的青牛挽铁犁，辟出这条山路，故名“老君犁沟”。当地有民谣曰：“千尺、百尺峡、老君犁沟往上爬。”在“老君犁沟”的尽头是“猢狲愁”，顾名思义，崖壁太陡峭了，连猴子都发愁。

从猢狲愁下聚仙台，过横翠崖北上就到了北峰，也叫云台峰。其山势峥嵘，三面悬绝无路，只有一道山岭与其他山峰相通，苍松翠柏，掩映上下，巍然独秀，有若云状，故名“云台峰”。1949年6月，我人民解放军八勇士越过悬崖峭壁，奇袭北峰伪军，创造了“神兵飞越天险，英雄智取华山”的奇迹，打破了“自古华山一条路”的说法。

从北峰南上，要经擦耳崖、上天梯和苍龙峰等险道。在岩陡路窄的擦耳崖，人面壁挽索贴身而进，有时候岩石会擦着耳朵;至其尽头壁立60°，登 30级 “石?”，手足并用，称之“天上梯”。过此不远，就到了苍龙岭下， 一道黑色的山脊，似苍龙横在空中，首尾各搭一山，上下长达1500米，登山道就开凿在岭脊上，径宽不过1米，中突旁杀，两侧深壑千仞不辨水石，游人出没于浮云游丝之中，令人无不惊叹。

“过了金锁关，另是一重天”。金锁关形势险要，是华山东峰、西峰和南峰的咽喉。在三峰之间是一片洼地，西面有镇岳宫，它依山岩而建，松林笼罩，有名的“玉井”就在院中。每当雨季，玉井的水溢流出来，经过“二十八宿潭”奔注东西两峰之间，变成瀑布飞流直下，成为华山名胜。

西峰也叫莲花峰，笔立千仞，悬绝异常，峰顶一巨石，上覆石叶，形如莲花瓣，故称莲花峰。峰顶另有一大石，中部大凹，状似刀削，名“斧劈石”，为“沉香劈山处”。神话“宝莲灯”中，华山女神三圣母的儿子沉香劈山救母的故事，就发生在这个地方。

东峰朝阳峰，山势壮丽，古松参天，峰顶朝阳台是观日出的绝妙之处。每当破晓，火团冉冉升起，水光相映，霞光万道，身临其境颇有“江山如此多娇”之感。峰东北有巨崖直垂，黄白相间，远望五指分明，形如巨掌，因名“仙掌崖”。传说是古代河神巨灵劈山开河之处。过去华山和中条山是连在一起的，挡住了黄河的去路，河神巨灵手托华山，足踏中条，劈山开河，使黄河东流大海。唐代大诗人李白赞颂道：“巨灵咆哮辟两山，洪波奔流射东海。”峰东侧有险径“鹞子翻身”通往博台，为汉武帝时卫叔卿下棋遗址，相传宋代开国皇帝赵匡胤与陈抟在山上下过棋，宋王输了华山，亦名下棋亭。

南峰是华山主峰，峰有二顶，分称“落雁”与“松桧”，其中落雁峰海拔2200米，是华山最高峰。在绝顶之处“仰天池”旁的石壁上，镶刻着“太华绝顶”、“登峰造极”、“儿视诸峰”、“洗手摩天”等明清和近代诗人题词。

近年来，华山游客与日俱增，为缓解上山道路拥挤阻塞，建了华山黄甫峪旅游公路暨“智取华山”登山路，结束了自唐代以来“自古华山一条路”的历史。

Dear friends, hanshan temple is known for its inscriptions, and the most famous one is the poem of the maple bridge. Ladies and gentlemen,

Now lets go to the stele. Since ancient times, in the temple, "the maple bridge night mooring" has a few pieces of poetry. The answer is: a poem. Wang GUI (1019-1085), the king of the northern song dynasty, was the first stone in the poem of "the maple bridge", the first stone of zhang jishi, which could be lost in the early years of this monument. In order to restore historical relics and carry forward the national culture, the first stone of zhang jishi, which was integrated with wangs calligraphy, was re-established next to puminta in 1996, with the efforts of people on both sides of the Chinese Taiwan straits. Thanks to Chinese Taiwan SiNian library, they free get-together of generous Ph.D. More than 3000 words handwriting epitaph rubbings, the suzhou famous calligrapher FeiZhiXiong set word, suzhou museum of stone inscription loyalty as heavy carved sculpture artists, and shows the world the first stone Zhang Jishi spirits, to understand a get-together chirography provides physical characteristics and style.

Full of poetry only 28 words, but can directly select a get-together to complete the original words only 14, namely: month, full day, jiang, fire, for, gu, outside the city, and cold, hill, temple, night, half, the rest are through a mix of the original word radical. For example, "frost", combined with "rain" and "facies"; The people are composed of "eyes" and "people". The word is in block letters, between the yan and liu shushu. The stone tablet has been used for a certain period of time. It is 2.5 meters high, 0.84 meters wide, 0.2 meters thick and 1.66 meters high, about 13 centimeters per word. The stele was collected by the Palace Museum in September 1996.

The second tablet is written in Ming dynasty. The temple is in fire. There are only remnants of the monument, and less than 10 words remain. The third tablet is written by yu yue in the qing dynasty. It is well preserved. The most common "night mooring" in the market is the first inscription of yus books. The tablet is displayed in the gallery. The fourth tablet was written on December 14, 1947 by zhang, a member of the hebei cangzhou dynasty, with the same name as the tang dynasty. Zhang succeeded in writing this tablet, and unexpectedly died the next day, and the ink became a veritable masterpiece. This stele is well preserved and is now on display in the hospital of pu-minta, where the original poems are preserved in the central history museum of the kuomintang (KMT) in Chinese Taiwan. The fifth tablet we have seen in the songmao pavilion in the house of hanshan. It is the one li dazhao wrote. The sixth tablet is a contemporary painting

Liu haisus works. In the winter of 1981, the 86-year-old painter locked himself in his room for about five hours, using the whole body and soul to complete a masterpiece -- the "maple bridge night". When liu finished the work, he fell ill for many days, but he was very satisfied with the work and thought it was no less than yus book. According to lius wish, this tablet was engraved in 1994 and placed in the corridor of hanshan temple.

The seventh tablet was written by the revolutionary predecessor Chen yun in the "maple bridge poetry gallery" in 1998. The original was a gift given to liu yuna, a famous critic, when he was 82 years old. The inscription on the tablet stands in contrast to the poems written by kang youwei in the han shan temple in 1920. "the bell has been crossing the sea, and the wind is cold and cold. Dont let feng dry and rap again, to make people not empty." Loss of kang youwei was generous in clocks to Japan, he quips: also blame gab abundant dry monk, to zhejiang taizhou high disturbing the satrap pavilion hanshan, picked up are two manjusri, samantabhadra bodhisattva incarnation of cat. Had it not been for the leak of the celestial machine, there would have been no longer the ancient clock in the temple.

You all know the Bund in Shanghai! It can be seen that it is one of themost prosperous places in our country, but the former captivity also made herhave a miserable history: in 1845, Britain designated her as its concession, andin 1849, France also occupied the Bund. But how beautiful and prosperous she isin front of the world today!

Last summer vacation, my mother and I came to this loess land known as the"World Architecture Expo". As soon as I arrived at my destination, the waves ofthe Huangpu River attracted my eyes. The green algae glided in the water, itsgentle and slender waist.

As soon as we got out of the car, we came to the Asia building, theheadquarters of China Pacific Insurance Company. The lintel of the building isalso designed in broken pattern, which is beautiful and vivid. Further on, wecame to Dongfeng Hotel, once the most luxurious club in Shanghai - ShanghaiFederation. It has a bar of more than 110 feet, known as the longest bar in theFar East. We went on and came to a red house. After the guides explanation, Irealized that this was the famous steamship investment promotion company.Walking along the Huangpu river bank, the famous tower of Shanghai is a glance:the Peace Hotel, Pudong development building and the Oriental Pearl TV Toweropposite the Huangpu River, the world financial center.

At the end of Nanjing Road, there is a bronze statue. He stares at theflowers and grass. Who is he? He is general Chen Yi, the first mayor of Shanghaiin New China. Looking at the statue, I seem to see General Chen Yi inspectinghis work in the wind and rain. His simple image and amiable, open-mindeddemeanor once again deeply imprinted in my heart.

Its getting dark. We came to the hotel, ate in a hurry, and then we wentback to the Bund. At this time, the sky has become dark red, and the lights ofthousands of families have been turned on in the sky. We came to the "Bundcruise terminal" to take a boat sightseeing.

We came to the cruise ship, the ship slowly driving on the Huangpu River,the lights on the shore printed on the water, as if it had become a wide pair ofoil paintings, water, quiet, seemingly dark but bright. After getting off theship, we went straight to the tallest building in Shanghai, the world financialcenter.

We took the high-speed elevator in the world financial center. Its saidthat he has the highest speed of 10 meters per second! In less than 2 minutes,we came to the top 100 floor of the building, where the floor is transparent,walking on it is really a kind of "list of mountains and small" pleasure. Atfirst glance, there are colorful lights everywhere, cars are shuttling, and theHuangpu River is even more beautiful. The stars on the opposite side of theOriental Pearl TV Tower rain are linked into one piece, forming a beautifulscene of "sky and even Pujiang". I heard that Shanghais electricity bill willspend nearly 300 thousand yuan a day.

I looked at the charming lights motionless, only feel the heart clear aswater, I, intoxicated!

照壁广场

长40米，高8.6米，它被称为华夏第一壁。照壁面向太湖一面，刻有由全国政协副主席、原中国佛教协会会长赵朴初老先生所题写的一句诗“湖光万顷净琉璃”，琉璃是佛教七宝之一。(注：佛教七宝为金银、砗磲、玛瑙、红珊瑚、琉璃、琥珀)佛经上说，琉璃世界清净、美好。这句诗把灵山喻为琉璃世界，与三万六千顷的太湖交相辉映。或许有的人会问，为什么要把照壁设在这里，那我们说我们灵山是一块风水宝地，因为“前有照，后有靠，两边抱”前面可以把三万六千顷的太湖当镜子照，背靠小灵山，左青龙，右白虎，整个地形从远处看犹如一张太师椅一样。凡是风水宝地都蕴含着福气、运气、灵气，为了不让“福气、运气、灵气”外泄，就必须要有一样法物来收气。大照壁就起了一个收气的作用。

照壁面向大佛一面，中间刻有赵朴初老先生所写的一首诗《小灵山》“昔游天竺访灵鹫，叹息空荒忆法华，不意鹫峰飞到此，天花烂漫散吾家”。这首诗的意思就是说，朴老曾到印度灵鹫山去游访，看到已没有佛祖在世时在那里讲经说法的繁盛，觉得非常可惜和心酸。在97年时朴老再次来到我们灵山景区，看到建成灵山大佛，修复完千年古刹祥符寺以后，这里香火十分旺盛，又重现了当年灵鹫峰的繁荣，于是兴起题写了这首《小灵山》的诗。

玄奘法师从西天取经回来以后，就在全国各地弘扬佛法，后来到了这里，发现原称为“秦履峰”的地方周围风景秀丽，非常像他曾到过的印度灵鹫山，于是赐名“小灵山”。当地的杭将军舍地出资建了“小灵山寺”，玄奘法师还留他的大弟子辨基在此讲经说法，任第一任方丈。到了北宋年间改为“祥符禅寺”一直延用到现在，在1938年时祥符禅寺被日本人的三光政策彻底毁掉。于1994年开始修复，也在此建造了灵山大佛。在大照壁的两边也可以看到灵山的整个缘起和始末。

五明桥

佛教中“明”是智慧的意思，“五明”就是五种智慧。中间这座桥代表“内明”，是佛教中的精髓，也是最高境界，代表“大彻大悟”。佛经上说菩萨要普渡众生必须广学五明，所以其他“四明”是基础，分别为“声明、因明、医方明、工巧明”。

何为“声明”?我们都知道佛教是从印度流传过来的，最初经文是用梵文写的，要想看懂经书，首先要懂梵文，这就是语言学，像现在我们和外国朋友交流要懂英语、日语、法语等那在佛教称之为“声明”。

那什么又是“因明”呢?如果像现在我在向大家介绍这个景点时，没有条理性，那大家就很难理解和听懂我所讲的内容，那这在西方称为逻辑学，也是佛教所说的“因明”。

“医方明”，大家应该比较能理解，我们说“身体是革命的本钱”，没有一个强健的体魄就不能很好的工作、学习、生活，所以我们每个人要学习一些保健知识，懂得一些养身之道以确保自己健康，这在佛教称为“医方明”。

“工巧明”包含的内容很多，指的是所有世俗间的技能，如，电脑，音乐，建筑，绘画等。希望世人能多学一些技能，使自己成为一个综合性的人才，这样才能在激烈的竞争中争得一席之地。那在佛教中也需要掌握“工巧明”。

在我们学习好这世俗间的文化之后，我们应该化知识为智慧，不断的提高自己，最终获得大智慧，达到内明的境界，也就是不断修炼内心，了解自己，彻悟自己，觉悟人生。

门楼

广场两边种植的是紫竹，我们常说“紫竹林中观自在”意思是说见到紫竹林就如同见到观世音菩萨一样。

广场中间这两棵高大的银杏已有一百多年的历史，它们像两个门神一样守护着我们整个景区。在门楼中间写有“灵山胜境”的这块匾额是由朴老所题写的。

在穿过门楼之后，我们不妨再回头看一下，门楼中间也挂有一个匾，上面用梵文写有“灵山胜境”。这块匾是由北大教授，也是我国研究梵文的泰斗人物，季羡林先生所题写的。

Today, we "wolong guide club" came to the beautiful and magical lijiang, lijiangs many historical and cultural heritage, is the famous lijiang seven big temple, namely Wen Fengsi, fu temple, mountain.analysis, jade peak temple, refers to the cloud temple, XingHua temple and temple. Secondly, north YueMiao, since the ancient jiao group, three saint palace, longquan temple building is also famous. So that the central plains culture and local national culture and the combination of the characteristics of Tibetan culture.

From the lijiang ancient city 15 kilometers north-west, is the snowy jade dragon snow mountain. ShanZiDou xiaojin jade dragon snow mountain, elevation five thousand five hundred and ninety-six meters, into the blue sky, north and south of yulong thirteen peak looks like a dragon of suspension, it not only grand century, and tall and beautiful, modelling is exquisite, also over time and alternation of rain or shine, the landscape also fickle, and sometimes the cloud steaming fog chung, jade dragon at hidden, and sometimes glimmering pearls like water, cloudless, peaks as been taken scrub, glittering and translucent silver, anti yao, sometimes, a jade belt waist, xuefeng glistening white above, gangluan green below. Oriental YuXiao, peak early morning, colorful sunglow reflects the xuefeng, snow is flushed and diffused green flashing; In the evening the afterglow dye xuefeng like donning the GongSha, clouds with the sunset glow strange color, FeiGui GuHe between peak, the playing of a musical, infinite changes.

The jinsha river, we will also see spectacular tiger leaping gorge, it is made up of jinsha river split jade dragon snow mountain and haba snow mountain. Tiger leaping gorge 17 km, up and down drops two hundred meters, the river on both sides of the xuefeng by more than three thousand meters, its potential breathtaking absolute, terrifying spirits, in the tiger leaping gorge at the entrance of upper reaches of the Yangtze river, there is a stone lying jiangxin, only 30 meters wide torrent from stones on both sides of the passing through, the murmured in blasting, whitewater, legend tigers often rely on jiangxin boulders onto the other side, so the tiger leaping gorge.

On looking at gorge, gorge in the mind. Therefore down to the river beach, cross-strait cliff sew crowded into a high day, great river squeezed more than 30 meters wide, the river on the lists of the five meters across the tiger jump stone, the water like an arrow, this is the tiger jump. Big holes on the east side, there is the ancient rock paintings, animal image.

Look from the gorge on jade dragon mountain, like heaven battlements. River gently, like RouJing girl, but a into the throat and surf boats, become violent of angry men. Tiger the first to jump, a falling organ Gao Kan for the ribbons, candy on both sides of cliffs qingtian, forming two giant shek mun, a tiger jump of triangular stands of stone, jinsha rivers from now on their way out of it, leaped over Gao Kan, take trend and breaking down and Gao Kan, wave qian wan, swing back. Look at the scene, terrifying. Forward, soon see all over the sky star beach, beach, half a mile long, reefs, ManJiangYin waves, murmured in blasting, looks like the Milky Way stars, so its name. Whole gorge have such dangerous shoals 18, on average less than a mile there is a pool. O to tells the middle valley of chang, walnut orchard village have simple family house for room and board. Dozens of family houses are covered with green flag, like at the same place and elegantly map hanging on the wall. Go away from the village went to the river, to the risks, strange tiger jumped in. See the Lao trees stand, dangerous shore four shrugged, the clouds cover day, wave cragginess tiger jumped stone like ghosts play. Riptide reef, crystal empty empty, rough roar, e.g.

Lijiang ancient city with a long history, of primitive simplicity is picturesque, the capacity of water, and the appearance of mountain city, there is water in the city, in the mountain city, the city of mountain, landscape, road to freedom, deep lanes, along the river, willows breeze water ` ` ` ` ` ` ` deserves to be Chinas famous historical and cultural city, a world cultural heritage.

大家好，很高兴能与大家共同游三峡风光。下面就由我来为大家介绍这里的美景与悠久历史。

长江三峡是万里长江一段山水壮丽的大峡谷，它西起重庆奉节县的白帝城，东至湖北宜昌市的南津关，由瞿塘峡、巫峡、西陵峡组成，全长191公里。长江三段峡谷中的大宁河、香溪、神农溪的神奇与古朴，使三峡景色更加迷人。它是中国古文化的发源地之一。大峡深谷，曾是三国古战场，是无数英雄豪杰用武之地;这儿有许多名胜古迹：白帝城、黄陵、南津关等。他们同旖旎的山水风光交相辉映，名扬四海。长江三峡是世界大峡谷之一，以壮丽河山的天然胜景闻名中外。

各位游客朋友们：

大家好！

非常欢迎大家来到三峡大坝，我是大家的导游，我姓潘，大家就叫我小潘吧。

首先，让我们一起来说说我们的三峡工程吧。

三峡工程是中国人民用智慧和汗水创造的冲破性伟大工程。它举天下之力而建，以是，在场的每一位前辈，你们都为其做出过贡献，它是我们共同的自豪！

接下来我们要去三峡大坝的最佳观景点——坛子岭观景台。大家上去的时候要注重安全。站在坛子岭上，凭栏眺望，高峡平湖就在眼前延伸。巍然耸立的三峡大坝如巨龙横江，和沿岸的群山相连，十分的壮观。

由于三峡水库属峡谷河道型水库，坝上湖面并不十分隔阔。站在坛子岭上能看到的湖面在几公里外就消失到峡谷中去了，远没有鄱阳、洞庭的浩淼和壮阔。但它摄人心魄的壮美是深藏不露的，因为我们眼前的那一汪江水示明的是人类对世界第三大江河的征服，承载的是一个人的共同体一百年的梦想。我相信，在场的每一位前辈均可以或许读懂这种美，因为那是属于中华人的共同体的大壮美，那是中华人的共同体崛起在新时代的伟大标志。

好了，我的讲解就要结束了，接下来大家可以自由参观，我们11点在三峡展览馆门跟前集合，谢谢大家。

刀削面是山西著名的风味小吃，我们小区就有一家专做刀削面的小馆。

刀削面看上去朴实无华。一根根白白扁扁的面条纵横交错在碗中，像一座座山岭，而点缀其中的绿绿的青菜，就像一道道万里长城了。

虽然刀削面看起来朴实无华，但做起来不如想像中的容易。每次我去吃刀削面，都会看到师傅做刀削面的整个过程：

首先，师傅从橱柜中拿出一大块面来，放在桌子上，揉了又揉，搓了又搓，然后将揉平的那一面捧在手上(底下一个工具撑着)，一手抄起一把削面专用的刀，在上面可就削开了。只见师傅拿着刀，从面的上方往下方一削，看上去也没用什么劲，那面条就乖乖地跳进了锅。紧接着师傅越削越快，“刷刷刷刷刷”，一根根面条可就进锅了，烫了一会后，师傅又把面条捞起来放入另一个锅里，抓一把青菜，烧了几分钟，一碗热气腾腾的刀削面就做好了。

在吃面的时候，我喜欢把面“拦腰”搛起，一股脑送进嘴里，然后慢慢咀嚼，细细品尝它的味道。吃青菜时，我喜欢把根部连在一起的先分开，然后藮一点汤，细细咀嚼。刀削面的汤很纯，也很好喝，用来解渴是再合适不过的了。

每次吃刀削面，无论那刚盛起来的有多么热气腾腾，我都会迫不及待地搛起一根面就往嘴里送。由于脸靠碗口太近，那热气总是会将我的.眼镜弄得全是雾气，让我分不清东南西北。从而我就给刀削面起了个别名——“玩笑面”。

香港仔湾导游词

仔湾百多年前是渔村，也是港岛最早发展的地方，至今仍有数以百计的船家居住在这里，保留着传统渔村的特色。到了这里，可以乘坐舢板游览港湾，每人大约收费50-70港币，如果人数较多可以议价。

在乘船的过程中，可以拍到许多优美的风景照，有着浓厚的渔港色彩，在海湾內停泊着各式各样的捕鱼船只、供应饮食的海鲜舫、古旧的中国式帆船。很多游客还专程来此品尝海鲜。

| “东方之珠”香港导游词 | 香港迪斯尼乐园导游词 | 北帝庙导游词

大家好，这天我们要去鲁迅故里参观游玩，我是你们的导游，将带领你们度过愉快快乐的一天，大家能够叫我小黄或黄导。

我们的目的地就快要到了----首先和各位谈谈鲁迅先生。鲁迅是我国伟大的思想家，教育家和文学家，为我国的革命事业做出了巨大的贡献。而鲁迅故里就是鲁迅小时候生活过的地方。

好，我们的目的地已经到了。首先来到大门口，我们能够醒目地看到一块大石像，上方雕刻着“鲁迅故里”四个大字和鲁迅的头像，石像前还有几个小孩正围成一个圈的铜像，他们的神态各不相同，活灵活现。远远望去，好像在谈论对鲁迅先生的无限赞扬。

此刻，在我们的左手边有一块巨大的石碑，上方印着“民族脊梁”四个烫金大字。这块石碑是人们为了纪念鲁迅先生的丰功伟绩专门建造的。

继续向前走，就来到了三味书屋，这儿是鲁迅从12岁开始来寿老先生这儿学习的地方。其中，在学堂中间摆放的是寿老先生的讲桌，桌上放着书和一把戒尺，周围围着的是学生们的课桌，鲁迅的课桌紧挨着墙，在课桌的右下方还端端正正地刻着一个“早”字。关于这个“早”字，还有一个个性的故事呢!

在鲁迅小的时候，他们家境日益贫弱，他的父亲身患重病。每一天，小鲁迅都有要在药铺和学校之间来回奔波。一次，鲁迅为了给父亲抓药，结果上学迟到了，教书的寿老先生不由分说，一把抓起戒尺在鲁迅的手心连打三下。但是，鲁迅并没有因此而痛恨老师，只是默默地在自我的课桌上刻了一个“早”字，以此来告诫自我要珍惜时光。

接下来就来到了百草园。走进百草园，能够发现那里到处是一片生气勃勃的景象。虽然那里只种着几种简单的绿色植物，但那里却时鲁迅童年时最喜欢玩耍的地方。小时候的鲁迅常常在那里捉蛐蛐，爬树，采野果吃，几乎每一天都玩得开开心心，不亦乐乎。

我们的参观这天到此为止，感谢大家的这次参观，欢迎各位下次再来游玩。

大宁河小三峡即为有名的巫山小三峡。大宁河发祥于陕西省平利县的中南山，流经重山峻岭和大小峡谷，一路包容百川清流，穿过巫溪、巫山之间的云崖险峰，注入巫峡西口的 浩浩长江。大宁河千姿百态，神秘莫测，从前长期隐匿无声，近年因为我国 游览事业的发展，它初露真容，即一举成名。有人赞扬它“不是三峡，胜似 三峡”，“神矣绝矣，叹为观止矣”。大宁河小三峡是龙门峡、铁棺峡跟滴翠峡的统称，它是大宁河景致的精髓所在。小三峡南起巫山县，北至大昌古城，全长约60公里。

龙门峡 从巫山县逆水而上，第一个峡谷就是龙门峡，峡长约3公里，峡口犹如瞿塘峡中的“夔门”，峡口两岸峭壁巍峨入云，峰峰绝对，形若一扇扇铁门，雄奇壮观，故有“小夔门”之称。进峡后，两岸峰峦矗立，绝壁摩天，悬崖上翠竹垂萝，摇曳多姿。河东岩壁上，有一清泉汩汩流入河中，人称“龙门泉”;河西绝壁上可见一方方的石孔，有序地延长300余公里直到黑水河，这些石孔即为古栈道的陈迹。diyifanwen.com

铁棺峡 出了龙门峡，就是著名险滩“银窝滩”了。这里山回水转，滩险流急，实为航程上的险途。过了险滩即进入铁棺峡。铁棺峡长约10公里，这里两岸危峰兀立，构成一组组自然雕塑，个个妙不可言。东岸崖壁上有一金鳞闪闪的长岩，很像从天外漫游归来的巨龙，且龙首已经进洞;对岸山腰有一溶洞，洞口有块黄色圆石，如同正欲出洞的猛虎;西岸悬崖下有串串倒悬的钟乳石，其样子容貌像是两匹骏马，其头已进山，但马尾和后腿还在山外。

于是人们就给它们分辨取名为龙进、虎出、马归山。此外在河东岸离水面四五米高的绝壁石缝中还有一具玄色的悬棺，俗称“铁棺材”，铁棺峡一名即由此而来。据考这“铁棺”乃是战国时代巴人的悬棺，其并非铁铸，仅因其色类似而言。目前悬棺群保留最完好的是巫溪县东北25公里的荆州坝，那里有24具黑棺。

滴翠峡 持续前往就是小三峡中最长、最迷人的滴翠峡。滴翠峡长约20公里，峡中钟乳石遍布，石石滴 水，处处苍翠，故名滴翠峡。峡中有座宏大的赤壁山陡破河岸，其通体赤黄生辉，小木船从其脚下经由，犹如伟人足旁的蚂蚁，这就是宁河十二景之一的“赤壁摩天”;赤红色崖壁上挂满莲花般钟乳石的就是“红屏翠莲”;那竖立江心的“关门岩”恰似巨扉锁关，使船无路可行，紧逼岩前却见大门开启一缝，然刚挤过门缝，回首一看大门又合了起来，真令人惊疑。

大宁河小三峡以峰秀、景幽、滩险、石美为其特点。久居大都市的旅游者定会觉得八怪七喇，宛如旅行在神话世界中。

我国历史文化名城平遥就要到了，此刻大家能够观赏一下古城的远景和比较完整的外观。平遥古城，历史悠久，至今已有2800年左右的历史了。在漫长的历史岁月中。那里曾有过她的繁华，也曾多次受到战火的破坏。

此刻平遥古城到了。请大家随我上城墙参观。

那里就是平遥方城的“下东门”。大家看这高达12米的城墙多雄伟、多壮观。在城外，本来还有护城河，城门处架有吊桥，在古代战乱的日子里，这的确是一道难以逾越的防线。

我们进来的这个地方是下东门瓮城，它是为保卫城门而设立的。城门是城墙上的薄弱环节，有了瓮城。就大大增强了城池的防卫手段。那里地方很小，四周有高墙围护，即便敌人攻入瓮城也只能进来少数人，而且立即陷入包围之中，成为瓮中之鳖。

我们看城墙上两边各有一道短墙，叫女儿墙，为什么叫女儿墙呢?民间流传着这样的故事：早先城上并没有女儿墙，有一次一个老人被拉来做工，和他相依为命的小孙女也天天随他来到城上。坐在旁边观看。一天，一位累极了的民工昏昏沉沉中竞走到城墙边上，小女孩怕他掉下城去，用力向里推他，不料用力过大，民工虽得救了，小女孩却摔死了。为了纪念她，工匠们在城上修起了矮墙，并把它叫做女儿墙。这实在是个感人的故事，但确实说明了女儿墙的保护性功能。我们看：

两边的女儿墙并不一样，向外的女儿墙上还修筑了垛口，垛口还留着供瞭望和射击使用的小孔。这当然是为了实战的需要。

大家都注意到了，城墙每隔一段，就有一个向外突出的部分，这叫做墩台。墩台是干什么的呢?它是保卫城墙的。我们明白。古代攻守城池的主要武器是弓箭和弯机，上方既可射下去，下方也可射上来，因此守城的士兵轻易不敢探出身去。这样，城墙脚下反而成了防御的死角。有了墩台。就能够弥补这个不足、从三面组成一个强大的立体射击网，城防力量大大加强。在每个塌台上，还修有一座敌楼，上面有孔，也是为观察和射击用的。

平遥城内文物众多，西南方向那一片覆盖琉璃的建筑，就是城因庙、财神庙建筑群，近处观看，能够见到它馆角高挑、群昂飞动、油漆彩绘的壮丽景色。

各位游客，期望我的介绍能给你们的旅途增添快乐，多谢大家!