大雁塔导游词范文
今年暑假的一天,艳阳高照,万里无云,我和小姨一起浏览了西安有名的旅游地——大雁塔。
坐在车上,我暗暗地想:大雁塔,不是玄藏取经后放佛经的塔吗?颇有盛名,一定很好玩吧!下车后又步行了一段路,终于来到大雁塔。“哇”!一进大门,我止不住惊叹一声。因为大雁塔太美了!一排排花草树木亭亭玉立,整整齐齐,从门口一直延伸到大雁塔的每个地方,好像训练有素的士兵列队一样。中央有一片广场,广场上人山人海,水泄不通。我好奇地挤进人群,嗬,是美不胜收的喷泉!喷泉有横着的、竖着的、倾斜的.……,应有尽有。一股股泉水像飞龙在天空中飞舞,从东而西,由南向北,在天空中翻滚,让我目瞪口呆了,感觉如梦似幻!我跑进喷泉中,泉水溅落在我的身上,凉丝丝的,让我感到无比惬意,我察觉到,这不是梦,而是美丽的现实!正在这时,小姨用照相机“咔嚓”一声,把这欢乐的瞬间永恒的记录下来了。再往里走,杜甫等大诗人的铜像巍然屹立。从书本中无数次和他们神交,今日一见,更添崇拜之情。于是,和他们一一合影留念。然后,我们坐在天然的石椅下,欣赏着天空中飘浮的五颜六色的风筝,真令人心旷神怡。不知不觉,夕阳西下了,我只好跟着小姨随着人群依依不舍地离开了大雁塔。离别时,我回头望了又望大雁塔,无奈,便缓缓地离开了。
难忘的大雁塔之行,让我永远铭记在心,它带给我无比美好的回忆!
更多相似范文
篇1:陕西西安大雁塔的导游词
大雁塔(Da Yan Ta)(英文:Great Wild Goose Pagoda)陕西省西安市著名的旅游景点,唐代永徽三年(公元652年),玄奘为藏经而修建,被视为古都西安的象征。
民间人士道:“不到大雁塔,不算到西安。”大雁塔又名大慈恩寺塔,位于中国陕西省西安市南郊大慈恩寺内。因坐落在慈恩寺西院内,大雁塔原称慈恩寺西院浮屠(浮屠即塔的意思)。是中国唐朝佛教建筑艺术杰作。
大雁塔是楼阁式砖塔,塔通高64.5米,塔身为七层,塔体呈方形锥体,由仿木结构形成开间,由下而上按比例递减。塔内有木梯可盘登而上。每层的四面各有一个拱券门洞,可以凭栏远眺。整个建筑气魄宏大,造型简洁稳重,比例协调适度,格调庄严古朴,是保存比较完好的楼阁式塔。在塔内可俯视西安城。
大雁塔是西安市的标志性建筑和著名古迹,是古城西安的象征。因此,西安市徽中央所绘制的便是这座著名古塔。
唐代诗人岑参曾在诗中赞道:“塔势如涌出,孤高耸天宫。登临出世界,磴道盤虚空。突兀压神州,峥嵘如鬼工。四角碍白日,七层摩苍穹。”大雁塔的恢宏气势由此可见。
篇2:大雁塔英语导游词
Dayan Pagoda, an ancient Tang Dynasty pagoda, is a unique symbol of theancient city of Xian. As one of the eight scenic spots in Guanzhong, the bigwild goose pagoda stands high in the Cien Temple in the southern suburb ofXian. It is one of the famous Buddhist pagodas in China. Dayan Pagoda scenicspot is a Buddhist holy land, which has a close relationship with masterXuanzang, a famous monk of Tang Dynasty. The story of Tang Monks Sutraacquisition and translation takes place here. All Buddhist temples are templesfor monks to worship, worship and chant Buddhist scriptures. Whats specialabout Dayan Pagoda compared with other temples? There are so many eminent monksat all times and in all over the world, so who is Tang Monk Xuanzang? Why is thestory of Tang Monks scriptures widely spread? Today, after you visit thisscenic spot, you will find the answer to the above question.
Ladies and gentlemen, we have come to the South Square of Dayan Pagoda. Inthe center of the square stands a tall bronze statue of monk Xuanzang of TangDynasty. He was dignified, dressed in cassock, holding a staff in hand, withfirm steps, as if he was on the way to the West.
You must have seen journey to the west, one of Chinas four famous works,and the TV series of the same name adapted from it. Is the Tang monk in journeyto the West Xuanzang? Xuanzang, a native of Yanshi, Henan Province, isintelligent and studious. He became a monk at the age of 13. He worshipsclassics and exhausts all kinds of theories. He is well-known in the capital andis known as "the great tool of Shimen and the great horse of Buddhism." Afterstudying all over the country, he found that the sutra was incomplete and therewere many mistakes in it. He decided to go to Tianzhu, the birthplace ofBuddhism, which is now India, to explore the essence of Buddhism, so as to solvethe doubts and promote Buddhism. In the first year of Zhenguan (620__), he wentto India to apply for law, but he was not approved by the imperial court. In thethird year of Tang Zhenguan (620__ AD), he set out from Changan, along the SilkRoad, through the Gobi desert, where there were no birds on the top and noanimals on the bottom, and traveled westward to Tianzhu. He studied Buddhism inthe famous nalandao temple for 20__ years. At a grand Dharma meeting, Xuanzangread out his Buddhism It is said that for 18 days in a row, no one could arguewith Xuanzang. All the kings invited Xuanzang to take the magnificent Xiangyuparade. The venue cheered and thundered. The Mahayana monks called masterXuanzang "Mahayana heaven", the Hinayana monks called him "liberation heaven",and the Buddhist "heaven" refers to the Bodhisattva gods. Xuanzang was highlyhonored and respected in India. Then he resolutely declined the hospitality ofthe kings and monks and set foot on his way home. In the 19th year of Zhenguan(645 AD), Xuanzang returned home with a large number of Buddhist relics and 657Buddhist scriptures. He was warmly welcomed by the Emperor Taizong and theChinese. When they arrived in Changan, millions of monks and customs went outto welcome them, which was unprecedented. After returning to China, with thesupport of the Tang royal family, he gathered erudite eminent monks from allover the country to form an unprecedented Buddhist scripture translation site,and acted as the translator himself. The quality and quantity of translatedBuddhist scriptures are far more than those of their predecessors, which usheredin a new era in the history of translation in China. The author of the book, arecord of the western regions in the Tang Dynasty, has attracted the attentionof scholars all over the world. It should be said that journey to the west iswritten in the background of xuanleis going out to the west to seek scripturesin the Tang Dynasty, but the Tang monk in the story does not refer to Xuanzang,but a figure in an artistic literary work.
Now we come to the gate of the Great Mercy Temple. The main gate of thetemple is called the mountain gate, also called the three gates, which arecalled the empty gate, Wuzuo gate and Wuxiang gate respectively, symbolizing thethree liberation gates of Buddhism. We call becoming a monk "stepping into theempty door" and thats probably where it comes from. You see, the plaque on thedoor is a few glittering characters of "dacien Temple" inscribed by Comrade __himself.
Cien Temple was originally named Wulou temple. In 648 ad, when Li Zhi,Emperor Gaozong, was the crown prince, he built a temple for his mother, empressWende, and ordered the temple to be built in jinchangfang, Changan. Facing theHanyuan Hall of Daming Palace in the north, it covers an area of 26570 squaremeters and is surrounded by beautiful scenery. It is the most magnificent andspectacular Buddhist temple in Changan, the capital of the Tang Dynasty. At thebeginning of the construction of Cien Temple, the imperial court speciallyinvited Xuanzang, who came back to Changan from India, to be the abbot of thetemple. Thus, dacien Temple became the highest institution of Buddhism inChina at that time. After the end of Tang Dynasty, because of the constant wars,the temple gradually became desolate. After many times of maintenance, it wasnot until the Ming Dynasty that the scale of todays temple was established.
When we walk into the mountain gate, we can see the confrontation on thesecond floor of the bell and drum. To the East is the bell tower, in which thereis an iron bell. The clock was cast in the 27th year of Jiajing reign of theMing Dynasty (1548 AD). It is 3.4 meters high and weighs 15 tons. It has fourbig characters of "morning bell of wild goose pagoda". To the west is the drumtower, in which there is a big drum. The bell and drum are important tools ofBuddhism, which are used to summon monks to do rituals. It is also an importanttime tool. Monks in the temple wake up at the bell and sleep at the drum everyday.
Now we come to visit the main hall of the temple. The main hall is thecentral building of the temple. There are Sakyamunis three body Buddha in thehall. The middle one is Dharma Buddha piluzana Buddha. Dharma Buddha refers tothe pure body of Buddhas nature. The west one is paoshen Buddha Lushena Buddha.Paoshen Buddha means to obtain the Buddhas fruit and perfect body. The east oneis Yingshen Buddha. Yingshen Buddha refers to all changeable bodies and theuniversal body. On both sides of the three body Buddha are Sakyamunis Kaya andAnanda, and on both sides are eighteen Arhats.
On the west wall of the main hall, there are several steles of "Yan TA TiMing Ji". "Yanta inscription" began in the Tang Dynasty. All the top scholars inthe Changan examination had to have a banquet in Qujiang first, and thengathered together to inscribe the name of the big Yanta. They thought it was avery glorious thing to inscribe the name of the big Yanta, and they thought thatthey could ascend step by step by climbing the big Yanta. Bai Juyi, a poet ofthe Tang Dynasty, wrote a poem here after he was admitted as a Jinshi in theexamination: "the youngest of the seventeen people is at the title under thetower of mercy." Its a good story for a while.
On the north side of the hall is the Sutra collection building of Fatang(two floors). On the upper floor is the Sutra collection building, whichcontains the scriptures translated by Xuanzang. On the lower side is the Fatang,where the monks preached. There is a statue of Amitabha in it. Amitabha is incharge of the Western Paradise. That is to say, if you recite Amitabhawholeheartedly before you die, you will be led to the paradise by him after youdie, so it is also called "Jieyin Buddha". There are also three rubbings in theDharma hall, one of which is the picture of Xuanzangs negative collection, andon both sides are the portraits of his two great disciples yuancha and peepingJi. Xuanzang was carrying a basket of Buddhist scriptures on his back. He waswalking on the road of collecting Buddhist scriptures with Buddhist dust in hishands and hemp shoes on his feet. After suffering, only the little oil lamp thatnever went out was with him.
Behind the Dharma hall is the famous wild goose pagoda. Please follow me tovisit.
As for the origin of the name of "wild goose pagoda", there are severalopinions. Its name comes from a Buddhist story. According to Indian Buddhistlegend, there were two schools of Buddhism, Mahayana and Hinayana, and HinayanaBuddhism did not avoid meat and fishiness. One day, it was Bodhisattva givingday, but a monk in a Hinayana Temple couldnt buy meat for dinner. At this time,a group of geese flew by in the sky. A monk looked at the geese and said tohimself, "today there is no meat in the house. The merciful Bodhisattva willnever forget what day it is." Before the voice fell, the leading goose foldedits wings and fell to the ground. So the monks in the temple were shocked andthought that it must be the manifestation of Bodhisattva. They built a stonepagoda at the site where the wild geese fell. They gave up meat and turned toMahayana Buddhism. Since then, people have also called Bodhisattvas the king ofgeese and pagodas the "geese pagodas.".
The great wild goose pagoda was built with the approval of the imperialcourt by master Xuanzang to preserve a large number of Buddhist scripturesbrought back from India. Master Xuanzang personally participated in theconstruction of the tower, which took two years to complete. However, the pagodawas gradually destroyed more than 40 years later because of the erosion of thebrick surface and soil core. Later, Wu Zetian rebuilt the wild goose pagoda inher reign, and there were further repairs in the Ming and Qing Dynasties. Whatwe see now is the repaired wild goose pagoda.
Dayan Pagoda is a typical wooden pavilion style brick pagoda, which iscomposed of tower base, tower body and Tasha. Its height is 64.7 meters. Thepagoda is square cone-shaped, with a total of 7 floors. There are spiral stairsinside. We can climb up the pagoda along the spiral stairs to see the beautifulscenery of the ancient city. Now please come up with me.
When we come to the bottom of the Dayan Pagoda, we can see that the brickniches on both sides of the South Gate of the pagoda are inlaid with two steles,preface to the three Tibetan holy teachings of the Tang Dynasty, written byEmperor Taizong Li Shimin and Emperor Gaozong Li Zhi of the Tang Dynasty. Bothsteles were written by Chu suiliang, a famous calligrapher in the Tang Dynasty,and are the best of the steles in the Tang Dynasty. Next we can visit the firstfloor. Lets take a look at the tablets on both sides of the wall. Among them,there are two stone tablets, one is the picture of Xuanzangs negativecollection, which reflects the process of his Scripture acquisition, and theother is the picture of Xuanzangs scripture translation, which reflects theprocess of his scripture translation. The pictures of the two steles are vividportraits of master Xuanzangs glorious life. Now lets start climbing up.Please step up the tower and pay attention to safety. On the second floor, wesee a sitting statue of Maitreya. You can worship it and make your wish. Then weascend the third floor. Here is the Buddhist relic presented by Indian Buddhistmonks. All right, lets keep climbing. On the third floor, there are rubbings ofthe original steles of Jiwang Shengjiao preface and Tongzhou Shengjiao preface,which are kept in Xian Beilin Museum. In the fourth floor, we can see hugefootprints, which are said to be left by Sakyamuni when he passed away. It issaid that before his death, Sakyamuni went to a small river and said to hisdisciples, "this is the last footprint I left to mankind." After that, hugefootprints were formed. At that time, people vied to pay homage to each other.When Xuanzang came to India, he heard this story and went to pay homage to itspecially. He also drew the footprints with a brush when paying homage. What wesee now is carved by Xuanzang in his later years. On the fifth and sixth floors,there are Xuanzangs poems and calligraphic works of several great poets in theTang Dynasty. Lets go up to the seventh floor. You can look up and have a lookat the very interesting poems above us. No matter where we start, these wordscan be very smooth. You can read with me, "you have to travel to the west, youhave to travel to the West.". The former worshipers praised the Tang monk, whilethe latter was praised by others. " There is also "monk Tang has to travel tothe West.". Before worshiping the Buddha in the west, the predecessors praisedhim. " And so on. No matter from which angle, it can be read as a poem aboutTang Monks learning scriptures.
When you climb to the top of the pagoda, do you have a wonderful feeling of"climbing out of the world"? You can see the magnificent scenery of the ancientcity from all sides, which makes you forget to return.
Tourist friends, now lets walk slowly down the tower and pay attention tosafety. Continue to visit Xuanzang Sanzang courtyard in the back.
Now, everyone comes to the gate of Xuanzang Sanzang courtyard. XuanzangSanzang courtyard is a group of buildings imitating Tang style, which iscomposed of dabianjue hall, Prajna hall and Guangming hall.
If you want to ask: what are the treasures of Da Cien Temple in Xian? Itis the parietal bone relic and Buddha bone relic of master Xuanzang, becauseboth of them are very precious Buddhist relics. We have just seen the Buddhistbone relic on the third floor of the Dayan Pagoda, and a portion of Xuanzangsparietal bone relic is stored in the dabianjue Hall of the Sanzang academy,where the statue of Xuanzang is still worshipped.
There are nearly 400 square meters of exquisite large murals in XuanzangsSanzang courtyard, reflecting the holy scenery of Buddhism and the life story ofXuanzang. In particular, it reflects Xuanzangs brilliant life of seeking Dharmaand translating scriptures.
In summary, Xuanzangs translation is characterized by large quantity, highquality, complete content and new way. Xuanzang alone translated 1335 volumes ofBuddhist scriptures. Because Xuanzangs translation is accurate and reliable,and the original Indian Sanskrit version on which he bases is lost, Xuanzangstranslation is regarded as "quasi Sanskrit version". Thus there was the heydayof Buddhism in the Tang Dynasty and a new situation in which many overseaseminent monks entered the Tang Dynasty to seek Dharma. The translation ofBuddhist scriptures in China begins with the translation of Buddhist scriptures.Xuanzang is a famous Buddhist, translator and traveler in the history of ourcountry. At the same time, he is a great patriot who is loyal to the motherland.He also translated Laozi, an important ancient Chinese philosophical work, intoSanskrit and introduced it to India, which promoted the cultural communicationbetween China and India and established the friendship between the twopeoples.
In 20__, Xuanzang finally died in Yuhua temple in Tongchuan. Although heasked for simplicity, the emperor buried him in Bailuyuan, which is on the Bankof Chanhe river. People have expressed their admiration and mourning for thisgeneration of eminent monk who sacrificed his life to seek Dharma, painstakinglytranslated scriptures, lived a glorious life and died with a reed mat. It hasbecome a Buddhist holy land to pay homage to and commemorate Xuanzangforever.
篇3:乘务员飞行心得体会范文
我是深航的一名普通乘务员,从我穿上红色制服的那天起,我就知道飞行将占据我绝大部分的时间。我们日复一日的准备、开会、起飞、降落,年复一年的四季奔忙。没有亲人陪伴,没有至交相随,曾经的朋友们也因为一句“我要飞”而与我们渐渐疏远。生活似乎成了枯燥无聊的无限循环,没有尽头。我想,这或许也是身边一部分同事不再继续坚持飞行的原因吧。
这些问题,我也同样经历:母亲住院,我无法陪在她枕畔;20xx年挚友的婚礼,我放了她鸽子。也曾想过放弃,可我更加懂得肩上的那份责任,我更愿意坚持,坚持那份初心,坚持给自己一个满意的答复。慢慢地,我更加感激这样的生活,因为它塑造了我真正独立自主的内心,教会了我感恩、责任与担当。
记得刚刚带飞的第一班,作为新人的我反而成了大家关照的重点,大家帮我开餐,把每道菜打开,放好刀叉递给我,手把手教我用烤箱、烧水器、做咖啡底,反复地教我餐饮服务流程……刚飞的时候,我们没有分到师傅带飞,每天和不同的乘务组飞行,形形色色的性格,各种差异的喜好,我都小心拿捏。有人说太辛苦,有人说太害怕,可我却说太幸运,正因为有这样的经历,我才学到了更多。我很庆幸,我遇到的人都很善良,他们把宝贵的经验分享给我,对我犯的错误总是包容与鼓励,就这样,我一直被感动着,无偿接受着别人的帮助而进步着。
记得我进公司后的第一个生日,我的姐妹们12点在宿舍楼下给我生日的惊喜,那晚深圳下着细雨,我的心里早已是大雨倾盆了。那是我第一次在陌生的城市里感受到家的温暖,“感动”并不足以来形容我心中的波澜。
天气恶劣时,与我并肩作战的不只是同事,更有旅客们。航班大面积延误时,似乎被旅客责骂都是“理所当然”的,可我却遇到过,旅客上来就对我们说“你们辛苦了”。没有人闹事,更有安慰我们、关心我们的旅客,“这么晚了,你们还要飞回去吧,也辛苦了!”一瞬间,我眼眶发热。这一瞬间的感动相信不只在我心里有,很多一线同事们都感受过,这一剂强心针般的问候,总能让我们的心变得柔软,更能给我们正能量。
我记得一位年迈的阿婆下机时,她拉着我的手激动地说“谢谢你,小姑娘!”笑容和蔼温暖,一如她手心的温热;我记得有位旅客丢失了物品,我们帮助寻找,最终没有找到,但他依然向我们鞠了90度躬来表示感谢;我记得一位小小无陪儿童旅客在下机时对我说,“姐姐一定要来找我玩啊”;我记得……真心真诚的付出会换来同等的回报,感动就在你我身边。
感动的力量在我心里积聚,积聚成感恩,这是一个量变到质变的过程。我感恩,工作虽然辛苦劳累,可总是会有人看见你的辛苦,懂得你的不易;我感恩,虽然父母不在身边,可自己却塑造了丰满的羽翼可以翱翔天际;我感恩,生活总有很多不顺心与不如意,但总能在自我调节中找到满足和成就感。
在一个平凡的工作岗位上坚持,用心去发现你身边的正能量,感恩生活,你会发现,其实,我们看到的自己原来可以大不一样!
篇4:大雁塔导游词范文
大雁塔北广场北起雁塔路南端,南接大慈恩寺北外墙,东到广场东路,西到广场西路,东西宽480米,南北长350米,占地252亩,建筑面积约11万平方米,总投资约5亿元。整个广场由水景喷泉、文化广场、园林景观、文化长廊和旅游商贸设施等组成。整个广场以大雁塔为中心轴三等分,中央为主景水道,左右两侧分置“唐诗园林区”、“法相花坛区”、“禅修林树区”等景观,广场南端设置“水景落瀑”、“主题水景”、“观景平台”等景观。它是亚洲雕塑规模最大的广场,广场内有2个百米长的群雕,8组大型人物雕塑,40块地景浮雕;拥有全世界最豪华的绿化无接触式卫生间,保持最清洁、世界上坐凳最多、世界最长的光带、世界首家直引水、规模最大的音响组合等多项纪录。
大雁塔位于南郊大慈恩寺内,是全国著名的古代建筑,被视为古都西安的象征。大雁塔北广场位于大雁塔脚下,东西宽480米、南北长350米,占地252亩,定大雁塔为南北中心轴。前广场设有山门及柱塔作为雁塔北路与广场轴线之转接点。由水景喷泉、文化广场、园林景观、文化长廊和旅游商贸设施组成。南北高差9米,分级9级,由南向北逐步拾级形成对大雁塔膜拜的形式。整个工程建筑面积约11万平方米,总投资约5亿元。广场整体设计概念上以突出大雁塔慈恩寺及唐文化为主轴,结合了传统与现代元素构成。北广场有四座石质牌坊,它们既是广场景观的标引物,又是北广场的招牌和景观。四座牌坊均用白麻石材贴面,形成中间高两边低的三门样式,呈现出平衡、稳定、简洁、大气的特点。牌坊题辞用唐人崇尚的字体书写,中间大匾额用颜真卿楷书大字,大气磅礴;两边上下联匾额题词用王羲之、王献之行书字体,典雅生动。"大唐盛世"带来了各行各业的空前繁荣和进步,此雕塑特意从诗歌、书法、茶道、医药等领域中选定了"诗仙"李白、"诗圣"杜甫、"茶圣"陆羽、"诗佛"王维、"唐宋八大家之首"韩愈、"书法家"怀素、"天文学家"僧一行、"药王"孙思邈八个精英人物,以逼真写实的雕塑手法展现在人们的面前。
大雁塔广场以大雁塔为中心,占地近1000亩,包括北广场、南广场、雁塔东苑、雁塔西苑、雁塔南苑、慈恩寺、步行街和商贸区等。整体设计凸显大雁塔慈恩寺及大唐文化精神,并注重人性化设计。
篇5:陕西西安大雁塔的导游词
在我们去大雁塔之前,就听爸爸的同事说,大雁塔广场每天都有音乐喷泉表演,漂亮极了!我们到的时候,喷泉表演还没开始,一眼望去,大雁塔广场好大啊,它由北广场、南广场、雁塔东苑、雁塔西苑、雁塔南苑、慈恩寺、步行街和商贸区组成,是我国目前最大、品位最高的唐文化休闲广场。著名的大雁塔就在慈恩寺内,寺前立着唐代玄奘法师的雕像。据说此塔是玄奘法师从印度取经回来后建造的,玄奘曾在塔内抄写他从西天取回的经书。塔高60余米,塔基边长25米,共有七层,塔身呈方形锥体。虽说大雁塔是西安的标志,可现在看来真正壮观的不是塔,而是塔前的广场,特别是北广场的大型音乐喷泉。喷泉表演开始之前,就有许多人找好了位置,等着观看表演,当广场上音乐响起的时候,喷泉表演开始了。
巨大的矩阵喷泉由1700多个泵组成,每个喷头都可以自由控制,组合出各种图案和字体, 喷泉随着音乐涌动,忽高忽低,忽快忽慢,我听着一首首音乐,有《拉德斯基进行曲》、有《少女的祈祷》、有《壮丽万宝路》……还有许多人跑到喷泉的中间,伴着音乐的节奏在喷泉里跑进跑出,当他们的节奏没掌握好时,喷泉的水便会喷射到他们身上,他们仍开心地大叫,继续随着音乐跑着,广场上到处都是叫声与笑声,真是一个欢乐的世界!
大雁塔广场创造的奇迹可多了,它是“亚洲规模最大的矩阵喷泉水景广场”,是“全世界雕塑规模最大的广场”,是“全世界最具人性化、坐凳最多的广场”,是“全世界光带铺设最长的广场”,是“全世界音响组合规模最大的广场”,是“全世界最大的唐文化旅游休闲广场”。西安真是一个神奇的地方,我们的祖国真是伟大!
篇6:陕西省大雁塔导游词
游客朋友们:
大家好!今天我们要参观是大雁塔景区和曲江旅游区,首先我们来到是大雁塔景区。 大雁塔景区是国家AAAA级景区,由前面大慈恩寺、大雁塔以及南北广场和东西两苑组成,占地约五百亩。
《西游记》里唐僧可谓家喻户晓,他原型就是我国唐代著名高僧玄奘,玄奘与大慈恩寺以及大雁塔有着十分密切联系。今天参观完这里,大家就可以有一个十分清晰了解了。
现在我们所处位置就是就是大雁塔南广场,广场中央矗立就是玄奘法师高大铜像。你看他气宇轩昂,身披袈裟,手执锡仗,步伐坚定,好象正在奔波在西行取经路途上。玄奘是我国古代著名佛学家、翻译家、旅行家。他姓陈名祎,河南偃师人,自幼聪慧超群,勤奋好学。13岁被朝廷破格录取,在洛阳净土寺剃度为僧。
玄奘先后周游全国十余省,遍访十余位高僧名贤,拜学经典,穷尽各家学说,誉满京师,被誉为“释门伟器和佛门千里驹”。贞观三年,为解决佛教中疑难问题前去佛教发源地天竺,即今印度取经,著《大唐西域记》一书,是我国取经者中成就最卓著之人。公元645年在被授予佛教界最高称号“三藏法师”后,返回长安,潜心翻译佛教经典19年。唐太宗尊称他是“法门之领袖”,唐高宗称他是“真如之冠冕”。
在玄奘铜像身后,就是大慈恩寺,即玄奘开创慈恩宗祖庭。慈恩寺,又名无漏寺,是公元648年太子李治为了追念他母亲文德皇后而建,具有其他寺院望尘莫及显赫地位和宏大规模。这座寺院当年由13座庭院组成,面积达34O亩,是现在寺院面积7倍。其建筑富丽堂皇,装饰华丽富贵。
现在我们来到大慈恩寺门口,大家看,门匾上“大慈恩寺”几个金光闪闪大字是江爷爷同志亲自题写。寺院正门又称为山门,也叫三门。中间是空门,东边是无相门,西边是无作门,象征入门三解脱。所以人们常将出家作各尚叫作坠入空门。我们现在就从这里进入寺院吧,而是继续我们参观。
大家可以看到左右各有一楼。东边是钟楼,里边悬挂有一口铁钟,铸于公元1548年,重15吨,钟上有“雁塔晨钟’4个苍劲大字。钟自铸成一直沿用至今。每天寺院僧人闻钟而起,闻鼓而眠。晨钟共敲3阵,每阵36响,共鸣108响,表示断除尘世人生108种烦恼,祈祷盛世太平,万民安乐,五谷丰登。关中八景之一“雁塔晨钟”由此而来。西边是鼓楼,楼里悬挂一面大鼓。钟鼓皆为寺院大型法器。
众所周知,大雄宝殿是寺院中心建筑。大家面前高台上建筑就是大雄宝殿。大殿前香火兴旺,大殿上面三座塑像是佛祖三身佛像。中为法身毗卢遮那佛,西为报身卢舍那佛,东为应身释迦牟尼佛。佛像两侧是佛弟子,东为迦叶,西为阿难,两旁还有普贤菩萨和文殊菩萨塑像,均为明代雕塑,象征真理和智慧。东西两厢排列着包括玄奘和庆友在内18尊罗汉像。在大殿供奉主尊背后塑有南海观音菩萨及众菩萨、龙女、木叉等150身人物。
好了,我们现在穿过大雄宝殿,可以看到后面这个藏经楼,在这里存有《藏文大藏经》等重要经典。楼下是讲堂,为佛教徒讲经说法之处,供奉阿弥陀佛铜像一尊,系明代铜铸鎏金佛像。殿内珍藏玄奘亲手供奉佛座一件,还有玄奘负笈图及窥基、圆测碑拓画像等。
继续往北面走,我们可以看到坐落于寺院内大雁塔。它是我国现存年代最早楼阁式砖塔,被视为古都西安象征。大雁塔建于唐高宗永徽三年,因坐落在慈恩寺内,故又名慈恩寺塔。大雁塔初建时只有五层。武则天时重修,后来又经过多次修葺,建为七层,人们常说“救人一命,胜造七级浮屠”即由此而来。
大雁塔高64。7米,呈方锥形。塔底层边长25米,每层四面各有一个砖券拱门。整座塔造型简洁,气势雄伟,是我国佛教建筑艺术杰作。唐末以后,寺院屡遭兵火,殿宇焚毁,只有大雁塔巍然独存。塔内有楼梯,可以盘旋而上。站在塔上凭栏远眺,长安风貌尽收眼底。等一会儿,有兴趣朋友可以登塔游览。
{走近大雁塔,西侧门楣上雕刻有唐代建筑图案和佛像等线刻画,传为唐代大画家阎立本手笔。塔南门两侧砖龛内,嵌有李世民、李治分别撰写《大唐三藏圣教序碑》和《述三藏圣教序记碑》,称颂玄奘法师献身佛教事业伟大精神,由唐初四大书法家之一褚遂良所书,是价值极高艺术珍品。}
“雁塔题名”也是大雁塔独有一道风景。自唐中宗神虎年间,进士张莒登塔题名,后文人们竞相效仿,相沿成习。唐代士子考取进士后,都要登上雁塔赋诗并将姓名、籍贯、及第时间用墨笔题留于雁塔墙壁之上。日后升为卿相还要用朱笔改写。“雁塔题名”被视为人生一大荣耀之事。白居易在考中进士、登上雁塔时就作诗说:“慈恩塔下题名处,十七人中最少年。”反映了他少年得志喜悦心情。
游客朋友,绕过大雁塔向北,我们前往玄奘三藏院门。大门前修了一座长20多米,高2米多汉白玉照壁,照壁南面是集褚遂良字刻“法门领袖”四个字,北面是赵朴初题写“民族脊梁”四个字。玄奘三藏院是一组仿唐风格建筑群,由中院大遍觉堂、东院般若堂、西院桃明堂三部分组成,其中大遍觉堂供奉玄奘法师顶骨舍利是本寺镇馆之宝。玄奘其它灵骨舍利已广布世界各地,象征和传播着玄奘精神将与日月同辉,与天地同在。
好了,各位朋友。大慈恩寺和大雁塔参观就到这里,现在我们一起去看一看大雁塔北广场吧。大雁塔北广场位于著名大雁塔脚下,东西宽480米,南北长350米,占地252亩,由近2万平方米音乐喷泉广场和文化广场、园林景观、文化长廊、旅游商贸等设施组成。
这里音乐喷泉是亚洲最大喷泉广场,每天中午12:30都会准时开放,到时大家可以前来观赏。广场南北高差9米,分成9级,每个踏步为5级,意蕴“九五之尊”。由北向南逐步拾级,形成对大雁塔膜拜,将古都风韵与现代风采完美结合。20__年12月31日建成开放,它是全中国唯一一座唐文化广场,目前已成为西安“城市会客厅”和“城市名片”。大家如果喜欢这里,就可以经常来我们西安客厅里来坐一坐。
大雁塔景区讲解到这里就结束了。下午我们将去参观大唐芙蓉园和曲江海洋馆等景点。大唐芙蓉园是在唐代芙蓉园遗址上修建,完全仿照了唐代皇家园林建筑形式,于20__年建成并对游人开放,占地面积1000亩,总投资13亿元人民币。内有紫云楼、凤鸣九天歌剧院、陆羽茶社、仕女馆等等许多仿唐建筑群,拥有全球最大水幕电影,是我国第一个全方位展示大唐文化与风貌主题公园,被誉为“盛唐主题天下第一园”。
曲江海洋馆,是西部最大海洋馆,占地90亩,总投资3。5亿元人民币。主要由海豚表演馆、海洋科普馆、热带雨林馆、海底隧道和水下大观园等部分组成。
在曲江旅游区,我们还可以参观到传说中薛平贵与王宝川爱情故事发生地寒窑以及以平民身份埋葬秦二世胡亥墓。
好,现在大家自由参观,一个小时后我们在这里集合,谢谢大家!
篇7:关于西安大雁塔导游词
大雁塔建于唐高宗永徽三年,因坐落在慈恩寺,故又名大慈恩寺塔,位于陕西省西安市南郊慈恩寺内,是全国著名的古代建筑,被视为古都西安的象征大雁塔塔通高64.5米,塔体为方形锥体,造型简洁,气势雄伟,是我国佛教建筑艺术中不可多得的杰作。 此塔是玄奘大师从印度(古天竺)取经回来后,专门从事译经和藏经之处。因仿印度雁塔样式修建,故名雁塔。由于后来又在长安荐福寺内修建了一座较小的雁塔,以示区别,人们把慈恩寺塔叫作大雁塔,荐福寺塔叫作小雁塔,一直流传至今。
大雁塔平面呈方形,建在一座方约45米,高约5米的台基上。塔七层,底层边长25米,由地面至塔顶高64米。塔身用砖砌成,磨砖对缝坚固异常。塔内有楼梯,可以盘旋而上。每层四面各有一个拱券门洞,可以凭栏远眺,将长安风貌尽收眼底。塔的底层四面皆有石门,门桅上均有精美的线刻佛像,西门楣为阿弥陀佛说法图,图中刻有富丽堂皇的殿堂。画面布局严谨,线条遒劲流畅,传为唐代大画家阎立本的手笔,是研究中国古代建筑的重要资料。塔南门两侧的砖龛内,嵌有唐初四大书法家之一的褚遂良所书《大唐三藏圣教序》和《述三藏圣教序记》两块石碑,字体清秀潇洒。唐末以后,寺院屡道兵火,殿宇焚毁,只有大雁塔巍然独存。
大雁塔底层南门两侧,镶嵌着唐代著名书法家褚遂良书写的两块石碑。一块是《大唐三藏圣教序》;另一块是唐高宗撰《述三藏圣教序记》。碑侧蔓草花纹,图案优美,造型生动。这些都是研究唐代书法、绘画、雕刻艺术的重要文物。是我国重要的历史遗产。
唐代许多著名诗人登临大雁塔都留下传诵至今的佳句,如杜甫的 “高标跨苍穹,烈风无时休”;章八元的“却怪鸟飞平地上,自惊人语半空中”等。尤其是岑参的《与高适、薛据同登慈恩寺浮图》;“塔势如涌出,孤高耸天宫;登临出世界,磴道盘虚空。突兀压神州,峥嵘如鬼工;四角碍白日,七层摩苍穹。下窥指高鸟,俯听闻惊风;连山若波涛,奔凑似朝东。青槐夹驰道,宫馆何玲珑;秋色从西来,苍然满关中。五陵北原上,万古青蒙蒙。净理了可悟,胜因夙所宗;誓将挂冠去,觉道资无穷”。诗人气势磅礴的描写与富于哲理的感叹,常常在人们登塔时引起共鸣。
篇8:飞行培训及雇佣意向合同书
合同编号:_________
甲方:_________
法定代表人:_________
甲方地址:_________
乙方:_________
身份证号码:_________
通讯地址:_________
邮编:_________
永久联系方式:_________
一、序言
甲方是经国家工商总局,中国民用航空总局(以下简称“民航总局”)共同批准设立的,具有民用航空器商用驾驶员执照培训资格的专业航空培训企业(机构)。
乙方由于职业规划及个人意愿,拟参加甲方组织的培训。
为此,甲乙双方在平等协商一致的基础上签订本合同,用以解释和规范甲方拟向乙方提供的培训的各项相关事宜。
二、乙方的权利与义务
获准参加甲方提供的飞行培训:
1.飞行培训的标准为:甲方以获得的中国民用航空总局批准的课程大纲为依据,设置培训课程和培训计划,并由乙方提供培训服务。
2.飞行培训的基本内容是:航空专业英语培训;私用驾驶员执照课程;仪表等级课程;商用驾驶员执照多发等级课程;20(二十)小时高级飞行培训;atpl执照理论考试专项培训。
培训费用的豁免:
2.在此过程中甲方将给予乙方足够的组织和协助,以便乙方通过航空公司的面试,政治审查以及与航空公司劳动合同的签订。
3.所豁免培训费用涵盖具体培训内容所涉费用,以及以下其它费用:教学课本,资料:乙方在甲方培训期间所需教学课本及资料。制服:甲方将为乙方提供3(三)套制服,费用由甲方承担。_____:甲方将为乙方在甲方培训期间提供人身意外伤亡事故_____,最高保额为人民币20(二十)万元,_____受益人由乙方确定,费用由甲方承担。
乙方通过航空公司面试,政治审查,并与航空公司签署劳动合同后,乙方的人事关系,档案将转入相应的航空公司。
三、甲方的权利与义务
乙方“适飞阶段”:甲方将在乙方开始正式的飞行培训的前30(三十)个小时(小时数有可能应航空公司要求而发生变更)课程完成后,对其是否适合飞行做出判断。如果其被确定为不适合飞行,将取消其培训资格。被取消培训资格飞行学员实际已产生的各项培训费用由甲方承担,同时协助安排乙方转入其它地面工作。
教学辅导:甲方将为乙方提供有价值的教学辅导。如果甲方确信其很困难或不可能完成飞行训练内容,将及时通知乙方。
学员培训进度报告单:甲方将为乙方保留档案,飞行经历记录及各类执照。
培训延误:甲方将不对任何非人为能控制的情况(包括但不局限于自然灾害,训练场地或器材的丧失,_____,火灾,恶劣气象条件,没收,征用,_____,_____,战争等)所造成的培训进度延误承担责任。如果由此导致培训计划发生变更,甲方应及时通知乙方。
乙方每星期休息两天。但是由于恶劣天气和其他不可抗力的影响,甲方将保留一周上课六天的权利,以保证教学进度。
甲方将提供乙方参加民航总局组织各类考试所需的场地和器材。
乙方学员必须遵守甲方的“学员个人行为准则”。
在飞行培训过程中,非因甲方故意,造成乙方死亡,伤残等损害,甲方不承担任何刑事和经济赔偿责任。
在飞行培训过程中,非因乙方故意,造成训练器材损坏,乙方不承担任何刑事和经济赔偿责任。
四、违约责任
乙方签署合同后如不能按照甲方要求如期参加培训,或在培训过程中无甲方接受的正当理由而自行中断培训,需向甲方支付_________(_________)圆整违约金。
自甲乙双方签字或盖章本合同,乙方通过甲方面试,且取得民航总局颁发的i类身体合格证之日起,如甲方在一个日历年内无法向乙方提供相应培训,乙方有权向甲方收取违约金_________(_________)元整。
五、争议解决
因履行本合同所发生的或与本合同有关的一切争议,双方应通过友好协商解决。
如双方通过协商不能达成合同时,则应提交北京_____委员会按照申请_____时该会现行有效的_____规则进行_____。_____裁决是终局的,对双方都有约束力。
六、其它说明
本合同生效条件(缺一不可):
1.甲乙双方签字或盖章;
2.乙方通过甲方和航空公司面试;
3.乙方取得民航主管部门颁发的i类身体合格证;
4.乙方通过航空公司政治审查。
本合同一式_________份,甲乙双方各执_________份,均具有同等的法律效力,自乙方向甲方正式报到,接受培训之日起执行。
甲方(盖章):_________乙方(签字):_________
法定代表人(签字):_________
_________年____月____日_________年____月____日
签订地点:_________签订地点:_________
篇9:介绍大雁塔的导游词
大雁塔高64.7米,呈方锥形。塔底层边长25米,每层四面各有一个砖券拱门。整座塔造型简洁,气势雄伟,是我国佛教建筑艺术的杰作。唐末以后,寺院屡遭兵火,殿宇焚毁,只有大雁塔巍然独存。塔内有楼梯,可以盘旋而上。站在塔上凭栏远眺,长安风貌尽收眼底。等一会儿,有兴趣的朋友可以登塔游览。
{走近大雁塔,西侧门楣上雕刻有唐代建筑图案和佛像等线刻画,传为唐代大画家阎立本的手笔。塔南门两侧的砖龛内,嵌有李世民、李治分别撰写的《大唐三藏圣教序碑》和《述三藏圣教序记碑》,称颂玄奘法师献身佛教事业的伟大精神,由唐初四大书法家之一的褚遂良所书,是价值极高的艺术珍品。}
“雁塔题名”也是大雁塔独有的一道风景。自唐中宗神虎年间,进士张莒登塔题名,后文人们竞相效仿,相沿成习。唐代士子考取进士后,都要登上雁塔赋诗并将姓名、籍贯、及第时间用墨笔题留于雁塔墙壁之上。日后升为卿相的还要用朱笔改写。“雁塔题名”被视为人生一大荣耀之事。白居易在考中进士、登上雁塔时就作诗说:“慈恩塔下题名处,十七人中最少年。”反映了他少年得志的喜悦心情。
游客朋友,绕过大雁塔向北,我们前往玄奘三藏院门。大门前修了一座长20多米,高2米多的汉白玉照壁,照壁南面是集褚遂良字刻的“法门领袖”四个字,北面是赵朴初题写的“民族脊梁”四个字。玄奘三藏院是一组仿唐风格的建筑群,由中院大遍觉堂、东院般若堂、西院桃明堂三部分组成,其中大遍觉堂供奉的玄奘法师的顶骨舍利是本寺的镇馆之宝。玄奘的其它灵骨舍利已广布世界各地,象征和传播着玄奘精神将与日月同辉,与天地同在。
好了,各位朋友。大慈恩寺和大雁塔的参观就到这里,现在我们一起去看一看大雁塔北广场吧。大雁塔北广场位于著名的大雁塔脚下,东西宽480米,南北长350米,占地252亩,由近2万平方米的音乐喷泉广场和文化广场、园林景观、文化长廊、旅游商贸等设施组成。
这里的音乐喷泉是亚洲最大的喷泉广场,每天中午12:30都会准时开放,到时大家可以前来观赏。广场南北高差9米,分成9级,每个踏步为5级,意蕴“九五之尊”。由北向南逐步拾级,形成对大雁塔的膜拜,将古都风韵与现代风采的完美结合。20__年12月31日建成开放,它是全中国唯一的一座唐文化广场,目前已成为西安的“城市会客厅”和“城市名片”。大家如果喜欢这里,就可以经常来我们西安的客厅里来坐一坐。
大雁塔景区的讲解到这里就结束了.下午我们将去参观大唐芙蓉园和曲江海洋馆等景点.大唐芙蓉园是在唐代芙蓉园遗址上修建的,完全仿照了唐代皇家园林的建筑形式,于20__年建成并对游人开放,占地面积1000亩,总投资13亿元人民币。内有紫云楼、凤鸣九天歌剧院、陆羽茶社、仕女馆等等许多的仿唐建筑群,拥有全球最大的水幕电影,是我国第一个全方位展示大唐文化与风貌的主题公园,被誉为“盛唐主题天下第一园”。
篇10:大雁塔英文导游词
Welcome to here, let me to introduce for everybody!
Wild goose pagoda is located in the southern suburbs within the temple, is the national famous ancient buildings, is regarded as the symbol of the ancient capital of xi an. It was said that tangs monk came back from the experiences of India (ancient tianzhu), specializing in translation and the scriptures. Because imitation Indian wild goose pagoda style of the wild goose pagoda. Since then in changan jianfu temple built a small wild goose pagoda, to distinguish, people are often given, jianfu temple tower called the small wild goose pagoda, has spread so far. Wild goose pagoda square plane, built on a party about 45 meters, about 5 meters high stylobate. Seven layers, the bottom side length of 25 meters, from the ground to the top of the tower is 64 meters high. The towers are built with bricks, ground brick for seam strong anomalies. Tower with stairs, can be upwards. Each layer all around a arch form, and can be trapped. Changan view panoramic view. The bottom of the tower is shek mun, have fine lines on the door mast carved Buddha, for big has write in tang dynasty. Within the recess on either side of the tower, the south gate brick, with one of the four famous calligrapher in b on the book of tang monk st preface to teach and the Assyrian monk holy teaching sequence, two pieces of stone tablets. War after tang dynasty, temple, the house burned down, only the wild goose pagoda stand alone.
Another story: the wild goose pagoda was built in the tang Gao Zongyong badge for three years, because of located within the temple, so The tower also known as temple. Temple is the tang dynasty twenty-two years (648) prince Li Zhi reading his mother queen wants to chase. Wild goose pagoda built in only five layer. Wu zetian was rebuilt, and later after numerous repairs. The tower is now seven layers, a total of 64 meters, square pyramid shaped. The tower for the blue brick flies in the build by laying bricks or stones becomes, the layers of wall column fang, bar and so on wood structure. Each layer all around has coupons masonry arch. This in the 2-foot-tall tower, modelling concise, magnificence, is a masterpiece of buddhist art in China. Wild goose pagoda, on both sides of the south gate to the inlaid with b, a famous calligrapher write two pieces of stone tablets of the tang dynasty. One is the preface to tang monk SAN teaching; Another piece is the emperor tang from the teaching sequence, the tang monk holy. A beautiful monument side creeping weed decorative pattern, design, modelling is vivid. These are the research in the tang dynasty calligraphy, painting, sculpture art important cultural relics. Big temple is the most famous and most HongLi Tang Changan city buddhist temple, it is built in the tang dynasty royal decree.
Longevity monk xuan zang, once conducted temple service here and get a tube of sutras translation field, founded Buddhism sect. He personally DuZao temple pagoda is. So big temple has a very prominent position in the history of Chinese doctrines, has been brought to the attention of the domestic and foreign.
Temple gate, the bell and drum tower confrontation. Bell and drum is a temple on the REINS, vulgar said the morning bell and evening drum reminders. The east tower in suspension in the Ming dynasty iron bell, weight thirty thousand jins, three meters. Students in tang dynasty, after the exceeded otherregions jinshi to jion tower under the title, "the wild goose pagoda" title ", after turned lineage. The tang dynasty painter wu daoxuan, wang wei has been for the temple murals, such as precious little already annihilation. But in the wild goose pagoda, stone of four door lintel, door frame, has kept the fine line in the tang dynasty. Westone lintel carved palace figure of the lines is particularly valuable.
The wild goose pagoda, a monks tomb tower group. Six of them are built in the qing dynasty. Ursa major palace is is the center of the temple buildings, there are three bodies like the Buddha, bodhisattva, and arhat clay sculpture. Is the chanting of course. Dharma is a lecture that place. Hall with amitabha Buddha statue.
Today CiSi temple is the scale since the Ming dynasty, the temple of the temple is the construction of the late qing dynasty. Now after repair of great wild goose pagoda, the majestic, ancient pagoda temple, the temple incense incense, garden flowers bloom, which is a special attract domestic and foreign tourists to visit.
篇11:陕西西安大雁塔的导游词
大雁塔坐落于中国陕西省西安市南部的慈恩寺内,是全国著名的古代建筑,被视为古都西安的象征。
大雁塔,全称“慈恩寺大雁塔”,始建于公元652年,楼阁式砖塔采用磨砖对缝,砖墙上显示出棱柱,可以明显分出墙壁开间,是中国特有的传统建筑艺术风格。慈恩寺是唐贞观二十二年(公元648年),太子李治为纪念亡母文德皇后以报答养育之恩而修建,故名“慈恩寺”。当时,共有十三处院落,房屋达一千九百八十七间,并请赴印度取经回国的高僧玄奘主持寺务,著名的画家阎立本、吴道子都在此绘制过壁画,可见规模之宏大。唐永徽三年(652年),玄奘在寺内西院建塔,名慈恩寺塔,用以存放从印度带回来的经籍。现在的塔名是据《慈恩寺三藏法师传》中记载:摩揭陀国有一僧寺,一日有一只大雁离群落羽,摔死在地上。僧众认为这只大雁是菩萨的化身,决定为大雁建造一座塔,因而又名雁塔,也称大雁塔。
大雁塔初建时五层,表面砖砌,土心,后来塌毁,重建时为十层,公元720xx年唐武则天改建成为楼阁式的青砖塔,打破了唐朝佛塔均为单数层的惯例增高至10层,公元931年,五代时候唐王朝对大雁塔进行改建,大雁塔被降至七层,平面呈正方形,由塔基和塔身两个部分组成。公元1620xx年,明万历20xx年在维持了唐代塔体的基本造型上,在外表完整的砌上了60厘米厚的包层。塔基边长48米,高4.2米,其上是塔身,边长25米,高59.9米,塔基和塔身通高64.1米。塔身各层壁面都用砖砌扁柱和阑额,柱的上部施有大斗,并在每层四面的正中开辟砖券的大门。塔内的平面也呈方形,各层均有楼板,设置扶梯,可盘旋而上至塔顶。明代在塔外包砌一层厚砖,磨砖对缝,坚固异常。
大雁塔现塔身通高64米,每层为仿木结构,底层门楣有精美的线刻佛像,西门楣为阿弥陀佛说法图,图中刻有富丽堂皇的殿堂。塔底层南门内的砖龛里,嵌有两通石碑:《大唐三藏圣教序》和《大唐三藏圣教序记》,都是由唐代著名的书法家褚遂良书写的,字体清秀潇洒,是唐代的两通名碑。西面石门楣上有唐刻建筑图案和佛像等线刻画,画面布局严谨,线条遒劲流畅,传说出自唐代著名画家阎立本和尉迟乙僧之手,是研究中国古代建筑的重要资料。
大雁塔在唐代就是著名的游览胜地,因而留有大量文人雅士的题记,仅明清时期的题名碑就有二百余通。至今,大雁塔仍是古城西安的标志性建筑,也是闻名中外的胜迹。国务院于1961年颁布为第一批全国重点文物保护单位。
篇12:精选陕西大雁塔导游词
“要看中国之五百年,请到北京;要看中国五千年,请到西安”,看到这就应该知道西安历史之悠久,西安曾是十三个朝代之首都,也是中国七大古都之一,更与雅典、开罗、罗马一起被誉为“世界四大文明古都”。西安,古称长安。遍布西安之帝王陵墓、宫殿遗址、古刹名寺和园林名胜,是西安成为了一座历史文化之宝库,数不胜数之文物古迹都向人们彰显它曾经有过之辉煌以及深厚丰富之历史文化魅力。就是在这样一个城市,在这你可以感受到中国几千年之沧桑变化,以及中华文明之发展和中华民族之伟大。
20xx年1月14日,在北京举行之国家5A级旅游景区授牌仪式上,西安曲江大雁塔?大唐芙蓉园景区成功晋升国家5A级景区,成为我省继兵马俑、华清池和黄帝陵之后,第四家国家5A级旅游景区,是西安市属第一家5A级景区,是全国首个区域性、多景点整体打包晋级之国家5A级景区。
西安曲江大雁塔?大唐芙蓉园景区位于西安曲江新区核心区域,总面积3.8平方公里,是中国唯一之唐文化主题景区。这里有唐都长安玄奘译经之地、佛教祖庭—大慈恩寺;西安地标、千年古迹—大雁塔;构架山水、师法自然,保存唐大慈恩寺大雄宝殿殿基遗址之唐大慈恩寺遗址公园。
中国第一个全方位展示盛唐风貌遗址公园—大唐芙蓉园;以唐代曲江池遗址为摹本,因循山水格局之开放式文化体验公园—曲江池遗址公园;在历经1400多年风雨之唐城墙遗址之上,恢复再现之以唐诗人物和唐诗意境为主题之唐城墙遗址公园;还有亚洲最大矩阵式音乐水舞广场、大雁塔文化休闲景区、炫美盛唐天街以及大唐不夜城。
景区文化历史资源厚重,景色宜人环境优美,处处体现着环保理念与人文关怀,已成为西安城市新名片,古都旅游新品牌。游客步入景区之中,每一个脚印都行走在遗址之上,每一次游历都在完成着与历史之对话。
篇13:陕西省大雁塔导游词
各位游客,我们走出藏经楼,就能看到壮观雄伟的大雁塔。看到这座唐代建筑,你们一定会又感叹又好奇吧?首先一个问题就是此塔为何要以大雁命名呢?
按照印度佛教传说,当初佛教有大乘与小乘两派,小乘佛教不忌荤腥。有一天,正是菩萨布施日,一座小乘寺院的和尚却买不到肉下饭。这时天空中一群大雁飞过,一个和尚望着雁群自言自语:“今日增房无肉吃,大慈大悲的菩萨一定不会忘记这是什么日子。”话音未落,领头的大雁便折翅坠地。于是全寺和尚大惊失色,认为这定是菩萨显灵。他们就在大雁坠地处建造石塔,并戒绝荤腥,改信大乘佛教。因此,佛塔又称大雁塔。
到了大雁塔,人们自然会想起唐代名僧玄奘,他是慈恩寺内的第一任住持方丈。相传唐永徽三年(公元652年),著名高僧玄奘大师为安置他从西域带回来的经书、佛像、舍利,奏请高宗允许,在慈恩寺西院,敕建了大雁塔。当年三月动工,玄奘亲自监造,一年建成。
篇14:飞行玩具生产承揽合同
合同编号
供方:
需方:
签约时间: 年 月 日
一、 产品名称
编号
数量
金额
品牌
规格
色彩
编号
单位
数量
单价
总金额
备注
合计人民金额:
二、 质量要求及检验标准:按现行标准执行。
三、 交货地点:
四、 运输方式:
五、 包装标准及费用:纸箱包装,由供方负责;
包装物不回收。
六、 验收方法及提出异议期限:提货时由须方任意抽验收货,提出异议期限为提货之日起五日之内,超出期限,责任自负。
七、 结算方式:现款提货,合同签订后需方付总款的 为定金,以后按先打相应的款再发相应的货方式结算:其定金在最后一批货款中扣除。
八、 供货时间: 年 月 日开始第一批货,需方如分批提货的,应拟订分批提货时间并按时提货,并在 年 月 日前将最后一批货提完,否则视需方违约。
需方实际进货数量必须达到合同数量的99%以上,否则视为需方违约,如违约,合同定金供方恕不退还给需方。
九、 违约责任:按《中华人民共和国民法典》规定执行。
十、 解决合同纠纷的方式:协商解决,如协商不成由签订地所在法院管辖。
十一、其他约定事项;
异议期内提出异议,供方应立即派人到现场检验处理。
如产品出现质量问题,供方应及时做出处理,如继续铺贴,供方不承担一切经济损失。
十二、由于人力不可抗拒的因素导致供方不能及时供货,供方不属违约,双方重新协商供货时间。
十三、货款必须汇入供方指定账号,否则由造成的一切经济损失供方不负责。
十四、验收标准;
以双方封样为准。
十五、其他;
供方收到定金后,此合同生效。
十六、有效期;
从供方收到定金之日起,至需方按本合同约定时间提完最后一批货后十日止。
十七、本合同一式四份,供货单位一份,购货单位三份,其他未尽事宜,双方协商解决。
供 方
单位名称: 开户行: 帐号:
法人代表 委托代理人: 电话:
需 方
单位名称: 单位地址:
法人代表: 委托代理人: 电话:
篇15:大雁塔导游词范文
公元664年,玄奘在铜川玉华寺圆寂,唐高宗得知噩耗后,罢朝三日,失声痛哭说:“朕失国宝也,国失栋梁也!”玄藏灵柩运回京城,安置在慈恩寺翻经堂,京城道俗哀号动地,奔赴吊唁。在举行玄奘法师葬礼时,送葬者多达百万之众,当晚有3万多人露宿在墓旁,为玄奘守灵。人们对这位舍命求法,呕心沥血译经,生前辉煌一世,死后苇席裹尸的一代高僧表示了崇高的敬仰和悼念。这里已成为永远瞻仰玄奘、纪念玄奘的佛教圣地。
游客朋友们,大雁塔主景区参观就到这里。下来我们到北广场和东苑、西苑去参观。北广场是全亚洲最大的水景喷泉和唐代文化广场,东西两苑有别具特色的陕西民俗文化公园。
篇16:乘务员飞行心得体会范文
除了在云端的工作给我带来的乐趣,飞往不同的国家,去体验不同的风俗民情也是不可缺少的一部分。品他乡之美酒,赏异都之怡景,尝遍国之佳肴。当我走在香榭丽浪漫的大街上,或者飞驰在66号公路,不由自主的感叹,自己的人生如此丰富,这些有可能是很多人永远无法经历的过程。却是当我老白发斑斑的坐在摇椅时,仍然会去感恩在云端的日子。
当然对于我们乘务员来说最重要的就是飞机处于紧急情况时的用语,而且要说得相当的熟练。
做为一名空乘也就代表着一个公司、一个地区乃至于一个国家。比如有乘客想了解一些当地的历史名胜、旅游景点、风土人情等,就需要我们对他们进行概括或详尽的介绍。飞国际航班的就要对两国的国情有一些大体的了解。所以乘务员的工作不仅仅是在飞机上面,更重要的是需要平常对生活的积累与细心观察以及对学习的加强,这样才会使平日里的工作得心应手。
我想,如果一位旅客登机时,却看见空中乘务员正在滔滔不绝的谈论着一些不相干的事情,这时旅客会对我们的公司和员工留下一个什么样的印象呢他可能在想:我们根本不重视旅客,对他们不屑一顾或者想我们公司的管理体制很松散等等一些对我们公司形象不利的看法。反之如果旅客登机看见整洁的客舱,舒适的座椅,随时待用的咖啡,最新的报刊杂志时,旅客会感觉到自己得到了重视和尊重,心里就会非常认同我的努力,也会感到非常高兴。
在服务方面我认为乘务员为旅客提供服务,实际上是一种人与人之间的沟通、交往的人际关系。做好服务工作的基础在于了解旅客心理,关心旅客,热爱旅客。做到眼勤、嘴勤、手勤、腿勤,尽量满足旅客提出的要求,让旅客真正有宾至如归的感觉。让我们在今后的工作中以最好的服务给旅客留下最深刻的印象。
总之,现在的阶段是我提高自身服务水平的最佳时期。在实际工作中我一定会不断学习,把所学运用到工作中,做一名合格的空乘人员。通过这几年的飞行我认为对不同旅客提供不同需求的服务,拉近距离,把服务想在前头,做在前头。能较好的处理好旅客矛盾或服务冲突不是一朝一夕能做到的,要不断总结别人和自己的经验。但我想,在处理问题时,自身要做到情绪稳定,有较好的观察力和理解力。处理不失平衡,最好把大事化小,小事化无。
从感悟到感恩。谢谢飞行,带给我如此美妙的经历。因为愿意,所以热爱。也可说,因为热爱,所以很愿意。
篇17:乘务员飞行心得体会范文
也许有人会这样认为,乘务工作不外乎是端茶送水而已,是一种体力劳动。其实,十年的工作经验使我认识到要做好这份工作,更重要的是靠心灵去感受、体验,乘务工作是一种心灵的艺术。
在一次服务中,我看到一个小女孩脸色苍白、头冒冷汗,旁边的父母显得手足无措,根据经验,我断定小女孩是晕机了,马上端来热水,帮她擦汗。由于后舱旅客全满,空气有些闷,我便对她父母说:“交给我来照顾吧。”我让她躺在乘务员座位上,帮她垫枕头、盖上毛毯、拉下帘子,小女孩想睡又不敢睡,我轻轻地哄她,还示意上洗手间的旅客轻点,小女孩终于睡着了。一个多钟头后,小女孩醒来时已恢复正常,飞机也快要下降了。当我把小女孩交给她父母时,看着恢复往常活跃可爱的女儿,父母十分感动,连声向我道谢。这时,了解事情真相的其他旅客也不约而同地鼓起了掌,客舱里响起了少有的掌声,置身于其中,我深受感动。是的,只要用“心”服务,实现与旅客情感与心灵上的沟通,一定能打动旅客的心,从而让旅客在匆匆的旅途中得到温馨、舒服的享受。
记得××年1月的一天,一个中年人坐上了我领班的飞往成都的航班,我发现他一上飞机就愁眉苦脸,闷闷不乐,就找机会跟他攀谈起来。在聊天中,得知这个旅客在广州打工,这是第一次坐飞机回家过年,可过安检时却把一个袋子丢了。我安慰他不要着急,答应帮忙寻找。旅客紧悬的心终于松了一口气。我通过机组与安检联系找到袋子,回广州我马上步行到安检拿回袋子并托下一个航班带去,令这个旅客十分感动。我觉得这是我应该做的事。航班到站并不表明服务到站,只要能给旅客提供方便,即使辛苦点儿也无所谓。只要我们用爱的力量温暖每一颗心,就能让旅客在客舱里得到舒适的享受的同时,更得到真情,得到爱的启迪,正如旅客在留言纸上所写的,“我要学习你们这种热心为旅客的精神,在本职岗位上做出成绩”,这使我深深体会到工作付出后的欢乐,体会到了这一平凡职业的不平凡之处!
中国有句古话叫“将心比心”,意思是说要站在别人的立场上思考问题。我们这个社会有细致的分工,我们这个社会的人际关系是“我为人人,人人为我”,人人都是服务对象,人人又都为他人服务,在更多的场合你为别人服务,在更多的场合又会接受别人的服务,只有“将心比心”,才能力求把服务工作做得尽善尽美。
相信大家不会忘记1990年发生的特大空难“十二事件”吧。空难发生的第二天,我执行××航班。在南京上客时,几个面带忧伤的旅客引起了我的注意,他们坐好后,我马上给他们递上温开水,并询问他们是否身体不适,但他们都沉默不语,似有重重心事。这时,地面工作人员上机送舱单,我忙把他们请进服务台,询问是否有空难家属,他们回答说,好像有。我的心一下子沉了下去。起飞后,我给他们递上小毛巾,再次轻声询问到广州什么地方,是不是云山大酒店(当时空难接待处),一旅客点了点头,眼泪叭哒叭哒地掉了下来,我一下子全明白了,“人非草木,孰能无情”,我深深地体会到这些失去亲人的旅客的悲痛心情,眼泪也夺眶而出,旅客的心和我们的心是相通的。而当时,我也只能不停地安慰、开导他们,尽自己的一片心,既是对旅客,也是对空难中死去的同事、同学。到达广州后,由于各种原因善后处理小组没有来接他们,为防万一,我和另一名乘务员自费坐出租车将他们送到目的地,当我们说明来意时,有关人员先是一愣,然后很快握着我们的手,连声说:“谢谢你们帮了我们一个大忙。”旅客亦从悲痛中对我们真诚地道了一声谢谢××人。我感到十分欣慰,此时能给他们一丝慰藉,是对我最大的鼓舞和真挚的支持。我从内心感受到作为空姐的使命和责任,就像炭火一样,燃烧自己,温暖别人。
在服务过程中,有时我们的一片热心也会得不到旅客的理解,我们也会碰到少数道德水准低下的旅客,这更需要我们从大局出发,委曲求全,多一份谅解,多一份体贴。记得有一次我执行××航班,由于天气原因延误了五个小时才起飞,旅客上飞机时情绪都很激动,他们不理解,把气出在我们身上,我们在广播里一再道歉,忙里忙外,照顾旅客,安抚旅客情绪,把饮料、餐食、报纸一份一份送到旅客手中。这时,有个男青年叫道:“不吃了,肯定是××没有飞机,骗我们天气不好,要赔偿我们损失。”旅客的情绪顿时起了波动,都嚷着要向我们索赔。那个男青年又向我多要一份餐食,当时我们已经把自己的机组餐都送出了,于是向他道歉说没有了,他却指着我的鼻子说:“民航都是骗子、混蛋!”我只能依然保持笑容跟他解释,但他又骂开了:“你们只会笑,什么都不会,什么都不懂。”当时,尽管我心里十分委屈,但我想到我现在穿着制服,是代表××,我要维护××形象,就依然平静地对他说:“先生,如果是由于航班延误时间,影响了你的工作,我们表示抱歉,对此带来你的不满我们表示理解。但是,由于天气原因,我们也无能为力,为了你我的安全,我们只能等天气好转再起飞,请您支持我们的工作。”其他旅客看到这情景,也停止了争吵,纷纷赞扬
我们乘务员服务态度好。后来临下飞机时,那个旅客不好意思地向我道歉说:“对不起。我不应该把气出在你身上。”我笑着说:“我理解你的心情,欢迎你下次乘坐我们的航班。”“一定、一定。”旅客答应着。是啊,人心换人心,只要我们能够体谅旅客,旅客也是能够理解我们的。 也许空姐这一特殊的工作,使得我们心中装得下千千万万个旅客,却难以装下自己的亲人。每逢万家团圆的日子,都是我们繁忙的时候。多年来,当新年的钟声响起的时候,我都坚持在工作岗位上。也许我不是一个合格的妻子、合格的女儿,没能为家人亲手端上迎春的汤圆。如果,我们把乘务工作只看成是一种职业来对待时,将会觉得是极其辛苦和平凡的,旅客只是一个一个的工作对象;而当我们把它看作一种崇高的事业时,对旅客的认识会有一种全新的意义。我们不会再用一般的职业心理去对待他们,在为他们服务过程中爱的情感会油然而生,工作的辛劳就会变成我们付出后的欢乐。 十年来,我只是尽自己的一片心、一份力和乘务队的姐妹们一起,为提高××的服务质量、为提高××的声誉而努力工作。去年六月我被授予全国民航青年岗位能手,荣誉给了我压力,鞭策我继续进步。为了无愧于“××空姐”称号,我将继续全身心投入这份平凡而又伟大的工作。 我以我心写凌霄!
篇18:陕西省大雁塔导游词
大雁塔位于距西安市区4公里的慈恩寺内,始建于公元652年,相传是慈恩寺的第一任主持方丈玄奘法师(唐三藏)自天竺国归来后,为了供奉和储藏梵文经典和佛像舍利等物亲自设计并督造建成。唐高宗和唐太宗曾御笔亲书《大唐三藏圣教序碑》和《述三藏圣教序记碑》。大雁塔是西安市的标志性建筑,是去西安的必游之地。
大雁塔北广场设有号称亚洲第一大的音乐喷泉,表演时间为:周一至周五12:00、21:00(周二中午无表演),周六、周日:12:00、14:00、16:00、18:00、21:00.每场的表演时间为20分钟,冬季晚上比夏季提前30分钟表演。
它耸立千年,南北广场布满巨大的仿唐建筑。并且有着号称亚洲第一大的北广场音乐喷泉,有许多民众在喷泉区玩耍嬉闹。南广场有玄奘雕像和大唐不夜城。西边有是咖啡酒吧饭馆的聚集地,同样热闹不已。
篇19:大雁塔英语导游词
Welcome to here, let me to introduce for everybody!
In northwest China, the beautiful city of xi an is a famous ten dynasties ancient capital. A landmark tower, Ming Great Wall ruins, huaqing pool and so on. Can be the most magnificent, the most famous is the wild goose pagoda.
Since the tang dynasty of great wild goose pagoda, built by master xuan zang, used to store the scriptures pagoda. Day it was built in the temple, historically, intact, for visitors to visit and tour, and now is the famous tourist attractions in our country, the symbol of the famous ancient city of xi an. Xi an ever central is printed on the wild goose pagoda, the wild goose pagoda is a sign of worthy of xi an.
The origin of the wild goose pagoda magic the occult. According to legend, in India the ogre tuo, a temple monks believe in hinayana, eats three net (that is, the wild goose, deer, calf meat). One day, a group of geese fly sky. A monk saw group of geese, letter said: "everybody not to eat today, bodhisattvas should know we are hungry!" Taking a wild geese fell dead in his word, the monk in front, he was pleasantly surprised, all times against temple monks, all think that this is the tathagata in educating them. Hence in the place where wild goose fell to the solemn ceremony was buried goose a tower, and called the wild goose pagoda. Xuan zang in the allusions, built the wild goose pagoda.
The earliest due to insufficient financial resources, wild goose pagoda is a building five floors, afterwards because of wu zetian believe in Buddhism, it built the ten layers. Unfortunately, five generations of war and down to seven layers, today is the seven layers of the blue brick flies in the tower. 64.5 meters high tower, each have a door on the ground, modelling concise, magnificence, is a rare masterpiece of buddhist art in our country.
From a distance, you will find that the wild goose pagoda is slightly tilted, this but there is a lot of. Xian a few times in the past, earthquake, earthquake tower like side slightly tilted, later, the tower body part for soil and groundwater is not uniform, the settlement of wild goose pagoda accelerated the tilt, now gradually recover the groundwater, the wild goose pagoda "right".
Wild goose pagoda is the first batch of national key protected cultural relics, after repeated repairs, the seven layers of blue bricks tower become solid, wild goose pagoda in the protection of cultural relics, social construction in the future, dont reduce the beauty of the classical past, this layer charming, mysterious veil. Attracts the world search for buddhist culture and the ancient Oriental civilization.
篇20:大雁塔导游词范文
大雁塔位于南郊大慈恩寺内,是全国著名的古代建筑,被视为古都西安的象征,西安大雁塔导游词。相传是唐僧从印度(古天竺)取经回来后,专门从事译经和藏经之处。因仿印度雁塔样式的修建故名雁塔。由于后来又在长安荐福寺内修建了一座较小的雁塔,为了区别,人们就把慈恩寺塔叫大雁塔,荐福寺塔叫小雁塔,一直流传至今。大雁塔平面呈方形,建在一座方约45米,高约5米的台基上。塔七层,底层边长25米,由地面至塔顶高64米。塔身用砖砌成,磨砖对缝坚固异常。塔内有楼梯,可以盘旋而上。每层四面各有一个拱券门洞,可以凭栏远眺。长安风貌尽收眼底。塔的底层四面皆有石门,门桅上均有精美的线刻佛像,传为唐代大画家阎立本的手笔。塔南门两侧的砖龛内,嵌有唐初四大书法家之一的褚遂良所书的大唐三藏圣教序》和《述三藏圣教序记》两块石碑。唐末以后,寺院屡道兵火,殿宇焚毁,只有大雁塔巍然独存。
另一说:大雁塔建于唐高宗永徽三年,因坐落在慈恩寺内,故又名慈恩寺塔。慈恩寺是唐贞观二十二年(648)太子李治为了追念他的母亲文德皇后而建。大雁塔初建时只有五层。武则天时重修,后来又经过多次修葺。现在的塔是七层,共64米,呈方形角锥状。塔身为青砖砌成,各层壁面作柱枋、栏额等仿木结构。每层四面都有券砌拱门。这种楼阁式砖塔,造型简洁,气势雄伟,是我国佛教建筑艺术的杰作。大雁塔底层南门两侧,镶嵌着唐代著名书法家褚遂良书写的两块石碑。一块是《大唐三藏圣教序》;另一块是唐高宗撰的《大唐三藏圣教序记》。碑侧蔓草花纹,图案优美,造型生动,导游词《西安大雁塔导游词》。这些都是研究唐代书法、绘画、雕刻艺术的重要文物。大慈恩寺是唐长安城内最著名、最宏丽的佛寺,它是唐代皇室敕令修建的。
唐三藏--玄奘,曾在这里主持寺务,领管佛经译场,创立佛教宗派。寺内的大雁塔又是他亲自督造的。所以大慈恩寺在中国佛教史上具有十分突出的地位,一直受到国内外的重视。
寺门内,钟、鼓楼东西对峙。钟、鼓是寺院的号令,俗有"晨钟暮鼓"之说。东侧钟楼内悬吊明代铁钟一口,重三万斤,高三米多。唐代学子,考中进士后到慈恩塔下题名,谓之"雁塔题名",后沿袭成习。唐代画家吴道子、王维等曾为慈恩寺作过不少壁画,惜早已湮没。但在大雁塔下四门洞的石门楣、门框上,却保留着精美的唐代线刻画。西石门楣上的线刻殿堂图尤为珍贵。
大雁塔东南侧,有和尚墓塔群。其中六座是清代建造的。大雄宝殿是寺院的中心建筑,殿内有三身佛、菩萨和罗汉泥塑像。是礼佛诵经之所。法堂是讲经说法的地方。堂内有阿弥陀佛铜像。
今日的慈思寺是明代以来的规模,而寺内的殿堂则是清代末年的建筑。现在大雁塔经过修复,古塔雄伟,寺殿香火缭绕,庭院鲜花争艳,是一处特别吸引国内外游人的游览胜地.