白鹤梁导游词精彩20篇

大小洞天旅游区以道教文化为主题。洞天福地本就是道教的概念。这里融热带风光、保健旅游、康复养生、休闲度假为一体。按照规划，这里将建设大门景观区、道教文化区、南溟奇甸风景区、小月湾休闲区和综合区等部分。

进入景区，我们首先会看到一座纪念鉴真东渡的大型雕塑，鉴真和尚和陪着他第五次东渡的弟-子祥彦、思托，日本留学僧荣害、普照等人的形象高大凝重，表现出高远的志向和坚强的意志。

再往前行，到了滨海处，只见一块巨石上刻有“小洞天”三个大字，这是本景区代表性的景观。“小洞天”由许多大小不一的礁石所组成，洞口一侧有一块石头叫“蛤-蟆石”，好像是大青蛙仰望蓝天。顺着蛤-蟆石上行，就是“钓台”。“钓台”两个大字已经有720_年的历史了。一路前行，海滩上许多石景的天然造型奇趣无穷，令人叹为观止，您尽管展开想象的翅膀去把它们物化、人格化。沿海边小道继续行进，前面就是本景区的另一股景“海山奇观”了。只见海天辽阔，山势峻峭，树绿山青，海碧沙白，果然是海山奇观。宋代吉阳军知军毛奎在此开山筑路，修亭挂匾，摩崖题咏，刻石点景，为“小洞天”和“钓台”命名，并以“海山奇观”为景区总名。这里的“海山奇观”四个大字就是毛奎写的。由此处登天梯，绕巨石，可见一高一低两块直指蓝天的长石，这就叫“试剑石”。传说是古代的周康和许源两位得道的游士在此练剑时所劈。

1993年4月17日，_泽-民_视察海南，曾到此一游。面对飞花激雪、碧波万顷的南海，_于景区内欣然命笔，题写“碧海连天远，琼崖尽是春”这一佳句，以寄托对海南的殷切期望。_的题咏，后由石工刻于景区内海滨巨石上，熠熠生辉。

在景区披满绿色的山坡上，长着一片片树干粗壮、叶呈披针型、没有细树枝的奇特的树，这就是龙血树，雅称“南山不老松”。传说龙血树是盘古开天地时被荆棘利伤，血洒南山而长出来的。传说归传说，龙血树被称为植物中的活化石，树龄很高，已属濒临灭迹的珍稀树种，却是真的。在三亚市南山一带，生长着6万多株龙血树，其中大小洞天旅游区就有3万多株，郁郁葱葱，蔚为壮观。树龄有的已达20_年，最长的有6020_年以上，因此说它是“不老松”毫不夸张。据说在中国只有海南三亚和云南西双版纳生长这种树，其树脂可制成贵重的药材。南山文化旅游区采取多种科学措施挽救、保护这一珍稀树种，把它作为旅游区的景观之一。

英文的导游词范文

英文导游词范文——陕西西安大清真寺英文导游词

the great mosque at huajue lane

the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.

however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.

islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.

however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.

among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.

the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.

according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.

the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.

the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.

英文导游词范文——陕西西安秦始皇兵马俑英文导游词

emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum

emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.

in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.

after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.

emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”

emperor qin shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.

no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.

no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.

no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.

no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.

the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.

in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.

no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.

西贡的导游词

界东部，风景秀丽，许多当地人都喜欢到这儿度周末。在这里观赏景色的最佳方法是雇一条小船，就可以坐船环游岛屿（大约150港币）。还可以漫步沙滩或者登山远足。

在海滩上漫步并晒了一天太阳后，你可到附近的小餐馆就餐。最好的餐馆有PepperonisPizzaandCafeonPoTungRoad（普通道）以及在ManNinStreet（万年街）。路上的TungKeeRestaurant（通记海鲜酒家），可以吃到广东风味的美味海鲜。

Today, my parents took me to Xiaoling scenic spot. Xiaoling of Ming Dynastyis the mausoleum of Emperor Zhu Yuanzhang of Ming Dynasty. Here is not onlybeautiful scenery, but also some historical knowledge, so every holiday, willgather many tourists.

Entering the gate of Ming Xiaoling Mausoleum, the first thing that comes tomind is 2 sacred Dao. One is the stone road of the East and the west, and theother is 615 meters long. In the order of the road, six stone animals are lions,tiers, camels, elephants, Kirin and horses. The other is the Weng Chong Road,the Shinto road in the north and south direction, 250 meters long, two pairs ofWen _ and two pairs of Wen Chen on the pillar. The top of the column iscylindrical, and its body is carved with dragon patterns. The dignified anddignified generals are the loyal guardians of the mausoleum. Shinto is flankedby lush towering trees, each tree has a red canna. Twigs and leaves of the treetwists and turns into a Green Avenue.

At the Xiaoling Museum of the Ming Dynasty, I visited some unearthedcultural relics of the Ming Dynasty, including jades and ceramics. I also knewthat there were 16 emperors in the Ming Dynasty, three of whom had theircapitals in Nanjing for 53 years.

A stone turtle carries a large stone tablet on its back, which is engravedwith "Zhilong Tang and Song Dynasties". This is the famous tablet hall. This isEmperor Kangxis praise for Zhu Yuanzhangs ruling the country more than that ofTang and Song dynasties. On both sides of the times are the imperial steles ofEmperor Qianlongs physical skills.

The hall of enjoyment is one of the main buildings in Xiaoling Mausoleum ofMing Dynasty, which is used to worship Zhu Yuanzhang, Empress and concubines.There are three floors, and there are stone dragons in four corners of eachfloor.

On the way home, the beautiful scenery of Ming Xiaoling isunforgettable.

Hello, everyone, today I take you to visit Chinas great legacy - the Great Wall.

We see the Great Wall from a distance, the Great Wall is like a long dragon hovering between the mountains. On the Great Wall, we can see the wall, there are many small incision, which is used to shoot nozzle, convex to buttress, where soldiers can hide to shoot outside.

Used by the emperor built the Great Wall and on the building of the Great Wall there is a beautiful legend! I say to you: once upon a time there was a man called Fan Xiliang, he has a wife named meng jiangnu. , Fan Xiliang was levied to build the Great Wall, qin winter came, didnt see meng jiangnu give husband Fan Xiliang woolies husband, when he asked other migrant workers when other migrant workers told her Fan Xiliang is dead. Meng jiangnu cry, tears fell the Great Wall is over 800 meters.

The next free activity, but be careful not to graffito of the scribble on the wall.

“各位游客，我们已经到了富春江的中下游，就让我们在这里畅游一番吧。”我知道，我第一次的导游解说开始了。

富春江的景由水与山组成，站在各个角度看，人的感受是不同的。站在山的最高峰，一览无余。这样，才能体验到“一览众山小”的霸气。山，峰峦如聚，各具特色。横看，有排山倒海之势;侧之，给人以天崩地裂之感，此为山也。水有水的魅力。西湖的水是宁静的岁，洞庭的水是清澈的水，而富春江水正是具备了两者的长处。水，气势平缓之处如平地，则心如明镜;气势澎湃之处如鲸波巨浪，翻江倒海的气势自古无人不为之惊叹。总而言之，富春江的独一无二的山水会让大家的旅行过得愉快而富有意义。

在三亚看落日真有诗意。夕阳滑落的景象美妙绝伦，一点儿也不比日出逊色。

三亚在海南岛的最南端，被蓝透了的海水围着，洋溢着浓浓的热带风情。蓝蓝的天与蓝蓝的还融为一体，低翔的白鸥掠过蓝蓝的海面，真让人担心洁白的翅尖回被海水蘸蓝了。挺拔俊秀的椰子树，不时在海风中摇曳着碧玉般的树冠。海滩上玉屑银末般的细纱，金灿灿亮闪闪的，软软地暖暖地搔着人们的脚板，谁都想捏一捏，团一团，将它揉成韧韧的面。

活跃了一天的太阳，依旧像一个快乐的孩童。它歪着红扑扑的脸蛋，毫无倦态，潇潇洒洒地从身上抖落下赤朱丹彤，在大海上溅出无数夺目的亮点。于是，天和海都被它的笑颜感染了，金红一色，热烈一片。

时光悄悄地溜走，暑气也跟着阵阵海风徐徐地远离。夕阳也渐渐收敛了光芒，变得温和起来，像一直光焰柔和的大红灯笼，悬在海与天的边缘。兴许是悬得太久的缘故，只见它慢慢地下沉，刚一挨到海面，又平稳地停住了。

它似乎借助了大海的支撑，再一次任性地在这张硕大无朋的床面上顽皮地蹦跳。大海失去了原色，像饱饮了玫瑰酒似的，醉醺醺涨溢出光与彩。人们惊讶得不敢眨眼，生怕眨眼的一瞬间，那盏红灯笼会被一只巨手提走。我瞪大双眼正在欣赏着，突然那落日颤动了两下，最后像跳水员那样，以一个轻快、敏捷的弹跳，再以一个悄然无声、水波不惊的优美姿势入了水，向人们道了“再见”。

大家好，我很荣幸成为你们的导游，在我们脚下的这是明长城中最具代表性的一段长城——八达岭长城，就让我们一起参观万里长城的美丽风景吧!但是大家在参观长城时一定要注意，不要乱扔垃圾，刻字。

长城蜿蜒盘旋于中国北方土地，从东头的山海关到西头的嘉峪关，横跨13个省，有13000多里，长城可真长啊!

大家知道在城墙外那两米多高的成排的建筑物是什么吗?那就是垛子，是用来防身的，打仗时，敌人放箭、放炮，人可以站在垛子后，垛子上分别是瞭望口和射口，供瞭望和射击用。在城墙顶上，每隔300多米就有一个方形的城台，是屯兵的堡垒，打仗的时候城台之间可以相互呼应。

这墙壁是用一块块条石筑成的，你们可别小瞧这些数不清的条石，一块就有两三千斤重。一个成年人最大承重量也不过才有一百五十斤，可想而知要多少劳动人民的血汗和智慧筑成这前不见头，后不见尾的.万里长城。

今天的八达岭长城之旅就在这告一段落了，希望大家在这里留下美好的回忆，再见!

我回到了阔别已久的故乡成都。吃到了很久，没有吃到的美味小吃。从锅煎蜜饯到糕点汤元，从蒸煮烘烤到油酥油炸，琳琅满目，各味俱全，种类不下200种。成都的大街小巷，到处都能看到小吃店。

我为您介绍几种我最喜欢的小吃，保证您听的就要去成都，把所有的美味都要尝一遍。夫妻肺片夫妻肺片人人皆知的一款风味名菜。以牛肉心、舌、肚、头皮等伴以红油，辣椒，芝麻，葱姜蒜，盐味精等等作料，香辣可口。担担面用面粉擀制成面条，煮熟，舀上炒制的猪肉末而成。成菜面条细薄，卤汁酥香，咸鲜微辣，香气扑鼻，十分入味。

介绍一下天下闻名的麻婆豆腐。清朝同治初(1862年)，开业于成都北郊的万福桥。原名陈兴盛饭铺，主厨为陈春富之妻。陈氏所烹豆腐色泽红亮，牛肉粒酥香，麻、辣、香、酥、嫩、烫、形整，极富川味特色。还有还有香甜可口、油而不腻的古月胡三合泥，肉馅饱满、鲜香无比的韩包子，酥脆香甜的鲜花饼，色白晶莹的珍珠圆子，油茶、馓子、蒸蒸糕、麻花，发糕、马蹄糕、糖油果子、三大炮、酸辣粉、凉粉、凉面、碗豆糕、肥肠粉、小笼包子......，还有成都的怪味鸡块、怪味兔丁、凉拦肚条，夫妻肺片。腌卤制品有成都的王胖鸭、耗子洞的挂炉鸡等等。您是不是听得流口水呢?

另外告诉你如果去成都，就去成都的小吃比较集中的是文殊坊和武侯祠旁的锦里，顺便逛逛宽窄巷子它不比苏州的周庄差哟。

澳门景点导游词（精选6篇）

最新版澳门景点导游词范文1

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下。

去澳门，人们说得多的，去得多的是赌场。我们一行人也是如此，一入境，直奔去澳门最豪华的赌场——威尼斯人。

我们坐清凉的巴士来到了威尼斯人赌场。一听到这个名字，就觉得这个地方一定很宽敞，一定十分豪华。我们一下巴士，就看到眼前是一群以黄色为主调的建筑，高大、雄伟。我们透过威尼斯人赌场的大门上面安装的玻璃窗往里面瞧，不知道我是不是看花了眼，总看到里面是一片金色，灯火辉煌，金光灿烂。那豪华的大型吊灯、那黄色的屋顶好像真的是用闪闪发光的金子来做成的呢!一进威尼斯人赌场的大门，一股股凉风朝我们跑来，哟，空调真舒服!

突然，我对大家会说：“我去旁边的厕所里小便。”他们同意了。我就飞快地坐上电梯上二楼，再踏着地毯，随着指示牌进入卫生间，跑到厕所里面去。一进去，就看见我的两侧都是洗手的，没有马桶。这时，我的头上冒出一个个问号：难道这里的没有马桶吗?突然，发现要从这里进去才能到女卫生间呢!找到了厕所后，我一边上小便，一边想：这里好像一个迷宫呀!

这儿还真是一个迷宫呢!到处都是通道，到处都是房间、大厅、电梯，似乎四通八达呢!

到了赌场，那里不允许小孩子进去，要21岁以上才能进去，所以是爸爸、葛阿姨、袁叔叔、袁婆婆和我外婆进去了，我呢就和妈妈、姐姐一起坐电梯到三楼逛“街”了。这儿的“街”不是大街上的街，却像真的大街上的“街”。这街又长又宽，似真似幻。人走在“街”上，头顶着仿真的“蓝天白云”，低头看着弯弯的“贡多拉河”，手扶着汉白玉砌成小桥、仿古的围廊、脚踏着干净、亮丽的石块铺成的路……我们一边享受着清爽的空调风，一边随意地享受着各国风情的街头文艺：弹手风琴的南亚小丑、拉小提琴的俄罗斯美女、吹萨克斯的欧洲帅哥……

在这儿，各种商品琳琅满目，应有尽有，一个商铺接着一个商铺。我们什么都想买，只恨包里的钱少了。每个商铺，我们都进去看一看，饱一饱眼福。我和姐姐看到一张两个巴掌那么大的贴纸，就十分想买，心想：这张贴纸，应该不是很贵吧!但一看，贵得不得了。你知道要多少钱吗?要澳币25元。这……这……也太贵了吧!

澳门的东西真美丽，就是太贵了，这儿真是富人的天堂!

最新版澳门景点导游词范文2

澳门赌场一般都是用“筹码”下赌的。所谓的“筹码”，是一种特制的塑料小圆牌，上面写有金额数，最小的筹码面值50元，最大的面值200万元。赌客进赌场先要到专门兑换“筹码”的柜台去买“筹码”，然后再去你想去的赌台下注。用现金直接下注也行，但超过1万元就不方便了。所以，在赌场用现金下注的大多为散户、小户，一掷万金、十万金的大赌客，绝对是用“筹码”下注，而且他们所持的一个“筹码”的面值至少为1万元。前不久的一天深夜，记者通过熟人进入位于友谊大马路上的励骏会会员赌场溜达了一圈。这个赌场内饰极其豪华，四壁都是耀眼的金色。

赌厅里设有免费自助餐厅、酒吧。每个赌厅只有几台赌桌，没有老虎机，更没有葡京赌场那种熙来攘往、人声鼎沸的场面，赌客很少，但个个腰缠万贯。记者在一赌桌前停留不到一分钟，就眼睁睁看着一位赌客下赌的4块“筹码”，被“庄荷”(赌桌工作人员)用小铲子轻轻扒了过去。要知道，每块“筹码”面值5万元啊!走出赌厅，还为刚才的一幕惊诧不已，朋友告诉记者，这不算输得多的，在赌场输赢20万元只是小意思。赌场“筹码”如同金钱。故此，许多赌场的常客赢了钱也不将“筹码”兑换成现金，免得下次来赌场还得兑换“筹码”，嫌麻烦。其实，也不全是因为这个原因，澳门的许多店铺用“筹码”是可以消费的，特别是赌场周围的一些餐馆、酒吧，绝对认可“筹码”。据说，有赌客光顾这些餐馆、酒吧，只要将几块“筹码”往餐桌上一扔，伙计立马会堆出灿烂的笑容，殷勤相待。也许在店小二的心目中，玩赌的人个个都是腰缠万贯。

一跨入澳门赌场，就给人一种莫名的“紧张”，一道如同机场的安全门横挡在面前，进入赌场必须穿越安全门，接受安全检查。所有检查程序和进入机场侯机大厅时的安检程序一模一样：要掏出身上所有的金属物件，连同手提物品一并交由安检人员检查。但比机场安检还严格，不许带照相机、摄像器材进入，赌场禁止拍照。

许多游客都觉得纳闷：不就是一个娱乐场所嘛，何以要安检?我曾就此问题问过好几位赌场工作人员，回答都是一致的：赌场到处是现金和“筹码”，而且都暴露在广庭大众面前，一旦有歹徒持凶器进来打劫，很容易得手不说，还会危及赌客的生命安全，故要防患于未然。

也许很多人并不清楚，赌场绝非一般的娱乐场所，它虽给人带来刺激，但更宜诱发各种犯罪的念头。穿梭其间就会发觉，各种“鱼饵”明目张胆地在四处招揽生意。所以，赌场安全是赌场老板首先要考虑的问题，也是政府监督最严的地方。澳门司法警察局建制里设有赌场督察处，专门负责赌场治安，昼夜24小时派有警员在各赌场值班巡逻。而赌场自身的防范监视装置更严密、周详，它是我迄今所听说并眼见的最庞大的商用监控系统。据说，光葡京赌场各处就装有六百多个电视监控探头，它从各种角度全天候摄下赌场每个角落的情况，分秒不漏。赌场工作人员告诉我，这些装置只是作监督赌场员工用，绝不针对顾客。否则谁还敢来赌场?说的倒也是那么个理，但不少人对此将信将疑。不过，记者看到，这些监视器确实发挥了威慑作用，“庄荷”(工作人员)每当离开赌桌时，都要面向“探头”展开双手，扑打扑打衣服，以示没拿什么东西。工作期间揩鼻涕、擦嘴脸的卫生纸，都随手向柜台外面一扔，却偏不往脚下的废纸篓里丢。不知情的人责怪其粗俗，岂不知这也是为了避嫌，特意这么作的。赌场一旦发现工作人员作弊，必开除无疑，绝不留情。据说，此类情况在澳门赌场极少发生。

最新版澳门景点导游词范文3

欢迎大家来到澳门松山灯塔!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下松山灯塔。

松山灯塔是我国沿海以及远东地区的第一座灯塔，因耸立在松山松涛中而得名，原称东望洋灯塔，所在的松山原名琴山，东望洋山，是澳门半岛的最高山岗，海拔九十三公尺，为澳门地区的地理座标的标志点。

松山灯塔与另两座三百年古迹松山炮台和松山教堂，构成松山三古迹，于此远眺，澳门全景及珠江口的壮丽景色尽收眼底，可领略古今变迁。

由一名土生葡人设计的松山灯塔，高十三公尺，于一八六五年九月二十四日放射光芒，九年后的一八七四年八月被台风吹毁，至一九一一年才重建，正式使用迄今。

今天我的讲解就到此结束了，下面是大家自由参观的时间，希望这次参观能给大家留下一个深刻的印象，预祝大家能玩的开心，谢谢。

最新版澳门景点导游词范文4

圣安多尼旧堂的现址建于一五五八年，与今日的安多尼堂位置相同，且是澳门的第一间小教堂。

教堂的历史间略载于教堂大门侧的一块石碑上，内容是：“兴建于一六三八年，一八零九年被焚毁，一八一零年重建，一八七四年再次被焚毁，一八七五年重修”，而在这教堂前地还有一个刻上一六三六年的十字架，于一九三零年再次被焚毁，亦再次被修葺，但外墙及钟楼的工程却于一九四零年才进行，圣安多尼是葡国军队的军人，其官衔为“上尉”。

每年在庆祝圣安多尼节的当天，即六月十三日，都会举行由市政府主席主持有关军薪俸奉献给圣人的仪式，更举行圣像游行。

最新版澳门景点导游词范文5

竹湾位于路湾南端，环境优美，面海靠山，海岸广阔，沙粒洁白。竹湾公园位于竹湾海滩旁，占地达四千平方米，包括小食部、更衣室及一个不规则形状的游泳池，最深可达3公尺(泳池由每日上午八时至晚上九时开放，星期六延迟至晚上十二时)。滩旁还建有水上活动中心，有专人训练驾驶独木舟、帆船。

在竹湾之上的[竹湾园]，依山而建，除了原有的树木外，房舍、小桥、小径栏杆都是就地取材，以松木搭建，与自然环境协调统一，朴实自然。园中遍布植物，碧绿苍翠，其间流过一道小溪，清幽古雅。

背靠山麓，面向海滩的竹湾酒店，是消闲休息的好去处。近来政府还在竹湾海滩旁新建了葡萄牙式旅游度假村，内有多幢别墅，设计独特，具有欧陆色彩。

最新版澳门景点导游词范文6

欢迎大家来到妈阁庙!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下妈阁庙。

妈阁庙是中葡文化融合起点，也是澳门最著名的名胜古迹之一，至今已逾五百年，是澳门三大禅院中最古者。妈阁庙原称妈祖阁，在澳门东南方，俗称天后庙，建于一四八八年，正值明朝。背山面海，沿崖建筑，古木参天，风光优美。整座庙宇包括大殿、弘仁殿、观音阁等四座主要建筑，石狮镇门、飞檐凌空，是一座富有中国文化特色的古建筑。

1998年10月28日，在澳门最高点，路环岛的叠石塘山顶，又落成了全世界最高的妈祖雕像。她矗立在澳门的最高点，因此，无论从海面或还是陆地，都清晰可见。开光以来原本人迹罕至的路环岗顶，一时车水马龙，香火鼎盛。

每年春节和农历3月23日娘妈生辰日，是妈祖阁香火最鼎盛的时候。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神功戏。

神功戏是澳门妈阁水陆演戏会历年的酬神习俗。“神功”是指为神做的功德。在节日、神诞等庆祝活动上表演粤剧，表达“神人共乐”的精神。

天津英文导游词

Tianjin is a good choice as a travel destination. With its cool sea breeze and fresh sea air you will definitely feel refreshed. Historical relics, natural scenery, temples, churches, assembly halls and commemorative sites of the Chinese revolution will illuminate Tianjins past, present and future. Tianjin is honored as Building Museum as it was occupied by nine imperial powers before the founding of the new China, leaving behind many buildings with extraordinary and exotic architectural styles, a real feast for the eye! In the following text let me give you a brief introduction to the Jinmen Shijing (top ten scenic attractions in Tianjin).

Huangyaguan Great Wall :

Located in the mountainous area of Tianjins northern Ji County, the Huangyaguan Great Wall was first built during the Northern Qi Dynasty (550 - 557) and repaired in large scale with bricks during the Ming Dynasty (1368 - 1644). When appointed as the chief commanding officer in the Ji Garrison (one of the eleven garrisons of the Ming Dynasty), Qi Jiguang added watch towers and other defensive works.

The Huangyaguan Great Wall comes out first in the ten most-visited sites in Tianjin. It is considered to be a miniature of the Great Wall. The entire section is built on an abrupt mountain ridge. Being endowed with both natural beauty and cultural interest, it has become famous as a natural beauty spot and a summer resort. The major scenic area is composed of Huangyaguan Pass and Taiping Mountain Stronghold.

Huangyaguan Pass: In 1984, the people of Tianjin spent three years repairing 3,308 yards of the main wall from Banlagang Mountain in the east to Wangmaoding Mountain in the west. They restored 20 terraces, the Huangyaguan Water Gate, and the Bagua Castle (the Eight Diagrams Castle). The defensive system of the wall is complete. Watch towers, frontier cities, drain holes, emplacements, barracks and other indispensable military facilities are arranged orderly along the wall. Besides, the stele forests of the Great Wall, Beiji Temple, the exhibition hall of famous couplets, the Great Wall Museum (the first museum along the Great Wall) and the Phoenix Fortress have been newly built within the area.

Taipingzhai Great Wall :

Six miles southeast of Huangyaguan Pass is the Taipingzhai Great Wall, another important mountain stronghold of the wall during the Ming Dynasty (1368 - 1644). It is also called Taipinganzhai, meaning "a village of peace and prosperity". Starting from Banlagang Mountain in the east and arriving at Guafu Tower (Widow Tower) in the west, it winds through the precipitous mountains for about 955 yards.

The wall is an important component of Huangyaguan Great Wall. There are six watch towers, one battlement, and one shortcut leading to the wall. The architectural styles of the military towers vary considerably. There are square, round, solid and hollow towers, with some inside and others outside the wall. Beside the shortcut, there is a small citadel where an 8.5-meter statue of Qi Jiguang, the chief commanding officer of Ji Garrison (one of the eleven garrisons in the Ming Dynasty) is located. The local people built this statue in order to commemorate his great contribution to frontier peace and stability in that period. To the west of the citadel, a section of the wall extends 33 yards out to where a sentry post was situated.

At the western end of the wall is a square stone tower called Guafu Tower, "Widow Tower" in English, built by twelve wives whose husbands died during the construction of the wall in the Ming Dynasty. The widows erected this tower to commemorate their husbands notable exploits. The tower has two levels and measures 13-meters (14-yards) high. Arched arrow windows are on the four sides of the tower.

Besides these cultural points of interest, Taipingzhai Great Wall is also famous for its amazingly impressive scenery. Zigzagging along the mountain ridge for over 984 yards, the wall looks very much like a giant dragon flying through clouds.

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各位朋友大家好！

首先我代表国际旅行社分部欢迎 医院的朋友们的光临，感谢大家的支持与信任，更感谢带队的我们的李院长和徐大姐。贵单位和我们社不是第一次合作了，但我对大家来讲还是个新面孔，请允许我做一下自我介绍，我是招商国旅的全陪导游，我姓李 ，叫 李 ,大家是不是觉得我的名字很俗啊，但是越通俗就越大众，希望大家能记住我，俗就俗点吧， 呵呵。我们的团队由15位女士和3位先生组成，给我的感觉就好像是以李院长为首的3位党代表， 带领着以徐大姐为首的红色娘子军进行一次真正的红色之旅，意义非凡啊，大家说对不对？

呵呵 周四拿到咱们的名单，我就感觉很好，因为咱们团里既有姓李的也有姓杨的，俗话说同姓五百年前是一家，因为我老公也姓杨，让我感觉这个团里我的婆家人和娘家人全有了，而且咱们团还给了我一个惊喜，就是其中有一位我以前多次耳闻却没有见过面的嫂子——吕大姐，今天终于见到了，吕大姐您好！没见到大家时我就觉得不是外人，现在见到大家果然一见如故，希望大家也不要仅仅把我视作导游，要把我看作自己人，俗话说：百年修得同船渡，我觉得也可以说百年修得同车行，现在我们大家坐在这里，将一起度过两天的旅程，我觉得和大家很有缘份，好了不开玩笑了，全陪导游就是游客的代言人，如果大家在旅游过程中有什么困难和要求的话就尽管向我提出来，不要客气，我会在合理可能的范围内，尽自己最大的努力帮助大家解决，如果大家觉得我哪些地方做的不妥，更希望大家及时向我提出来，我会立即纠正，不希望咱们大家回去之后再对我说：李导这个地方你应该这样做，那我想该多遗憾啊，我可不希望这样，大家说对不对？

同时我也希望在座的各位对我的工作能够给予支持和配合，预祝我们的行程圆满结束，同时也预祝各位这两天玩的开心，旅途愉快！

氹仔岛的导游词

氹仔原为乡村，以炮竹闻名。随着时代的发展，氹仔大部分地区已被开发，先后兴建了高层住宅、豪华酒店、风味餐厅、赛马场、娱乐场及澳门国际机场。已初具城市规模。

凯悦酒店和新世纪酒店均为五星级豪华酒店，可为旅游者及入住客人提供饮食、度假休闲等各种服务。澳门的最高学府——澳门大学也位于氹仔，大学内有一幅颇有气势的九龙壁。

氹仔区内食肆林立，驰名港澳的木偶葡国餐厅也在此落脚。晚间华灯初上时，专营烤肉、碑酒的露天摊档便热闹起来，群众在酒肉飘香中悠然自得。如果不想吃肉，可到专营素菜的“菩提园”品尝地道的素菜，在园内，还可观赏一座高5.4米，重约6吨的铜铸释迦牟尼大佛。此为仿唐艺术品，是澳门目前最大的佛像。

1989年扩建的赛马会已颇有名声。从泰国请来的一座四面佛就立于赛马会前的广场上，每天都有不少人来此佛前祈拜求福。

“住宅式博物馆”珍藏着十九世纪末期的家庭住宅摆设，从中可了解本世纪初澳门官绅富豪的家居生活。

氹仔区内有多处出租自行车的店铺，骑车四处漫游也极为方便。

澳门与氹仔之间，每天7时至晚上11时，有几十班公共汽车往来，交通非常便利。

你们好!欢迎大家来周庄游览。周庄地处苏州昆山市、吴江市、上海的青浦县三县市交界之处，东面不远就是有名的淀山湖，从这里乘汽车到上海的大观园只需要十几分钟。所以有人说：“周庄是淀山湖畔的一颗明珠。”

周庄，是一个有着九百多年历史的江南水乡古镇，它以悠远的传统，淳朴的民风，古老的建筑，清澄的河水和充满传奇色彩的人物，成为一片极有诱惑力的旅游胜地。著名古建筑专家罗哲文说;“周庄不仅是江苏省的一个宝，而且是国家的一个宝。”中国台湾经纬杂志盛赞周庄是“中国第一水乡”。还有不少人在游览了周庄之后，这样说道：“上有天堂，下有苏杭，中间还有一个周庄。”大家为周庄保存着如此众多的明清建筑而赞叹，为“小桥、流水、人家”的精美格局而眩惑，为处处可画、时时有诗的风情而陶醉，觉得周庄是无法重造的美丽水乡。

(走到贞丰泽国牌坊前〕这里是石牌楼，巍然矗峙在这新老镇区的交界处，是古镇周庄的象征，上面镌刻有“贞丰泽国”四个字，为著名书法家沈鹏所写。“贞丰”是指周庄的原名为贞丰里，北宋元佑元年(1086年)，有一位姓周的迪功郎因信奉佛教，将两百亩庄田捐给当地的全福寺作为庙田，老百姓感其恩德，把贞丰里改为周庄。“泽国”是指四周环水的地方。坊柱上的一副对联，上联是“贞坚不贰攀日康庄有道路”，下联是“丰衣足食向阳桃李自逢时”，意思是说我们周庄人民在改革开放的大潮中走上了康庄大道，生活越来越富裕了。

大家跨过石牌楼就进入古镇区了，请回头再看，这里还有一幅对联：“万顷碧波水光潋滟晴方好;百尺临云塔影横斜景亦奇。”这是著名记者冯英子题写的。横额上书“唐风孑遗”。意思是在周庄，古代优秀的民族文化、古风遗韵还能看到一些。这是著名书法家费新我老先生在晚年高龄的时候用左手题写的，左下角还有他的落款呢!大家可以仔细辨认一下，是“新我左笔”四个字。这石牌楼和马路两旁飞檐翘角、黛瓦粉墙的房屋，以及高高耸立的古塔，构成了一个古建筑群，许多人都喜欢在这里留影，回头大家也可以在这里留个影。

〔边走边导游〕前面呢，有一座醒目的汉白玉照壁，它是为纪念古镇九百周年而建立的。它艺术地勾勒出了周庄悠久的历史。抬头看去，拱桥驳岸，风火墙和蠡窗黛瓦，无不给人以浓重的历史感。

周庄，是典型的江南水乡，有人把它比作“威尼斯”。四条河道交叉形成“井”字型将古镇分割，形成8条街道，15座各式小桥彩虹般横跨在“井”字型的河道上，给周庄增添了风采。镇上大部分居民住宅都临港背河。过街骑楼、临河水阁、水墙门、长驳岸、河埠廊坊、穿竹石栏、水巷幽弄、深宅大院，处处显露出古朴幽雅，是中国水乡古镇风貌的“活化石”。吴冠中教授游览了周庄后说：“黄山集中国山川之美，周庄集中国水乡之美。”

前面有一座古桥，叫太平桥，建于清代。展现在大家眼前的是一幅动人的江南风情画，在沈厅的展览室里，可以看到日本著名女画家桥本心泉以它为主要背景的一幅名为《周庄的某一天》的油画。

这一条古街俗称一步街，因为它很窄，一步就可以跨过，街道两旁开店的店主不用走出店门，就可以互相握手或递东西表示友谊，所以又称友谊街。上面还有一线天，中间是过街楼、这种建筑在大城市里是很少见的，在周庄却有许多。

〔在双桥前停下来〕现在，我们已经来到了双桥，游览周庄双桥是不能不看的。大家看，这桥面一横一坚，桥洞一方一圆，样子很像是古时候人们使用的钥匙，所以当地人便称之为“钥匙桥”。这两座桥始建于明万历年间(1573～1619年)。这座石拱桥叫世德桥，横跨南北市河，长16米、宽3米、跨度5.9米。这座石梁桥叫永安桥，平架在银子浜口，长13.3米、宽2.4米、跨度3.5米。双桥最能体现古镇的神韵，等一会大家可以在这里拍照留念。双桥为什么会这么出名呢?那是1984年春天，上海著名旅美画家陈逸飞乘坐小船来到周庄，看到了双桥，觉得自己仿佛回到了记忆中的童年。于是，就以双桥为背景，创作了一幅题名为《故乡的回忆》的油画。后来这幅油画连同他的37幅作品一起在以美国西方石油公司董事长阿曼德.哈默名字命名的哈默画廊中展出。这幅画在当时引起了很大的轰动，后来，被阿曼德.哈默用高价购藏。1985年，这幅画又经过陈逸飞的加工成为当时联合国首日封的图案，深受集邮爱好者和各界人士的青睐。经新闻媒体宣传，周庄古镇声名鹊起。陈逸飞的画使默默无闻的双桥走向了世界。钥匙桥不是钥匙胜过钥匙，因为它开启了周庄与国际交往的友谊之门。

〔过双桥〕各位游客，大家看，我们对面的一角，有小桥、流水、人家，这种景色，是我们周庄建筑内涵最丰富的一角。所以啊，不管是雨雪霏霏，还是赤日炎炎，喜欢画画的人都会在这里铺开画板，描绘着对岸的一景一物。我国的许多电影导演和演员，都把周庄作为最佳的外景地，先后在这里拍摄了《共和国不会忘记》、《聊斋志异》、《杨乃武与小白菜》、《济公游记》、《江南巨富沈万三》、《摇啊摇，摇到外婆桥》等数十部电影和电视剧。著名导演张艺谋说：“在周庄拍片子，很令人满意。”他追求的就是这种古宅的建筑和幽深的水巷组成的文化氛围，这不是一时一日能制作出来的。

(走到张厅〕现在，我们已经来到张厅，张厅是周庄仅存的少量明代建筑之一，为江苏省重点文物保护单位。张厅为明朝中山王徐达的弟弟徐孟清的后代所建。按理说徐家建的应叫徐厅，为什么叫张厅呢?那是在清朝初年的时候，徐家衰落了，就把这座房子卖给了一户姓张的人家，才被改名为张厅。让我们到张厅的正厅去看看。这儿是张厅的正厅“玉燕堂”。玉燕堂原名怡顺堂，早先门前有两棵玉兰树，春天一到，玉兰花开放，引来了许多燕子，燕子在屋檐下筑巢繁殖后代，被张厅的主人看见了，认为燕子和玉兰树给张厅带来了勃勃生机，于是就将怡顺堂改为玉燕堂。张厅的特点是“轿从门前进，船从家中过”。大厅的东侧，有一条幽暗深长的备弄，它的作用好像是现在大宾馆里的员工通道。请随我进去。

这儿就是“船自家中过”的地方。你们别看它窄窄的，可是它能通向外面的大湖。它有两个作用。一是张厅是一户大户人家，每天要消耗许多吃的、用的、穿的，都靠小船从这里运进运出。二是封建社会，时时会打仗，主人万一遇到什么不测，就可以坐着小船从这里逃生。我想各位一定想了解一些我们周庄风俗习惯吧!这儿我给大家介绍一下我们周庄的“阿婆茶”。“阿婆茶”就是一些上了年纪的老太太吃过午饭后闲在家没事干，就带上自己的小孙孙和一些自家腌制的酱瓜、菜苋等聚到一块儿，泡上一杯清淡的茶，一边品尝酱瓜什么的，一边谈天说地。有机会大家也可以去品尝一下。

〔出张厅，边走边讲〕各位游客，自从周庄的旅游事业发展以后，小商店日益增多，特别是旅游工艺品店，在这些商店里，有刺绣、雕刻、编织、字画、旅游食品等，繁荣了周庄的旅游市场，大家等会儿可以选购一些留作纪念。

(走到沈厅〕这里就是沈厅，为江南民居之最。沈厅是“七进五门楼”，它的七进可以分成三个部分，第一进是第一部分，是迎接客人的地方;第二、三、四进是沈厅的第二部分，是接待宾客的地方;第五、六、七进是第三部分，是沈家生活起居的地方。总之，这三部分可以用四个字来归纳：“前厅后堂”。好，下面我们进去看看沈厅。

这就是沈厅的第一进“水墙门”，以前水乡的主要交通工具都是船，所以这里是沈家的船码头，也是沈厅主人接送宾客的地方。

我们现在走进的沈厅的第二进“墙门楼”，又称旱墙门。是沈家办理婚丧大事、张灯结彩的地方，过路的人一看，不必进去，就知道今天沈家又有什么大事了。这里有一块沈厅的简介石碑，请大家先看一看吧!石碑旁有一段文字介绍，沈厅又名敬业堂。1995年，被列为江苏省文物保护单位。

这里就是沈厅的第三进了，叫茶厅。是船夫和轿夫喝茶的地方。因为在那时，船夫和轿夫是不能跟主人一块儿到里边去的。所以啊，这里的家具都很简陋。

我们已经来到了沈厅的第四进也就是沈厅的正厅松茂堂了。我们看这块匾上的“松茂堂”这三个字，是清末状元张謇写的。这里是沈家主人招待贵宾的地方，所以这里的家具很讲究。沈厅一共有三帮建筑风格，在这里我们都能看见。请大家抬头看，屋梁上精美的雕刻有凤凰、仙鹤等。特别是这个图案，你们一定会说这是龙吧，嘿，这回你们可错了!龙，那时候就是天子的象征，沈厅是民居，所以就只能把它称作为“蟒”。这种雕刻属于“苏帮”艺术。这一进的屋顶有两层，我们现在看到的是下面一层，上面还有一个屋顶，这样的结构，可以起到防寒避暑的作用。我们再来看这个砖雕门楼，这是五个门楼中最宏伟的一个。上面的砖雕有《红楼梦》、《西厢记》中的情景。可惜的是在文化大ge命中这些精美的砖雕都被破坏了，专家说已经很难修复，这些砖雕属于“徽帮”艺术。还有一帮是“绍帮”，那屋顶两旁的封火墙就是。松茂堂里边是沈家生活起居的地方，照以前的规矩我们是不能随便进去的。今天我们就破一次例，进去参观一下吧!沈厅是前厅后堂的建筑格局，我们已经来到了后堂，这里是大堂楼，现在是陈列室。请大家随便参观。这就是沈厅的第六进，小堂楼。这尊塑像就是沈万三。沈万三是元末明初人，是一个富有传奇色彩的人物，号称江南第一大富豪。关于沈万三的富有，民间流传着很多说法。有人说：“沈万三有一只聚宝盆，金银财宝取之不尽，用之不竭。”也有人说：“沈万三左脚是金，右脚是银，凡是他走过的地方，都能挖到银子。”还有人说;“沈万三有点石成金的特殊本领。”

这些呀，只不过是传说罢了。据专家考证：沈万三的富有有三个原因。一是靠躬耕起家的，院子里的这头牛就表明他是靠种田发财的。二是沈万三继承了人家的财产。第三也是最主要的一点，沈万三靠镇北边的那一条急水江和外国人做生意。他把江南一带的刺绣、丝绸卖给外国人，赚了大钱。用我们现在的话说就是做外贸。沈万三的富有不仅在我们江南一带数一数二的，而且在全国也很有名气。那时候朱元璋刚做上皇帝。由于连年打仗，没有多少钱，但是他又想在南京修城墙，怎么办呢?有一个大臣提议：“让富豪来承担这笔巨款。”于是，沈万三分到了建三分之一城墙的任务。当时沈万三想借这个机会来讨好朱元璋，便很爽快地拿出了许多钱。不久城墙修好了，而且修得很漂亮，沈万三心里很高兴，于是他想缟劳一下修城墙的士兵。谁知这件事情被朱元璋知道了，朱元璋本来就很眼红沈万三，这么一来他就找到借口了。朱元璋把沈万三抓了起来，说：“你要和我比富，还想收买军心，要夺我江山，这怎么了得。”于是就要把沈万三判死罪。多亏了那些文武百官出面求情，沈万三才免了一死，被发配到云南充军。沈万三的家人，杀头的杀头，坐牢的坐牢，家破人亡。他的家产也全部充公了。只有一个小孙子逃了出来，沈家才留下了一条根。我们现在看到的沈厅就是沈万三的后代沈本仁在乾隆七年时建造的。这塑像两旁的对联，上联是：甲万户起南浔周庄江南聚宝;下联是：称三秀居东宅客金陵浜东藏银。概括了沈万三的一生。

这后边是沈家吃饭的地方。我们进去看看。

这里，就是沈厅的最后一进，第七进。是沈家吃饭的地方。桌子上摆的都是一些家常小菜，这中间的主菜是沈家特有的，叫万三蹄，它还是我们周庄的特产呢!现在商店里可以买到，大家可以买一只回去合家品尝品尝。人们都说：“万三蹄肥而不腻，酥而不烂”，真是席上珍品。隔壁是沈家的厨房。看，这个东西曾在《正大综艺》节目中登过场。大家也来猜猜，它是派什么用场的呢!不知道吧!这是挤甘蔗汁用的。这里还有许多以前用的器具。大家可以随意看看。

接下来请到楼上去看看。这里陈列有老爷房和小姐房。我们来看这只床，它叫千功床，它分三进有三个门帘。有许多精美的雕刻，让人看上去很复杂，可是整只床没有用一根钉子。到夏天时，天气炎热，可以把那些雕花板拆下来，里面就通风了。到了冬天，再可以装上去。那为什么叫它千功床呢?有二种说法：一说上面，许多栩栩如生的人物，是唐代李世民手下的开国功臣，为了缅怀那些大臣，就把他们刻在床上，所以称千功床。二说上面的精美图案，花了整整三年的时间才刻成，功夫太深，故称为千功床。其他的陈列物品，请大家随意看看。

这是沈厅的走马楼，所谓走马楼，就是楼道，绕着沈厅兜一圈。大家看，这儿有一块木板。我们从这里望下去，是我们刚才走过的松茂堂。平时，木板都是关着的。封建社会，女的是不能随便见客人的，所以就设计这么一个可以开、关的窗，逢到有客人来，女的就可以掀开一条缝偷偷地看了。古代小姐就是在这里看自己的未来丈夫的。好，请大家跟我走。这里呢，就是沈家逢年过节请戏班子唱戏的地方，这两边可以坐人。如果好好装饰一下的话，那可真是一个很不错的小舞台。到了此处，沈厅我们已参观完了。那么，沈厅的价值究竟在哪里呢?对!沈厅的价值就在于它不是官宅，而是民居。民居能有这么大的规模，而且保存了二百多年，这在江南一带是极罕见的。〔出沈厅，到富安桥〕大家请看，展现在我们眼前的这座桥叫富安桥。它始建于公元1355年，明成化十四年(1478年)、嘉靖年间(1522～1566年)两次重修，为单孔拱桥。桥长17.4米，宽3.8米，跨度6.6米。清咸丰五年(1855年)重修，桥面改成花岗石，东西有级梯，中间为平面，刻有浮雕图案，桥身四角有桥楼，临波拔起，遥遥相对。据说沈万三的弟弟沈万四，因不愿重蹈其哥哥与朱元璋作对最终被发配充军的覆辙，主动捐钱为乡里做好事，曾捐钱修建过富安桥。富安桥的名字，就是表达了他富了以后祈求安康的心愿。

〔边走边导游〕各位游客，这儿还有穿竹石栏，很有特色，所以许多电影导演也都喜欢在这里拍镜头，像电视剧《柳亚子》、《江南巨富沈万三》等，一些片断都是在这儿拍的。

看，这条市河以前是我们周庄的菜市场。水乡人家，买菜也是在水上进行的。每天早晨，河道上挤满了小船，船上装着鲜鱼、蔬菜等。小贩们一边摇船，一边叫卖，两岸的居民听到以后，纷纷到河埠上来买菜，有些住在楼上的人，懒得下来，就直接从楼上放下一只篮子，篮子里面放着钱，小贩只要把菜放到篮子里，这样一笔生意就成交了。

〔叶楚伧故居门前〕这里面是国民党元老叶楚伧的故居。叶楚伧小名小凤，是著名的南社诗人，曾经担任过国民党江苏省政府秘书长，我们周庄有一段时间曾被改名为楚伧镇!

叶楚伧出生贫寒，长大后虽然做了“大官”，可仍然处处注意节约。一次他到老朋友沈仲眉家去，沈仲眉问他吃什么?他只点了一只糟烧螺蛳头肉，螺蛳在水乡是极便宜的，这也是他童年时代家里最好的菜了，他认为这菜有乡土风味，且价廉物美。吃完饭，沈家的女佣王妈给他绞上一把毛巾，他连忙说：“不敢当，不敢当!您老人家替我绞毛巾，真是过意不去，应该让我们年轻人给您绞毛巾才对。”王妈很受感动，她说：“这个‘叶老爷’虽然官做得大，却没有一点官架子，真是少有的好人。”叶楚伧的作品很多，有《楚伧诗存》、《世微堂文集》等。1946年叶楚伧在上海病逝。故居陈列了叶楚伧的生平家世、著作和有关他的照片、回忆文章。请大家进去参观一下。

〔全福讲寺〕各位游客，这里是全福讲寺，矗立在南湖园中，殿宇轩昂，飞檐高翘，欢迎四方游人。相传宋元佑元年(1086年)，周边功郎舍宅为寺，在白蚬湖畔建全福寺。历代不断扩建，梵宫重叠，楼阁峥嵘，碧水环绕，香火鼎盛，成为江南一带以经忏为主的名寺。寺内有一口巨钟，重三千斤，悬于大雄宝殿左侧。每当破晓时分，寺内有和尚撞钟，钟声宏亮，传到数十里外。人们把它当作报晓的鸡啼，闻声纷纷起床，下田耕作。久而久之，“全福晓钟”成为周庄人景中的重要一景。

昔日的全福讲寺共有五进，主体建筑大雄宝殿，殿宇雄伟轩敞。高达三丈徐的如来大佛巍然盘漆而坐，宽阔的巨佛手掌心中足可卧伏一人，这样高大的佛身，在江南一带的各大寺院中绝无仅有。据《周庄镇志》记载，如来大佛本苏州虎丘海涌峰云岩寺世尊像，清顺治五年(1648年)，都督杨承祖兵驻白蚬湖边，迎于寺内，如来大佛的左右，仁立着文殊、普贤佛像，同样十分高大。两侧的十八罗汉神态各异，栩栩如生。清初，书法家李仙根寻访全福讲寺，见寺院与湖光水色交相辉映，相得益彰，挥毫写“水中佛国”四个大字，制成匾额悬于山门之上，给全福讲寺增添了光彩。

全福讲寺九百年来香火鼎盛，成为周庄繁荣发展的一个象征。然而，这座堪与杭州灵隐寺媲美的寺院，却在50年代初期被迫改作粮库，寺内所有的佛像、经卷和珍藏不知去向，历史悠久的古寺毁于一旦，这不能不说是周庄的一大损失。

90年代后，周庄镇建造南湖园。作为主体工程的全福讲寺，也于1995年3月18日破土动工。经过三百个日夜的紧张施工，移址在南湖的全福讲寺，以崭新的面貌呈现在人们面前。新建的全福讲寺，主要建筑包括山门、指归阁、大雄宝殿和藏经楼等。

山门耸峙在南湖岸边，门前湖光潋滟，水埠码头平卧碧波，游人和香客可以乘船进南湖沿石阶登岸，别有情趣。进入山门，只见一座五孔石拱桥飞跨在荷花池上，桥上石栏相扶。驻足桥上，可以欣赏荷池中的红嶂翠盖，也可以回眸南湖，尽情地观看旖旎的湖景。

过拱桥，前面就是重檐复宇、气势庄严的指归阁。在此登楼，居高临下，远近的景色尽收眼底。南湖中养鱼的网箱簖栏，以铅灰色的线条，分割着万顷波光。寺院内的亭台楼阁，错落有致，钟楼、鼓楼矗立两侧，互为映衬，使寺院愈加气象雄伟。

第三进，即是主体建筑大雄宝殿。飞檐翘角，雄伟而不失精美。“佛光普照”四个大字在高达18米的屋脊间熠熠闪光。镶嵌于两边的梅、兰、竹、菊砖雕构图别致，精细秀逸。缓步进人殿堂，只见大殿中央供着佛祖释迦牟尼的铜坐像，高5米重3吨。释迦牟尼两侧，是骑跨在雄狮上的文殊和骑跨在大象上的普贤。殿后塑有飘海观音像，屹立在鳌鱼之背，衣袂飘动。大殿两旁的十八尊罗汉像，也各具神态，栩栩如生。整座大雄宝殿，神光闪耀，祥云缭绕，置身其间，足以感受到佛教文化氛围。

经台由婉蜒曲折的花廊环抱，经台中央矗立着三层宝殿，终日香烟缭绕。四周的荷花座石雕栏杆上，镌刻着吉祥云纹。经台下的池水与曲径花廊下的流水相连，有锦鳞嬉游，富有诗情画意。

大雄宝殿后，是三层高的藏经楼。殿堂宽敞，装饰精美。楼内荟萃诸多佛教文化的精品。藏经楼两侧是大斋堂和方丈室，遥相呼应。

周庄修复全福讲寺，借水布景，巧夺天工，融佛教文化、建筑艺术和园林景色于一体，既为佛教文化爱好者和宗教信仰者提供了一个理想的场所，也为旅游者提供了一个流连忘返的好去处。

〔出全福讲寺〕大家看对面的那座小茶楼就是三毛茶楼，它是为了纪念中国台湾女作家三毛而建的。三毛在烟雨朦胧之中来到了我们周庄，她看到周庄小桥、流水、人家的迷人风光，不禁感慨地说道：“啊!这不正是我魂牵梦绕的故土吗?”三毛激动地流下了眼泪。三毛回到中国台湾后还经常来信，说还要尝尝周庄的大闸蟹，很可惜她再也没能实现这个愿望。周庄人民为了纪念她，将这座古宅改称三毛茶楼。茶楼中除了陈列了三毛的照片、手迹、书信外，还陈列了中外大批文人学者游访周庄的照片。

〔边走边导游〕前面就是迷楼了。大家看，这儿有一座古桥，它叫“贞丰桥”。“贞丰桥”这个名字，不用我说大家也都知道，它是因为周庄的原名而起的。桥边的那座小楼就是有名的“迷楼”。迷楼以前是一家小酒楼，叫“德记”酒楼。它怎么会出名呢?原来清朝末年，有一些进步的文化青年成立了一个团体，叫《南社》。那时南社成员柳亚子、陈去病、王大觉等人都喜欢在这酒楼里喝酒吟诗，他们还以酒楼为题，写下了许多著名诗篇。后这些诗篇被编成了《迷楼集》，随即迷楼的名气也就传开了。

那“迷楼”为什么被称为“迷楼”呢?原来南社成员们在酒楼上饮酒作诗，他们觉得小酒楼的一切都非常迷人，菜很迷人，酒很迷人，周围的环境也很迷人。因此，他们就风趣地把酒楼称为“迷楼”。他们把酒楼叫作“迷楼”还有一个用意，就是转移反动派的视线。

好，我们就到迷楼里面去看看。迷楼为临河修筑的两层小楼。楼内陈列着南社成员的照片、手迹、著作和书画作品，以及当代书法家书写的《迷楼集》中的诗句。二楼的东侧，是一组人物蜡像，展现的正是“小楼暂饮夜传杯”的情景，可谓如闻其声，如见其人。迷楼向游客开放以后，接待了许多南社成员的后裔，他们热情地向迷楼提供图片资料和实物，还积极参加南社研究，小小的迷楼，引起国内外诸多人士的注目。

〔继续向前走〕这里是澄虚道院，又称“圣堂”，创建于宋元佑年间(1086～1096年)，距今已有九百余年历史。明代中叶以后，道院规模日趋宏大。嘉靖年间，当地人玉壁捐资增建了仪门。清康熙二十五年，道士胡天羽化缘募捐建玉皇阁。五年后，又在阁西建造了文昌阁，清乾隆十六年，道士蒋南记在山门外建造圣帝阁，楼阁面临普庆桥，形成了前后三进的建筑群，气宇轩昂，占地1500平方米，成为吴中著名的道院之一。澄虚道院不但保存着丰富的宗教文化遗产，而且具有优越的地理位置和水乡风光，也使道院的游人香客流连忘返。

各位游客，我的导游到此结束了。如果有时间，各位可以在古镇里随便走走看看。在这临别之际，让我再一次感谢大家的光临。同时，还请您把周庄的祝福带给您的家人和朋友。祝大家在周庄旅游愉快，吉祥如意!

八仙山位于台中县和平乡，四周群山环抱，林木苍翠，昔日为中国台湾三大林场之一。

八仙山在中央山脉自成一系，登临可眺望玉山、能高山与奇莱山等连绵不绝的山峦。其山麓上之佳保台(海拔约900公尺)是盛名一时的中国台湾八景之一。

区内林木苍翠，四周层峰迭嶂，溪流环泻，巨桧老松，蓊郁浑朴，风光绮丽。山中有小孤原、翻身泷、岩松山、合流溪、佳保溪谷、斜头角、菊地台等佳景，四季如春，老树危岩，岳灵木秀，竹影婆娑，颇有仙山之意境。溪谷中流水潺潺、清凉透彻，坐在溪石上戏水，非常的清凉消暑。这里的鸟类也很多，是赏鸟的好去处。

明治四十四年(1911)，日本部队长宇一郎发现八仙山，因标高近八千日尺，谐音"八仙"，因而命名为"八仙山"，两年后，总督府调查八仙山森林资源，认为极具开发价值，而规划开发，从此展开了八仙山伐林的时代。

八仙山代木之初，仅使用人工操作及木马道运材，再经由大甲溪流放至土牛贮木池，由于耗时费力，效率不彰，后来建筑伏地索道及轻便轨道来运送木材。昭和二年(1927)时，林场又收购了土牛至丰原的轻便铁路，衔接山地的运材铁路，规模更为宏大。这一年，八仙山入选为中国台湾八景。八仙山、阿里山、太平山并称中国台湾三大林场。

大连老虎滩海洋公园坐落在国家级风景名胜区――大连南部海滨的中部。其占地面积118万平方米，有着4000余米的曲折海岸线，是中国最大的一座海滨游乐场。园内蓝天碧海、青山奇石、山水融融，构成了绮丽的海滨风光。是展示海洋文化，突出滨城特色，集海洋动物、海洋生物展示，海洋动物表演，海洋游乐，海洋科普教育为一体的现代化海洋主题公园。

园区自然风光秀丽，山海互映，景色迷人。公园有5个基本场馆：极地海洋动物馆、海兽馆、珊瑚馆、欢乐剧场、鸟语林，以及四维影院、海盗村、空中观海索道、激流勇进冲浪、海上观光游艇、海盗船、碰碰车、实弹射击等娱乐项目。

极地海洋动物馆分为两个场馆：极地馆和海兽馆。

赤嵌楼导游词范文3篇

赤崁楼位于台南市中区赤崁街与民族路交叉口上的赤崁楼，原为荷兰人所建。下面是第一范文网为大家带来的赤嵌楼导游词范文，希望可以让大家喜欢。

篇一：赤嵌楼导游词范文

欢迎大家来到这里，下面我来为大家介绍一下!

赤嵌楼位于民族路、赤嵌街交叉口，列属一级古迹。明永历7年(1653年)，荷兰人于此兴建普罗民遮城，郑成功驱逐荷兰人，以此为承天府署。入清后，经多次修缮，始成今貌。

回溯赤嵌楼的历史，荷人所建的普罗民遮城，目前仅剩城堡大门和文昌阁旁的砲座遗迹可供凭吊。清朝重建，包含文昌阁、海神庙、五子祠、蓬壶书院、大士殿五栋建物。

现今的赤嵌楼周长为45丈3尺，高3丈6尺，共分三层，雕栏凌空，轩豁四达;内部则陈列文史资料及相关文物，除了历年修护情况及建物变迁相关图文外，原为蓬壶书院一部分的文昌阁，还奉祀着一尊魁星爷，据说这尊原供书院师生参拜以求金榜题名的魁星爷极为灵验，每届考季，神案上便排满了各色准考证、学生证，祈求神灵护佑!

篇二：赤嵌楼导游词范文

赤楼原为荷兰人所建。早期的汉人称荷兰人为红毛，所以也把赤?楼叫做“红毛楼”，或称“番仔楼”;目前赤?楼列为国家一级古迹，也是台南代表性的名胜。荷兰殖民时期，荷兰人在赤嵌地方建了一座具有防卫功能的普罗民遮城(赤嵌楼)。到了郑成功登台赶走荷兰人，进驻普罗民遮城，设置承天府于赤嵌楼。后因郑成功迁移至安平热兰遮城(安平古堡)，普罗民遮城被当成放置军火库使用，一直到清朝将中国台湾纳入版图为止。 清朝时民众在普罗民遮城旁建筑了一座大士殿，荷式城堡旁首次出现中国清式楼格建筑。后来日军侵占中国台湾，将赤嵌楼改为陆军卫戍医院。到了1935年赤嵌楼被指定为重要史迹。

光复后，几经整修，将原有的木造结构改为钢筋混凝土，将主要入口由西改为南向，1982年被列为一级古迹。 赤?楼的历史 自荷据时代、郑氏治台时期，至清朝康熙年间，由于天灾战乱，赤?楼除城垣外，皆倾颓殆;到了光绪5年，中国式传统亭台楼阁在原有基座上慢慢取代了原有的荷式城堡建筑，大士殿、蓬壶书院、五子祠、海神庙、文昌阁都在此时出现。 之后再经风灾毁坏、日本人重新修建，赤?楼改为陆军卫戍医院，到了1935年赤嵌楼被指定为重要史迹;光复后，几经整修，将原有的木造结构，改为钢筋混泥土，将主要入口由西改为南向; 后来，在民国54年、81年的重修，在旧址地基上修建文昌阁、海神关及蓬?书院，加上台南市历史博物馆，遂成今日的规模。

赤楼的建筑特色 今日的赤?楼已完全看不出当年荷兰人所建的“普罗民遮城”的模样，文昌阁与海神庙两座红瓦飞檐的中国传统建筑是赤?楼的标记，海神庙位于南面，文昌阁位于北面，二者屋顶均是重檐歇山的表现，重檐之间实即为二楼部分，绕以绿釉花瓶栏杆;文昌阁前的石马后方有一个门洞，就是当年普罗民遮城的大门; 目前赤?楼分三层，楼上以砖石砌成，有曲折的通道;楼上飞檐雕栏，赤?城楼下有九只大石龟各负丈余的石碑，是乾隆亲撰旌表平定林爽文之乱的御碑。此外还有别处迁来的断足石马、郑公墓道碑等古物，颇为特别。

另外，赤?楼还拥有广阔的庭园，除了可供游人散步以外，庭园中也摆设了多项历史文物，其中最引人注目的就是一字排开的御龟碑，驮着碑的其实并非龟，而是龙九个儿子之一，名为“”，传说中善?重物，因此常被用来做为碑的底座。 开放时间： 白天：08：30~17：30 夜间：17：30~21：00 门票费用： 全票50、半票25 台南市市民凭身分证免费 团体票30人以上8折 台南市中区民族路212号 公交车：搭乘台南市公交车5、88、99路，于赤?楼下。 自行开车： 台南(仁德)交流道下，循182道县往台南市区经东门圆环取北门路再左转民族路直抵，全程约6.5公里。

篇三：赤嵌楼导游词范文

赤嵌楼位于台南市民族路和赤嵌街的交叉口，也是中国台湾南部代表性的名胜。由荷兰人兴建，原名称为普罗民遮城。中国台湾人都称它为“红毛楼”或“番子楼”。郑成功驱逐荷兰人后，就改建为承天府署，并充作火药军库。后经多次修缮，并将台南市历史博物馆迁入，就成今日的规模。文昌阁奉祀着一尊魁星爷，据说这尊供书院师生参拜以求金榜题名的魁星爷极为灵验，至今香火不掇。

文昌阁下面的断足石马，取自林爽文事变中阵亡的清廷武官郑其仁的墓前。沿着阶梯上楼，右为赤嵌楼，左为文昌阁，其间有座半圆形石砌井，为荷兰人建城时所凿，故称为“红毛井”。相传此古井下有一条隧道可通平安古堡，郑成功攻占台南市时，荷兰人即由此隧道逃走。惟两地相距达6公里，此说尚待考证。

赤嵌楼内展示有郑成功的塑像、画像、海战摧敌图和刘永福治军中国台湾图案等。并有古代船只雕刻模型。文昌阁内则展示现阶段中国台湾军事武力图和中国台湾十大建设模型等，阁外旁侧尚有1座郑成功受降图纪念碑，以及1张中国台湾古地图。除了古迹览胜之外，“赤嵌夕照”也是中国台湾八景之一，每当傍晚时分，红霞余辉映赤嵌，景色壮丽非凡，让人为之惊赞。

游客朋友们，大家好！我是你们的导游——吴司。我将带大家去游览美丽的长江三峡，请跟我来吧！

朋友们，这里是巫峡。巫峡航道曲折幽深，云作衫，雨作裙，轻纱飘忽，把那秀美的山峦掩映在朦胧的幻影中，引动着人们浮想联翩。峡中两岸青山连绵，群峰如屏，江流曲折，幽深秀丽，宛如一条天然画廊。峡两岸为巫山十二峰，在十二峰中以神女峰最为俏丽，也最有名。传说，瑶池宫里住着西王母第二十三个女儿，名叫瑶姬，她聪慧美丽，心地善良，活泼开朗，耐不住宫中寂寞的生活。八月十五这一天，她邀请了十一姐妹，腾云驾雾，遨游四周。当她们来到巫山时，被这里的美景迷住了，十二仙女早就厌倦了宫中寂寞的生活。久而久之，她们便化成十二座奇秀绝美的山峰，耸立在巫峡两岸。这就是神女峰的传说。游客朋友们，我们将游览下一个景点—西陵峡。

朋友们，这里就是西陵峡，它得名于三峡明珠——宜昌市南津关口的西陵山。它是三峡中最长的一个峡。它全长一百余公里。峡谷内，滩多流急，以“险”出名，以“奇”著称，“奇”、“险”化为西陵峡的壮美。整个峡区都是高山、峡谷、险滩、暗礁。峡中有峡，滩中有滩。大家玩得很开心吧！我们将游览最后一个景点——瞿塘峡。

瞿塘峡全长8公里，西起奉节县的白帝城，东至巫山县的大溪镇，景色最为雄伟险峻。奔腾咆哮的长江，一进峡谷便遇上气势赫赫的夔门。游客朋友们注意哟，这夔门两岸的山峰陡峭如壁，两岸最高峰可达1000—1500米，摔下去就没命了哟！这里峡深水急的江流，绵延不断的山峦，构成了一幅极为壮丽的画卷。正如郭沫若《过瞿塘峡》一诗所说：“若言风景异，三峡此为魁”。

这次游览长江三峡到此结束了，游客朋友们，你们一定被这美丽的长江三峡迷住了吧！如果有机会，再让我们一起细细游赏一番吧！拜拜！

避暑山庄导游词英文

承德避暑山庄又名“承德离宫”或“热河行宫”，位于河北省承德市中心北部，武烈河西岸一带狭长的谷地上，是清代皇帝夏天避暑和处理政务的场所。

避暑山庄导游词英文一

The Mountain Summer Resort

Topic: define the Mountain Summer Resort as “garden bright pearl, science open-air museum”.

Part one: how this garden is special.

*Question:(Outside the resort, to sitimulate the tourist’s interests)

Our garden experts said that, the Summer Vacation Mountain Village is the miniature of our beautiful motherland. Why can the experts say like this?

*Introduction:

Chengde Summer Resort is in the northern part of Chengde city, Heibei province. Chengde Imperial Palace also known as the Rehe Place, where Qing emperors spent their summer days and work in, so it was not an imperial summer palace in its usual meaning, but became a important centre next to Beijing.

*Knowledge about the layout:

There are two parts of the resort——the palaces and a scenic area.

The palaces were for emperors to handled political affairs and lived in. The scenic area includes lakes, hills and grassland. There are eight artificial lakes. Emperor kangXi commented the resort as “having the mountains as the bone and water as the heart ”. Emperor QianLong’s remark, “Though it is named as mountain resort, its beauty is in water” highlighted the feature of the resort. Because KangXi and QianLong have toured in south China many times and appreciated a lot of beauties there, so that beauties were like been moved by the emperors into the resort. So this garden has the north and south style in a body.

*Answer of the question:

The natural mountains and rivers built it was copied the landscape from southern Jiangsu and outside Shanhaiguan, there has forests, lakes, grassland and mountains; almost include all kinds of the landscapes of China.

Outside the palaces is the eight outer temples, this temples surrounding the palaces like the star surrounding the Moon, symbolized the national various nationalities closely around the Qing Dynasty’s rule center.

Part two: Great values of the resort.

In our country history:

The Mountain Summer Resort has witnessed the Qing Dynasty’s consolidation and development. Said from its rich history connotation, it is really a national and religious history museum.

*Question:Why Mountain Summer Resort is considered as “intangible Great Wall”?

When the Qing government made Beijing its capital, it paid attention to the relationship with the national minorities in Mongolia, Xinjiang and Tibet, and keep a marriage relation with them. It can be seen like this way: the temples around the Mountain Summer Resort were the outcome of the policy of national solidarity and consolidation of the multi-national country.

We know the Ming Dynasty has built Great Wall, but the policy of building the Mountain Summer Resort is more effectual .

From the cultural value:

In the resort, Han Nationality culture and some national minority cultures, both display respective characteristics and absorb from each other. Now Chengde already towards to the world, the culture is not belongs to china also the universe.

避暑山庄导游词英文二

Our garden experts said that, the Summer Vacation Mountain Village is the miniature of our beautiful motherland. Why can the experts say like this?

*Introduction:

Chengde Summer Resort is in the northern part of Chengde city, Heibei province. Chengde Imperial Palace also known as the Rehe Place, where Qing emperors spent their summer days and work in, so it was not an imperial summer palace in its usual meaning, but became a important centre next to Beijing.

*Knowledge about the layout:

There are two parts of the resort——the palaces and a scenic area.

The palaces were for emperors to handled political affairs and lived in. The scenic area includes lakes, hills and grassland. There are eight artificial lakes. Emperor kangXi commented the resort as “having the mountains as the bone and water as the heart ”. Emperor QianLong’s remark, “Though it is named as mountain resort, its beauty is in water” highlighted the feature of the resort. Because KangXi and QianLong have toured in south China many times and appreciated a lot of beauties there, so that beauties were like been moved by the emperors into the resort. So this garden has the north and south style in a body.

*Answer of the question:

The natural mountains and rivers built it was copied the landscape from southern Jiangsu and outside Shanhaiguan, there has forests, lakes, grassland and mountains; almost include all kinds of the landscapes of China.

Outside the palaces is the eight outer temples, this temples surrounding the palaces like the star surrounding the Moon, symbolized the national various nationalities closely around the Qing Dynasty’s rule center.

Part two: Great values of the resort.

In our country history:

The Mountain Summer Resort has witnessed the Qing Dynasty’s consolidation and development. Said from its rich history connotation, it is really a national and religious history museum.

*Question: Why Mountain Summer Resort is considered as “intangible Great Wall”?

When the Qing government made Beijing its capital, it paid attention to the relationship with the national minorities in Mongolia, Xinjiang and , and keep a marriage relation with them. It can be seen like this way: the temples around the Mountain Summer Resort were the outcome of the policy of national solidarity and consolidation of the multi-national country.

We know the Ming Dynasty has built Great Wall, but the policy of building the Mountain Summer Resort is more effectual .

From the cultural value:

In the resort, Han Nationality culture and some national minority cultures, both display respective characteristics and absorb from each other. Now Chengde already towards to the world, the culture is not belongs to china also the universe.

这里就是乎迢方城的“下东门”。大家看这高达12米的城墙多雄伟、多壮观。在城外，本来还有护城河.城门处架有吊桥.在古代战乱的日子里.这的确是一道难以逾越的防线。

我们进来朗这个地方是下东门瓮城，它是为保卫城门而设立的。城门是城墙上的薄弱环节，有了瓮城.就大大增强了城池的防卫手段。这里地方根小，四周为高墙围护，即便敌人攻入瓮城也只能进来少数人，而且立即陷入包围之中，成为瓮中之鳖。有的瓮城门并不是开在城门对面，而是拐个弯开在旁边.更可防止冲入的敌兵一较作气冲到城门下.通过拐弯来消解敌兵锐气。这些设计思想都是古人在长期实战经验中总结出来的。

大家看.瓮城里还有一个建造讲究而小巧的院落.这是干什么的呢?原来这是一座小关帝庙。关帝是武圣人.把关庙修进瓮城里，却是平迢人的独特创造。请大家随我进城，上城墙参观。

现在我们已经在城上了，这里本来还有城楼.在战争中毁掉了。这座建在城墙上的台，传说就是尹吉甫的点将台。尹吉甫是周宣王的大将，在历史上游藩有名，《律经冲的《较高》、《冠R2等几首诗就是他作的、前面提到的那有名的对北方游牧民族0l犹的北伐，就是由他指挥的。为了巩固北伐的成果，他还在这里修建了京陵城。尹吉甫遗迹这里还有多处。在京陵村附近还有一处村茁叫尹村，传说是尹吉甫当年驻兵酌地方。在上东门外有尹吉甫募，募前一通明代石碑上大书“周卿士ZJ吉甫神道”八字。上东门里还有一座纪念尹吉甫的小庙。

大家好！我是黄楚媛小导游。今天，由我来带你们去那前不见头、后不见尾的八达岭长城。

现在，我们已经到了北京有名的八达岭长城的脚下了。你们看，这条像长龙一样的长城，是从东边的山海关到西头的嘉峪关，有一万三千多里。我们已经来到城墙的垛子上，大家看边上，那两个洞。一个是瞭望口，一个是射击口，供瞭望和射击用。这里很美，大家可以看看风景，也可以拍一点照片。可是，请不要留下你们的墨宝和物品。

我们已经来到了城台，这城台，每隔三百多米就有一座。以前，打仗的时候，屯兵就可以在城台上互相呼应。

今天的万里长城已经游玩完了，大家散了吧！