苏州导游词留园介绍
冠云楼下面北墙上的这块石头叫鱼化石,也是留园“三宝”之一。这块鱼化石呈薄片状,像云母一样层层剥开,上面有二十多条小鱼栩栩如生,头骨、脊椎骨、肋骨清晰可见,令人叹为观止。有关鱼化石最早的记载,要算《山海经》了。当时人们对石头中的鱼形图案无法解释,只好发挥想象力,把它想成是龙鱼、鳖鱼,想成神仙的坐骑。那么,鱼化石是怎么形成的呢?据专家考证,是在一亿四千多万年前的侏罗纪晚期,由于火山喷发,火山灰落在河湖中,将鱼虾掩埋凝结而成的。
在我们的游览结束之前,大家不妨回过头来想一想,留园是不是到处都给我们一种古朴凝重的石文化感觉,那些用湖石、黄石堆叠的假山,营造了留园的山林气氛;那些湖石名峰,增添了留园传统艺术氛围;那些大理石座屏、鱼化石等,充满了清新而朴素的自然气息;那些墙壁上的书条石记录了留园的昔日风采,这些作品林林总总从具体到抽象,无不将中国传统文化的精华表现得淋漓尽致。人们把园林比作“立体山水画”、“无声山水诗”、“综合艺术博物馆”。我想,通过对留园的游览观赏,大家一定会觉得这种评价是很贴切的吧。
风风雨雨四百多年,留园历经沧桑,几度兴废,当时园主所期望的“名园长留天地间”,只有在人民当家作主,国家繁荣富强的今天,方才变成了现实。今天,我们可以自豪地说,留园是苏州人民的骄傲,是中华民族的骄傲,是当之无愧的世界文化遗产。
我的讲解完了,谢谢大家!
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篇1:安徽宏村导游词介绍
黄山,古称黟山,黟县因山而得名。黟县境内的群峰与黄山连为一体,在历史上曾阴碍了古黟与外部交往,造就了黟县“世外桃源”般的生态环境。中国著名古代文学家陶渊明受到这一特定环的启发,写下了不朽名篇《桃花源记》,从而黟县自古享有:“桃花源里人家”的美誉。黟触到内至今仍存有保护完整的古民居3600幢,为皖南之首。宏村、西递、南屏、关麓屏山等古民居建筑村落布局严谨,工艺精湛,蕴藏着极其丰富的文化遗产,是中外游客向往的旅游胜地。
20__年11月30日在澳大利亚凯恩斯召开的第24届世界遗产委员会会议作出决定,将中国的安徽与古村落(宏村、西递)列入世界遗产名录。
在黟山脚下,也就是黟县的西北角,距离屯溪65公里,距黟触到城11公里的地方就是宏村。宏村始建于北宋,距今已近千年历史,原为汪姓聚居之地。古代宏村人独出机杼,开“仿生学”之先河,规划并建造了堪称“中华一绝”的牛形村落和人工水系,统看全村,就像一只昂着奋蹄的大水牛,成为当今“建筑史上一大奇观”。村内鳞次栉比的层楼叠院与旖旎的湖光山色交相辉映,动静相宜,空灵蕴藉,处处是景,步步入画。从村外的自然环到村内的水系、街道、建筑,甚至室内的布置都完整的保存着古村落的原始状态,没有丝毫现代文明的迹象。造型独特并拥有绝妙田园风光的宏村被光荣誉为“中国画里乡村”。
宏村水系是依牛的形象设计的,把清清的引为“牛肠”。“牛肠”从一家一户的门彰缓缓流过,只要一出门就能看到它。宏村有一句老话:“浣汲未妨溪路远,家家门巷有清渠”就是说这“牛肠”。
“牛肠”在流入村中被称为“牛胃”的月塘后,经过过滤,复又绕屋穿户,流向村外被称作是“牛肚”的南湖。再次过滤河床。如此水系;堪称是中国古代村落建筑艺术之一绝,它吸引了日本、美国、西德等国内外一流专家接连不断的来精心者查。宏村非常美丽,它是世界遗产,不仅因为享有“世外桃园”之美誉,更重要的是它连结着众人的智慧和心血。
篇2:介绍河北普宁寺的导游词
普宁寺系承德外八庙之一,是国务院确定的汉族地区佛教全国重点寺院。这里群山环抱,形胜优越,气候绝佳,山水兼有北雄南秀之美。清朝政府在这里兴建了皇家园林避暑山庄和外八庙佛教建筑群,在康熙、乾隆、嘉庆年间成为仅次於北京的全国第二个政治中心,它融汇了我国多民族的历史、文化、艺术和建筑,使承德成为一座以园林和寺庙著称的著名历史文化名城。外八庙修建於清康熙五十二年至乾隆四十五年(l7l3-l780年),由溥仁寺、溥善寺、普乐寺、安远庙、普宁寺、普佑寺、须弥福寿之庙、普陀宗乘之庙、殊像寺、广安寺和罗汉堂等11座寺庙组成,这11座寺庙分外八处受北京雍和宫管辖,得名“外八庙”。其中以普宁寺最为完整、壮观。
普宁寺建於清乾隆二十至二十四年(1755-1759年),占地面积33000平方米,是外八庙中较大的寺庙建筑群。当时清政府平定了厄鲁特蒙古准噶尔部达瓦齐的叛乱,在避暑山庄为厄鲁特四部上层贵族封爵,因他们信奉藏传佛教,故仿西藏三摩耶(又称桑耶寺)建制修建了普宁寺。淆政府希望边疆人民“安其居,乐其业,永永普宁”,取名“普宁寺”。
普宁寺建筑风格独特,它吸收并融合了汉地佛教寺院和藏传佛教寺院的建筑格局,南半部为汉地寺庙的“七堂伽蓝”式布局:中轴线上依次分布着山门、天王殿、大雄宝殿等殿堂;两侧为钟鼓楼和东西配殿,南北长150米,宽70米。北半部为藏式寺庙建筑:以大乘阁为中心,周围环列着许多藏式碉房建筑物——红台、白台以及四座白色喇嘛塔。
清朝末年,普宁寺随着清政府的衰落而衰败。北洋军阀统治时期,军阀盗走大量珍贵文物和佛像。抗日战争时期,日军从外八庙盗走大小金、银、铜佛143尊,殿内用品120件,匾额四块,丹珠尔经、甘珠尔经等13部,其中有的经籍用金字书写,珍珠装饰。1948年承德解放,人民政府成立了外八庙管理处,对断壁残垣、满目疮痍的普宁寺进行维修和保护,对濒临倒塌的大乘阁等建筑进行落架修复,使之得以完好地保存下来。1961年普宁寺被列为全国重点文物保护单位。1985年进驻喇嘛,作为宗教活动场所开放。
普宁寺正门,面阔五间,当中三间石刻拱门,象徵“三解脱门”(空门、无相门、无作门)。殿内供奉的两位天神即“哼哈二将”,是1986年修复时新塑的,高4.34米,木骨泥塑。手持金刚杵,裸露上身,衣缠腰际,瞠目作威猛状。左为密持金刚,右为那罗延金刚。碑亭为平面三间方型,重檐歇山顶,下檐单翘单昂,上檐单翘重昂,黄琉璃瓦绿剪边覆顶。亭内有三座碑,中间是《御制普宁寺碑文》,记载了兴建普宁寺原委和布局;左右为《御制平定准噶尔勒铭伊犁之碑》、《御制平定准噶尔后勒铭伊犁之碑》,记述清政府平定准噶尔部贵族达瓦齐.阿睦尔撒纳的叛乱,巩固西北边防的史实。这三座碑均为乾隆御笔,用满、汉、蒙、藏四种文书写成。钟楼平阔三间,两层楼阁,单檐歇山顶。内悬清朝雍正年间铜钟一尊,高2米,口径1.26米。每日清晨,喇嘛叩击108响,僧人开始上殿念经。佛教称这108声钟声可去108种烦恼,“闻钟声,烦恼清,智慧长,菩提生”。
大殿为重檐歇山顶,覆绿剪边黄琉璃瓦,正脊中央置一藏传佛教寺院建筑特有装饰铜质鎏金宝塔。屋脊、前后垂脊、岔脊头共有十个鸱吻,在建筑上可保护脊垄稳固、不渗水。檐角上各有七个栩栩如生的飞禽走兽像,它们各有其寓意。第一个是龙,能兴风作雨,是帝王象徵。第二个为凤,鸟中之王,指有圣德之人。第三个是狮子,为镇山之王,勇猛威严。第四个是天马,象徵皇帝威德畅达四方。第五个是海马,喻意皇帝威德可通天八海。第六个是狻猊,是一种能食虎豹的猛兽。第七个叫押鱼,为海中异兽,能灭火防灾。大殿正中供奉三世佛,中间是现世佛释迦牟尼,左边是前世佛燃灯,右边是未来佛弥勒,木雕金漆,金光闪烁,仪态庄严。两侧山墙石坛上排列十八罗汉像。北墙绘有八尊度母和胜乐十六天女图,栩栩如生,传神入画。屋顶绘有六字真言。
普宁寺后半部的藏式寺院建筑是模仿桑耶寺风格,通过建筑总体布局和个体造型来反映藏传佛教的世界观,把密宗的曼荼罗等清净佛国理想境界用具体建筑形象表现出来,使整个建筑具有象徵作用。“曼荼罗”的梵语,义为“轮集”,或译作“;轮坛”、“坛城”,是密宗僧侣修行时构筑的法坛,后演变为“圆轮俱足、诸佛集会”的圣坛。普宁寺的后半部就是根据佛经对宇宙的描述设计的。大乘之阁巍然屹立中间,代表须弥山,象徵世界中心,阁之东西则建有日殿和月殿,表示日月环绕宇宙世界运行,阁的四面有四座重层殿宇代表四大部洲:东胜神洲殿象徵风,起着长养万物的作用,形如半月,故建筑月牙形台殿;南瞻部殿象徵火,形为三角,起着促进万物成熟的作用,建成梯形台殿;西牛贺洲殿象徵水,摄受万物,建成椭圆形台殿;北俱卢洲象徵地,保护万物,建成正方形台殿。阁之四隅有四座宝塔,代表佛之“四智”:西北角的白色塔为“大圆境智”,能清楚地反映、认识世界万象;东北角黑色塔为“平等性智”,视世界万物平等无差别;东南角的红色塔为“妙观察智”,表示佛能明察善恶,妙观万法;西南角绿色塔为“成所作智”,表示信佛能成就自利和利他事业。大乘之阁五顶紧密连接,结成一个屋顶组群,四大部洲的台殿和日月殿是把藏式平顶建筑改变比例,作为基座,上建汉式木构建筑,而白台建筑则是藏族形式,这样使汉藏建筑巧妙结合,外形雄伟又具有园林配置,形成汉藏文化相互融合的风格独特的寺庙建筑。
大乘之阁内部分三层,在上下贯通的中部供奉着世界最大的木雕——千手千眼观世音菩萨像。这尊佛像高22.28米,腰围15米,重量达110顿,用松、柏、榆、椴、杉五种木材制成,约需120立方米木材。观音站在莲花座上双手合十,背后又生出40只手来,每只手上有一只眼隋,各持一件法器。造型庄严,慈颜善目,衣纹自然流畅,是宝贵的艺术珍品。
在千手千眼观音两旁是高达l4米的善才和龙女木雕塑像。大乘之阁的二楼供藏五方佛,三楼的迥廊上供奉三世佛和宝塔。阁内的墙壁均用万佛龛装饰,每个佛龛内部都有一尊金漆藏泥无量寿佛,共计一万零九十尊,整个殿堂装饰得金碧辉煌。
大乘之阁东侧还有妙严室,是乾隆皇帝进庙休息之所。西侧有讲经堂,是蒙古佛教首领章嘉国师和哲布尊丹巴呼图克图讲经场所。周围还有八栋共4o间僧房,是上层佛教界人士驻锡之所和喇嘛僧房。据说在乾隆年间,普宁寺有喇嘛二百多人。清末普宁寺开始衰落。
1956年5月,承德市佛教界从内蒙延请30名蒙古族喇嘛进驻普宁寺。他们中有活佛三人,道日本二人,格斯贵二人,翁则达一人,经师一人。其中还有15名年龄在18到21岁的年轻喇嘛,具有初、高中文化水平,兼通蒙语、汉语。现在,普宁寺已有42名喇嘛。喇嘛入寺后,恢复了普宁寺的宗教活动和传统的正月法会、四月法会、六月法会、九月法会和十月法会。
普宁寺喇嘛为了管理好寺庙,成立了“喇嘛教务委员会”和“普宁寺管理处”,制定了《喇嘛岗位责任制度》、《殿堂管理规定》、《门禁制度》等各项规章。为了搞好安全防火工作,普宁寺对殿堂内香火严格管理,供桌上的香炉是躺式泥陶香炉,酥油海灯带有玻璃灯罩,供桌上辅有防火铁板,庙内各院、殿堂部有禁止吸菸广告牌。各殿堂都配备全套消防器材,17名喇嘛组成业馀消防队,经过消防部门培训,能够动作迅速地完成消防任务。自1986年以来,普宁寺每年都要接待六十多万人参观朝拜,中外宾客对普宁寺宏伟的殿堂、整洁的环境和幽美的景色赞不绝囗。这几年,普宁寺被评为承德市“双文明建设先进单位”和卫生、绿化先进单位。河北省承德市佛协理事、普宁寺教务员会格斯贵(铁棒喇嘛)格巴为了方便周围群众治病,办起了“藏医诊所”,用自己采集的草药为群众治病,被群众称为“菩萨神医”。
篇3:北京长城英文导游词_英文导游词_网
The Great Wall, like the Pyramids of Egypt, the Taj Mahal(1) in India and the Hanging Garden of Babylon(2), is one of the great wonders of the world. Starting out in the east on the banks of the Yalu River in Liaoning Province, the Wall stretches westwards for 12,700 kilometers to Jiayuguan in the Gobi desert, thus known as the Ten Thousand Li Wall in China. The Wall climbs up and down, twists and turns along the ridges of the Yanshan and Yinshan Mountain Chains through five provinces-Liaoning, Hebei, Shanxi, Shaanxi, and Gansu--and two autonomous regions--Ningxia and Inner Mongolia, binding the northern China together.
Historical records trace the construction of the origin of the Wall to defensive fortification back to the year 656 B.C. during the reign of King Cheng of the States of Chu. Its construction continued throughout the Warring States period in the fifth Century B.C. when ducal states Yan, Zhao, Wei, and Qin were frequently plundered by the nomadic peoples living north of the Yinshan and Yanshan mountain ranges. Walls, then, were built separately by these ducal states to ward off such harassments. Later in 221 B.C., when Qin conquered the other states and unified China, Emperor Qinshihuang ordered the connection of these individual walls and further extensions to form the basis of the present great wall. As a matter of fact, a separate outer wall was constructed north of the Yinshan range in the Han Dynasty(206 BC--1644 BC.), which went to ruin through years of neglect. In the many intervening centuries, succeeding dynasties rebuilt parts of the Wall. The most extensive reinforcements and renovations were carried out in the Ming Dynasty (1368--1644) when altogether 18 lengthy stretches were reinforced with bricks and rocks. it is mostly the Ming Dynasty Wall that visitors see today. The Great Wall is divided into two sections, the east and west, with Shanxi Province as the dividing line. The west part is a rammed earth construction, about 5.3 meters high on average. In the eastern part, the core of the Wall is rammed earth as well, but the outer shell is reinforced with bricks and rocks. The most imposing and best preserved sections of the Great Wall are at Badaling and Mutianyu, not far from Beijing and both are open to visitors. The Wall of those sections is 7.8 meters high and 6.5 meters wide at its base, narrowing to 5.8 meters on the ramparts, wide enough for five horses to gallop abreast. There are ramparts, embrasures, peep-holes and apertures for archers on the top, besides gutters with gargoyles to drain rain-water off the parapet walk. Two-storied watch-towers are built at approximately 400-meters internals. The top stories of the watch-tower were designed for observing enemy movements, while the first was used for storing grain, fodder, military equipment and gunpowder as well as for quartering garrison soldiers. The highest watch-tower at Badaling standing on a hill-top, is reached only after a steep climb, like "climbing a ladder to heaven". The view from the top is rewarding, hoverer. The Wall follows the contour of mountains that rise one behind the other until they finally fade and merge with distant haze. A signal system formerly existed that served to communicate military information to the dynastic capital. This consisted of beacon towers on the Wall itself and on mountain tops within sight of the Wall. At the approach of enemy troops, smoke signals gave the alarm from the beacon towers in the daytime and bonfire did this at night.
Emergency signals could be relayed to the capital from distant places within a few hour long before the invention of anything like modern communications. There stand 14 major passes (Guan, in Chinese) at places of strategic importance along the Great Wall, the most important being Shanghaiguan and Jiayuguan. Yet the most impressive one is Juyongguan, about 50 kilometers northwest of Beijing. Known as "Tian Xia Di YI Guan" (The First Pass Under Heaven), Shanghaiguan Pass is situated between two sheer cliffs forming a neck connecting north China with the northeast. It had been, therefore, a key junction contested by all strategists and many famous battles were fought here. It was the gate of Shanghaiguan that the Ming general Wu Sangui opened to the Manchu army to suppress the peasant rebellion led by Li Zicheng and so surrendered the whole Ming empire to the Manchus, leading to the foundation of the Qing Dynasty. (1644-1911) Jiayuguan Pass was not so much as the "Strategic pass Under the Heaven" as an important communication center in Chinese history. Cleft between the snow-capped Qilian Mountains and the rolling Mazong Mountains, it was on the ancient Silk Road. Zhang Qian, the first envoy of Emperor Wu Di of the Western Han dynasty (206 B.C-24 A.D), crossed it on his journey to the western regions. Later, silk flowed to the west through this pass too. The gate-tower of Jiayuguan is an attractive building of excellent workmanship. It has an inner city and an outer city, the former square in shape and surrounded by a wall 11.7 meters high and 730 meters in circumference. It has two gates, an eastern one and a western one. On each gate sits a tower facing each other. the four corners of the wall are occupied by four watch towers, one for each. Juyongguan, a gateway to ancient Beijing from Inner Mongolia, was built in a 15-kilometer long ravine flanked by mountains. The cavalrymen of Genghis Khan swept through it in the 13th century. At the center of the pass is a white marble platform named the Cloud terrace, which was called the Crossing-Street Dagoba, since its narrow arch spanned the main street of the pass and on the top of the terrace there used to be three stone dagobas, built in the Yuan Daynasty(1206-1368). At the bottom of the terrace is a half-octagonal arch gateway, interesting for its wealth of detail: it is decorated with splendid images of Buddha and four celestial guardians carved on the walls. The vividness of their expressions is matched by the exquisite workmanship. such grandiose relics works, with several stones pieced together, are rarely seen in ancient Chinese carving. The gate jambs bear a multi-lingual Buddhist sutra, carved some 600 years ago in Sanskrit(3), Tibetan, Mongolian, Uigur(4), Han Chinese and the language of Western Xia. Undoubtedly, they are valuable to the study of Buddhism and ancient languages. As a cultural heritage, the Wall belongs not only to China but to the world. The Venice charter says: "Historical and cultural architecture not only includes the individual architectural works, but also the urban or rural environment that witnessed certain civilizations, significant social developments or historical events." The Great Wall is the largest of such historical and cultural architecture, and that is why it continues to be so attractive to people all over the world. In 1987, the Wall was listed by UNESCO as a world cultural heritage site.
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篇4:乌鲁木齐导游词介绍500字
各位游客:
乌鲁木齐(Urumqi)简称“乌市”,是新疆维吾尔自治区首府,全疆政治、经济、文化、科教、金融和交通中心,是第二座亚欧大陆桥中国西部桥头堡和向西开放的重要门户,地处亚欧大陆中心,天山山脉中段北麓,准噶尔盆地南缘。全市辖七区一县,总面积1.4万平方公里,建成区面积391.2平方公里,20__年末全市常住人口346万人,居住着汉族,维吾尔、哈萨克、回,锡伯等52个民族。
乌鲁木齐是中国大陆现代化高速发展的新兴城市,高度集中的政治地位,宗教地位,资源地位,交通枢纽地位,超广的地域辐射面积,这些都促使乌鲁木齐拥有强大综合实力,成为西部核心城市。乌鲁木齐地处亚欧大陆中心,天山山脉中段北麓,准噶尔盆地南缘。西部和东部与昌吉回族自治州接壤,南部与巴音郭楞蒙古自治州相邻,东南部与吐鲁番地区交界,是欧亚大陆中部重要城市。
乌鲁木齐为准噶尔语,意为“优美的牧场”。
乌鲁木齐东有吐哈油田,南有塔里木油田,北有准东油田,西有克拉玛依油田。地下煤炭储量在百亿吨以上,可采煤层总厚度80米,素有“油海上的煤城”之称。市区有著名的红山、鉴湖、阅微草堂等“八景”,市郊有南山风景区等旅游胜地。
篇5:介绍山西皇城相府的导游词范文
各位小朋友,大朋友,现在我们来到了位于山西省阳城县城东15公里的北留镇皇城村,来这里干嘛呢,大家看看不远处的建筑,是的,那就是皇城相府了。皇城相府是一座建于明清两代的古城堡修筑群,总面积36580平方米,至今已有500多年的历史了。皇城相府还是国家4A级游览区
现在大家下车,跟我一起去探访一下这个历史悠久的古建筑吧。
皇城相府的价值不仅在于它宏伟的建筑,还在于它丰富的历史文化内涵。陈氏家族不仅留下众多的诗文、遗著和传说,而且有作为清朝极盛时期最高统治者康熙皇帝的大量御书、御诗、牌匾、挽诗、一个朝臣宰辅的故地,能遗存这样多的皇帝御笔,历史上是很少见的。皇城相府对于研究明清中国政治、经济、文化、民俗、哲学、建筑等均有重要价值。这也正是它独具魅力的地方。
大家好好干感受一下相府的独特魅力吧。
篇6:北京颐和园英文导游词
大家好!我是欢乐旅行社的实习导游,我姓李,大家可以叫我李导。今天,由我来带领大家游览颐和园。颐和园是清代皇家园林和行宫,是我国重点文物保护单位,已经列入《世界遗产名录》。游览时请大家自觉保持它的清洁。颐和园到了,大家请随我下车。
进了大门,绕过大殿,现在的位置就是著名的长廊。你们看,这绿漆的柱子、红漆的栏杆,是一眼望不到头。这条长廊有七八百多米长,分为二百七十三间。每一间的横槛上都有五彩的画,画着人物、风景、花草,几千幅画没有哪两幅画相同。长廊两旁栽的花木,一种花还没有谢,另一种花就已经开了。 微风从左边的昆明湖上吹来,使人神清气爽,大家感觉到了吗?
走完长廊,我们现在来到的是万寿山脚下。大家抬头看一看,一座八角宝塔形的三层建筑耸立在半山腰上,黄色的琉璃瓦闪闪发光,那就是佛香阁。下面的一排排金碧辉煌的宫殿就是排云殿。
现在,我们在万寿山的佛香阁。大家向下望,颐和园的景色大半收在眼底。看,葱郁的树丛,掩映着黄、绿的琉璃瓦屋顶和朱红的宫墙。前面,昆明湖静得像一面镜子,绿得像一块碧玉。游船、画舫也都从湖面慢慢滑过,几乎不留一点儿痕迹。大家向东远眺,隐隐约约可以望见几座古老的城楼和城里的白塔。
我们现在所在的地点是昆明湖。昆明湖围着长长的堤岸,堤上有几座式样不同的石桥。大家走过石桥,就可以去湖中心的那座小岛上去玩。大家看,我现在用手指着的那座桥有十七个桥洞,所以叫十七孔桥。桥栏杆上有着上百根石柱,柱子上雕刻着小狮子,这些狮子姿态不一,没有哪两只是相同的。好,现在大家可以去小岛上玩儿,两小时后在这儿集中,然后我们坐车回去。解散!
( 快上车的时候)大家今天玩得开心吗?通过我的讲解,你们是不是对颐和园有了一定的了解呢?希望下次你们还来找我当你们的导游。再见!
篇7:介绍河北普宁寺的导游词
普宁寺位于承德市避暑山庄北部武烈河畔,由于寺内有一尊金漆木雕大佛,俗称大佛寺。普宁寺建成于乾隆二十四年(1759年),占地3.3万平方米。是外八庙中最为完整、壮观的寺庙建筑群。当时清政府平定了厄鲁特蒙古准噶尔部达瓦齐的叛乱,在避暑山庄为厄鲁特四部上层贵族封爵,效仿西藏三摩耶(又称桑鸢寺)建制修建此寺,清政府希望边疆人民“安其居,乐其业,永永普宁”,故称之为“普宁寺”。
普宁寺建筑风格独特,它吸收并融合了汉地佛教寺院和藏传佛教寺院的建筑格局,南半部为汉地寺庙的“七堂伽蓝”式布局,中轴线上依次分布着山门、天王殿、大雄宝殿等殿堂,两侧为钟鼓楼和东西配殿,南北长150米,宽70米。北半部为藏式寺庙建筑,以大乘阁为中心,周围环列着许多藏式碉房建筑物——红台、白台以及四座白色喇嘛塔。大乘之阁内部分为三层,阁内矗立一尊金漆木雕千手千眼观音菩萨,高22.28米,腰围15米,重达110吨,用木材120 立方米,是现在世界上最高大的木质雕像。像内是三层楼阁式的构架结构,中间为一根主木,四周组合许多根边柱,外钉衣纹占板密封,分层雕刻。佛像比例匀称,纹饰细腻,绘色绚丽,生动地表现了观世音菩萨的表情和神采,是我国雕塑艺术的杰作。
大乘之阁的北西东三面对称地构筑了四大部洲、八小部洲及四座喇嘛塔,布局适宜,造型优美,环大乘之阁而建。
篇8:扬州大明寺英文导游词
各位游客大家好!
欢迎您来江苏大明寺游览,我是导游员小萌。今天有幸陪同大家游览江苏大明寺,共度美好时光,我感到十分荣幸。
大明寺位于扬州西北郊的蜀冈之上。它既是一座佛叫庙宇,也是一方风景名胜,由大雄宝殿、平远楼、平山堂、御园、鉴真纪念堂、栖灵塔、天下第五泉等组成。
大明寺殿内迎面坐着释迦牟尼等三尊大佛;背面为海岛,上有观音脚踏鳌头的立像。殿内东西两侧分列着十八罗汉,这里常年香烟缭绕,经声不断,每年元旦前夕,常有日本客人来此撞钟,以求幸福。
栖灵塔
西隋朝时,隋文帝杨坚笃信佛教,仁寿元年(601)他过生日,曾下诏在全国建立三十座供养佛舍利的塔,扬州栖灵塔,便是其中之一,唐代大诗人李白曾登临此塔,赞叹道:“宝塔凌苍苍,登攀览四荒”,称赞宝塔气势磅礴。
白居易、刘禹锡同游该塔,两人同龄,都是55岁的人了,但精神很好,兴致很高,在扬州玩了半个月,登栖灵塔是他们这次游览的高潮,白居易写诗道:“半月腾腾在广陵,何楼何塔不同登。共怜筋力尤堪任,上到栖灵第九层”。刘禹锡写诗道:“步步相携不觉难,九层云外倚阑干。忽然笑语半天上,无数游人举眼看”。
他们是以登上栖灵塔为自豪的,现在该塔修复,塔身方形,总高度为70米,共9层。塔为仿唐式塔,东西南北每面四柱三间,一门二窗,平座腰檐,出檐深远,屋面平坡,腰鼓形柱,直棂形窗。塔雄踞蜀岗之上,气势雄伟,古朴典雅,远观似孤峰耸秀,矗入云霄;登临则眼界顿开,胸襟旷达。
篇9:介绍云南泸沽湖的导游词范文
在路上电动车因没电抛锚了,天快黑了,老爸情急之下打电话给“安达”出租公司求助,出租公司接到电话后也相当紧张,毕竟这里走的全部是山路,而且是雨天,天又快黑了。他们回复会派人过来接,要求我们原地等待。过了好久,终于看到有两部车向我们驶来,一部摩托车,一部电动车。我们失望了,难道这么黑的天还是要让我们骑回去。不久,他们的安排验证了我们的想法,他们让我们3人骑开过来的电动车,没电的车由他们拉回去。老爸打开电动车,发现更糟糕的情况是电动车灯坏了,没灯晚上如何开车。要知道这里是山路,一边是悬崖,一边是深不见底湖,路上还有很多从山上滚下来的碎石。那两位叔叔倒是给我们出了一个“好主意”,要我们沿着马路中间的白线行驶,整条马路也就是中间那条白线隐隐可见,但对于我们平时没有经验的我们,还是寸步难行。怎么办?这时老爸说:“道鸿,把我的手机拿出来,打开手机上的手电筒。”哦,真行,就这样,我们艰难、危险的出发了,戴着近视眼镜的妈妈在后面总是发出不安的提示声,慢慢行了一段路后,天竟然下起了雨,妈妈在后面撑起了一把伞。就这样我们一路慢慢前行,一个小时后我们终于到了温暖的酒店。嗯,今天大家都太累了。
第二天早上,我们伴着小鸟的歌声起床了,湖离酒店很近,我们一起到湖边支散步。在湖边我们看到一位渔夫,他已经捕完鱼了。妈妈问那个渔夫,能否载我们去湖里。那位渔夫回答说:“行,上来吧”。原来渔船也是猪槽船,有点像独木舟。两头并不翘起,中间低一点,是坐人的,整个船是半圆形,它到底是怎么保持平衡胡,我不得而知。到了湖中央,我看到了一种植物,它叫水性杨花,只有在这里才有的,能作为食物吃的,不过,我更喜欢它头顶上开胡那朵小白花啊,美丽极。此处胡湖深6米,但一眼望去,仍能看见底部的石头,名副其实胡清澈见底。
篇10:介绍丽江的导游词
大家好! 我是您们的导游,我姓张。大家可以叫我张导游。
请大家跟我来。这里是云南丽江古城。我先给大家简单介绍一下云南丽江古城。云南丽江古城又名大研镇,坐落在云南丽江坝中部,称为“保存最为完好的四大古城”之一。它是中国历史文化名城中唯一没有城墙的古城。云南丽江古城地处云贵高原,海拔2400余米,全城面积达3.8平方公里,自古就是远近闻名的集市和重镇。古城现有居民6200多户,25000余人。其中,纳西族占总人口绝大多数,有30%的居民仍在从事以铜银器制作、皮毛皮革、纺织、酿造业为主的传统手工业和商业活动。
好了,现在大家跟我进古城看看。
云南丽江古城是一座没有城墙的古城,大研古城是一座具有浓烈人文气息的小城。
云南丽江古城内的街道依山傍水修建,铺的大多都是红色角砾岩,雨季不会泥泞、旱季也不会飞灰,石上花纹图案自然雅致。看,光滑洁净的青石板路、完全手工建造的土木结构的房屋、无处不在的小桥流水。
前面就是古城中心的四方街了。这里工艺品琳琅满目。人气兴旺。来古城没有不来四方街的。位于古城与新城交界处的大水车是云南丽江古城的标志,古城大水车旁有一块大屏幕,每日播放的歌曲即是古城最受欢迎最有特色的歌曲,其中《纳西净地》是较为出名的歌曲之一。现在给大家十分钟拍个照吧,你一定感觉很好的!
在云南丽江,修建有桥梁354座,其密度为平均每平方公里93座。桥梁的形制多种多样,较着名的有锁翠桥、大石桥……古城内的木府原为云南丽江世袭土司木氏的衙署。五凤楼始建于明代万历二十九年(公元1601年),楼高20米。因其建筑形制酷似五只飞来的彩凤,故名“五凤楼”。这里还有白沙民居建筑、群束河民居建筑群……一会大家自由参观吧。
云南丽江古城历史悠久,古朴自然。城市布局错落有致,既具有山城风貌,又富于水乡韵味。云南丽江民居既融和了汉、白、彝、藏各民族精华,又有纳西族的独特风采,很独特吧!
今天,我就给大家介绍到这里。祝大家旅愉快!再见!
篇11:介绍山东岱庙的导游词
各位朋友大家好,欢迎大家来到红叶谷游览观光,首先我自我介绍一下,我是大家今天的导游刘X,大家可以叫我刘导,希望大家喜欢我的讲解,也希望你能从我的讲解中对红叶谷有更多的认识。
红叶谷生态文化旅游区,规划三期建成,计划总投资1.5亿元人民币,一期工程自20xx年9月份开始建设以来,在各级领导和社会各界的关心、支持、帮助下,经过园林集团广大建设者近一年的辛勤劳动和不懈努力,已圆满完成了建设任务。一期工程共投资6000万元人民币,现已栽植各类苗木120个品种40多万株,铺植草坪10万平方米,修建道路9.1公里,已建成了六个专类园区、三个拦水坝、一座污水处理站和两座高位水池,还铺设了景区地下管网和园区灯光系统。红叶谷生态文化旅游区已成为各种植物争芳斗艳、鸟类自由生存、山水相映成趣、生态环保并重的集游览观光、休闲、科普、娱乐、赏红叶等于一体的南部山区新的旅游景点。
红叶谷生态文化旅游区开园以来,通往红叶谷的旅游专线车每天载着来自四面八方的游客来到这里,优美的自然环境和独特的民俗风情、以游客为上帝的经营理念、以游客的满意为最高宗旨的服务承诺、热情真诚的待客之道,使来到红叶谷的朋友们宾至如归、流连忘返。
篇12:介绍宁夏概况的导游词
宁夏回族自治区地处西北的黄土高原,黄河中上游。居东经104°17’—107°39’,北纬35°14’—39°23’之间。面积6.64万平方公里。南接甘肃,东连陕西,北部与内蒙古自治区相邻。面积6.64万平方公里,首府银川市,全区人口571.54万。
宁夏虽然面积不大,但包含了类型多样的地势地貌。九曲黄河从中部进入宁夏,然后由南而北穿过银川平原,流程397公里,给宁夏带来了丰富的水源,黄河宁夏段水面宽阔,水势平缓,银川平原成为宁夏最富庶的地区,风光秀美,稻香鱼肥,素有“天下黄河富宁夏”之说。唐朝诗人韦蟾就有诗赞曰:贺兰山下果园成,塞北江南旧有名。宁夏的中部,多为丘陵山地和山间盆地以及黄河一带的河谷平原。南部则是举世闻名的黄土高原的一部分,称为“宁南黄土丘陵”;六盘山高踞黄土丘陵之上,海拔达20xx米以上,这里植被丰富,是宁夏最潮湿的地方,被专家们称为“黄土高原上的绿岛”。多样的地貌,使宁夏展现出丰富的自然景观。有连绵起伏的山地,有千沟万壑的黄土高原,有浩瀚无际的沙漠,有一望无际的平原,有波涛滚滚的大河,又有烟波浩渺的湖沼……。
新中国建立以来,在党中央的关怀和国家的扶持下,宁夏经济发展很快,工业有了一定基础,特别是改革开放20多年来,到“十五”初,初步建成了以特色绿色食品和生物工程产业、能源产业、新材料工业、生物制药和保健品工业、机电一体化工业、天然气石油化工工业为主体的部门较齐全的工业体系;农业生产条件不断改善,科技含量进一步提高,宁夏引黄灌溉区已成为中国重要的12个商品粮生产基地和西北地区重要的农产品生产基地。
宁夏能源丰富,以煤炭、水利资源为主要优势。人均自然资源潜在价值为全国平均值的163.5%,居全国第五位。非金属矿产主要有煤炭、石膏、石油、天然气等。石膏蕴藏量达20亿吨,国内罕见。全区近三分之一面积的地下蕴藏着丰富的煤炭资源,全国十大煤种,宁夏就有九种。著名的太西煤年出口量达上百万吨。地跨宁夏的陕甘宁盆地天然气田,已探明储量20xx多亿立方米,是世界级大气田。
随着宁夏经济社会建设事业的发展和党中央西部大开发战略的实施,宁夏的经济总量不断上升,宁夏地理区位日渐重要。中国以沿海、长江、黄河为主轴线的地区开发布局和19个综合开发重点地区及国土整治、环境保护的主要方面与区域中,宁夏既属沿黄主轴线、以山西为中心的能源基地、以兰州为中心的黄河上游水电及有色金属开发区的组成部分,又是水土流失和土地荒漠化防治及大江大河治理的主要区域;宝中铁路的建成,又成为亚欧大陆桥的重要组成部分。宁夏独得黄河之利,灌溉着30多万公顷良田。农作物以小麦、水稻为主。
篇13:丽江古城英文导游词
北有故宫,南有木府,跨过清泉汩汩的流水小桥,突见一座木牌坊赫然立于土木瓦顶居民之间。跨进朱红色的木府大门,眼前豁然开朗,一片开阔的地面上巍然耸立着一座金碧辉煌的宫殿,汉白玉基座雕刻精美,那恢宏的气势,使人恍若置身于皇宫之内。纳西人说起木老爷来,就跟我们提到自己的老祖宗一样亲切。木老爷,从前就是这座浩大宅第的主人。简单一点说,五六百年前的木府,就是丽江古城中的紫禁城。
木土司的府第虽有王者气度,却一反中原王城居中为尊的传统,将府第建于城南一隅。而作为全城中心的则是商贾云集的四方街,纵横交错的街道从四方街这一商贸中心向四面八方辐射。从中可看出古城最初形成于乡村集市,最终也因商业贸易而繁荣,丽江牡丹园客栈。这与古城千百年来作为茶马古道重镇的历史密切相关。木土司的宫廷式建筑在明代已蔚为壮观,明代旅行家、地理学家徐霞客在他的《滇游日记》中就曾惊叹宫室之丽,拟于王者。明代时,古城居民就已达千余户,民居建筑颇具规模。徐霞客曾描述当时的丽江古城民房群落,瓦屋栉比,可见民居繁盛之景象。
篇14:介绍北京十渡的导游词范文
北京十渡金沙乐园集旅游、观光、娱乐、健身、康体、休闲于一体,位于十渡国家地质公园八渡村的拒马河畔,园区总面积1500亩,拒马河流经园区全长20xx米,这里山奇水秀、峰林叠翠,河岸绿柳成荫,金沙漫漫,迷人的山野风光让人流连忘返,乐不思归。
北京十渡金沙乐园整个园区分登山游览区、戏水划船区、沙滩娱乐区和综合服务区。您来此可观瀑布、走竹桥、上天梯、看斗泉、钻松林、登顶峰、吸鲜氧、眺美景;也可游泳、戏水、乘筏、划船、驾车、打球,还可乘丛林飞鼠、激流勇进、海盗船等大中型游乐设施,挑战自我,享受新鲜刺激,或漫步沙滩,沐浴阳光,自在休闲。金沙乐园是您娱乐、健身、休闲、渡假的理想去处,还为您提供吃、住、玩一条龙服务。总之,金沙乐园皆妙趣,娱乐无限各不同,健康娱乐释激情,山欢水笑迎嘉宾。
篇15:关于日月潭的导游词英文
Hello, everyone! Im very glad to accompany you to visit the Yellow CraneTower, a famous building in the south of the Yangtze River. I will do my best toprovide you with a comprehensive and considerate tour guide service. I wish youall have a good time.
The Yellow Crane Tower has been praised by Chinese poets of all ages, andhas always enjoyed the reputation of "peerless scenery in the world". Togetherwith Yueyang Tower in Hunan Province and Tengwang Pavilion in Jiangxi Province,it is known as "three famous buildings in the south of the Yangtze River". Withits long history and magnificent posture, it ranks first in the third floor andenjoys the reputation of "peerless scenery in the world".
As we all know, there are many kinds of cranes in nature, including whitecrane, grey crane, Red Crowned Crane, black necked Crane and so on, but there isno yellow crane. So why do people in Wuhan call the landmark building of theirhometown Yellow Crane Tower? This beautiful name comes from a beautifulmyth.
Once upon a time, there was a man named Xin who was selling wine on the topof Huanghu mountain. One day, an old man in ragged clothes came to him and askedhim for drinks. Although his business was small and profitable, he was faithful,kind and charitable. Seeing that Lao Dao was very pitiful, he generously agreed.After having enough to eat and drink, Lao Dao was very grateful to Xin. Later,Lao Dao would come every day, and Hsin would answer every request. A year passedunconsciously. One day, Lao Dao came to the hotel again. As soon as Xin saw him,he quickly prepared food and wine for Lao Dao. Lao Dao quickly stopped him andsaid, "I dont drink today. Im here to say goodbye to you.". He said thatdrinking every day, no thanks, but I will draw, I will draw a picture for yourhotel as a souvenir. After that, Lao Dao picked up the orange peel on the groundand drew it on the wall. In a short time, he drew a crane. Because the color ofthe orange peel is yellow, the crane is also yellow. After the painting, Lao Daosaid to Xin: as long as you clap your hands, the yellow crane will come down anddance for the drinkers.
As soon as Xin heard this, he was very happy. He immediately went to seethe crane painted by Lao Dao. He thought it was lifelike and very beautiful. Heturned to thank Lao Dao for drawing such a good picture for his hotel, but LaoDao had disappeared. The next day, a guest came to the hotel. He thought of theold Taoists words and clapped his hands for a try. Sure enough, the YellowCrane jumped down, sang and danced, and then jumped back to the wall. The guestwas very happy. After the news spread, people and tourists from three towns inWuhan came to the store to watch the Yellow Crane Dance. Since then, the hotelbusiness flourished, and Xins got rich.
One day ten years later, Lao Dao appeared in the hotel again. When she sawhim, she was very happy. She took Lao Dao and said, "when youve been there forten years, Ill inquire about your whereabouts and find out where you are. Todayyou are back, please dont leave again. After Xins speech, Lao Dao said to Xin:I wonder if you have paid off my wine debt with the money you have earned in thepast ten years? Xin said in a hurry: Thank you very much. With the help of theYellow Crane you left behind, I am very rich now. On hearing this, the Taoistpriest laughed, took off his flute and played a wonderful tune to the YellowCrane on the wall. The Yellow Crane began to sing and dance with the flute. Atthe end of the song, the old Taoist stepped on the yellow crane. The YellowCrane flew away with the old Taoist. Since then, the old Taoist never cameback.
People in the three towns of Wuhan miss this crane, which brings themhappiness and auspiciousness. They suggest that Xin build a pavilion beside thehotel to honor Laodao and Huanghe. At the same time, it also guides the oldTaoist and yellow crane who travel all over the world. I hope they will comeback soon. Xin accepted everyones advice and took out the money he hadaccumulated for many years to build a high-rise building next to the hotel. Hefelt that the Yellow Crane helped him get rich, so he named it the Yellow CraneTower. For thousands of years, this story has been widely spread, and has becomethe most influential legend of the Yellow Crane Tower.
The Yellow Crane Tower was first built in 223 A.D. in the second year of WuHuangwu in the Three Kingdoms. It has a history of more than 1700 years, duringwhich it has been destroyed and built repeatedly. This is because the YellowCrane Tower is no longer a scenic building in the general sense, it reflects therise and fall of an era. Since the Yellow Crane Tower was destroyed in 1884,people have been looking forward to its reappearance in Jiangcheng, but theyhave not been able to do so. It was not until after the reform and opening upthat the Yellow Crane Tower was rebuilt, which fully reflects the improvement ofChinas comprehensive national strength. The Yellow Crane Tower we are visitingtoday is based on the Yellow Crane Tower of the Qing Dynasty. Constructionstarted in 1981 and was completed in 1984. It is 100 years since the last YellowCrane Tower was destroyed.
The Snake Mountain, where the Yellow Crane Tower is located, is composed ofseven mountains arranged from east to west and connected end to end. From westto East, there are Huanghu mountain, Yinjia mountain, Huanglong Mountain,Gaoguan mountain, Daguan mountain, Qipan mountain and Xishan Mountain, with atotal length of more than 20__ meters. It is named Snake Mountain because it issimilar to crouching snake. The Yellow Crane Tower is built on the top ofHuanghu mountain. In ancient Chinese, the two words "Hu" and "he" are common, soit is also called Huanghe mountain. The pavilion on Huanghe mountain is ofcourse called huanghe tower. But people are more willing to accept the legend ofimmortals.
In order to make you enjoy the Yellow Crane Tower better, I use five wordsto summarize the characteristics of the Yellow Crane Tower: high, strange,dangerous, beautiful and wonderful. It is high in the mountains, high buildingsare higher, and the sky is pierced by clouds and clouds; it is strange that thegods cross the crane, and the myth spreads; it is dangerous to stand near theriver, and there is no land under it; it is beautiful to climb the tower andoverlook the scenery of Wuhan; it is wonderful that the literati and theanecdotes spread.
OK, now we have come to the Yellow Crane Tower Park. Yellow Crane TowerPark is composed of main building, pavilions, porches, memorial archways andGushi commercial street. The main building has a clear height of 51.4 meters andfive floors. It is square in shape and looks like one. Each side is 35 meterslong, with 72 columns rising from the ground and 60 cornices flying in the air.It takes advantage of the length of the calendar tower to gather the beauty ofthe north and the south. The golden colored glazed roof is simple and beautiful,and the red gourd shaped top glitters at night. Each layer has a strong poeticflavor. Now lets go into the main building to have a look.
We are now in the hall on the first floor of the Yellow Crane Tower. Thehall is 22 meters wide and 14 meters long. Look at these antique pillars, whichhave a circumference of two meters. They go straight to the top floor, which canbe said to be the Optimus Prime of the whole building. This "picture of whiteclouds and yellow cranes" is 9 meters high and 6 meters wide. On the picture,the Yellow Crane Tower stands in the middle, with a fairy riding on the YellowCrane and an iron flute blowing on the top, and people singing and dancingbelow. The whole picture is full of romantic and magical atmosphere. On bothsides of the painting, there is a couplet of Zhang Zhidong, an importantMinister of the late Qing Dynasty
Cool air from the West
The river goes to the East and the waves wash away the worries of the pastand the present
After the famous couplet in the hall, there is a huge carved screen, whichis painted with the shape of the Yellow Crane Tower in history. It is highlyskilled and antique, which can be called a fine art.
OK, please follow me up. Our current location is not the second floor, butthe mezzanine between the first floor and the second floor, commonly known asthe horse racing gallery. There are such horse racing corridors between everytwo floors. You can calculate that the Yellow Crane Tower originally has fivefloors. In addition, the horse racing corridor between every two floors has atotal of nine floors inside. Therefore, the Yellow Crane Tower has a buildingstructure of five floors outside and nine floors inside. Here are somehistorical celebrities calligraphy and paintings. You can enjoy them.
As you can see, there are six models of Yellow Crane Tower in Tang, song,yuan, Ming, Qing Dynasties and modern times on the second floor. They eachrepresent the architectural styles of their own times. You see, the Yellow CraneTower of the Tang Dynasty is connected with the city on the first floor and hasonly two floors on the outside. The overall structure is simple and rough,giving people a sense of simplicity and vigor. Take another look at the SongDynasty building, which is composed of four parts: building, terrace, porch andcorridor. Each floor has a double eaves, which shows the delicate and meaningfulartistic style of the Song Dynasty. The form of the Yuan Dynasty continued thestyle of the Song Dynasty, while the Ming Dynasty was still two-tier.
If you look at it again, there are some cloth awnings and other things. Doyou know what they are for? Yes, they are the umbrellas used by people inancient times. Look at the Yellow Crane Tower in the Qing Dynasty. It has threefloors. The first floor has 12 eaves, representing 12 hours of a day. The secondfloor has 12 eaves, representing 12 months of a year. The third floor has 24eaves, representing 24 solar terms of a year. The most amazing thing about it isthat it can integrate the traditional Chinese astronomy and calendar culture.Unfortunately, it was destroyed by thunder and fire in the summer of 1884, thatis, the 10th year of Guangxu reign of the Qing Dynasty. The last one is now theYellow Crane Tower. It is based on the Yellow Crane Tower of the Qing Dynasty.It was rebuilt in 1984. It not only has the unique traditional shape of theYellow Crane Tower, but also is more magnificent than the buildings of previousdynasties.
Please hold the stairs and follow me to the third floor. Here is a ceramicpainting called "the quintessence of literati". The figures in the picture havedifferent and lifelike expressions, which reproduces the scenes of the literaticoming here to chant poems and Fu. You see, the yellow robe in the middle is CuiHao, the great poet of Tang Dynasty. It is said that one year, Cui Hao came tothe Yellow Crane Tower and wrote an impromptu poem after his visit
Once upon a time, people had gone by the Yellow Crane, but there was noyellow crane tower left here.
Once the yellow crane is gone, it will never return.
Qingchuan experienced Hanyang tree, grass luxuriant parrot island.
Where is the hometown at dusk? The Yanbo river is worrying.
This poem has a wonderful artistic conception and is a rare poem describingthe Yellow Crane Tower. However, there are many famous poets in Tang Dynasty,and Cui Hao is not well-known. Therefore, although his poems are good, no oneappreciates them. Another year, the poet Li Bai came to the Yellow Crane Tower.The local people were very happy to see the poet come here, and asked Li Bai towrite a poem for the Yellow Crane Tower. After visiting, Li Bai felt that thelegend of Yellow Crane Tower was strange and the scenery was beautiful, so hemade great progress in poetry and agreed to write poems. People are ready tostudy four treasures, Li Bai dipped in thick ink, hold his breath, to write, butat this time, he looked up, saw Cui Haos poem on the wall, he was stunned onthe spot, shook his head, stopped writing. The onlookers did not know why. Theyasked why. Li Bai sighed and chanted a doggerel
One blow smashes the Yellow Crane Tower and one kick overturns the parrotisland.
In front of me, there is a scene. Cui Hao wrote a poem on it!
After chanting, he left. As a result of Li Bais praise, Cui Haos poemsare well-known, and the Yellow Crane Tower is also spread around with Cui Haospoems.
The fourth floor is the cultural activity place of the Yellow Crane Tower,displaying the impromptu works of famous contemporary calligraphers and paintersvisiting the building. There are also four treasures of the study speciallyprepared here. If any tourists are interested, they might as well show theirskills here.
Now we come to the viewing platform on the fifth floor of the Yellow CraneTower. The first picture we see here is a group of paintings called "thevastness of the river and the sky", which covers an area of 90 square meters andis the largest among the murals in the whole building. It consists of 10 colorpaintings. The three on the front wall are the center of the group of paintings.The first one records the process of the ancient Yangtze River culture from topto bottom. The second is the water waves depicted with gold lines on the stonegreen background, occupying the whole picture. It seems that people stand on across section of the Yangtze River and feel the waves rushing eastward. Thethird one reflects the process of the Yellow Crane Towers emergence, rise andfall after the Three Kingdoms period. The other seven, painted on the e Fang,are: the source of the Yangtze River, the waterfalls in the upper reaches, thescenery of the Three Gorges, the wonders of Lushan, the scenery of Taihu Lake,the river flowing into the sea and the vicissitudes of the sea.
Now lets go to the West and enjoy the beautiful scenery of the three townsin Wuhan. In front of you are the Yangtze River rolling eastward and the YangtzeRiver bridge which makes the natural moat a thoroughfare. In front of you arethe towering TV Tower on Guishan mountain, the magnificent Qingchuan Hotel, suchas the Qingchuan Bridge across the river with rainbow The Yellow Crane Tower,like an old man, sits firmly on the top of the Snake Mountain, witnessing thevicissitudes of Wuhans history and changing today, and looking forward to theprosperous future with expectation.
Well, the tour of Yellow Crane Tower is coming to an end. I hope myexplanation can leave you a good memory. Please forgive me for the shortcomings.Welcome to Jiangcheng next time and come here. I wish you a pleasant journey anda pleasant journey!
篇16:介绍北京陶然亭的导游词范文
大家好,我是你们的导游,今天我们要游览解放后北京建造的第一座公园——陶然亭公园。 陶然亭公园青山碧水,风景秀丽,还是娱乐休闲的胜地呢!好,现在陶然亭公园已经一展美丽等候我们的参观,看!那里百花盛开,那里百鸟齐鸣,不时还传来人们洋溢的笑声,让人好像在仙境一般。在不远处还有一块大石碑,上面刻着:更待菊黄家酿熟,与君一醉一陶然。多美的诗句!这么美的诗句,再配上这么美的公园真是“般配”呀! 我们再来看旁边那个四季如画的陶然亭湖。
春天,陶然亭湖的边上开满了野花,红的似火,粉的似霞,白的似雪;把湖面染的五彩缤纷;有时还招来几只蝴蝶。夏天,陶然亭湖喧闹起来,喷泉像长龙似的趴在河岸,一股股清澈的水冲腾而上,四溅开来,多么像一颗颗珍珠啊!秋天,小河静得像一面镜子,几片枯黄的叶子飘落下来,好像是几条小船。秋去冬来,湖面上被下的雪掩盖了,雪姐姐小声的对河伯伯说:“河伯伯,被子暖和吗?祝您做个好梦,晚安。”就这样,陶然亭一年又一年被人们称为“一幅永远不会消失的画”。
我们游览完陶然亭湖,跨过玉虹桥,走完中心岛,就来到了华夏名亭园。华夏名亭园里一排排高耸的竹子,在伴着悠扬的音乐和具有浓厚文化气息的10个亭子,让人情不自禁的想起那种幽静的大自然的美。比如说独醒亭吧,从外观上来看跟别的亭子没有什么区别,但是只要你一进到亭子里,一阵微风吹过,一股有着一点儿清新和泥土芬芳的味道扑面而来,哦!我知道了这是大自然的味道!
陶然亭公园历史悠久,具有浓厚文化气息还有最重要的说也说不尽的美丽景色,希望大家有时间来细细游玩,再见!
篇17:介绍丽江古城的导游词
暑假,我和妈妈去云南旅游八天。我们从小桥流水的江南出发,来到了地高天远的高原,感觉眼前的一切都是那么神奇,新鲜!尤其是丽江古城,更令我魂牵梦绕。
那天,从玉龙雪山下来,天色已晚,我们在丽江市的一个农家小园享用晚餐。餐毕,我们在导游的带领下,来到了古城。据导游介绍,丽江古城原名叫大研镇,古时候是高原上的重要集镇,在历史上既是茶马古道的重镇,又是通往印度的必经之路。由于商贾云集,贸易繁荣,丽江古城被人们誉为“东方威尼斯”“高原姑苏”。
走进丽江古城,脚踩着古老的石板路,路边“哗哗”的溪流声为我们伴奏,我们走到哪儿,溪流便跟到哪儿。那溪流变幻多端,有时像瀑布飞流直下,有时像小河静静流淌,有时像清泉汩汩而出。水是生命之源,鲜活的水流贯穿全城,仿佛是古城的血脉,给古城注入活力,使丽江古城更显灵动,更显年轻,仿佛一支不朽的高原神曲!
古城街道两旁,店铺林立,那灰瓦红柱,凌空飞翔的屋檐,精雕细琢的木窗,仿佛在向我们诉说着这个城市的悠久历史。我们在不同的店铺里驻足,逗留,展现在我们眼前的是玉的世界,银子的世界,看得我们眼花缭乱。
我最喜欢银器了,只要一看到银子散发出光芒,我就热血沸腾。在我眼中,银色是最高贵、最迷人的颜色。我轻轻摸过任何一件能摸的银器,感觉是那么惬意,我默默地想:如果我每天能看到这迷人的银器,与它们作伴该是一件多么美妙的事情啊!
在一家玉器店里,老板娘拿出了一块她珍藏多年的玉的原石。粗看没什么特别的,与普通的山石并无二致,可在老板娘的指点下仔细一看,果然发现原石中隐隐约约发出的绿色光芒。据说有赌石经验的人,就是根据这一丁点的蛛丝马迹,来判断这块石头是不是玉石。由此看来这世间任何有价值的东西,即使掩饰得再好,也总有光芒显露出来。我忽然想到我的一个老师曾说:“看准一个人就要善于捕捉他身上表现出的细节,譬如一个细小的动作,一个稍纵即逝的眼神。”果然是万物同理!
从丽江古城出来,我的眼睛,我的心,我的思想,都仿佛在向我诉说着它们的满足。丽江,果然无愧于那些美誉!
篇18:南京概况英文导游词
远古人类的足迹,随着时代推移而遍及今日的南京。东郊汤山出土了距今约30万~50万年的“南京猿人”完整的头骨化石;溧水县神仙洞发现了距今一万年以前的“溧水人”遗址。
距今6000多年前,南京鼓楼岗西北侧的北阴阳营和玄武湖畔、长江岸边开始出现新石器时代的原始村落,聚居着南京的初民。3000多年前,沿江河地带,已经相当密集地分布着青铜时代的居民聚落,以秦淮河中游的湖熟镇一带较为集中,称为“湖熟文化”。
公元前472年,越王勾践灭吴后,在今中华门西南侧建城,开创了南京的城垣史。公元前333年,楚威王大败越国,于石头山筑城置金陵邑,金陵之称亦因此而得名。秦汉时期,南京地区随经济发展而建县渐多。汉末三国鼎立之初,公元229年,孙权在武昌称帝,9月即迁都于此,称作建业,为南京建都之始。公元317年,晋琅琊王司马睿建立东晋政权,以建康(今南京)为国都,这是南京城市发展史上的第一个高峰时期。此后,南朝宋、齐、梁、陈相继定都建康,史称“六代豪华”,南京由此有“六朝古都”的美称。公元937年,南京成为南唐的首都,称为江宁府,这是南京城市发展史上的第二个高峰期。1368年,朱元璋在应天府称帝,建立明朝,以“应天”为“南京”,第一次成为一统天下的全国首都。由此,南京城市发展进入又一高峰期,南京都城为当时世界第一大城。1853年,太平天国定都于此,改名天京。1912年元旦,中华民—国成立,孙中山在南京就任中华民—国临时大总统。
“金陵自古帝王州”,从中古到近现代,继孙吴之后,东晋、宋、齐、梁、陈、南唐、明朝、太平天国以及中华民—国先后定都南京,共455年,史称“十代故都”,留下了丰富的文化文化遗产。
1949年4月23日南京解放,成为中央人民政府直辖市。1952年9月,南京为江苏省省辖市。1953年1月1日,江苏省人民政府成立,南京为江苏省省会。1994年2月,经国务院同意,中央机构编制委员会明确南京的行政级别为副省级。
南京是中国重要的综合性工业生产基地。南京的电子、化工生产能力在国内城市中居第二位,车辆制造规模居第三位,机械制造业的技术、规模居国内领先地位,家用电器业、建材工业也都具有较大规模。南京是华东地区重要的交通、通讯枢纽,建立了全方位、立体化、大运量的交通运输网络,铁路、公路、水运、空运、管道五种运输方式齐全,拥有现代化的通讯体系。南京是全国四大科研教育中心城市之一,是全国重要的高教、科研基地,拥有一批国内一流的高校和科研机构。被国家9个部委列为中国投资硬环境“四十优”城市之一。
先后被评为中国城市综合实力“五十强”第五名、国家园林城市、中国优秀旅游城市、全国科技兴市先进城市、全国双拥模范城市、全国城市环境综合整治10佳城市、全国科技进步先进城市、国家环境保护和国家卫生城市等称号。
古老的秦淮河玉带般蜿蜒舒展,站立桥头,眼前宛然是历史在悠悠流过;点缀两旁的玄武湖和莫愁湖静如处子,似在幽然倾诉;钟山、栖霞山迤逦悠长,“神龙”般延续着千年的守卫;金陵古城默然而立,城内的沧桑繁华刻写着它的年轮。
南京文化古迹遍布,从中可以探寻历史的源头:中山陵依山而建,结构严整,观之而生一股浩然之气;夫子庙建筑群古色古香,漫步其间,让你体味明清时代的市井繁荣;中华门气势宏伟,设计巧妙,置身城内,壁垒森然,耳边似有战马嘶鸣;此外还有灵谷寺、石象路、三国东吴所筑石头城遗址、明代朱元璋的陵墓(明孝陵)以及革命纪念地雨花台等,引人遐思无限。
古老悠久的文化遗产,现代文明的经济都市,与蔚为壮观的自然景观构成了南京独特的园林城市风貌。
篇19:介绍云南玉龙雪山的导游词范文
各位游客朋友们:
大家好!
欢迎到玉龙雪山。我叫,大家叫我小x导游好了!希望大家对我的服务满意!
首先,我给大家介绍一下玉龙雪山。玉龙雪山位于丽江西北,呈南北走向,东西宽约13公里,南北长约35公里,与哈巴雪山对峙,汹涌澎湃的金沙江奔腾相间。全山13峰,峰峰终年积雪不化,如一条矫健的玉龙横卧山巅,有一跃而入金沙江之势,故名“玉龙雪山”
玉龙雪山不仅巍峨壮丽,而且随四时的更换,阴晴的变化,显示奇丽多姿,时而云雾缠裹,雪山乍隐乍现,似“犹抱琵琶半遮面”的美女神态;时而山顶云封,似乎深奥莫测;时而上下俱开,白云横腰一围,另具一番风姿;时而碧空万云,群峰如洗,闪烁着晶莹的银光。即使在一天之中,玉龙雪山也是变化无穷。凌晨,山村尚在酣睡,而雪山却已早迎曙光,峰顶染上晨曦,朝霞映着雪峰,霞光雪光相互辉印;傍晚,夕阳西下,余辉山顶,雪山像一位披着红纱巾的少女,亭亭玉立;月出,星光闪烁,月光柔溶,使雪山似躲进白纱帐中,渐入甜蜜的梦乡……还有很多,我就不一一介绍了。
下面,我们将要去的地方是云杉坪。来,跟我走。现在我们要坐登山缆车上云杉坪。大家坐在缆车上向下看一看,是不是有好多大树。噢!大家准备好,我们已经到站了。慢一点,小朋友!这里是沿着林间铺设的木板栈道,大家走过栈道,就会到玉龙雪山的又一佳境——云杉坪。各位向栈道两旁看看,会看到树大参天,枯枝倒挂,树上的树胡子,林间随处横呈的腐木,枯枝败叶,长满青苔,好像千百年都没人来打扰过,就像一个天然的乐园。大家可以在这里拍拍照。
现在我们继续往前走。看,云杉已经在我们脚下了。在些游客可能会想,云杉只是一块草地?其实啊,云杉坪只是玉龙雪山东面的一块林间草地,约0.5平方公里,海拔3000米左右。雪山如玉屏,高耸入云;云杉坪环绕如黛城,郁郁葱葱。大家可以坐在草坪上休息一会儿,给半个小时时间,自由活动,大家注意安全。
那么今天愉快的时光就已经过去了,我们现在要原路返回了。
谢谢大家!
篇20:厦门南普陀寺导游词介绍
现在我们走出天王殿,寺庙呈中轴线递次向上,向左右对称展开,现在看,左右两边分别是钟、鼓楼!寺庙中一般都是晨钟暮鼓!而钟鼓楼第一层分别又供奉着地藏王菩萨和伽蓝菩萨,正前方是大雄宝殿,这是寺院的主体中心,是一座重檐歇山顶两层蹿角式的建筑,绿瓦石柱,雕梁画栋,屋上铺琉璃瓦,殿顶绘有九鲤化龙、麒麟奔走、龙凤呈样等磁画,色彩鲜丽,金碧辉煌。南普陀寺始于唐朝,在大雄宝殿前的石柱上有一对联为证,“经始溯唐朝与开元并古,普光被厦岛对太武以增辉”,大雄宝殿中供奉着竖三世佛,分别是过去佛、现在佛与未来佛,中间的就是现在佛,即释迦牟尼佛,据说真有其人,原名乔达摩。悉达多,是古印度加毗罗卫国净饭王的儿子,十九岁那年于四门出游,感悟到人生的生老病死的状况,于是决心出家,以摆脱生老病死的困苦,最终经过艰难的修行,在菩提树下觉悟,就成为现在的释迦牟尼。站在释迦牟尼两旁的是他两个弟子阿难与迦叶,前面还有一尊千手观音。在殿的后面供奉着西方三圣,中间为阿弥陀佛,左为观音菩萨,右为大势至菩萨。
在大雄宝殿的左右分别是十八罗汉,相传当年罗汉传入中国时只有十六罗汉,后加入了《法住记》作者庆友法师与此书的翻译者玄藏。
各位来宾,这是大悲殿,供奉着观世音菩萨,因为观世音菩萨又称为大慈大悲观世音菩萨,所以称为大悲殿,观音原名观世音、观自在,慈悲之意就是给人与快乐,拔除悲痛。殿内供奉四尊观世音菩萨,安排四方,正中是一尊双臂观音,端坐在莲花座上,双目垂帘,神态安详。其余三尊为四十八臂观音,手上各雕一只小眼,持多种神器,姿态各一。游人香客必到此参观朝拜。大殿原为木结构,八角三重飞檐,全以斗拱架叠建成,殿内藻井,全用木料斗拱,不用一支铁钉。由于香火太盛这儿多次烧,所以等会儿要烧香的朋友请不要把香火带到殿内,在殿外烧就可以了。
前方便是藏经阁,为中轴主体的最高层,这阁建筑颇有特色,有中西合璧的韵味,上为歇山式屋顶,下为西洋式架构,重檐双层阁楼,上层藏经,下层法堂,二楼有宽敞的天台。这里面藏着明末用信徒和沙弥刺血写成的血经书,还有著名艺术家何朝东的作品白瓷观音、缅甸白玉卧佛等等。
各位来宾随我再往山上走,这儿有一个大佛字,是闽南寺院中最大的一个,高4米多,宽3米多,是清光绪三十一年振慧所书。
各位团友,五老峰乃南普陀寺后面的五座山峰,依次为钟峰(一峰)、二峰、中峰(三峰)、四峰、鼓峰(五峰),凌空而立,远远望去,宛如五位老髯面天盘座,丛树若须,云雾似袖,故名“五老凌霄”。是新评厦门二十名景之一。
南普陀寺,位于五老峰下,原名泗洲院,始建于唐,由入厦始祖南陈族人所建。大雄宝殿石柱上有副对联:“经始溯唐朝与开元而并古,普光被厦岛对太武以增辉。”这副对联将寺庙开基的年代和地理位置说得清清楚楚,那就是寺庙在唐朝就有了,距今己有1200多年。五代时,称泗洲院,宋初叫无尽岩,后改名普照寺、普照院,元代至正年被毁;明洪武时重建,明末又毁于兵火;清康熙二十三年(公元1684年),由统一中国台湾的施琅将军重建。因与浙江普陀山普济寺同祀观音菩萨,又地处普陀山之南,故称南普陀寺。南普陀寺坐子向午,依山面海,遥对南太武山,寺院呈中轴线递次向上,主体建筑有天王殿、钟鼓楼、大雄宝殿、大悲殿、藏经阁,向左右对称展开,依次层层升高,层次分明、俯仰相应,东西两侧依次升高的庑廊,回护着三殿,形成一个整体,雄伟壮观。正对寺门,有七座汉白玉如来佛塔和两座十一层高的万寿塔,是1993年、1994年由信士捐建的。塔前为莲花池,夏日荷花盛开时,蓝天、白塔、绿叶、花海,展示这里是分外清净高洁的佛门净地。塔间是放生池,专门为施主放生所设。为什么庙前都要有一个放生池呢?放生,是我国历史上的一种风俗习惯,后来与佛教的“慈悲”、“不杀生”等教义相融合,进而衍变成一种较普遍的佛事活动。提倡放生,反对杀生,示意整个世界成为一个没有战争、没有苦难的和平乐园!