泉州府孔庙导游词
尊敬的各位来宾:
你们好!我受旅游、接待部门的委托,对光临名城曲阜参观游览的各位佳宾表示热烈地欢迎。我有幸为大家导游陪同参观,非常高兴,这是咱们共同颀赏学习的好机会。看后请留下宝贵意见。
首先,向大家简要介绍一下曲阜的历史、文物概况。
历史文化名城曲阜是我国古代伟大的思想家、教育家、政治家、文献整理家、世之圣人孔子的家乡,亚圣孟子的故里,中华民族的始祖轩辕黄帝的诞生地,炎帝的首都,商殷故国,鲁国首都。三皇五帝有四位在这里生息劳作,有5000多年的历史。地下有丰富的宝藏,地上有众多的文物。现有文物112处,其中有联合国保护单位,世界文化遗产3处,全国保护的4处,省级12处,其他为地市级保护的。
重中之重有“三孔两庙一陵”、“三山二林一寺”。孔庙、孔府、孔林,俗称“三孔”,有祭祀中国元圣周公的庙宇,有祭祀孔子第一大弟子复圣颜回的庙,俗称“两庙”;“一陵”是黄帝诞生地——寿丘少昊陵;“三山”;孔子出生地尼山、汉墓群九龙山、小泰山——九仙山(又称九山)。二林是:世界教育孩子最好的母亲孟母林,孔子父母埋葬地梁公林;“一寺”是李白、杜甫作诗、答对、分手处,著名文人孔尚任隐居处国家园林“石门寺”。
我们现在看孔庙。
孔庙,又称至圣庙,是祭祀孔子及其夫人亓官氏和七十二贤人的地方。孔庙同北京的故宫、河北承德市避暑山庄并称中国的三大古建筑群。专家对孔庙讲了四名话:建筑时间最久远、最宏大、保存最完整、东方建筑特色最突出。从孔庙可看出两个问题:一是孔子对中国乃至东方文化的巨大贡献;二是中国在历史上就有能工巧匠。
孔庙始建于公元前478年,孔子去世的第二年建庙。在孔子故居建庙堂三间,陈列孔子的衣、车、书等,“岁时奉祀”。历代皇帝对孔庙都有扩建,计大修15次,中修31次,小修数百次达到现在的规模。孔庙仿皇宫建筑之制,分三路布局,九过院落,共有房屋466间,门亭54座,东西相对贯穿在一条中轴线上,有碑碣近千块,占地327。5亩,长达两华里又150公尺。现在看到的孔庙是明弘治年间的规模。解放后国家多次拨款维修保护。我国首批公布的全国重点文物保护单位,1994年12月列入世界文化遗产,成为联合国保护的文物单位,孔庙建筑时间之久远,规模之宏大,保存之完整实属世之罕见。
神道。“万仞宫墙”前古柏苍劲的这段路为“神道”。重要的庙宇前都有专开的尊敬灵通之道,称“神道”。
万仞宫墙。这道门是曲阜明城正南门,也是孔庙的第一道门,上悬“万仞宫墙”四个大字,系清乾隆皇帝的御笔。它来源于孔子得意弟子子贡。鲁国大会诸侯时,有人提出子贡的学问博大精深,可与孔子相提并论,子贡在场,马上站起来说,我可不敢与俺老师孔子比,人的学问好比一堵墙,我这道墙只有一仞之高,俺老师的墙有数仞之多。就是说,我的学问等于一肩膀头子高,一目了然没什么深奥的;孔子的学问有我数倍之多,经过详细的研究,全面的探讨,才能了解他的全部,入了门以后,才能看到宗庙之美,在门外头你是看不到的。后人为了形容孔子的学问高深,从夫子之墙数仞,到“百仞”、“千仞”到明代皇帝封孔子为“天下文官主,历代帝王师”,封孔子学问有“万仞”,赞颂孔子学问有一万个八尺,往上看,看不到顶,亦说此墙深壁高垒非常坚固。这四个字原为明钦差所写,乾隆为表示他对孔子的重视,亲书“万仞宫墙”换上了他的御笔。
金声玉振坊。此坊建于明代,为表达孔子学问精湛而完美,如同奏乐的全过程,自始至终完整无缺。古乐是以敲钟开始,钟起“始条理也”,是击磬告终,“玉振”为磬落的声音,称“终条理也”,赞扬孔子的学问是集先贤先圣之大成,所以称“金声而玉振也”,“金声”钟的声音,始,“玉振”磬的声音,终。这也是办事要“有始有终”成语的来源。“金声玉振”是明代大书法家胡缵宗题定的。
“二柏担一孔”。过玉振坊这个单孔的石拱桥,东西各有一棵古柏,所以人称“二柏担一孔”。这桥名曰:“泮水桥”与行宫旁泮水池的水相通,因之演义为“盼水”。过去读孔孟之书,考上高等学府叫“入盼”,做官的盼高升,做买卖盼发财,过日子盼兴旺。
下马碑。庙墙外东西各立一块石碑,公元1191年专立的下马碑,下轿碑。西边的碑早毁坏,东边这块碑上写“官员人等至此下马”。过去文武官员、庶民百姓从此路过下轿下马徒步而行,以示对孔子、孔庙的尊敬。
棂星门。明代所建,公元1754年重修,由木制改铁石的。“棂星门”系乾隆御笔。相传天上星系“有二十八宿”,其中,有个掌管文化的星叫“棂星”,又名“文曲星”、“天振星”,把孔子与天上管文化的星联系起来,说文化方面他是最高的,如过去祭天,要先祭“文曲星”,有尊孔如尊天的说法。
太和元气坊。这坊是明代公元1544年所建,极赞孔子的思想,主张如同“太空宇宙能哺育万物。天地之合,四方之合,阴阳之合”,称“太和”之气是最基本的东西,宇宙之太和,人间之元气。“太和元气”系山东巡抚曾铣手书。
至圣庙坊。明代所建“至圣庙坊”,是汉白玉的,上饰火焰宝珠。
德侔天地,道冠古今。这道院的东西对衬各建一处很奇特的牌坊,木制角棱环绕,千头万续,下有八个怪兽,叫“天龙神狮”,相传它威严灵感,可驱除邪恶,匡扶正义。东边牌坊上书:“德侔天地”,说孔子的思想主张给人类的好处如同天高地厚,功德能同天地相比。西边的牌坊上书“道冠古今”,赞孔子思想、办法古今都是盖世之冠。
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篇1:泉州开元寺大殿导游词
蜚声海内外的泉州开元寺,位于泉州市区的西街,始建于唐垂拱二年(686)。寺址原为州民黄守恭家桑园,相传桑树曾开白莲花,故献园与僧匡护建寺,朝廷赐额“莲花寺”。长寿元年(692)改名“兴教寺”,神龙元年(705)又更名“龙兴寺”。唐玄宗开元二十六年(738)诏天下诸州各建一寺,以纪年为名,遂改称“开元寺”。大中元年至六年(847—852)间,华严宗僧行标曾驻锡此寺。大中二年(848),天台宗僧令言于开元寺西创支院“西罗汉院”。五代闽国时,泉州刺史王审邽、王延彬父子笃信佛教,于开元寺西北创支院。
当时佛教各宗派十分活跃,如唯识宗僧道昭居罗汉阁治唯识学,律师知琀为支院泗洲律院开山,禅宗青原系义存禅师再传弟子、道溥禅师的弟子清豁居支院上方院。至宋初开元寺共有120个支院,但不相统属。宋代,各宗派仍共存于开元寺。如熙宁年间(1068—1077),云门宗有评禅师主支院栖隐禅院;元丰年间(1078—1085),本州资寿院云门宗捷禅师法嗣可遵禅师主尊胜院;建炎年间(1127—1130),敦照律师居支院观主院,并按《南山戒坛图经》建甘露戒坛;淳熙年间(1174—1189),净土宗僧了性及其徒守净创支院极乐院。元至元二十二年(1285),泉州僧录刘鉴义向福建行省平章伯颜申请,经朝廷准许并为一寺,赐额“大开元万寿禅寺”。次年,由临济宗杨歧派雪峰可湘禅师之徒妙恩任住持。
其后40年中,禅风远播,衲子竞集,寺僧达千人之多,是泉州开元寺最鼎盛的时期。元末社会动荡,寺亦随之衰微。明洪武三十一年(1398),朝廷命曹洞宗名僧正映为住持,重建甘露戒坛,一度中兴。正映之后寺又趋荒落。成化、弘治间(1465—1505),僧众流散四方,火药匠占据戒坛。万历初年(1573—1575)僧舍成为民居,戒坛、法堂沦为匠人之宅。二十二年(1594)檀越黄文炳禀于地方官,驱走匠人,恢复戒坛。崇祯八年(1635),曹洞宗中兴名僧元贤来寺开法,四众云集。崇祯十年(1637),总兵郑芝龙倡修大雄宝殿,全部换以石柱,开元寺开始复苏。民国时期,圆瑛、转物和转道三法师发愿重兴,遂向海内外劝募重修,当时转道慷慨出钵资数万元以为开办费用。圆瑛与转物于1920xx年9月进寺。圆瑛主持开元寺后,通过黄守恭后裔黄孙哲、黄祝堂向黄仲训、黄奕注和黄秀烺等先生劝募,他们分别负责修建法堂、东塔、西塔三大工程的费用。修复工程达三年之久,至1920xx年才陆续完成。后来寺院的部分又长期被占作军营,或成为囚禁壮丁的场所。
抗日战争期间,大雄宝殿及藏经阁部分建筑又遭日机轰炸,寺内文物古迹受到严重破坏。目前寺的范围南北长260米,东西宽300米,占地面积78000平方米。正面和西面环立白石栅栏,并栽刺桐。寺内殿阁基本上属明代建筑风格。中轴线上的建筑依次为紫云屏、天王殿、拜亭、大雄宝殿、甘露戒坛、藏经阁等。天王殿后廊连接着一座卷棚歇山式的四角形拜亭,连着拜亭是一片开阔的花岗石铺地的平坦石庭院,此即拜庭,面积有2800平方米;庭中八株古榕,虬枝相接。拜庭两侧还立有10座舍利塔和一座石经幢,还有2座建于南宋绍兴十五年(1145)的印度窣堵坡式方型石塔。大雄宝殿,一称紫云大殿,又因间架植立石柱百根(实94根),亦称百柱殿,面积1400平方米。殿为重檐歇山式,为明末郑芝龙重建。殿内飞梁迭栋,斗拱雕刻飞天乐伎24尊。佛坛正面祀丈八金身五方佛,为福建寺院所仅见。后殿中奉观世音菩萨,两侧为十八罗汉。殿前月台宽大,台座壁面束腰部分,嵌有72幅狮身人面青石浮雕,还有两根青石柱,系从明代废圮的婆罗门教寺庙中移来。
戒坛是中轴线上第二台阶的建筑。现有建筑为五重檐八角攒顶式,系清康熙五年(1666)仿宋建筑,面积654平方米。坛为圆形,计分五层,坛上的立柱和四面雕梁之上,有24尊木雕的飞天乐伎,但有飘带,与大雄宝殿的不同。藏经阁是寺内中轴线上第三台阶的建筑,其前身为法堂,如今所见到的是1920xx年改建的双层楼阁,重檐四角、钢筋混凝土结构,面积1800平方米。
阁内藏经相当丰富,计有4万多卷,其中著名的有宋版元刊《崇宁万寿藏》与《毗卢藏》的残卷,此外还有五代僧义英手写的《金银藏》残片、元代僧如照的血书《妙法莲华经》、明代僧蕅益亲笔题识的《梵网经》与明刻本《华严经》等。在寺大殿东西两侧相距约200米处各有一塔,东塔名镇国塔,西塔名仁寿塔。这两座建于宋代的精美石塔均为五层八角仿木结构楼阁建筑,东塔通高48.27米,西塔高44米。两塔塔身上下还有精湛的石雕,内容以佛陀的本生故事为主。开元寺与东西塔已成为历史文化名城泉州的象征之一。寺中轴线两边除东西塔外,东侧建筑有檀越祠,原祀黄守恭。准提禅林为东侧第二建筑,俗称小开元。西侧有功德堂、弘一法师纪念馆、水陆寺与桑莲古迹等。
篇2:泉州府孔庙导游词
这一年我依旧看到她华丽的在枝头绽放,人们说她宛如一抹天上降落人间的圣火,在繁茂的花枝上纵情燃烧。从她扎根于这片南国大地至今已有千年,她与这座她生活的城市一起经历了风风雨雨,从繁盛到衰落,从战乱到和平,从衰败到复兴。这里的人们叫她“刺桐花”,把她看作热情与吉祥的象征,人间幸福美好的代表。“闽海云霞绕刺桐,往年城郭为谁封”,有人说盛放枝头的她开在春天,生如夏花,亲近阳光,树姿优美。这座她生长了千年美丽古老的城池,当春风吹拂大地,百花怒放时,我知道,她只希望用她的娇艳花姿点缀她最深爱的土地,用如火的热情去点缀这座城市,点燃这座城市的激情。
泉州,这片刺桐花扎根了千年的土地,时光流逝、生命轮回,正因这片土地一直给予她母亲般的温暖,让她对这座城市的爱,早深植于她的骨髓。泉州经历了千年的风雨,有过繁华,有过萧条,犹如广袤的平原上那株随风飘零的蒲公英,摇摆不定;又似波涛汹涌的大海中的一叶扁舟,起起伏伏。那些过去与现在的记忆,在年迈的老者脑海里渐渐模糊,在尘封的档案里也仅仅是一堆冰冷的文字,但我知道,那些记忆之于刺桐,却是生命力流动的血液,跳动的脉搏,是铭刻在她年轮里永恒的烙印。无论花开花谢,刺桐只求时刻注视这座她深爱的城市,在她的年轮里记录下这座城市一点点的变化,见证她一步步的复兴!
过去的泉州只有斑驳陆离的街道,摇摇欲坠的危楼旧屋……还有一条穿行城内,垃圾肆虐,臭气熏天的内沟河。在我的记忆里,最难忘却的就是那条曲折蜿蜒地穿行的内沟河,那是泉州城的防洪排涝系统,但从它建成至今就因水道狭窄,年久失修,淤泥堆积,每逢台风暴雨,山洪暴发,加上海潮顶托,就会形成内涝。那些沉积在沟底的污泥就会随水流蔓延到岸边,如果不小心沾到污水,不及时清洗将会引发皮肤过敏。在这时,生活在周边的居民出入都要“惊险万分”的在砖头临时搭起的“独木桥”上摇晃一番。尤其是在酷暑时节,那小小的水沟中飘着大片各式各样的生活垃圾,散发出阵阵刺鼻的恶臭,还会“招揽”成群的苍蝇、蚊子。这样的环境对于那些住在水沟周边的人们来说宛如地狱,令他们苦不堪言!我也曾自那条内沟河边走过,那种刺鼻的臭气,甚至让她感到头晕目眩!而这些对于生在河边的刺桐而言,犹如生在地狱!她是一棵树,她需要充足的水源,当别的花草树木在优美的环境中恣意繁衍时,她却只能在恶臭的水沟边残喘。
每当夏日来临,这里的蚊虫就日益增多,它们在水中繁衍下一代,成千上万的蛆在水中蠕动,那些被丢弃到水里和岸边的垃圾在高温之下腐烂,发臭,引来许多苍蝇蚊虫,而这里也成为它们“生育”下一代天然“产房”。每遇炎热的天气,内沟河水量少,沟底的垃圾混合着淤泥直接暴晒在太阳下,内沟河都会臭上一阵。当成千上万的蛆在水中蠕动,当刺鼻的臭气随着微风扑面而来时,每个途经此地的人都会掩鼻叹息,匆匆而过。曾经有几名厦门来的游客想要参观泉州的木偶艺术博物馆,但却被流经该街的内沟河的恶臭味逼得不愿再前行一步。这是多么讽刺的事实啊!一条臭水沟竟让那些古老的历史文化难以光芒四射,竟让那些追寻历史文明的脚步不敢前进!纵使刺桐花开得再娇艳,比起那些弥漫空中的臭气,也形同虚设,在这样的沟边生长,她那“华丽的舞台”也不可避免的被“灰暗的布幕”所遮挡。
为了彻底解决市区内涝,还市民一个良好的人居环境,历届市委、市政府在整治市区内沟河的工作上都下了大工夫。十年前市政府决定整治多条沟渠,这之中也包括这条“一夫当关,万夫莫开”内沟河。在那段时期,干部群众齐心同力,即使是在烈日当头,臭气冲天,他们也没有任何怨言,所有人都一心一意为改变内沟河的面貌,改善生活环境而努力。在那一百天的艰苦“战斗”中,堆积已久的垃圾被“驱逐出境”,成千上万的蚊虫被杀虫剂和消毒水“绞杀”,沉积多年的污泥被卡车“送走”。人们开始重筑沟壁,修葺栏杆,种植花草树木,一扫内沟河多年不变的肮脏景象,还它一个整洁干净的新面貌。内沟河自从上世纪90年代进行整治以后,就成为市区的一个重要景观。整治后的内沟河一改旧容换新颜,古城内外,长渠如练碧波荡漾,绿树繁花掩映两侧楼宇,经过疏浚的清新河道、水系展现在市民面前,再现了泉州市区“清泉随地涌、处处有花蹊”的历史风貌,大大提高了城市的生态环境质量,明显地改善了市民的居住、生活环境。现在刺桐花也不用在臭气污水中艰难度日,清清的水流自她身边流过,蝴蝶、鸟儿在刺桐树上栖息休憩,人们在她的繁枝茂叶下乘凉聊天,杨柳同她一起随风摇曳……一条小小的沟渠代表了泉州人生活环境六十年来的巨变,曾经的断壁残垣被高楼大厦取代,今天的泉州人在优美的环境中悠然自在的享受生活乐趣,品味人生真谛……
六十个春秋流逝,这片南国沃土的变化不仅仅在此……
这是一条长达2500米的街道,商店林立,各类商品令人眼花缭乱,商业气息与文化氛围奇妙地交织在一起。“南国多雨天,骑楼可避风”,中山路浓缩南国建筑风格,是中国仅有的保存最完整的连排式骑楼建筑商业街。它那骑楼式建筑是闽南文化和东南亚文化相结合的产物,体现着泉州侨乡人民和海外侨胞共同珍视的历史价值和情感色彩。中山路的历史可以追溯到盛唐时期,那时泉州成为武荣州的州治,并建设了州治的府衙、六曹都堂暑和参军厅等行政建筑。府衙前的南大街,就是现中山路的一部分,被设为市,并严格管理。随着宋、元时期泉州社会、经济的繁荣发展,泉州成为东西方贸易的主要中心之一,被马可波罗称为“东方第一大港”,那时的中山路“可容十四匹马齐驱”。但是在历史终归是历史,繁盛的街市也会有萧条败落。到了明、清,朝廷闭关自守,海外贸易萎缩,泉州渐渐失去其“东方第一大港”的地位,中山路逐渐退化,到清末时,街道宽度被减小到一丈多宽,不免有几分惋惜。
也许,就像历史的轮回那样,清政府在衰退后被推翻,新的革命力量的诞生,给中山路注入了新的生命力。民国初年,泉州中山路由南洋华侨投资改造成为骑楼街道,建筑形式明显受到南洋的影响。这种骑楼建筑是别具一格的,风雨天挡风避雨,炎夏酷暑遮阳纳凉,骑楼下的顾客们这家进、那家出,有如闲庭信步,十分方便自在。在经历了战争和的洗礼之后,中山路得以保存了下来,住在这里的老泉州人,把被战争破坏的房子或渐渐老去的房子,进行翻新,虽然加入不少现代味,但还是保留了骑楼式的味道。早时的临街店铺,门面是一块一块的木板,显得古朴简陋;后来变成了玻璃门,廊柱也涂红漆绿;再后来又变成了金属门窗、柜台,一到晚间霓红灯闪闪烁烁异彩纷呈,恍若性感歌星的媚眼吸引过往的顾客与行人……
在我幼小记忆里的那条狭窄、颓败的中山路早已消失了。“传统并时尚着”用这个词来形容现在的中山路所展现出来的风土人情和文化传统,实在是再贴切不过了。在这条街上,你可以遇见各个历史阶段的东西,比如穿木屐的老人,手工食品商店,南洋风格的建筑,百货商店……放眼那些铺子,华丽的装潢和那耀眼的射灯,总在第一时间抢夺了你的眼球,再扬起那动感十足的音乐,踩踏着节拍,让人有着一股想要进门逛逛的冲动。不过在这一片时尚华丽中,总有些一颇为个性的小店,你能淘到泊来的外国货,或者民族风情十足的小装饰品。最重要的是在中山路上能边走边逛边吃,走在这独一无二的排式骑楼,品尝着各种奇奇怪怪的小吃挺多的,以前没几间,后来越来越多了,走累了,就找间小店进去歇一歇脚,喝点饮料,吃点东西,怎不是一种乐趣呢?春夏交替的时候,有淹渍的酸桃,秋风吹起,便有担担子的板栗子。美丽的刺桐就在这样繁华的街市盛放,低垂的枝头挂满了火红的花朵,静静的看着人群从树下经过,用她繁茂的枝叶为来往的人们遮阴挡阳。这一切是同刚解放时的泉州有着天壤之别的,那些颓败萧瑟不再,有的是霓虹闪烁,异彩纷呈,置身其中,这能仿佛让我看见了千年以前“东方第一大港”的蓬勃活力…
这个享有“海滨邹鲁”之誉的美丽城市经历了千年的风雨,走过了多少泥泞,穿越多少荆棘,才拥有今天富强繁盛的景象,勤劳的泉州人用他们的双手创造出一个与曾经的“东方第一大港”相比,“青出于蓝,而胜于蓝”的魅力泉州!今天,坚强的泉州人把刺桐花奉为他们的城市市花,而刺桐也将永远的守护这个古老美丽的海滨城市,用她的如火娇艳去点缀这个正在腾飞的城市,让泉州更加灿烂辉煌……
篇3:泉州清源山导游词
Hello, everyone! Im very glad to have the opportunity to climb themountain with you today and enjoy the beautiful and colorful scenery of Qingyuanmountain, which has the reputation of "showing the Southeast". Due to the timelimit, the scenic spots we visit today are laojunyan, qianshouyan and mitoyan inturn. I hope you have a good time!
Qingyuan mountain is a national key scenic spot, which is composed ofQingyuan mountain, jiuri mountain and Lingshan tomb, with a total area of 62square kilometers. Qingyuan mountain scenic area has an area of 40 Li, with themain peak at 498 meters above sea level. It is closely related to the mountaincity of Quanzhou and reflects each other. It is like a bright pearl of thefamous city of Quanzhou, shining with dazzling light, attracting many overseastourists. In history, Qingyuan mountain was also known as "Quanshan" because ofits many springs; the city was named "Quanzhou" because of its mountains; themountains are high and the people are numerous, also known as "Qiyun mountain";it is located in the northern suburb of the urban area, also known as "Beishan";it is also known as "Santai mountain" because of the confrontation of peaks.According to the records of Quanzhou official records, Qingyuan mountain wasfirst developed in the Qin Dynasty. In the Tang Dynasty, Confucianism, Taoismand Buddhism competed to occupy land for business. They also had the activitiesof Islam, Manichaeism and Hinduism, and gradually developed into a culturalmountain with a variety of religions. In the scenic spot, there are flowingsprings and waterfalls, grotesque rocks and caves, emerald peaks and beautifultrees. The cultural landscape mainly consists of religious temples and palaces,stone treasures of literati academies, stone carvings and stone carvings isalmost everywhere in Qingyuan mountain. There are 7 large-scale Taoist andBuddhist stone carvings in song and Yuan Dynasties, including 9 statues. Thereare nearly 500 ancient cliff carvings, and the granite imitation wood structurein yuan, Ming and Qing Dynasties There are three stone chambers of Buddhastatues, as well as the relic tower of Hongyi master gaohatong (Li Shutong) andthe tower courtyard of Guangqin master in modern times. Since ancient times,Qingyuan mountain has been famous for its 36 caves and 18 scenic spots, amongwhich laojunyan, qianshouyan, mitoyan, bixiaoyan, ruixiangyan, huruquan,nantaiyan, Qingyuan cave and cienyan are the most famous. Today, we have limitedtime to enjoy the charm of Qingyuan mountain, so we can only leave some regretsfor our aftertaste, or visit from our relevant tourism publicity materials Itsbeen a while.
OK, now lets visit the first stop laojunyan.
The layout of Laojun rock is as follows: the mountain gate, the shady stonepath and the statue of Laojun.
Now you are standing at the Mountain Gate of laojunyan. Please payattention to the two-level curved platform, which is a variant of Yin Yang TaijiBagua. The natural stone standing in front of you is engraved with the eightseal characters of "qingniu goes to the west, Ziqi comes to the East", and theStone Mountain gate, which is decorated with intertwined windows, is full ofmountain and wild atmosphere, which makes Laozi "advocate nature" ”The idea of"the beauty of the world" is incisively and vividly set off, which makes peoplehave the pleasure of entering the fairyland outside the world.
Along this quiet shady stone path, a giant of the botanical world, banyan,stands on both sides, with extraordinary style. The dense and long roots arelike Lao Tzus long beard, which shows that Lao Tzus thought is "everlasting"and has infinite vitality.
Dear friends, now, the stone sculpture in front of us is the statue ofLaojun who has the reputation of "Laozi is the best in the world". The statue ofzhejun is listed as a national key protected cultural relic, which is a uniqueart treasure in Taoist stone carvings in China. It was carved in the SongDynasty. After thousands of years of vicissitudes, it is still vivid andenergetic. According to the records of Quanzhou Prefecture compiled during thereign of Emperor Qianlong in the Qing Dynasty, "the stone statues are made inheaven, and the good ones are slightly carved." It shows that it is a naturalgiant rock with a shape similar to an old man. It is a wonderful folk craftsman.With a little skill, it was carved into the sitting statue of Laozi, a famousphilosopher, thinker and founder of Taoism in the spring and Autumn period. SimaQian, a famous historian of the Han Dynasty, recorded in the biography of LaoziHanfei in historical records that "Laozis surname is Li Shi, his name is er,his word is Boyang, and his posthumous title is ri Dan." Therefore, he was bornin qurenli, Li Township, kuxian County, Chu. Tao Te Ching, Lao Tzus immortalwork, has a wide and far-reaching influence, as we often say, "happiness lies inmisfortune; misfortune lies in happiness." Admonish people that misfortune andfortune are relative. There is no need to worry about gain and loss. If you getsomething, you must lose something. At any time, you should keep a clear mindand not be confused by appearances. His views are full of simple materialism.The statue of Laojun was originally surrounded by a high Taoist temple, and thegrand Taoist buildings such as Zhenjun hall and Beidou hall were quitespectacular. Later, the Taoist temple was burned down, and Laojun rock stood inthe open air, integrated with the nature. Its survival is enough to prove thatthe Taoist culture of Quanzhou, known as the "world religion Museum", was verydeveloped and prosperous in the Song Dynasty. Li Laojun rode a green ox out ofHangu pass and "entered Fujian from Chu" leisurely. Maybe he took a fancy to thegeomantic omen treasure land of "QUANNAN Buddhist kingdom"?!
Now lets take a serious look at the stone statue of Laojun. The stonestatue is 5.63 meters high, 6.85 meters thick and 8.01 meters wide, with a floorarea of 55 square meters. Because it is the largest and oldest Taoist stonesculpture in China, people in the literary and historical circles call it "Laoziis the best in the world". The vivid and lifelike shape, exquisite charm,exaggerated freehand brushwork lines, simple and honest connotation, and theartistic conception of the unity of man and nature make this stone statue ofLaojun look especially kind and lovely, full of enchanting charm. You see, itsits on the ground, with its left hand on its knees, its right hand on its back,its eyes smiling, and its eyebrows shining. It can be said that "the wind blowsthrough its whiskers, and it can play things.". Strictly speaking, it seems thatLao Juns ears and knees are out of proportion. His ears droop over hisshoulders and his knees are extremely large. However, this exaggeration anddisplacement make people feel that he can stretch and bend freely. The mostpopular and admirable thing is that the old mans manner is amiable, his eyesare deep and wise, his face is smiling, open-minded and approachable. He is fullof warm human feelings, and he does not have a dignified and dignified immortalposture at all. The broad-minded and smiling look makes people feel approachableand approachable. Among the people, this stone statue of Laozi is also a symbolof health and longevity. There is a dialect in Quanzhou: "touch the nose, eatone hundred and two; touch the eyes, eat one hundred and six." It means, who cantouch Lao Juns nose, can live 120, touch his eyes, can live 160. Of course,only a baby would believe it. As a matter of fact, Qingyuan mountain has freshair and wild scenery. If you come here often, you can benefit both physicallyand mentally. You dont need to touch your nose and eyes to prolong yourlife.
After getting close to the old man for thousands of years, we will enterthe artistic conception area of "Valley Sanskrit". Now you can see this simpleand natural ancient temple is qianshouyan.
Qianshouyan, also known as Guanyin temple, is named for its worship ofGuanyin statue. Qianshouyan is located on the left peak of Qingyuan mountain.The red walls and plain tiles of the temple are very fresh. The sitting statueof Sakyamuni, founder of stone carving Buddhism in the Song Dynasty, isworshipped in the middle and back of the main hall. The stone statue isexquisite and lifelike. It is one of the best works of stone carving art in theSong Dynasty in Qingyuan mountain. The statue of Avalokitesvara with thousandsof hands and clothes in front of the stone statue is kind-hearted and has anexcellent look. The eighteen Arhats on the two sides of the wall have differentexpressions and feel ready to come out. Qianshouyan temple is full of incenseand fire all year round. In front of the temple, the pines and cypresses aregreen, and the peaks and rocks are jagged. Its worth mentioning that the 300year old ancient pine in front of the temple is special. You can see that itstrunk is divided into two parts, facing the temple gate, but not covering theeyes of the Buddha. Its amazing that it forms a beautiful angle with thetemple. The ancient pine is vigorous and straight, curly and circling, like acharitable old man, opening his arms to welcome the guests from all directions.Therefore, it is no wonder that the guests of Huangshan Mountain, afterobserving the ancient pine, praised it as more beautiful than the "welcomingpine" of Huangshan Mountain, and its posture is more warm and magnanimous.
Climbing from Qianshou rock for more than ten minutes, you can reach Mitharock. Mor can be said to be one of the essence of Qingyuan mountain, where thereare waterfalls, ancient trees, temples and stone carvings. The natural landscapeand the cultural landscape are integrated into one, which is ingenious. Letstake a look at this "spring cave waterfall". Look, the clear spring water flowsdown from the 50 meter high steep wall and splashes jade on the bluestone. It isfull of poetic and picturesque, and it cleans up the worldly customs. Literatiand poets of all ages often come here, but their literary thoughts areoverflowing. The inscriptions such as "Xixin", "qingruxu" and "liugao" are stillshining, which add to our appreciation interest Do you have the wonderfulfeeling of life painting midstream!
Beside the waterfall, this peculiar shaped epiphytic tree is formed by thecombination of ancient banyan and chongyangmu. It is like "Tianlv" who is deeplyaffectionate. Therefore, it is called "Tianlv Chengrui". Its amazing to seethat they are so close and like glue. Many scholars say that they are theincarnation of Chen Sanwu Niangs hometown. Therefore, there are often younglovers here, and Ruyi couple Nestle here, leaving a memorial photo full ofpoetic and picturesque. Just a few steps away, it is said that this big treewith thick shade is the "Yang Pu Tao", commonly known as "Lian Wu", which wasbrought back from Chinese Taiwan by general Shi Langs department more than 700 yearsago. During the harvest season, the trees are green and red, and the fruits arenumerous. They are shaped like a bamboo hat, with a sharp top and a wide bottom.They taste cool and delicious.
The first batch of provincial key cultural relics protection units, builtin the 24th year of the Yuan Dynasty (1364 AD), are mitoyan. It has a wood likestructure, a square plane, a 5.6-meter-wide back against the stone wall. Itrests on the top of the mountain. A gourd is placed in the middle of the mainridge. The banner on the door reads "Amitabha" and the column head and outsideThe eaves are arched, and the top of the rock is a square caisson. A statue of"Amitabha Buddha" is embossed on the rock surface of the stone wall. It is 5meters high and 2 meters wide. It is dignified and generous, with a full face,kind and kind. It has a bun on its head, a lotus on its feet, a flat chest onits left hand and a drooping right hand. According to the Buddhist scriptures,it means to satisfy the wishes of believers and lead all living beings to theparadise. No wonder so many good men and women worship Amitabha and aredevout.
There is a stone tablet on the right side of the right chamber, the stonetablet of the Yuan Dynasty, which records the process of the restoration of thestone inscriptions in the rock chamber of Mituo. The most valuable one is themany simplified characters in the inscriptions, which is an important historicalmaterial in the history of the simplification of Chinese characters. Theplatform in front of the temple is called "yixiaotai", and there are 3.5m-highfive level solid pagodas on the left and right sides of the platform. Standingon a roaring platform, you can see far and wide, the Jin River is flowing, thetwin towers are flying in the sky, the red chamber is green, and the scenery isenchanting, which makes people feel relaxed and forget to return.
Quanzhou has the reputation of a religious Museum, which is more prominentin the mother mountain Qingyuan mountain. We visited laojunyan (Taoism),qianshouyan (Buddhism) and mitsuyan (Buddhism). Now lets go to bixiaoyan(Lamaism) to appreciate the elegant demeanour of bixiaoyan III Buddha.
The three Buddhas sit side by side on the lotus seat, with the main statueabout 2.5 meters high and the left and right statues slightly lower. The Buddhastatues are well preserved. They are all of Tubo style: Buddha hair, snailtemples and Baoyan on them. His face is wide on the top and narrow on thebottom. His ears are drooping over his shoulders. His shoulders are wide and hiswaist is thin. He is wearing a cassock with his right shoulder bare. He puts acorner of the cassock on his left shoulder. The pattern is represented by relieflines, which are still obvious despite the vicissitudes. The stone statues haveround head light and body light. Zhongzun is the statue of Sakyamuni, also knownas the present Buddha. He is in charge of the present world. His statue is usedas the devils image of touchdown, one hand caressing the ground and the otherhand upward. Zuo Zun, known as the pharmacist Buddha, is in charge of the pastworld. He is also one hand down, one hand up, just the left hand of the bowl.The right Buddha is called Mitha Buddha. It is the future Buddha. It is themeditation phase of Shi Dingyin, that is, the hands are folded in the abdomen.The precipitous terrain, exquisite technology and different shapes make everyvisitor marvel.
The third Buddha is the main Buddha statue worshipped in the Buddhist Hallof Tibetan Esoterism (commonly known as Lamaism) since the 13th century.According to the records of painted sculptures of the Yuan Dynasty, in theTibetan temples in Dadu of the Yuan Dynasty, all the three Buddhas wereworshipped in the main hall, which was the main god of the Yuan Dynasty at thattime. At present, the stone carvings of the three Buddhas have been identifiedby experts as the earliest and best preserved Sanskrit Buddha statues inSoutheast China. There is a stone carving 20 meters to the south, which recordsthat the third Buddha was carved in 1292, with a history of more than 700years.
One of the characteristics of bixiaoyan is its famous stele, strange stone,dense shade and secluded stream. Centered on the "three Buddha", there is theGuangqin masters pagoda building group in the style of Minnan folk house builtin 1991 on the south side. Behind it, we can see the large stone inscription"Shou" in cliff script of Southern Song Dynasty. The font is 3.5 meters high and3.15 meters wide, which is known as "the largest" Shou "in Minzhong"; Next to itis the sculpture of Fu Hu monk, and below it are several square stone carvingsleft by celebrities of the Qing Dynasty.
As the saying goes: unlimited scenery at the peak, high climb, suddenlyfeel open vision. Qingyuan cave and nantaiyan are the two peaks we have reachedtoday. They are called "Grand View of mountain and sea". Qingyuan cave, as thefirst cave in Qingyuan mountain, combines the rich historical, cultural andreligious deposits of Quanzhou, and has high ornamental and academic value.Qingyuan cave is also known as "Chunyang cave" and "tuoxianyan". "Quanzhou FuZhi" said: "Qingyuan cave is especially large and strange.". During the reign ofShaoxing in the Song Dynasty, a Taoist surnamed Pei molted his bones and becamean immortal here. Why did Taoist Pei emerge as an immortal here? This is amysterious and long-standing folklore. It says that Taoist Pei killed the peopleand killed the giant python to Qingyuan cave. How deep is Qingyuan cave? Thereis a legend that Qingyuan cave connects Luoyang River. In front of the cave,there are Peixian temple, Guanyin hall, Wenchang Pavilion and other threereligious temples. There are also a large number of historical celebrities whohave come here in droves, leaving countless achievements: Li Guangjin, heQiaoyuan, Jiang Zhili, Hong Chengchou, Nian Bensheng, Ma Nvshu, Shi LangQingyuan cave not only has profound historical connotation and rich culturallandscape, but also has extremely spectacular and beautiful natural scenery. Nowlets enjoy the myriad weather here. The mountain ranges in this area arecrisscross, the peaks fluctuate, and the levels change regularly. The communityis rich and colorful, evergreen all the year round, with the characteristics ofsubtropical rainforest, from which you can see the ancient and famous trees thatare still full of vitality after the wind and frost. Between spring and summer,the cloud and mist on the top of the mountain are transpiration, and thepavilions in front of the cave are ethereal. Because of its high position in themain peak, it faces the boundless sky below. In the near view, there aremountain shadows reflecting the Sky Lake, in the middle view, there are ancientcities with a panoramic view, and in the long view, there is vast sea, whichconstitutes a wonderful "Grand View of mountain and sea". Nantai rock is like a"castle in the air", with towering boulders and a broad vision. It flows intothe sea on the left and Jinxi River on the right. The ancient city is in theembrace, and the purple hat stands in front of it. Under the East and Westtowers, it is a marvelous spectacle in the "Grand View of mountains and seas".There are also Buddhist, Taoist and Buddhist buildings built close to theprecipice, surrounded by green cages of trees, which is also a good view forvisitors to climb high and overlook.
My friends, our journey is coming to an end. As you all know, Qingyuanmountain is full of beautiful sceneries, and what we see today is only rare. ButI hope that through my introduction, you can leave a good impression onQingyuan, a national famous mountain, and arouse your interest in mountains andrivers and revisit your hometown!
Finally, thank you for your cooperation and wish to have a chance to gettogether with you again!
篇4:泉州府孔庙导游词
“万仞宫墙”原名仰圣门,是明代曲阜城的正南门。明武宗正德七年(公元1512年),孔庙为刘六、刘七领导的农民起义军所毁,正德皇帝下令建城卫庙、于是以孔庙、孔府为中心修筑了明曲阜城墙,明世宗嘉靖元年(公元1522年)竣工。在与孔庙正南门相对处设立城正南门。因正南门为孔庙而设,所以应视正南门与孔庙为一体。明代学者胡缵宗为表达对孔子的尊敬和赞扬,亲书“万仞宫墙”石额镶于门上,其意出自《论语》子贡语。鲁大夫叔孙武叔曾经对大夫们说:“子贡的学问很深,比孔子还要强些。”子贡听说后就给叔孙武叔说:“人的学问好比宫墙,我的这道墙不足肩头高,别人很容易看到里面有多少东西,我老师这道墙有好几仞高(仞:丈量单位,一仞约等于八尺),别人是看不到里面的东西的,只有找到门,走进去,才能看到这墙内雄伟的建筑,可找到门的人太少了!”胡缵宗认为数仞宫墙仍不能表达他对孔子的赞扬,于是将其改为“万仞宫墙”。到了清代,乾隆皇帝到曲阜来,为了显示他对孔子的敬仰,把胡缵宗书写的石额换下,自己亲笔书写了同样四个字镶于城门。现在看到的“万仞宫墙”石额,即乾隆皇帝的御笔题写。
金声玉振坊
金声玉振坊建于明代嘉靖十七年(公元1538年),“金声玉振”四字为明代学者胡缵宗手迹,坊上有平面浅雕云龙戏珠,柱顶各设圆雕“辟邪”一只,俗称“朝天吼”,坊后有一座单孔石桥,上设龙陛,名曰“泮水桥”,桥下泮水原上游接古泮池,下游流经明城正南门西水门入护城河。此桥建于清康熙十六年(公元1677年)。
“金声玉振”四字出自《孟子·万章下》,孟子说:“孔子之谓集大成。集大成也者,金声而玉振之也。金声也者,始条理也,玉振之也者,终条理也。”意思是说孔子集圣贤之大成,始终而一。“金声”原意是指我国古代乐器“钟”发出的声音,“玉振”原意是指我国古代乐器“磬”发出的声音,在古代奏乐时以击“钟”为始,击“磬”为终,金声玉振的原意为一首完善的乐曲。孟子将孔子思想比喻为一首完美无缺的乐曲,在这里借用孟子语意,是说孔子思想完美无缺,集古圣贤之大成,以达到绝顶的意思。
篇5:泉州清源山导游词
Qingyuan mountain, also known as Beishan, Quanshan and Qiyun mountain, isthe North barrier of Quanzhou City. It is 498 meters above sea level and coversan area of 62 square kilometers. The main scenic area is 3 kilometers away fromQuanzhou City. "The wonder of Qingyuan is stone", and the spirit of Qingyuan isspring. Yuan people praised "the first mountain of Penglai in minhai". "Qingyuanconfrontation" is one of the ten scenic spots in Quanzhou, which has always beena range rover for tourists. It was listed as national scenic spot in 1988.
The right peak of Qingyuan mountain is steep, the middle peak is lofty, andthe left peak is meandering. Layer upon layer of peaks and knolls, deep holesare deep, and once the thirty-six cave days are known for their essence, such asLao Jun Yan, thousand hand rock, mite, Bi Xiao rock, Rui Xiang, Ci Enyan, fiveChinese Taiwan rock, ntai Yan, tortoise rock, lion rock, slough rock and Qingyuan caveare still preserved; nests, Yunshan rocks and zidze cave are still relics. Thesecaves, either made of wonderful scenery or artificially carved, have their owncharacteristics and each achieves its own beauty. Its main features are: Laojunrock, located at the foot of Luoshan mountain and Wushan mountain, is a sittingstatue of Laojun carved from natural rocks of Song Dynasty. It is 5.1 metershigh, vivid in shape and exquisite in carving. It is now the most importantstone statue in China and a national key cultural relics protection unit.
Midoyan is located on the "yixiaotai" on the mountainside of zuofeng. In1364, an imitation wooden stone chamber was built on the stone wall, with a facewidth of 5.6 meters and the inscription "AMI" on the forehead
Buddha. On the back wall of the room, the statue of Amitabha Buddha, 5meters high, is a key cultural relic protection unit of the province. Outsidethe rock, there are "yixiantian", "Yuntai", "lianxinshi", "quankuguanbao","Hongyi master relic tower" and other landscapes.
Bixiaoyan, located in the southeast of midoyan, was built in the 27th yearof the Yuan Dynasty (1290). The original stone structure was abandoned. Thestatue of the third Buddha sitting in relief on the cliff is a key culturalrelic protection unit of the province. On the top of the rock is shangbixiao,with a platform and the character "Shou" carved on the cliff, which is 4 meterssquare. The spiritual bones of master Guangqin, who came back from Chinese Taiwan, werealso buried by Bixiao rock, and a stone tower was built to pay homage tothem.
Ruixiang rock is located in the east of Bixiao rock. In 1086, the statue ofSakya Ruixiang was carved on tianzhufeng mountain stone. It is 4.4 meters high.In the 19th year of Chenghua (1483) of Ming Dynasty, the imitation wood stonechamber was built. The rock is a key cultural relic protection unit of theprovince. Outside the rock
The sky is full of strange rocks. Among the cliffs, there are cliffcarvings of "forget to return" and "North Gate victory". On the opposite side ofthe rock chamber is Luohan peak, standing on the side of the broken rock, whichis shaped like Luohan, forming the auspicious spectacle of the 18th LuohanDynasty.
In addition, the statues of Sakyamuni in qianshouyan and Guanyin in Baiyiin cienyan were all carved in Yuanyou period of Northern Song Dynasty, whichhave high historical and artistic value. The spring in Qingyuan mountain hasmore than 100 eyes. The famous one is called "Kong Quan", also known as "Hu FuQuan". The spring bursts out from the pores of a large rock lying obliquely,with clear and constant flow. Qingyuan and Quanshan got their names. "Springcave view waterfall" on the side of mitoyan. In the rainy season, there is ascene that "the rainbow and rain are blowing continuously, and there are stillmany rivers of colored glaze"; in the dry season, there is a drop of coagulatedfat, which needs to wait for the reservoir above to release its gate, and theartificial waterfall is built.
Scholars, generals, eminent monks and dignitaries of all dynasties visitedthe mountain, leaving 400 square steles and cliff inscriptions. Mi Fus "thefirst mountain" in the Northern Song Dynasty, Yu Dayous "Junen mountain" in theMing Dynasty, and master Hongyis "the intersection of sadness and joy" in themodern monks ink are highly admired. He studied in Jielu on Qingyuan mountainand made great achievements, including Ouyang Zhan, Lin Yun and Lin Zao in TangDynasty, Li Guangjin, Wang Shenzhong and Gu Bi in Ming Dynasty. There are manyTaoist priests and eminent monks in Qingyuan mountain. The numerous allusions,legends, myths and so on spread in Qingyuan mountain make the famous mountainhave more profound cultural connotation.
篇6:泉州府孔庙导游词
泉州府孔庙位于市区中心、百源川池西畔。现存占地10700平方米,是泉州古代文化教育的殿堂,也是泉州现存大型宋代建筑之一,在全国上千座文庙里是罕见的,有很高的科学、艺术和历史价值。大成殿为文庙的主体建筑、陈列有古代祭文礼器、乐器及泉州历代名人遗著、遗物等,是了解泉州古代文化教育的珍贵实物资料。泉州府文庙列为省级文物保护单位。
北宋太平兴国初(976-981)移建今址。北宋大观元年(1120xx年)建泮宫门。南宋绍兴七年(1137年),按照“左学右庙”(即东学西庙)建制,重建明伦堂、大成殿、东西两庑,南宋嘉泰元年(1220xx年)建棂星门。总占地一百多亩。
主体建筑大成殿为典型的宋代重檐庑殿式结构。面阔7间35.3米,进深5间22.7米,斗拱抬梁式木结构,以48根白石柱承托,正面有浮雕盘龙檐柱8根,风格古朴,在全国现存文庙中甚属罕见。殿前砌露台,台明嵌有仰莲、复莲、扶桑、山茶、牡丹、芙蓉等辉绿岩石浮雕。台下通道、拜庭,两旁古榕垂荫,庭外为半月形泮池。上有元代建的泮桥,梁式石构,中部拱起,两边有石构护栏。
大成殿前东西两侧筑有东庑和西庑,全长112米,宽10米。两庑前正中为大成门三开间,二进深,左为金声,右为玉振,三门联成一体,宽60米,深10米。门外为露埕宽66米,深60米,可容数千人,左右为礼门、义路。西面临中山街建有泮宫门。庙东有明伦堂七开间,宽36.8米,五进深21.4米,前有宽深36米的露庭,东西两书斋,庭前有方池宽29米,长43.8米,中有4米宽的石桥,围以石护栏。外为育英门,再往东原存有尊经阁和名宦、乡贤祠等建筑。
文庙内设有“泉州府文庙文物陈列馆”、“泉州历史名人纪念馆”、“泉州古代教育展览馆”。
“泉州府文庙文物陈列馆”设在大成殿内,正中有孔子塑像,两旁有四配十二哲画像。主要文物有传世祭孔乐器、舞器、礼器等。其中六件青铜豆铸有“乾隆十一年中国台湾知府蒋元枢捐造,贡生蒋鸿皋监制”和铸有“同治六年五月铸,州同御即造,训导郑秉经郊行李树监铸”及“中国台湾北路淡水同知严金清谨制”的铭文编钟。是研究泉州文庙与中国台湾文庙的历史渊源关系的实物资料。
“泉州历史名人纪念馆”设在文庙西庑,陈列有唐、五代、宋、元、明、清等朝代文化名人三十八位。这些人物从各个历史时期反映出泉州人文荟萃、人杰地灵,在政治、文化、经济、军事以及海外交通、国家统一等领域为社会以至世界作出重大贡献。展品使用现代彩色腊像工艺制作,配以精制各时代服饰,形象逼真、栩栩如生。
“泉州古代教育展览馆”设在文庙东庑,陈列自晋代中原士人徙泉后,带来中原文化,家塾兴起,宋代泉州除府学外,各县均建有县学,书院林立,如雨后春笋,时有“十室之间,必有书舍”,称誉为“海滨邹鲁”。该馆陈列展出图文并茂,以大量翔实照片反映教育历史的遗迹和遗存,还有碑刻、课本、科举试卷、牌匾、楹联等实物资料,展现当时社会教育的缩影。
篇7:泉州府孔庙导游词
女士们!先生们!
大家好!我叫任一诺。今天,由我来带领你们游览三孔:孔府孔庙孔林。孔子有句名言:有朋自远方来,不亦乐乎我有幸担任导游,十分高兴。我将尽力为大家服务,不足之处,请批评改正。
在参观三孔之前,请允许我介绍一下曲阜。曲阜地处鲁中小区和鲁西南平原的交界处。大诗人李白曾描写曲阜:笑夸故人指绝境,山光水色青如兰。现在我们参观孔庙。孔庙位于曲阜城中心,是古代人们为了几年孔子生前的伟大思想宽阔的精神品质所建的一座韵味十足的建筑。前后九进院落,占地327.5亩,南北长达1公里;共有建筑466间,54座门坊;加之庙内1700余株古树,一个个直冲云天,听说当时谁敢砍倒一棵,就会以杀头处理。每一棵树,每一个门的名字都含有孔子仁的思想。
孔府与孔庙毗邻,是孔子嫡系长子长孙居住的府第,三路布局,九进院落,共有建筑463间,加上后花园,共占地240亩。孔府,也称衍圣公府。衍圣的意思是说圣道、圣裔能繁衍接续,
进入孔府大门,由此向后孔府分为三路,东路建有一贯堂、慕恩堂、孔氏家庙等;西路是孔府当年接待贵宾和读书习礼的地方,有红萼轩、忠恕堂、安怀堂、花厅等;中路是孔府的主体建筑,前半部为官衙,后半部为内宅。
孔林,是孔子家庭的专用墓地,也是世界上延时最久、规模最大的家庭墓地。占地三千多亩。周围垣墙高3米,厚1.5米,长14.5华里。林内有各种树木10万多株,数百种植物。在万木掩映之中,碑石林立,石像成群,十分壮观。 现在自由活动3小时,可以自行游览三孔,也可以进行游戏、野餐等活动,但必须保证卫生。
参观三孔到此结束了,回到家里时,别忘了说你们还有一个这样导游噢!
篇8:泉州府孔庙导游词
不知道您读没读过《论语》,那上面开篇有一句话叫“有朋自远方来,不亦乐乎”。那么我就以孔子的这句名言,热烈地欢迎您来孔子的故乡曲阜参观游览。女士们、先生们,很荣幸和大家在这里相逢。我是你们的导演,我姓赵某某,大家可以叫我小赵或赵导。接下来的美好时光就由我和你们一起度过。
众所周知,孔子是儒家学说的创始人,在他死后的第二年,住宅被改成孔庙。孔府是孔子嫡长孙世袭的府邸。孔庙是孔子和他的后代子孙的家族墓地。孔庙、孔府和孔林,是中国唯一规模最大的集祭祀和墓地于一起的建筑群,于1994年12月被列入世界文化遗产。汉代以后历代皇帝都提倡尊孔读经,孔庙的规模也越修越大。现存孔庙占地327.5亩,建筑物466间,前后有九进院落,纵向轴线贯穿整座建筑,左右对称,布局严谨,气势宏伟。
孔府位于孔庙的东侧。始建于宋代,官衙和住宅建在一起,是一座典型的封建贵族庄园,衙署大堂用于接受皇帝颁发的圣旨,或处理家族内部事务。它布局匠心,是园林结合的范例。下面我们要去参观孔林了,孔林在曲阜城北门外,到那儿要坐20分钟左右的车,大家趁此机会好好休息一会儿吧。
孔林到了。孔林又称至圣林,占地3000亩,周围砖砌林墙长达14里。进入孔林要经过1200米的墓道,然后穿过石牌坊、石桥、甬道、到达孔子墓前。它是我国规模最大、持续年代最长、保存最完整的一处氏族墓葬群和人工园林。孔林中的墓碑,除了一批著名
的汉代石碑被移入孔庙外,尚存有李东阳、严嵩、康有为等历代大书法家的亲笔题碑,故而,孔林又有碑林的美名,堪称书法艺术的宝库。 今天的游览就要结束了,希望在孔庙、孔府和孔林的这段时光,能成为我们生活中的美好记忆。
篇9:泉州清源山导游词
各位旅客朋友们大家好!欢迎大家来到有“秀出东南”之美誉的清源山观光旅游。我是某某旅行社的导游,姓郭,大家可以叫我小郭。很高兴今天由我来为大家服务,在这里先预祝各位旅途愉快。由于时间限制,我们今天参观我们今天参观的景点是老君岩和清源山第一洞,希望大家玩得开心游的尽兴!
大家请看,清源山是多么的雄伟壮观啊!整个景区是由清源山、九日山、灵山圣墓三大片组成,总面积六十二平方公里。清源山景区方圆有四十华里,主峰海拔498米,是泉州城一颗璀璨的明珠。大家知道我们清源山为什么如此出名吗?
古人云:山不在高,有仙则名。清源山也正是借仙而出名的。传说当年铁拐李云游到此地的时候,看到这里的景色如此的美丽,乐得他举起了拐杖不停地点地,大呼:妙哉!妙哉!没想到用力过猛,铁杖深入地层数丈,突然就冒出一股清泉,喷射不止。因此,当时第一个发现此泉的人,就把此山命名为“泉山”。此城也因此得名“泉州”。后来有人在泉字上做文章,把山名衍化为“清源山”。山高人云又名“齐云山”又因地处泉州市北郊又称“北山”也因山峰鼎峙,又称“三台山”。
清源山景区内流泉飞瀑、奇岩异洞、峰峦叠翠、万木竞秀,以宗教寺庙宫观、文人书院石宝以及石雕石构石刻等文物为主的人文景观几乎遍布清源山的每个角落,现存完好的宋、元时期道教、佛教大型石雕共7处9尊,历代摩崖石刻近500方,元、明、清三代花岗岩仿木结构佛像石室3处,以及近代高憎弘一法师(李叔同)舍利塔和广钦法师塔院。自古以来,清源山就以36洞天,18胜景闻名于世,今天我们时间有限,无法饱览清源山的神韵,只能让大家留点遗憾下次再来。
好,现在大家请随我往前走参观老君岩。老君岩的布局是这样的:山门――林荫石径――老君造像。
大家现在看到的是老君岩的山门,这座山门是以牌坊的形式建立的,高12.6米,宽21米。山门顶端有四个云纹望柱头,正中顶部嵌有菱形蓝宝石灯饰,象征清源山为古城明珠,中国名山。而眼前这曲尺型的上下两级平台,是阴阳太极八卦的变型图案,正前耸立的这方天然石头上镌刻着“青牛西去,紫气东来”八个字,还有这石构山门,充满了山野气息,把老子“崇尚自然”的思想烘托得淋漓尽致,使人有种进入物外仙境的感觉。
沿着这条幽静的林荫石径往前,植物界巨人一榕树分立两侧,气派非凡。那一丛丛既密又长的树根,有如老子的长髯,昭示出老子的思想“天长地久,无限生机”。
各位朋友,现在,展现在我们面前的这尊石雕,就是有“老子天下第一”美誉的老君造像。老君造像被列为全国重点保护文物,是我国道教石刻中独一无二的艺术瑰宝。它刻于宋代,石像高5.63米,厚6.85米,宽8.01米,占地面积55平方米。由于它是我国现存最大、雕技最绝、年代最久的道教石雕造像,因此文史界人士戏称它为“老子天下第一”。倒也名符其实。生动逼真的造型,精美传神的韵味,夸张写意的线条,质朴淳厚的内涵,天人合一的意境,使这尊老君石像显得格外亲切可爱,充满令人心驰神往、百看不厌的魅力。而最令人喜爱和赞叹的是,石刻老君的神态和蔼可亲,目光深邃而睿智,满脸笑容,平易近人,充满了一种温馨的人情味,一点也没有道貌岸然、威严凌厉的神仙架势。同时,这尊老子石像还是健康长寿的象征。泉州有句方言:“摸到鼻,吃百二。摸到目,吃百六。”这是用我们闽南的方言讲的。意思是说,谁能摸到老君的鼻子,可以活上一百二,摸到眼睛呢,可以活上一百六。大家有兴趣可以去摸摸看。
各位朋友,我们今天的清源山之旅就到此结束了。大家知道清源山佳景遍布,我们今天所见仅仅是凤毛麟角,但希望通过我的介绍后,能让各位对清源山留下美好的印象,能引发您寄意山水,重游故地之情!
最后,谢谢大家的配合,愿有机会再和各位朋友相聚!
篇10:泉州清源山导游词_福建导游词_网
导语:福建的地理特点是“依山傍海”,九成陆地面积为丘陵地带,被称为“八山一水一分田”。以下是第一范文网小编为你介绍的福建导游词,希望您喜欢阅读:
各位朋友,大家好!很高兴今天有机会和大家一起去登山,去共同领略有“秀出东南”美誉的清源山秀丽而多姿的风采!由于时间所限,我们今天参观的景点依次是老君岩、千手岩、弥陀岩,希望大家玩得开心尽兴!
清源山是国家级重点风景名胜区,由清源山、九日山、灵山圣墓三大片区组成,总面积六十二平方公里。清源山景区方圆有四十华里,主峰海拔498米,与泉州市山城相依,相互辉映,犹如名城泉州的一颗璀璨明珠,闪烁着耀眼的光芒,吸引了众多的海外游客。清源山历史上因泉眼诸多亦名“泉山”,城因山得名“泉州”;山高人云又名“齐云山”;位于市区北郊又称“北山”;因山峰鼎峙,故又称“三台山”。据泉州府志记载,清源山最早开发于秦代,唐代“儒、道、释”三家竞相占地经营,兼有伊斯兰教、摩尼教、印度教的活动踪迹,逐步发展为多种宗教兼容并蓄的文化名山。景区内流泉飞瀑、奇岩异洞、峰峦叠翠、万木竞秀,以宗教寺庙宫观、文人书院石宝以及石雕石构石刻等文物为主的人文景观几乎遍布清源山的每个角落,现存完好的宋、元时期道教、佛教大型石雕共7处9尊,历代摩崖石刻近500方,元、明、清三代花岗岩仿木结构佛像石室3处,以及近代高憎弘一法师(李叔同)舍利塔和广钦法师塔院。自古以来,清源山就以36洞天,18胜景闻名于世,其中尤以老君岩、千手岩、弥陀岩、碧霄岩、瑞象岩、虎乳泉、南台岩、清源洞、赐恩岩等为胜,今天我们时间有限,无法饱览清源山的神韵,只能让大家留点遗憾去回味,或可以从我们有关的旅游宣传资料中去神游一番了。
篇11:泉州郑成功墓导游词
在南安市水头康店覆船山麓的赤土坡上,墓为闽南风格,古朴庄严。墓前有石雕华表一对,高入云表。左右侧有旗杆夹数对。石砌墓道基庭其碑。墓体三排九室为三合土。解放后几经修葺,并立《重修民族英雄郑成功陵墓碑记》,定为国家重点文物保护单位。
郑成功(1624-1662年)南安石井人,生于日本平户,七岁回国,青少年时在晋江安海读书,是明末清初著名的民族英雄。1661年4月到翌年2月,郑成功率领义军东渡中国台湾,收复宝岛,迫使荷兰侵略者在投降书上签字,在列强东侵的艰难时代,大长中华民族志气。他同时为开发建设中国台湾呕心沥血。1662年病卒于中国台湾承天府,葬于台南州仔尾。清康熙38年(1699年)中国台湾与清朝版图划一。
经康熙帝御批,由郑成功之孙郑克爽迁葬回原籍郑氏祖茔,一同迁葬有郑成功子郑经。
篇12:泉州清源山导游词_导游词范文_网
各位旅客朋友大家好!欢迎大家来到有“秀出东南”之美誉的清源山观光旅游。我是春晖旅行社的导游,我姓林,大家可以叫我小林。在我旁边的这位是我们的司机陈师傅,他有多年的驾车经验,相信我们会有一段愉快而又舒适的旅程。很高兴今天由我们来为大家服务,在这里我先预祝大家旅途愉快。由于时间的限制,我们今天参观的景点是老君岩和清源山第一洞,希望大家玩得开心游的尽兴!
整个景区是由清源山、九日山、灵山圣墓三大片组成,总面积六十二平方公里。清源山景区方圆有四十华里,主峰海拔498 米,是泉州城一颗璀璨的明珠。大家知道我们清源山为什么如此出名吗?古人云:山不在高,有仙则名。清源山也正是借仙而出名的。
传说当年铁拐李云游到此地的时候,看到这里的景色如此的美丽,乐得他举起了拐杖不停地点地,大呼:妙哉!妙哉!没想到用力过猛,铁杖深入地层数丈,突然就冒出一股清泉,喷射不止。因此,当时第一个发现此泉的人,就把此山命名为“泉山”。此城也因此得名“泉州”。
清源山景区以宗教寺庙宫观、文人书院石宝以及石雕石构石刻等文物为主的人文景观几乎遍布清源山的每个角落,现存完好的宋、元时期道教、佛教大型石雕共7处9尊,历代摩崖石刻近500方,元、明、清三代花岗岩仿木结构佛像石室3处,以及近代高憎弘一法师(李叔同)舍利塔和广钦法师塔院。自古以来,清源山就以36洞天,18胜景闻名于世。
好的,现在请大家随我往前走,先去参观--老君岩。
大家现在看到的是老君岩的山门,这座山门是以牌坊的形式建立的,高12.6米,宽21米。而眼前这曲尺型的上下两级平台,是阴阳太极八卦的变型图案,正前耸立的这方天然石头上镌刻着“青牛西去,紫气东来”八个字,还有这石构山门,把老子“崇尚自然”的思想烘托得淋漓尽致,使人有种进入物外仙境的感觉。
沿着这条幽静的林荫石径往前,植物界巨人一榕树分立两侧,气派非凡。那一丛丛既密又长的树根,有如老子的长髯,昭示出老子的思想“天长地久“,无限生机。
各位朋友,现在,展现在我们面前的这尊石雕,就是有“老子天下第一”美誉的老君造像。老君造像被列为全国重点保护文物,是我国道教石刻中独一无二的艺术瑰宝。它刻于宋代,石像高5.63米,厚6.85米,宽8.01米,占地面积55平方米。由于它是我国现存最大,雕技最绝,年代最久的道教石雕造像,因此文史界人士戏称它为“老子天下第一”。 倒也名符其实。生动逼真的造型,精美传神的韵味,夸张写意的线条,质朴淳厚的内涵,天人合一的意境,使这尊老君石像显得格外亲切可爱,充满令人心驰神往、百看不厌的魅力。而最令人喜爱和赞叹的是,石刻老君的神态和蔼可亲,目光深邃而睿智,满脸笑容,豁达大度,平易近人,充满了一种温馨的人情味,一点也没有道貌岸然、威严凌厉 神仙架势。同时,这尊老子石像还是健康长寿的象征。泉州有句方言:“摸到鼻,吃百二;摸到目,吃百六。”这是用我们闽南的方言讲的。意思是说,谁能摸到老君的鼻子,可以活上一百二,摸到眼睛呢,可以活上一百六。大家有兴趣可以去摸摸看。
各位朋友,我们今天的清源山之旅就到此结束了。大家知道清源山佳景遍布,我们今天所见仅仅是凤毛麟角,但希望通过我的介绍后,能让各位对清源山留下美好的印象,能引发您寄意山水,重游故地之情! 最后,谢谢大家的配合,愿有机会再和各位朋友相聚!
篇13:泉州郑成功墓导游词
郑成功(1624~1662)名森,字明俨,号大木,南安县石井人,为明末清初反抗荷兰侵略,收复和开发中国台湾的民族英雄。永历十五年(1661)四月,挥师东渡,在中国台湾人民的支援下,于十二月十三日(1662年2月1日)迫使荷兰侵略者投降,中国台湾回归祖国。永历十六年五月初八日 (1662年6月23日)病逝,葬于台南洲仔尾,清康熙三十八年(1699)五月二十二日迁葬今地郑氏祖茔内。随同迁葬的有其子郑经等灵柩。墓室三合土构筑,坐东朝西,平面呈风字形,列3排,分9室,第二排中室为郑成功的墓穴。墓前有石华表1对,高14米,顶端雕坐狮;石夹板9对,左五右四,其中一板刻“戊子年解元”。 1920xx年曾在墓内发现郑成功佩戴的龙纹及鸟纹玉带17块,分别为大、中、小长方形和圆桃形状,共出的还有头发、龙袍残片、布靴面等珍贵文物。坟堆前设石供案桌和花岗岩石墓碑,墓碑阴刻“明石井乐斋郑公、淑慎郭氏、乔梓五世孙、六世孙、七世孙茔域”。
郑新新介绍,郑克塽在撰写墓志铭中明确写郑成功遗骸附葬于南安乐斋公莹内。
但是,河南固始一份“郑成功墓地考察报告”说,上个世纪70年代,河南固始发现“郑成功之墓”,另外还有人发起“郑成功真墓在何方”的讨论,猜测郑成功之孙郑克塽为了遮人耳目,写下《郑氏附葬祖父墓志》声称郑成功归葬南安,其实可能早就设法把郑成功父子秘密安葬在河南了。
厦门已故专家张宗洽《细说郑成功》一书中分析,这一问题确实值得引起注意,遗憾的是河南固始之墓,早年未留下可靠考古资料,仅凭事后调查追记。另外,南安郑成功墓1920xx年被盗,当时似乎未弄清所开二棺究竟是郑成功夫妇或郑经夫妇之棺。殊不知郑经亦袭王爵,依制亦可用蟒袍、玉带。文中认为,若后人有机会再重新整理南安郑成功墓,或可弄个水落石出。
泉州市郑成功学术研究会伍天辉先生表示,河南固始一说证据不足,郑成功真墓即在南安,且列入国家文物保护。
近年来,有关郑成功墓在何处的争议不时发生。此前,河南固始县称在上世纪50年代挖掘到了郑成功墓,研究郑成功的有关专家对此说予以质疑。专家介绍,郑成功灵柩于1699年迁葬南安水头,归附祖墓。1920xx年,郑陵被盗。日前,记者再访当年参与整理郑成功墓的当事人后代及研究郑成功的一些学者。
篇14:泉州府孔庙导游词
殿为重檐九脊,正脊两端雕饰两条跳跃的小龙,脊身有琉璃瓦件贴饰的飞禽走兽、花卉草木、色彩艳丽、富有闽南建筑艺术特点。殿的东西两侧东庑和西庑各18间,各长112米,宽10米,略低于正殿,木石走廊式建筑。原系供奉孔子弟子及后代圣贤的牌位,后为作为府学的斋房。
殿内正中设大型木龛,宋代起供奉孔子泥塑造像。因恐造像不肖、亵渎圣容、自明嘉靖九年(1530年)起,改为供奉“大成至圣先师孔子”木牌位。后废。现在根据唐代大画家吴道子的白描孔子画像加彩放大仿画供奉,以供游人参观瞻拜。殿内东西两边对向置四木龛,供奉颜子、曾子、子思、孟子等孔子四大贤弟及传人的画像,称为四配。殿内东西两侧还没有两龛,分别供奉闵损、冉耕、冉雍、宰予、端木赐、冉求、仲由、言偃、卜商、颛孙师、有若、朱熹等十二贤哲的画像,称为十二哲人。正厅上万悬挂有清代康熙皇帝御书“万世师表”,雍正皇帝御书“生民未有”嘉庆皇帝御书“圣集大成”等匾额,金碧辉煌,对孔子给予很高的评价。
篇15:泉州开元寺大殿导游词
藻井下分五级。坛台的最上层供奉明代的卢舍那佛木雕坐像,其所坐莲花台座有一千叶莲花瓣,每片莲叶上各刻一尊6厘米大小的佛像,十分精妙。卢舍那四周各层侍立着金刚钩、金刚索、金刚铃、金刚锁四菩萨,还有释迦牟尼、阿弥陀佛、寒山、拾得、千手观音的及韦驮天将等24尊菩萨神像。其中尤以八大金刚塑像为最佳。它们怒目结发,赤足袒胸,显得无比威严。环绕坛座的束腰处还有护三皈、护五戒的各种神王牌64个。戒坛是佛教徒受戒的地方,这种神秘肃穆的氛围,正可使人敬畏不迭,诸念俱灭,一心皈依。据说这种戒坛在全国已寥若晨星了。常言道物以稀为贵,大家也算有眼福了。
在中轴线的两边,还有一些建筑群:东有由迦蓝祠改建的檀樾祠,纪念施主黄守恭。黄氏四安(南安、惠安、同安、安溪)后裔及海外紫云家族无不以此为荣。有俗称“小开元寺”的准提禅林,原供奉天台宗的准提菩萨;西有尊胜院,现已开辟一部分为弘一法师纪念馆,有水陆禅寺,以供寺僧栖息。
耸立在拜庭两侧广场中,相距约200米的八角五层楼阁式仿木结构石塔就是泉州东西塔,它是开元寺的重要文物。它以塔身的雄伟、形制的奇妙,建筑的神工和雕镂的精美而扬誉海宇,吸引着自宋至今的无数中外学者和游人前来游览、观瞻、揣摩和研究。
泉州开元寺石塔是我国古代石构建筑瑰宝。从石塔的建筑规模、形制和技艺等方面来看,都可以说得上精妙绝伦。它充分体现了宋代劳动人民高度的智慧和伟大的创造性。它不但在中国石塔中堪称佼佼者,在世界上也是首屈一指的。它既是中世纪泉州海外交通鼎盛时期社会空前繁荣的象征,也是泉州历史文化名城特有的标志。现在,东西塔影雕作品已成为我市最高层领导人馈赠佳宾的珍贵礼品。因此可以说,东西塔已成为泉州的象征。既是泉州人民的骄傲,也是海外侨胞和宝岛同胞所憧憬的乡影。即使是没有到过泉州的人也常在说:做人要“站着像东西塔,躺着像洛阳桥”,可见东西塔在他们心目中的份量。
大凡名刹,必有名僧。历元寺僧人,或以佛学著作称胜,或以诗词文章闻名,或弘道扬名,或入世献身,代有高僧:唐山祖匡护大师,五代唯识大师,律宗释弘则,净土宗释楚勤,南禅释文展,桥成造化的释义波,禅宗第一住持释妙恩,温陵禅师释戒环,蔼益大师释智旭,“为文似柳、为诗似陶“的释大圭,更有“念佛不忘救国、救国不忘念佛”、集佛学、书法、金石、音乐、绘画、诗文于一身的现代律宗高僧弘一法师。
开元寺的得道高僧,也有不少出国弘法。如清朝顺治年间的木庵禅师,漂洋过海,扬名东瀛,成为日本黄檗宗的第二世传人;新中国成立后的转逢老和尚,足迹遍及印尼、尼泊尔、缅甸、泰国、新加坡、马来西亚。现任住待道元法师也曾应邀前往巴西弘法,禅风远播。
“佛国名传久,桑莲独擅声”,泉州开元寺以其悠久的历史,神奇的传说,独特的规制,巧妙的建筑、珍贵的文物、优美的艺术和卓越的声誉,正吸引着成千上万的僧民信众和十方游客前来礼朝膜拜,旅游观光。
女士们,先生们,参观完泉州开元寺,您是否有不虚此行的感觉呢?您是否对泉州这个宗教历史博物馆有更深的了解呢?但愿主城泉州丰富的人文景观与美丽的自然风光能在您心中留下美好的回忆。
篇16:泉州府孔庙导游词
各位女士、先生、小朋友,大家好!我叫张玉新,是带领大家参观孔庙的导游。大家可以叫我张导,也可以直接喊我的名字。孔子有句名言:“有朋自远方来,不亦乐乎。”今天,我有幸为各位担任导游,十分高兴。我将尽力为大家提供满意的服务,不足之处,请批评指正。另外,为了避免发生意外,给大家提几点要求:一要守时,不要让大家等你自己;二要注意安全,小心地滑;三要讲究卫生,爱护环境;三要注意保护文物,不要乱涂乱画。好,下面就请大家跟我游览孔庙。
孔庙是我国历代封建王朝祭祀孔子的庙宇,位于曲阜城中央。它是一组具有东方建筑特色、规模宏大、气势雄伟的古代建筑群。与故宫和避暑山庄并称为中国三大古建筑群。
孔庙又名“至圣庙”,这是对孔子最高的称呼。
请大家跟我进入“圣时门”,这是孔庙的正门。圣时,比喻孔子的思想是适合时代的。
大家请看前面三架拱桥,因“壅水环绕如璧”,故名“璧水桥”。故宫有金水桥,此有璧水桥。
我们经过弘道门、大中门、同文门就到了奎文阁。奎文阁是孔庙的主体建筑之一,以藏书丰富,建筑独特而驰名。现在这里是个小书店,喜欢读书的朋友可以去买书。现在自由活动十分钟,然后我们去大成殿。
现在我们看到的就是大成殿。大成殿重檐九脊,黄瓦飞甍,雕梁画栋,气势雄伟。大成殿四周廊下环立着28根石雕龙柱。最为引人瞩目的是前檐的10根深浮雕龙柱,每柱二龙对翔,盘绕升腾,中刻宝珠,雕刻玲珑剔透,龙姿栩栩如生,无一雷同,堪称我国石刻艺术中的瑰宝,充分显示了我国劳动人民的聪明才智。大成殿内金碧辉煌,有大型神龛9座,17座塑像,居中的一座即是孔子。大成殿前露台过去是祭孔时舞蹈奏乐的地方。大成殿是孔庙的主殿,和故宫太和殿、岱庙宋天贶殿并称东方三大殿。
好了,孔庙就参观到这里,朋友们可以拍照留念,然后去参观孔府。欢迎朋友们再来!再见!
篇17:泉州开元寺大殿导游词
拜亭前的这个大石庭,是个“凡草不生”的拜庭,供古今官民朝拜和活动。每逢农历二十六日,这里人山人海,梵呗声声,一派泉南佛国景象。石庭两边分列着八棵200至800岁的大榕树,阴翳蔽日,盘根错节,增添了开元寺静寂、庄严的气氛。树下排列着11座唐、宋、明时期不同形式的古经幢、小舍利塔,以及两只贔屃。庭中还置立着一座3米多高的石雕焚帛炉,盖钮雕蹲狻猊,炉身周雕幡龙、祥云、莲瓣、蔓草等纹饰,形制优美,雕工精妙。焚帛炉稍后两侧,还有两座南宋绍兴十五年(公元1145年)泉州南厢柳三娘捐建的印度萃堵波的方形石塔,塔上刻有萨锤太子舍身饲虎的故事,是印度教在南宋时留下的痕迹。
在中轴线上的主体建筑,就是眼前这座大雄宝殿。因传说建殿之时有紫云盖地,所以又叫紫云大殿。大殿上方这块巨匾写有“桑莲法界”四个魏碑风格的大亨,以应桑开白莲之说。早在唐朝初期,泉州已盛产丝绸。这片地原是大财主黄守恭的桑树园,后来捐给匡护大师建寺。关于这件事,有一个很动人的传说:一天,黄守恭梦见有一个僧人向他募地建寺,他说等桑树开白莲花后就献地结缘。几天后,满园桑树果然都开出白莲花,黄守恭深被无边佛法所感动,果然把这片桑树园捐献出来。其实,黄守恭本为乐善好施之人,桑开白莲之说乃是人们敬慕佛祖,附会而成,但这一神奇的传说却为泉州人民所津津乐道,世代相传,因而开元寺也得了“桑莲法界”的美称。
大雄宝殿始建于唐朝垂拱二年(公元686年),先后经过唐、南宋、元、明几次受灾与重建,现存建筑物是明代崇祯十年(公元1637年)遗物。大殿通高20米,面宽九间,进深六间,面积达1387.75平方米,大殿出拱深远,外观雄浑,保存唐朝宏模巨制、巍峨壮观的建筑风格。
篇18:泉州开元寺大殿导游词
国庆假期来到,旅游自然成为了必不可少的事情,上网之时,看到了泉州开元寺,便想去一探究竟。就这样,我的爸爸妈妈带着我和我的爷爷奶奶来到了泉州。开元寺坐落在中国福建省泉州市鲤城区西街27号,是于686年由黄守恭创建,是座1327年的唐代古刹。相传寺址原为唐代大财主黄守恭的大桑园,公元689年。一日,黄守恭梦见一个和尚向他乞讨土地用来建造寺庙,黄守恭心中不舍,于是故意作难:要是三日之内桑树可以开出白莲花,那我就给你一块地。谁知三日后,后院桑树竟然盛开如白雪莲一般,黄守恭顿受感化,毅然的献地建寺。开元寺大门便是天王殿只见天王殿的屋顶雕砌着许多五色瓷片,图案有许多动物花卉,工艺精美,色泽鲜艳。屋脊中央有一座小巧玲珑的小宝塔,宝塔两旁有两条五彩缤纷腾空而起的小龙,爸爸说这叫双龙护塔。傍边有一堵墙,上面有泉州古代书法家书写的“紫云阁”三个大字,字体秀气端庄。
走过天王殿,就是有三个篮球场大小的拜庭,拜庭中央有一座大香炉,拜庭两旁各有五棵高入云宵树叶繁茂的大榕树,榕树旁有一排一人高的小石塔,拜庭的左侧伏着一只巨大的大石龟,东西两条长廊围护着拜庭。以拜庭为中心的东西两个广场还各有一座塔,这就是世界闻名的东西塔,东西两塔相距一两百米,遥相呼应。东西两塔各分五层,大理石结构。东塔高达四十八米,西塔高达四十四米,东西塔始建于唐朝,一个叫镇国塔,一个叫仁寿塔,是全国现存的最高石塔。两塔底座雕刻着许多飞禽走兽树木花卉,每层塔墙上还有人物浮雕,有凯旋而归的将军,有双手合十的憎人,有仰头吟咏的诗人,有怒目圆睁的哼哈二将……活灵活现,栩栩如生。顺着长廊散步,看到了一棵古树,树前有一块石碑,上面写着“菩提古树”几个字。不住不觉,夕阳已亲吻着西山,天边的晚霞提醒着沉醉在开元寺中的我。我们念念不舍地离开这座千年古刹。
篇19:泉州府孔庙导游词
从1949年建国到20xx年,中国历经了60年的变迁。那是沧桑巨变,在这60年中我们的家乡也在改革开放的春风吹拂下,变得生机盎然·
记忆里小时候的家乡,是我的乐园。那里有大片大片的池塘,听爸爸说他小时候还有船呢。我有些羡慕。每到暑假我和小伙伴们都会在池塘边玩耍,池塘边上有大片的树林。雨季里水就会长高,一些树就会矗立在水中了。知了燥热的叫声,阻碍不了池塘边的清凉。树的影子斜掉在水面上,我们的说话声惊的鱼儿四处逃散。我们就会脱了凉鞋,搂着树身尽情的在水中游戏。玩累了就会回家在妈妈的盛化妆品的小木盒里,偷偷的拿走几分钱,拉上小伙伴买些零食吃。
妈妈每天早晨天没亮就起身给爸爸做早饭。爸爸在离家大约有七八里的镇上上班,那时候没有自行车,每天都会走着去。对于这些都是后来妈妈说给我的,我有记忆时,爸爸已经拥有了一辆自行车。听说买那辆自行车时还在村子里引起了轰动。自行车是有了,可每到下雨,又都的穿着雨靴,在泥泞的小径上艰难的前行。
都多少年了,那些记忆虽已模糊。可却会在不经意间涌现。
家乡那大片大片池塘已经没有了,更别说水中的鱼儿了。只有池塘边树上孤独的知了的叫声还在,却也只是稀稀落落的声音。现在想要拿走妈妈小木盒里的钱,已经买不到什么了。现在上班再也不用天不亮就做饭了,家家户户都安上了液化气,电动车.摩托车,乃至汽车在家乡已经不足为奇了。更不用说自行车了。
那条在雨后总是泥泞的小径已经不见。哥哥们给家乡捐了款,修建了公路。无论下多大的雨,大家再也不会把车子陷到泥里了。主妇们再也不会为男主人上班没有回家,而坐卧不安,派孩子们去打探消息了。电话就在桌上放着·手机就在兜里装着。想知道消息,只动动手指就行了。
搬来县城已有20xx年左右了,刚刚来县城时。大多的房子都是平房,只有几栋居民楼。公路那时也很窄小,有路灯的路也很少。夏日里大家就都在风扇下乘凉,平房一到夏天就会潮湿。那时候大街上只偶尔能看到骑摩托车的,和偶尔从身边掠过一辆汽车;自行车是大多数人们上班的代步工具。多少年来人们在日新月异的变化中变化着。发展着......
现在县城中的平房也已占少数,新建的小区,林林总总;宽阔的马路两旁,路灯像窈窕的淑女伫立在那,守候自己的使命。私家车在宽阔的柏油路上急驰已经成为主流。夏天里,人们再也不会为了凉快而整夜的开着风扇而致使自己感冒了,冬天里,人们再也不会自己去点暖气,而弄得灰头土脸。
现在的人们已经不再为能吃到什么而发愁,而是为能怎样吃才会有营养而发愁。改革开放60年来,这是经历了怎样的变化。
从吃饱穿暖到吃得好,穿的好,再到吃的精,穿的漂亮。从小喇叭广播到液晶彩电。从泥泞小路到宽阔的柏油路·从步行到汽车。从平房到高楼。时代在变迁,我们在改革中发展。我们的家乡在发展中蜕变,她会成为宇宙中较亮的那颗星星,紧跟中国时代变迁的步伐。
篇20:导游词泉州府文庙
泉州府文庙建筑规模宏大,是集宋、元、明、清四个朝代的建筑形式的孔庙古建筑群。主体建筑大成殿为典型的宋代重檐庑殿式结构。殿身为斗拱抬梁式结构,整座大殿用48根白石柱乘托,有石雕盘龙檐柱八根,大成殿正中有孔子像,梁上悬挂有清康熙帝御书“万世师表”。大成殿东为崇圣殿,名宦祠、明伦堂。庙内宋太守题诗的夫子泉井等诸多文物保存完好。这些建筑物构成一个完整的文庙建筑群。
主体建筑大成殿是祭孔的正殿,面阔七开间,进深五间,为典型的宋代重檐庑殿式、抬梁式木构架,斗拱层叠,梁枋纵横,雕饰有小龙、飞禽走兽、花卉草木;殿柱皆石,前有露台,翼以扶栏,下为甬道、拜庭;庭外泮池,筑有元代石桥,桥面铺72块长方形条石,代表孔子的72个得意门生;东西为两庑,前为大成门、金声玉振门。东畔明伦堂,为文庙现存主要附属建筑,堂前露庭、泮池和石桥均保存完好。西有泮宫及乡贤名宦祠、状元祠十余座。庙内陈列资料十分丰富。大成殿正厅中央供奉着孔子圣像,东西两侧供奉四配及十二哲人,陈列祭孔礼器、乐器和泉州历代名人遗著遗物等文物共500余件。灵星门邻涂门街地段,原为府文庙建筑群范畴,后辟为另用。为了完整保护文庙建筑群,20__年,泉州市委、市政府作为重点工程,投资1.2亿元,拆迁菜市场及三个企、事业单位,建成文庙广场,既有效保护遗址,又成为市民休闲健身的场所。