宣传片解说词大气结尾(通用20篇)

大约1868年，港督麦克唐纳爵士为享受太平山顶清凉宜人的居住环境，特别选址该处兴建避暑别墅。由此，移居太平山逐渐成为了富豪显赫与名流绅士所推崇的风尚。当时的官爷小姐们要往返山顶，就会雇佣穿着整齐制服的轿夫所抬的人力轿子作为交通工具。1904年，居住太平山被正式列为上流社会以及外国使馆的专有权利，更显示了山顶的非凡地位。这个制度一直沿用到1947年才被废弃。太平山顶一直保持着她远离尘嚣的恬静与安详，直到1881年才有了突破性的发展。当年，在苏格兰高原铁路工作的亚历山大.芬利.史密斯向当时的港督轩尼诗爵士提出了建议，修建港岛缆车铁路，其中一段连接美利楼南侧与山顶维多利亚峡，也就是今天的山顶缆车。史密斯一心希望缆车服务能够增加该区的客流量，从而为1873年在他拥有产权的山顶土地上兴建的山顶酒店带来经济效益。可惜的是，这所酒店于1938年毁于火灾。自从山顶拥有了稳定可靠的交通工具后，她迅即凭借居高临下饱览壮阔维多利亚港景色的特色蜚声国际。时至今日，太平山顶每年吸引超过700万的游客到访，成为香港最受欢迎的旅游热点之一。扯旗山意思即是悬挂旗帜的山。地名由来有三：相传清朝海盗张保仔盘踞香港岛时，曾利用该山峰作为瞭望台。因常用旗语联络，每遇船只即以扯旗为号，通知海上同党;1842年，香港正式开始受到英国的统治。英国人为宣示主权，因此于山顶悬挂英国国旗;早期马己仙峡设有瞭望台，每当有轮船驶入维多利亚港，便在太平山上扯旗为号。太平山亦曾被英国人以维多利亚女王的名字命名为维多利亚山(Victoria Peak)。此亦是英语中太平山常用的名称。太平山的其他名称有炉峰、柯士甸山(Mount Austin)和硬头山 。大约1868年，港督麦克唐纳爵士为享受太平山顶清凉宜人的居住环境，特别选址该处兴建避暑别墅。由此，移居太平山逐渐成为了富豪显赫与名流绅士所推崇的风尚。当时的官爷小姐们要往返山顶，就会雇佣穿着整齐制服的轿夫所抬的人力轿子作为交通工具。1904年，居住太平山被正式列为上流社会以及外国使馆的专有权利，更显示了山顶的非凡地位。这个制度一直沿用到1947年才被废弃。太平山顶一直保持着她远离尘嚣的恬静与安详，直到1881年才有了突破性的发展。当年，在苏格兰高原铁路工作的亚历山大·芬利·史密斯向当时的港督轩尼诗爵士建议，修建港岛缆车铁路。其中一段连接美利楼南侧与山顶维多利亚峡，也就是今天的山顶缆车。史密斯一心希望缆车服务能够增加该区的客流量，从而为1873年在他拥有产权的山顶土地上兴建的山顶酒店带来经济效益。可惜的是，这所酒店于1938年毁于火灾。自从山顶拥有了稳定可靠的交通工具后，她迅即凭借居高临下饱览壮阔维多利亚港景色的特色蜚声国际。时至今日，太平山顶每年吸引超过700万的游客到访，成为香港最受欢迎的旅游热点之一。山顶缆车是香港百年历史中最久经风霜，最富代表性的生活见证。这个香港的传奇，由港督威廉姆爵士于1888年5月30日主持启用典礼，正式向世人揭开了面纱。通车初期，山顶缆车头等车厢票价3毫、二等车厢2毫、三等1毫，回程一律半价。当时缆车仍然用烧煤产生的蒸汽推动，通车首日共有600名乘客，首年的客流量就达15万人次。1901从1908年到1949年，车厢前两个座位一直预留为港督专座，椅背上用黄铜片镶嵌着“此座位为港督预留专座”，在开车前最后两分钟才向其它乘客开放。1926年，山顶缆车摒弃了燃煤作为动力能源，正式改由电力推动。50年代，好莱坞因闻名中外的山顶缆车与太平山景致，慕名远道前来取景，其中包括由国际巨星克拉克.盖博主演的电影《命运战士》，该电影的开场与结尾的场景均在山顶缆车车厢内取景。著名美国电视剧《Love Boat》，也在山顶缆车取景。1959年，62座的全金属缆车车厢正式投入使用，它就是现在全自动化车厢的前身。时至今日，每年有超过400万名来自世界各地的游客乘坐山顶缆车，日客流量达到11,000人次。香港太平山顶导游词三

海拔554米的太平山顶俗称扯旗山，是香港岛之巅，也是俯瞰维多利亚港景色的最佳地点，游览香港的第一焦点。白天和入夜的山顶风景各有不同，不论你是不是个浪漫的人，也一定要安排到太平山赏夜景，赏景最佳的地点在凌霄阁的观景台、缆车总站旁的狮子亭，入夜的香港会让你念念不忘。

趣味游览：

搭太平山的山顶缆车是登顶赏夜景最好的方法，在中环花园通与下亚厘毕道交叉口乘缆车。买票进站后有一座“信不信由你奇趣馆”，展示了四百多件稀奇古怪的展品，如果时间充裕，还可以到“动感电影院”体验惊声尖叫的快感。

知道吗，在山顶缆车车厢里还能表演特技呢!搭缆车下山在快抵达花圈道总站，就是缆车最陡的时候，可以站成让自己与车厢地板形成30度的夹角，因为错觉会让人觉得自己飞了起来，很有趣。

下山后可搭乘免费的双层观光巴士游览市区，一定要坐在敞棚的第二层，穿梭在星光闪闪的楼宇中，有点象是电影中的场景。沿路会经过“立法会”，它是一座具有殖民色彩的建筑，很多的电影或港剧曾在这里拍摄，晕黄的灯光及白色的梁柱，非常浪漫。

Everyones heart has a built in fantasy of Paris, may be the atypical "Notre Dame DE Paris" romantic, maybe its "human comedy" latter-day flashy. Everyone who has been to Paris to evaluate different, some people say it cold, some people say that it is expensive, some say it chaos. But there is one word always are in Paris, that is: vogue. More than one hundred years ago, people in Paris is proud to walk on the champs elysees, led the European way. In this article along the avenue, dotted with these names: the place DE la Concorde, the arc DE triomphe, the Louvre, Notre Dame DE Paris......

On the perfect axis extension, stood a completely different, modern Paris: skyscrapers, glass curtain wall, rush around financiers, like every modern city in the world. Really? It is a model as the arch of the building, and has been dubbed the "la defense, the arc DE triomphe" name. The pride of the Paris people will never forget yesterday, maybe because of this, to always stand in the forefront of fashion in Paris.

Feel about Paris fashions ankles should be a shopping crazy. They knew all about fashion trends, eyes sharp, both quick and accurate. Maybe only have so many senior department store in Paris, so many famous brand stores, can satisfy their unremitting pursuit of fashion.

Paris presents different features in different peoples eyes, if you want to know what she will be how to smile to you, lets go to visit her.

2021南京夫子庙导游词

清末废除科举后，改为小学，民国初年改为江宁县教育会，抗战时被用作开茶馆、歌场，战后曾先后作为民众教育馆和南京市通志馆。这也是旧学宫保留下来的为数不多的建筑之一。下面就是小编分享的关于20xx南京夫子庙导游词 ，一起来看一下吧。

20xx南京夫子庙导游词

各位游客。在昨天的游程中，我为大家安排游览了中山陵、明孝陵、灵谷寺，总统府旧址等名胜古迹。今天，我将带大家到秦淮河、夫子庙去游览。秦淮河旅游区，位于南京老城区城南，从市区出发，坐汽车约需20分钟才能到达。它是一个以夫子庙为中心，集游览、购物、品尝风味于一体，展示古城风貌和民族风情的旅游地。

各位游客。在昨天的游程中，我为大家安排游览了中山陵、明孝陵、灵谷寺，总统府旧址等名胜古迹。今天，我将带大家到秦淮河、夫子庙去游览。秦淮河旅游区，位于南京老城区城南，从市区出发，坐汽车约需20分钟才能到达。它是一个以夫子庙为中心，集游览、购物、品尝风味于一体，展示古城风貌和民族风情的旅游地。

【秦淮河的由来和历史变迁】

秦淮河，是一条曾对古城南京的政治、经济、文化发展起过重要作用的河流。相传秦淮河是秦始皇下令开凿的一条人工运河。秦始皇东巡会稽，经过南京时，为方便船只行驶，曾下令开凿方山，使淮水与长江沟通，因而这段河道得名"秦淮河"。但据地质考察证明，秦淮河是一条历史悠久的天然河流，当时这条古老的河流确是曾从方山经过，但由于地理变迁，河流改道，逐渐形成了现在的河道。历史上的秦淮河，河道宽绰。自五代吴王杨行密在长干桥一带筑石头城以后，河道开始变窄，并被分隔成内、外"秦淮"。内秦淮河由东水关人城，经夫子庙，再由水西门南的西水关出城与外秦淮河汇合。河流全长10公里，这就是古往今来令无数文人墨客为之赞美倾倒、寻迹访踪的"十里秦淮"了。唐朝大诗人李白、刘禹锡、杜牧等都曾为她写下诗篇，孔尚任的《桃花扇》和吴敬样的《儒林外史》中，也都对"十里秦淮"有过生动的描写。古老的秦淮河与流经南京城北的长江相比，显得十分渺小，但是它与南京城的诞生、发展，以及南京地区的政治、经济、文化发展有着极其密切的关系。早在五六千年前的新石器时代，这里已有人类繁衍生息。迄今为止，沿河两岸发现的原始村落遗迹多达五六十处。六朝和明初封建朝廷一直把它作为都城的一道天然屏障和皇宫所需的天然通道。东吴孙权定都建业（南京）后，曾在秦淮河两岸作"栅塘"，既可御敌，又可防洪。从六朝时起，夫子庙一带的秦淮河两岸已是居民密集、市井相连的繁华之地，秦淮河充当了南京地区对外贸易的主要航道，河中舟船穿梭，一派繁荣。据说，旧时的秦淮河两岸歌楼酒肆林立，河房水阁争奇斗艳，游艇画防灯火通明，富豪贵族在这里过着寻欢作乐、纸醉金迷的生活，劳动人民，特别是广大妇女却是以泪洗面，饱尝了人间的辛酸。那时南京的妓·女大多集中在秦淮河两岸。清代戏剧家孔尚任在《桃花扇》中描写的不畏权贵的名妓李香君，她就居住在秦淮河南岸的文德桥畔。美丽的秦淮河曾流淌过蛮荒时代的寂寞，六朝以来的繁华和奢靡，旧社会的污垢和劳动人民的血泪，甚至还溶有南京大屠杀的血腥。然而，今天的秦淮河，经过了历史的沉淀和人民的改造，已散发着健康文明的馨香，展现了清澈动人的风姿。它是南京历史的见证，难怪人们惯于把"秦淮"当作南京的代名词。

【秦淮画舫-伴池-夫子庙照壁-庙前广场-棂星门】

各位游客：现在我们来到了秦淮河畔，河中的画防都是仿照明代建筑风格制造的，船头挂有大红彩球和红灯笼。每当元宵节南京人习惯来这里游玩赏灯。这种风气在明代就已盛行，据说明朝建都后，朱元津微服巡察京城。当他来到秦淮河畔，看到两岸绿树成荫，河水清澈，亭台楼阁，风景宜人，随口说了句："惜河中缺游船。"皇帝开了金口，左右就连夜差人赶造画舫，以博取皇帝欢心。从此，秦淮画访成了这里的一大特色。尤其到了中秋佳节时分，更是河上水灯万盏齐放，两岸龙灯飞舞，歌声、鼓声、欢声、笑声，连绵不绝，通宵达旦，真可谓"秦淮灯火甲天下"。难怪南京有"家家走桥，人人看灯"的民谚。我们眼前的这段秦淮河，自宋以后就成了夫子庙（孔庙）成泮池，又称月牙他。古时候皇帝讲学的学宫叫辟雍，诸侯讲学成学宫叫泮宫，夫子庙的学宫相当于诸侯讲学的地方，所以这池称"泮池"。泮池上一般建有三座石桥，按等级而论，县官、学官走中间一座，秀才走两边的桥。相传古时候有位秀才误上中桥，有犯上作乱之罪，进退两难，只好自己跳进了泮池。再请各位看河对岸的一段朱红色石砖墙，这就是夫子庙的照壁。照壁建于明万历三年（历泽年），长达110米，为全们照壁之冠。各位游客：这座夫子庙始建于东晋成帝咸康三年（337年），当时成帝采纳了王导的建议："治国以培育人才为重"，决定立大学于秦淮河畔。原来只建有学宫，孔庙是宋仁宗景拍元年（1034年）在学富基础上扩建而成的。所以夫子庙是一个由文教中心演变而成的繁华闹市，它包括夫子庙、学宫和贡院三大主要建筑群，其范围南临秦淮河北岸，北抵建康路东端，东起姚家巷，西止四福巷，规模庞大。夫子庙虽屡遭破坏，但各代都加以兴修扩建，到清末民初，其楼阁、殿宇的结构和布局堪称东南之冠。现在的夫子庙建筑，～部分是清代末年重建的，一部分是近几年重建的。请大家回头看，这座楼阁式建筑，叫做奎星阁，它初建于清乾隆年间。这座临街傍水的建筑曾两次被毁，1985年重建。现在我们来到了清代开辟的庙前广场，广场东西两端竖有两块碑，高有一丈许，上面刻有满汉两种文字"文武大臣至此下马"，表示对圣人孔子的崇敬。左侧的这座六角重檐亭子叫"聚星亭"，"聚星"取群星集中，人才荟萃之意。建于明万历十四年（1586年），也曾几经兴废，到清同治八年（1869年）才由江宁乡贤朱芙峰等人筹资重建。这是一座在日军炮火中惟一幸存的清代建筑，可惜在1968年被当作"四旧"拆除，1983年又得以重建，恢复了原来的风貌。广场正中的这座牌坊，叫"天下文枢坊"。请大家继续随我往前走。这座门叫棂星门，这是孔庙的庙门。据传榻星是天上主管教化的星宿，他得人方便高兴。门是石结构的，六柱三门，建于明成化十六年（1480年），后来被毁，又于清同治九年（1870年）重建。不过，现在所见到的极星门是1983年再次重建的。极星门东西两侧便是东市、西市。

【大成门-大成殿-学宫】

各位游客：走过棂星门，便是孔庙的正门，叫大成门，也叫戟门。门内侧有石碑四块。第一块是《孔子问礼图碑》，刻于南朝齐永明二年（484年）。记载了春秋末年奴隶制衰亡之际，孔子出于对周王朝礼乐制度的崇拜，抱着兴国安邦、济世访贤的愿望，于鲁昭公二十四年（公元前518年），从家乡曲阜去周王城洛阳考察典章制度，寻求巩固鲁国奴隶主政权办法的经历。碑的上半部有"孔子问礼图，吴敬恒题"的题字。图中是二人驾车，一组身穿古装人物在城门前欢迎的场面，还有"永明二年，孔子在鲁人周门礼周流"的字样。这块碑已有1500多年的历史了，图文仍清晰可辨，是难得的珍贵文物。第二块碑是《集庆孔庙碑》，碑文是元朝至大二年（1309年）重建孔庙时由卢挚撰写的，到元至顺元年（1330年），由纯斋王公书写刻石。第三块碑是《封四氏碑》，讲的是元至顺二年，文宗皇帝诏示：加封颜回、曾参（孔子的两个弟子）、孔极（孔子的孙子）、孟轲（孔子的再传弟子）为四亚圣之事。第四块碑是《封至圣夫人碑》，讲的是元至顺二年（1331年），文宗皇帝颁旨加封孔子之妻为至圣夫人之事。庙院两侧是碑廊（原来是供奉孔门七十二贤人牌位的地方），廊内陈列了当代书法名家的碑刻30块。现在，请大家随我从中间的石雨道走。在进大成殿前，我先给大家介绍一下殿前的这个露天台子，这是祭祀和歌舞的地方。古时每年二月、八月的第一个丁日和孔子诞辰这一天（农历八月二十七日），地方官吏都要在孔庙举行盛大的祭扫活动。祭祀采用的是酉周奴隶主祭天地鬼神的礼仪，在大成殿前摆上仿青铜器做的祭器，上供牛2头、猪16头、羊16头，以及大量布帛菽粟、干鲜果品、香纸蜡烛等。主祭人要穿特制的古装祭服，宣读祭文，向孔子及"四配"（孔子高徒）、"十二哲"（孔家子弟）牌位行三拜九叩礼，还配有乐队和舞队表演，以歌颂孔子，所以大成殿前要设舞台。现在请各位游客随我进人孔庙主殿--大成殿。这是一座气势巍峨，重檐庑殿顶，屋脊中央有双龙戏珠立雕的建筑。这种规格的建筑在全国也是屈指可数的。"大成"意思是孔子集古圣先贤思想之大成。大成殿内原先正中供奉的是孔子和他的四位高徒，两旁是孔家子弟塑像十二尊。现在的大成殿已被辟为"南京乡土文化博物馆"。请大家再往前走，这里便是夫子庙的学宫。门楣上方原来有"学宫"匾额，门外柏木牌坊，牌坊上题有"东南第一学"。牌坊的北面是四周围有木栏的花圃，左右有四书斋，是学子自修读书的地方。这四斋名称分别是"志道"、"据德"、"依仁"、"游艺"。后面是明德堂，这座建筑建于南宋绍兴九年（1139年），堂名为文天祥所书。明德堂是学子集会的地方，每月朔望（农历初一和十五）朝圣后，学子在此集会，训导师宣讲圣教和上谕。东墙有"卧碑"，就是训教的法规。左右横梁上悬挂着江宁府所属六县举贡员生题额。我们眼前的这座建筑是梨香阁，原来是祭祀孔子父母的崇圣祠，现改为游乐场了。东面那座建筑是青云楼，它建于明万历十四年（1586年），是供把历代督学使的祠堂，初建时为三层楼，因为临近贡院，为防止有人从楼上偷看贡院，清代时改建成二层楼，上层用作藏书，下层是阅览室。清末废除科举后，改为小学，民国初年改为江宁县教育会，抗战时被用作开茶馆、歌场，战后曾先后作为民众教育馆和南京市通志馆。这也是旧学宫保留下来的为数不多的建筑之一。各位游客：参观完学宫建筑后，我们再去参观一下夫子庙的另一座古建筑群--贡院。

秦淮河，是一条曾对古城南京的政治、经济、文化发展起过重要作用的河流。相传秦淮河是秦始皇下令开凿的一条人工运河。秦始皇东巡会稽，经过南京时，为方便船只行驶，曾下令开凿方山，使淮水与长江沟通，因而这段河道得名"秦淮河"。但据地质考察证明，秦淮河是一条历史悠久的天然河流，当时这条古老的河流确是曾从方山经过，但由于地理变迁，河流改道，逐渐形成了现在的河道。历史上的秦淮河，河道宽绰。自五代吴王杨行密在长干桥一带筑石头城以后，河道开始变窄，并被分隔成内、外"秦淮"。内秦淮河由东水关人城，经夫子庙，再由水西门南的西水关出城与外秦淮河汇合。河流全长10公里，这就是古往今来令无数文人墨客为之赞美倾倒、寻迹访踪的"十里秦淮"了。唐朝大诗人李白、刘禹锡、杜牧等都曾为她写下诗篇，孔尚任的《桃花扇》和吴敬样的《儒林外史》中，也都对"十里秦淮"有过生动的描写。古老的秦淮河与流经南京城北的长江相比，显得十分渺小，但是它与南京城的诞生、发展，以及南京地区的政治、经济、文化发展有着极其密切的关系。早在五六千年前的新石器时代，这里已有人类繁衍生息。迄今为止，沿河两岸发现的原始村落遗迹多达五六十处。六朝和明初封建朝廷一直把它作为都城的一道天然屏障和皇宫所需的天然通道。东吴孙权定都建业（南京）后，曾在秦淮河两岸作"栅塘"，既可御敌，又可防洪。从六朝时起，夫子庙一带的秦淮河两岸已是居民密集、市井相连的繁华之地，秦淮河充当了南京地区对外贸易的主要航道，河中舟船穿梭，一派繁荣。据说，旧时的秦淮河两岸歌楼酒肆林立，河房水阁争奇斗艳，游艇画防灯火通明，富豪贵族在这里过着寻欢作乐、纸醉金迷的生活，劳动人民，特别是广大妇女却是以泪洗面，饱尝了人间的辛酸。那时南京的妓·女大多集中在秦淮河两岸。清代戏剧家孔尚任在《桃花扇》中描写的不畏权贵的名妓李香君，她就居住在秦淮河南岸的文德桥畔。美丽的秦淮河曾流淌过蛮荒时代的寂寞，六朝以来的繁华和奢靡，旧社会的污垢和劳动人民的血泪，甚至还溶有南京大屠杀的血腥。然而，今天的秦淮河，经过了历史的沉淀和人民的改造，已散发着健康文明的馨香，展现了清澈动人的风姿。它是南京历史的见证，难怪人们惯于把"秦淮"当作南京的代名词。

【秦淮画舫-伴池-夫子庙照壁-庙前广场-棂星门】

各位游客：现在我们来到了秦淮河畔，河中的画防都是仿照明代建筑风格制造的，船头挂有大红彩球和红灯笼。每当元宵节南京人习惯来这里游玩赏灯。这种风气在明代就已盛行，据说明朝建都后，朱元津微服巡察京城。当他来到秦淮河畔，看到两岸绿树成荫，河水清澈，亭台楼阁，风景宜人，随口说了句："惜河中缺游船。"皇帝开了金口，左右就连夜差人赶造画舫，以博取皇帝欢心。从此，秦淮画访成了这里的一大特色。尤其到了中秋佳节时分，更是河上水灯万盏齐放，两岸龙灯飞舞，歌声、鼓声、欢声、笑声，连绵不绝，通宵达旦，真可谓"秦淮灯火甲天下"。难怪南京有"家家走桥，人人看灯"的民谚。我们眼前的这段秦淮河，自宋以后就成了夫子庙（孔庙）成泮池，又称月牙他。古时候皇帝讲学的学宫叫辟雍，诸侯讲学成学宫叫泮宫，夫子庙的学宫相当于诸侯讲学的地方，所以这池称"泮池"。泮池上一般建有三座石桥，按等级而论，县官、学官走中间一座，秀才走两边的桥。相传古时候有位秀才误上中桥，有犯上作乱之罪，进退两难，只好自己跳进了泮池。再请各位看河对岸的一段朱红色石砖墙，这就是夫子庙的照壁。照壁建于明万历三年（历泽年），长达110米，为全们照壁之冠。各位游客：这座夫子庙始建于东晋成帝咸康三年（337年），当时成帝采纳了王导的建议："治国以培育人才为重"，决定立大学于秦淮河畔。原来只建有学宫，孔庙是宋仁宗景拍元年（1034年）在学富基础上扩建而成的。所以夫子庙是一个由文教中心演变而成的繁华闹市，它包括夫子庙、学宫和贡院三大主要建筑群，其范围南临秦淮河北岸，北抵建康路东端，东起姚家巷，西止四福巷，规模庞大。夫子庙虽屡遭破坏，但各代都加以兴修扩建，到清末民初，其楼阁、殿宇的结构和布局堪称东南之冠。现在的夫子庙建筑，～部分是清代末年重建的，一部分是近几年重建的。请大家回头看，这座楼阁式建筑，叫做奎星阁，它初建于清乾隆年间。这座临街傍水的建筑曾两次被毁，1985年重建。现在我们来到了清代开辟的庙前广场，广场东西两端竖有两块碑，高有一丈许，上面刻有满汉两种文字"文武大臣至此下马"，表示对圣人孔子的崇敬。左侧的这座六角重檐亭子叫"聚星亭"，"聚星"取群星集中，人才荟萃之意。建于明万历十四年（1586年），也曾几经兴废，到清同治八年（1869年）才由江宁乡贤朱芙峰等人筹资重建。这是一座在日军炮火中惟一幸存的清代建筑，可惜在1968年被当作"四旧"拆除，1983年又得以重建，恢复了原来的风貌。广场正中的这座牌坊，叫"天下文枢坊"。请大家继续随我往前走。这座门叫棂星门，这是孔庙的庙门。据传榻星是天上主管教化的星宿，他得人方便高兴。门是石结构的，六柱三门，建于明成化十六年（1480年），后来被毁，又于清同治九年（1870年）重建。不过，现在所见到的极星门是1983年再次重建的。极星门东西两侧便是东市、西市。

【大成门-大成殿-学宫】

各位游客：走过棂星门，便是孔庙的正门，叫大成门，也叫戟门。门内侧有石碑四块。第一块是《孔子问礼图碑》，刻于南朝齐永明二年（484年）。记载了春秋末年奴隶制衰亡之际，孔子出于对周王朝礼乐制度的崇拜，抱着兴国安邦、济世访贤的愿望，于鲁昭公二十四年（公元前518年），从家乡曲阜去周王城洛阳考察典章制度，寻求巩固鲁国奴隶主政权办法的经历。碑的上半部有"孔子问礼图，吴敬恒题"的题字。图中是二人驾车，一组身穿古装人物在城门前欢迎的场面，还有"永明二年，孔子在鲁人周门礼周流"的字样。这块碑已有1500多年的历史了，图文仍清晰可辨，是难得的珍贵文物。第二块碑是《集庆孔庙碑》，碑文是元朝至大二年（1309年）重建孔庙时由卢挚撰写的，到元至顺元年（1330年），由纯斋王公书写刻石。第三块碑是《封四氏碑》，讲的是元至顺二年，文宗皇帝诏示：加封颜回、曾参（孔子的两个弟子）、孔极（孔子的孙子）、孟轲（孔子的再传弟子）为四亚圣之事。第四块碑是《封至圣夫人碑》，讲的是元至顺二年（1331年），文宗皇帝颁旨加封孔子之妻为至圣夫人之事。庙院两侧是碑廊（原来是供奉孔门七十二贤人牌位的地方），廊内陈列了当代书法名家的碑刻30块。现在，请大家随我从中间的石雨道走。在进大成殿前，我先给大家介绍一下殿前的这个露天台子，这是祭祀和歌舞的地方。古时每年二月、八月的第一个丁日和孔子诞辰这一天（农历八月二十七日），地方官吏都要在孔庙举行盛大的祭扫活动。祭祀采用的是酉周奴隶主祭天地鬼神的礼仪，在大成殿前摆上仿青铜器做的祭器，上供牛2头、猪16头、羊16头，以及大量布帛菽粟、干鲜果品、香纸蜡烛等。主祭人要穿特制的古装祭服，宣读祭文，向孔子及"四配"（孔子高徒）、"十二哲"（孔家子弟）牌位行三拜九叩礼，还配有乐队和舞队表演，以歌颂孔子，所以大成殿前要设舞台。现在请各位游客随我进人孔庙主殿--大成殿。这是一座气势巍峨，重檐庑殿顶，屋脊中央有双龙戏珠立雕的建筑。这种规格的建筑在全国也是屈指可数的。"大成"意思是孔子集古圣先贤思想之大成。大成殿内原先正中供奉的是孔子和他的四位高徒，两旁是孔家子弟塑像十二尊。现在的大成殿已被辟为"南京乡土文化博物馆"。请大家再往前走，这里便是夫子庙的学宫。门楣上方原来有"学宫"匾额，门外柏木牌坊，牌坊上题有"东南第一学"。牌坊的北面是四周围有木栏的花圃，左右有四书斋，是学子自修读书的地方。这四斋名称分别是"志道"、"据德"、"依仁"、"游艺"。后面是明德堂，这座建筑建于南宋绍兴九年（1139年），堂名为文天祥所书。明德堂是学子集会的地方，每月朔望（农历初一和十五）朝圣后，学子在此集会，训导师宣讲圣教和上谕。东墙有"卧碑"，就是训教的法规。左右横梁上悬挂着江宁府所属六县举贡员生题额。我们眼前的这座建筑是梨香阁，原来是祭祀孔子父母的崇圣祠，现改为游乐场了。东面那座建筑是青云楼，它建于明万历十四年（1586年），是供把历代督学使的祠堂，初建时为三层楼，因为临近贡院，为防止有人从楼上偷看贡院，清代时改建成二层楼，上层用作藏书，下层是阅览室。清末废除科举后，改为小学，民国初年改为江宁县教育会，抗战时被用作开茶馆、歌场，战后曾先后作为民众教育馆和南京市通志馆。这也是旧学宫保留下来的为数不多的建筑之一。各位游客：参观完学宫建筑后，我们再去参观一下夫子庙的另一座古建筑群--贡院。

们看城墙上两边各有一道短堵，叫女儿墙，为什么叫女儿墙呢?宋代官府编写的《营造法式》上有个书面解释：“言其卑小。比之于城，若女子与丈夫也。”意思是说城墙高大厚实，保伟丈夫;女墙单薄短小，像弱女子。民间有的地方却流传着这样的故事：早先城上并没有女儿墙，有一次一个老人被拉来做工，和他相依为命的小孙女也天天随他来到城上.坐在旁边观看。一天，一位累极了的民工昏昏沉沉中竞走到城墙边上，小女孩伯他掉下城去，用力向里推他，不料用力过大，民工虽得救了，小女孩却摔死了。为了纪念她，工匠们在城上修起了矮墙，并把它叫做女儿墙。这实在是个感人的故事，但确实说明了女儿墙的保护性功能。我们看：两边的女儿场并不一样，向外的女儿墙上还修筑了垛口，垛口还留着供臆望和射击使用的小孔.这当然是为了实战的需要。

大家都注意到了，城墙每闲一段，就有一个向外突出的部分，这叫做墩台.墩台是干什么的呢7它是保卫城墙的。我们知道.古代攻守城他的主要武器是弓箭和弯机，上面既可射下去，下面也可射上来，因此守城的士兵轻易不敢探出身去。这样，城墙脚下反丽成丁防御的死角。有了墩台.就可以弥补这个不足、从三面组成一个强大的立体射击网，城防力量大大加强。在每个塌台上，还修有一座敌楼，上面有孔，也是为观察和射击用的。

游客朋友们，欢迎你们来到全国爱国主义教育示范基地、国家森林公园怀玉山旅游，我们现在所处的位置是地处怀玉山中心的玉峰村山门区块虎形体验区。未建体验区之前，这里还是荒草丛生，乱石成堆的荒原地，竹林附近还建有多间破败的厕所，与周边环境显得极不雅观、协调。按照怀玉山景区建设规划设计要求，对虎形体验区进行了精心设计，将竹林区块打造成现在的农家庭院，既美化了环境，又为民宿提供了方便，成为赏心悦目的新景点。沿游步道往前走，不远之处就是虎形中国工农红军营地体验区，这高高的亭子就是占地30多平方米，高7.2米的撩望塔，站在上面就能侦察到十里方圆的动向。

我们继续往前走(走在桥边的游步道时)，右边是红军1号主力碉堡，是战时营地指挥所，总高度是5.6米，二层石木结构，一层高2.5米，二层高3.1米，碉堡北面是悬崖，在这里布有三个点火力把守，能够消灭来自西北方向的敌军，左边是中国工农红军操练场,(进入安全铁丝网后)这里就是练兵场，里面有浮桥、梅花桩、单行道、匍匐练习道等体能拓展体验设施。我们沿木板道继续往前走，第一个是1号战壕，掩体长43米，2.6米高，再沿木板道下木梯，第二个是2号战壕，掩体长46米，高1.8米，是战时隐蔽自己，消灭敌人的主要阵地;我们站在2号战壕的西北端往下看，分别是2号碉堡和3号碉堡，碉堡里都布了机枪火力，可以消灭来自西边的敌人。

走在在中国工农红军营地体验区，我们依然会想到曾经发生在怀玉山那惨烈的场面。那是1935年1月，怀玉山区大雪纷飞，国民党军逐山逐垅地搜剿，不断搜出打死冻馁交加的红军。后来，国军干脆就放起火来，跟着火势搜剿。就这样，王如痴被搜出来了，21师师长胡天桃被搜出来了，原红10军参谋长曹仰山被搜出来了，彭杨陆军学校校长彭干臣牺牲了。1月27日，冻饿交加的刘畴西昏倒在程家湾附近，也被搜出。刘被押到搜剿军指挥部，总指挥俞济时和他是黄埔同期的同学，但俞连顿饱饭热水都没给他。

面对如此惨景，方志_痛苦万分。怀着生的信念，他不分昼夜地爬山越岭，在冰天雪地中苦苦支撑，希望能闯出一条生路来。此时国民党军已搜山近一月，也是冻累交加，疲惫不堪。搜剿指挥部认为清剿任务已基本完成，方志_可能已突围，要求撤回休整。就在这时，方志_的警卫员魏长发叛变告密，在南昌的蒋介石下了死命令，说方志_仍在山上，在搜到以前，凡要求撤军休整者杀无赦。就这样，国民党军再次加大了搜山的力度，一树一草地逐层搜索。1月29日傍晚，方志_在德兴与玉山交界的垅首村被两个国民党兵搜出。同一天，中央红军开始一渡赤水。2月2日，方志_等人被押到南昌。他们受到了酷刑对待，但始终信仰不变。蒋介石亲自来劝降，也被方回绝。在6个月的铁窗生活中，方志_积极鼓励狱中难友团结起来和敌人斗争;争取看守的同情准备越狱。他借着敌人要他写供状的机会，分秒必争的写出了《可爱的中国》、《清贫》、《狱中记实》等16篇文章。在书中，方志_写道：“我相信，中国一定有一个可赞美的光明前途。到那时，到处都是活跃的创造，到处都是日新月异的进步。欢歌将代替了悲叹，笑脸将代替哭脸，富裕将代替了贫穷，康健将代替了疾苦，智慧将代替了愚昧，友爱将代替了仇杀，生之快乐将代替了死之悲哀，明媚的花园，将代替凄凉的荒地!这时，我们的民族可以无愧色的立在人类的面前，而生育我们的母亲，也会最美的装饰起来，与世界上各位母亲平等地携手了!”一腔赤诚，跃然纸上。

中国工农红军营地体验区，到处都是红军时的图片、标语，在这里，可以来一场真正的红军生活体验。按照部队规定，民主选举连长、副连长，并上报了军委，批准后生效。接着指导员庄重地把“中国工农红军”军旗交到战士手里，牢记“人在旗在，人不在旗也要在”使命，准备完成，第一项任务就是站军姿：服装要整齐、风纪扣扣好、腰带正确佩戴，五角星朝上……不要小看这么简单的动作，要做规范、标准，必须要下功夫的。

扛着队旗，雄赳赳气昂昂向目标进发，开始重走长征路。为革命付出心血的先辈们的英雄事迹，他们的可歌可泣的精神永远值得我们学习。

在这里，大家还可以体验抬担架、推独轮车、扔手榴弹，这些事情每个战士都要熟练掌握，来不得一点儿马虎，否则，就会造成很大的损失。

在指导员的带领下，齐唱军歌，牢记自己的使命。在训练场地，大家体验了红军战士不怕累、不怕脏、刻苦训练的的精神，匍匐前进、练刺杀，这些是战斗技能。人人会耕田、插秧、磨豆浆，叠行军被、扎绑腿等这些是生活本领。

虽然，这些都是模仿战争年代的，比较简易，但是，我们依然感受到，战争年代里，人们自力更生，客服种.种困难，成立了新中国，让我们过上了幸福安定的生活，多么的来之不易啊，我们应该要好好珍惜，努力学习，让我们的祖国更强大!

继续往水塘方向出口经游步道，请各位游客注意脚下安全。

游客朋友们，我们现在走过的是水塘原木游步道，别看这不起眼的水塘，石坝却全部是用天然木纹大理石砌成，建筑历史已有百年之久，因山区灌溉用的都是“望天水”，许多农作户基本上是“望天丘”，水塘的建成，在一定程度上解决了旱季用水需要。

游客朋友们，我们现在走过的是用挡墙、回填土、配之绿化，用苗木衬制的“中国工农红军军旗”和“怀玉山”三个大字，其意就是使怀玉山的红色基调更为凸显。

游客朋友们：现在我们沿怀玉山的玉峰水泥路前行不远，前面的村庄就是七盘岭自然村，随着怀玉山红色旅游事业的发展，游客量不断增多，这里先后建起了停车场和游客中心。为游人出行提供了极大的便利。并以环境整治为重点，对影响村容村貌的排水沟，露天厕所、挡土墙全部进行拆除和改造，对农家庭院进行全面提升改造，新建适应高山气候的绿化带，进行美化和绿化，使怀玉山旅游的硬件和农户生产生活环境得到全面提升和改观。

游客朋友们，现在我们来到这是七盘岭小广场，由此往下看，这里原来是一条宽不到一米的羊肠小道，村民们称之为“七盘古道”，就是这样一条不显眼的小路，却是祖祖辈辈怀玉山人连接外界的必经之路，由于年代久远，加之山区交通事业的发展，七盘古道早已不复存在，只能残留在老一辈怀玉山人的记忆中。

提起七盘古道，可谓是闻名遐迩。但时光悠悠，岁月沧桑，七盘古道和许许多多的历史文化遗迹一样，早已成为永远的文化符号，沉寂在历史的最深处。

七盘岭本是怀玉山余脉，整条山脉在由北而南的延伸过程中，在玉峰村一带异峰突起，形成了高入云端的七盘山，七盘山再向南，山势渐趋平缓，七盘岭是七盘山的主峰。

古时，黄巢为扼制官兵，在今怀玉山玉峰村七盘岭上建起了第一座古关。这里有多处水源，离人烟近，便于补给和排兵演阵，是兵家用兵的绝胜之地，所以设有关楼、关亭、马厩等。

后来，黄巢往返七盘岭时，几经激战，人疲马乏，军需不足，加之山高路险，风大天寒，许多妇女和老弱没有马骑，有的在山上冰冻饥饿而死，有的滚落悬崖而亡，全军士气越来越糟糕。有的将士痛失了亲人，心中无比悲愤，有的士兵本来就远离故土，如今越过赣东第一关更多了思乡之苦，幸好当地民众出手相助，救助那些特别困难的眷属，找寻那些在路上走散和失踪的亲人。黄巢和他的御营兵全部下马，步行于崎岖山道间，用他们的战马开展施救。于是士气大振。顺利通过七盘岭。

七盘岭虽说是关，其实是高山。七盘岭山势峻拔，山道曲折迂回，坎坷难行。雄琐七盘关定址之后，一直是作为赣东北古道出入的第一道屏障而名震四方。在怀玉山公路通车之前，浙赣两地相互往来，车马、邮差必走七盘古道，必过七盘关。

“自古名关多战事”。悠悠七盘关经历过岁稔余丰的安定岁月，也经历过烽烟战乱、灾祸频繁的苦难年代。见证了古代无数悲壮的历史故事，见证了农民起义军的壮怀与柔情，也见证中国工农红军鲜洒热土情景。

为复原七盘古道，重拾对七盘古道的记忆，对七盘古道进行保护性修复，这条长370余米、宽1.3米的古道，就是按照原来古道进行修复，既再现了古道往昔风貌，又引发起游人的思古之情，也是先人们常在这里迎接亲人、休憩、避雨的亭子，因年久已久，经日晒雨淋，亭子已经坍塌，不复存在了。古时候，村民经常需要下山交换食物获取一些生活的必需品，而身处大山深处的他们，在没有道路，没有交通工具的情况下，一来一回可能就需要十天半个月，有的，可能根本回不来。因为他们除了面对苛刻的自然环境，还需要面对当时的一只山中猛兽，也就是老虎。或许此虎年长已经萌生了些许灵性，它探得了村民们往返道路，时长蹲守于那，捕食村民。

而此地则是最佳的看望地点，可以最远距离的看到归来的家人。但有一段时间，山间猛虎似乎有点暴躁，未归的男人越来越多，每天在此等候丈夫的妻子们也越来越多。不论刮风下雨，她们每天都会来等候，也许她们知道也许丈夫回不来了，但总有一点执念。村民们不忍心，便在此处修葺了一座亭子，让她们等待丈夫的归来。然而，等待的人还是越来越多，慢慢的，亭子已经容纳不下更多的人。

后来，在一位农妇的提议下，她们决定放下一切，消灭这害人不浅的野兽。她们自己动手制作捕兽工具，制作防具，准备与野兽做一场搏斗。浩浩荡荡将近十人，没人知道发生了什么，这些人一个也没有回来，但那只老虎似乎也消失了。从此，出去的男人都安全的回到了家。那个亭子里面等待的人越来越少，最后已经没人去那了，因为，每个人都能安全到家，渐渐的，亭子就破落消失了，如今我们按照当地老人的描述建造了现在的亭子并取名为“盼归亭”，在这里，我们能看到虎形工农红军营地、游客集散中心和对面的房屋立面改造后的江南古民居。

(继续走游步道)我们继续往前走，下面是20__年8月份开始动工的环村公路。

“十八龙潭” 讲解词

怀玉山属中亚热带湿润季风气候，降水丰富，因而溪涧成网、瀑布成群，瀑潭相间，分外娇媚。在海拔1538米的怀玉山云盖峰下，有一条不易被人发现的峡谷，其间，溪涧相连，流水湍急，途中十八个较大的溪潭，潭瀑相依，形成怀玉山独特的景观——“十八龙潭”。

“十八龙潭”全长4.5公里，从小怀玉水口至八际村，总落差600米。其间，经20__年怀玉乡考察队员实地勘察竟然有30个潭、瀑，远远不止十八个龙潭。队员们，一一将这些潭、瀑命名为二叠瀑、双帘瀑、灵岩飞瀑、三叠瀑、银瀑、龙潭飞瀑……

这些瀑布，有的水石相击、浪花飞溅，远看似朵朵白莲;有的如铙钹敲击，八音齐奏，声色俱美;有的倾泻而下，其状如帘、其声如沸;有的如奔雷击鼓、与天风松涛相应，声传数里;有的似云絮雪涛，瑰丽异常;有的高挂天边，气垫磅礴，蔚为壮观;有的珠光闪烁，瑞气氤氲，声如隐雷，山鸣谷应。身临其境，使你置身于“石上泉飞千尺雪，岩山花落万年松”的诗意中。

“十八龙潭”，溪名来历充满神话色彩。相传古时有一条孽龙因触犯天条，被许仙追赶，从怀玉山逃命于鄱阳湖，启程时连翻十八个跟斗，每个跟斗便成一潭，故名十八龙潭。

十八龙潭，一潭连一潭，一潭比一潭深。朋友们，来到这里，大家注意脚下安全，有道是“走路不观景，观景不走路”。海拔高的朋友呢，您还要当心头顶的树仙子，一不留神，会和哪一棵树仙子亲密相吻一回，那可是痛并快乐着啊!说不定，晚上树仙子还会来到您的梦中，和您亲密约会哦!

在很久以前，舅舅许仙和外甥聂龙在同一书院学习。由于聂龙后来成了一条龙，无恶不作，大家都叫他孽龙。

一天，孽龙在浔阳江畔玩耍，拾到一块光彩夺目的红珠。舅父要看，外甥不给，两人便抢夺起来。外甥躲藏不过，急忙将红珠含在口中。寻路而逃。不小心，红珠咽入腹中。顿时，孽龙口干舌燥，肚子沉痛。他喝干了书院的茶水，水池中的清水，仍不能解除口渴。许仙知道闯了祸，便离开书院，赴南海学法。孽龙经法海禅寺老和尚的精心治理，病情有了转机。他从此有了呼风唤雨的本领。

受天庭委派，他开始掌管怀玉山一带的雨水。

孽龙自从成了真龙，他开始变得专横凶狠，从不为百姓造福，不肯将雨水发放人间。因此怀玉山一带十年有九旱。孽龙不仅凶横，还十分好色，他看到玉琊溪里的鲤鱼精长得漂亮，便强占为妻。自此，他更沉醉于酒色之中，或叫奴婢唱歌跳舞，或叫虾兵舞刀弄棍，再也不给人间雨水，人民受害最烈。

这一年，又是一个大旱，怀玉山方圆百里地皮裂开，禾苗干枯，奄奄一息。庙堂里、大路上，到处是烧香的、撒纸的、求雨的人群叹息而归。

农历六月初六，怀玉山十里八乡百姓齐聚，抬了猪头，挑了美酒，装香烧纸，鸣锣敲鼓，千余人齐往龙潭，求龙王爷开恩，发放雨水，拯救万民。这时只见大路上走来一个身材高大的中年汉子。他问是何事。领头的老汉答道：“先生有所不知，咱这里自从玉帝派来东海龙孙，便年年干旱，田里禾苗干枯，饿死、渴死之人不计其数，我们年年烧香烧纸，龙王就是不肯发雨。”那汉子听得说，满脸怒容，说道：“真是岂有此理!待我前去问问看。”

汉子告诉大家，他是许仙，相隔数年学法回家，见今年久旱无雨，特来走访民情。他和百姓来到龙潭边，燃起香纸，闭着眼睛，嘴里念念有词，占起卦来，依此做了几回之后，忽对众人说：“孽龙不肯发卦，即不肯发雨，待我去他讲讲道理，如肯发雨，万事皆休，如不发雨，我准备和他大战一番。如果我们打起架来，你们就鸣锣击鼓，呐喊助威。”说完踏步往龙潭走去，只见一道金光闪闪，那龙潭竟自动让开一条路，放他进去。百姓看得呆了，方知这许真君是个神仙，心中无比高兴。

却说许仙拨开清水，一路直奔龙宫，一路果然壮观，奇花异草满目皆是，各种鱼虾追打戏耍，水底宝石金光闪闪。许仙无心赏景，急匆匆而行，眨眼来到宫门口，早有虾兵虾将拦住，喝问何人。

许仙高叫：“我乃许仙，如来佛主之徒，寿福老爷之后，特来拜访我的外甥你们的大王。”虾兵通报之后，仍是宫门紧闭。

许仙心里清楚，不杀孽龙，后患无穷，于是他每日磨刀霍霍，整天打听孽龙下落。一天，许仙发现孽龙在坳家集游玩，挥舞宝剑，一路杀来。孽龙妻子怀孕三载，跪地求舅舅许仙放孽龙一回。许仙扬腿一脚，正中孽龙妻子下腹，痛得孽龙妻子就地打滚。

许仙仍不见孽龙踪影，尾随孽妻身后。孽妻正要临产。许仙握剑守在屋外，企图斩草除根。屋内小龙听见屋外的响动，一个个飞了出来。许仙见一杀一，连续八条小生命死在他的剑下。第九条小龙见兄被杀，他来了个先俯后仰的飞行动作，结果被斩断了尾巴，带着血淋淋的残躯冲向天空，回首望了面黄肌瘦的母亲，就不知去向。

孽龙趁黑夜回到家中，看见凄惨的场景，悲痛万分，决心与许仙拼个你死我活。路上，他又饥又饿，便进了一家饮食店，要了一碗面条。谁知一筷面条刚下肚，腹中就像翻江倒海的搅动，张嘴吐出一条铁锁链，牢牢地将孽龙锁住。孽龙大声疾呼：天啊!我命该绝!

原来是观音将孽龙锁住，关押在信州某一八角井中。

时隔数日的一天傍晚，市妇打水漂豆芽到井旁，随手将灯笼挂在铁树上。朦胧中的孽龙，看到井边这一景象，想起观音临走时丢下的一句话：“等到铁树开花，炒豆发芽时，就是你的出头之日。”孽龙大声呼到：“大嫂，救救我!我是聂龙，请你点香设案拜观音，放我出去。”谁知，孽龙回山之日，就是亡命之时。

许仙整天设坛练法，精炼他的灭魄剑。当得知孽龙返宫的消息，急将灭魄剑化成一束青光，进得龙宫，抬眼一看，真个金碧辉煌，再看那孽龙，右手搂着鲤鱼精，左手端着大酒碗。二人施礼后，孽龙问：“你还是我舅舅么?”许仙和颜悦色地说：“今天你若发放雨水，我还认你这个外娚!”孽龙一听此话，立即变了脸：“你不修行炼身，却来管此闲事，实在可恼!”许仙道：“我们都是神仙，应以造福万民为本，养性修善为根，方能为百姓铭记千载，否则将让民众唾弃万年，望老邻居三思。”孽龙大怒：“你以为我真的慴你不成，敢来教训于我!你要知趣，给我快快滚出宫门，永世不得再来烦扰，要不知趣，小心我一时性起，一口将你活吞了去!”许仙冷笑三声，不紧不慢地说：“亏你还是东海龙王之后，却原来是一个无赖之徒，凶顽之辈，你竟敢口出狂言，孽龙，你来吧!”孽龙听得气急，两只眼睛露出凶光，张开那血盆大口，喷起那几尺长的胡须，身子就势从龙殿上滚下来，左盘右旋，把座宫殿搅得直摇直晃，接着大吼三声，惊得水浪掀起十丈多高，它喷出阵阵黑气，操起定海杆恶狠狠地向许仙打来，却不见打中，定海杆击在圆柱上，震得虎口剧痛。铜铃眼环视四周，却不见许仙踪影。原来许仙道法高深，霎时已变成螃蟹崽，悄悄爬上龙背，用大爪在头颈上狠劲一夹，痛得孽龙大叫一声，在地上连打三个滚。他立即命蟹将查看，蟹将一见是自己的崽，顺手扒下说：“没什么，可能是你刚才把龙痣碰了一下而发痛。”许仙一到地上，现了原形，脸上带着轻蔑的微笑，立在孽龙面前。孽龙青筋直跳，鼓起眼睛，顺势用龙须卷许真君。许仙道法多，又变成虾将孙，一跳抓住须根，使劲一拔，脱了一根，痛得孽龙直流眼泪。孽龙又命虾将查看须中有啥，虾顺手撵下地，说：“没什么，可能是你喷须用力过猛，脱了几根龙须。”许仙又现原形站在孽龙面前，孽龙气得一身龙鳞直抖，四脚乱踏，凶猛猛，恶狠狠将定海杆朝许真君打来，许仙即拿拐杖来迎，两人就在龙殿里斗起来。他两个，一来一往，一上一下，定海杆搅得水浪冲击云涌，神拐杖舞得龙殿左右摇摆。惊得那鱼公鱼婆，龙子龙孙一个个站不稳，立不住，整个龙潭只听见孽龙的咆哮声、许仙的怒骂声。波翻浪滚，黑气弥漫。他俩人斗得性起，索性跳出龙宫，云在吼，雾在啸，沙在撒，石在飞，山在摇，地在动。

再说那龙潭边，万民伫立，目送许仙进潭不久，即见水面上水浪翻滚，百姓惊起，方记得许仙之言，立即锣声鼓大作，惊天动地。许仙与孽龙大战三百回合，仍不见胜负，趁孽龙喘息的机会，许仙顺手抛出缚龙绳，恰恰套住颈脖。那孽龙头乱窜，尾乱摆，腰乱扭，脚乱蹬，却死也挣不脱，痛得他满潭乱滚，嘴里发出阵阵哀嚎，连呼饶命，答应立即发雨。

孽龙终于服贴了，它喘息着，张开嘴，呼雷唤电。立即狂风大作，天黑下来了，黑得象锅底一样，孽龙无力地闭上眼睛，张开大嘴，滔滔大水从龙嘴里喷了出来。

倾盆大雨落下来了，田里满了，河里满了，山塘里也满了!人们敲锣打鼓庆贺。

许仙见孽龙被降服，手上的龙绳松动，说时迟那时快，孽龙立即挣脱束缚，转身就跑，许仙怕孽龙迫害百姓，起身追赶，孽龙连翻十八个跟斗，从怀玉山逃命于鄱阳湖，每个跟斗便成一潭，故名十八龙潭。

在这多姿的十八龙潭还曾发生过另一个悲壮的故事。1935年1月红十军团在皖南遭遇国民党重兵围追堵截，撤返赣东北时在怀玉山展开血战。

时值元月，怀玉山区，雨雪纷飞，地冻天寒。红军战士，经两月的艰苦转战，伤亡不断增加，本已十分疲劳，现又被敌围困山林，饥寒交迫，经受着严峻的考验。当时，由红十军团第十九师参谋长、师长王如痴心急火燎。他积极协同方志_、刘畴西在怀玉山的东南山地和北部的冷水坑、玉峰、马峰等地，指挥部队，同敌军进行血战，欲图杀出一条血路，冲出重围。可是，终因敌军强大，炮火猛烈而被撤回。这时，方志_、刘畴西决心潜回赣东北，重振旗鼓。并授命王如痴全权指挥队伍，留守山林，可是，终因敌军强大、炮火猛烈的轰击下，红军战士已被冲散分割，各自为战。开始，敌军因山高林密，搜索不便，还派飞机轮番轰炸;后来，敌人索性放火烧山，有的红军战士和伤病员被活活烧死。有的拒敌搜捕，则且战且退，被逼上山顶绝路，宁死不屈，舍身跳崖，表现出红军战士可歌可泣的英雄壮举。王如痴深深为红军兄弟这种无比悲壮的行为所感动。1月24日晚，王如痴几经组织发动，决心再次率领红军战士1000余人，乘黑夜偷袭敌军封锁线，力图强行突围。可是，又被敌警戒部队发觉击回。1月25日，敌二十一旅即派1团兵力，集中向怀玉山发起围攻和结队搜捕。王如痴率领十九师三个排共150余名战士组成的尖兵连准备通过十八龙潭向山下的八祭村转移时，却遭到国民党四十二团数倍与己的敌人的围追堵截。虽然，红军战士英勇突围，但敌人占据了有利地势，红军伤亡惨重，十八龙潭的溪水被鲜血染红，瀑布成了红色的绸带，惨烈异常。

王如痴遭敌团团围住而被俘。接着刘畴西、方志_亦未能回赣东北苏区，先后于德兴陇首村封锁线上被俘，三人同时被押往江西上饶监狱，后解南昌。1935年8月6日，王如痴和方志_一起在南昌下沙窝英勇就义。

目前由政府投资1500余万元，对十八龙潭项目进行综合开发，该项目于20__年3月份开工，，目前已经完成栈道、观景台的水泥平台浇筑工作，预计20__年10月中旬竣工。

海王九岛为岛礁型基岩海岸，这里的的美景自然形成，旅游资源绚丽独特，海蚀柱、海蚀洞等海滨地貌和海岸景观随处可见，沿岸周围沙滩分布广泛，海水浴场众多，孕育着大自然的精华。亿万年的大海波涛，岁月长河的风霜雨雪，形成了蜿蜒34.2公里的风景海岸线，使海王九岛的岛礁

海王九岛美景(20张)分布疏密相间。双狮争雄、海马巡滩、大象吸水、骆驼奇峰、神龟探海等60多个景点形态逼真、惟妙惟肖，在国内沿海均属罕见。景区中神雕天琢的欧洲神父、情侣礁、黑白奇石、天平礁等众多奇礁异石、海蚀地貌更让人不得不为大自然的鬼斧神工惊叹，似如神力的雕塑公园，天然的地质博物馆。海王九岛也是海鸥、海鸭和白鹭等珍奇鸟类集中繁殖栖息的地方，是闻名遐迩的“鸟岛”。奇妙的自然风光，渊远的古朴民风，使王家镇集海洋、陆地、天地于一体，是理想的度假、避暑、观光、猎险、探密的圣地。享有“黄海娇子”、“海上盆景”“人间仙境”等美誉。大文豪郭沫若曾在这里留下了“汪洋万顷青于靛，小屿珊瑚列画屏”的赞美诗句。

海王九岛还具有许多历史研究价值的遗迹。由于本域东临朝鲜、韩国和日本，是我国重要的国防要地。早在嘉庆年间，岛上望海楼山为观察倭寇入侵的烽火台，至今，山上烽火台遗址和几百斤重的报警铁钟仍然保存完好。著名的中日甲午海战也是发生在海王九岛的东部海面，目前，小海王岛仍保存当时海战日寇船舶在此靠泊的铁锚桩。海王九岛还有日本侵略者1938年建造的国际灯塔、1942年在岛上修筑的船泊大坝等等。

海王九岛风景区依据自然状况和游览路线，划分为大海王岛、瘦龙岛、小海王岛 3个景区。大海王岛有海王顶环眺、灯塔山揽胜、望海楼遐思、龙爪猎景和海王湾观奇;瘦龙岛景区包括瘦龙岛、海龟岛和、井蛙岛、观象岛、双狮岛和团圆岛;小海王岛景区包括小海王岛和元宝岛。

海王九岛美丽，海王九岛奇特。大自然的鬼斧神工，使海岛遍布着数不尽的奇礁怪石：黑白石、荞麦礁、狮狍争峰、大象吸水、刺猬扑食、神龟过海、罗汉醉酒、猴子观日等等，不胜枚举，有的像井蛙，有的像羊羔唤母，有的像巨大的元宝，还有的似熊岳的望儿山、云南的阿诗玛、桂林的象鼻山。因此，有人赞誉这里是各地盛景的博览会。

元宝岛的东端高处，就是享有盛名的观鸟台。黄海海域内的水岛，在这里均可见到。鸟群时而腾空翱翔遮天蔽日，时而落地憩息盖住了岛屿、礁石。特别是海鸭落下，似秋叶纷纷附地，海鸥飞起，如雪片轻盈飘舞，反差强烈，黑白分明。各种水鸟腾飞降落落大方，尽情歌唱，声间错杂，形成鸟类交响曲。这奇景，常使人如醉如痴，留恋往返。

团圆岛、观象岛是白鹭的领地。退潮时，白鹭成双成对地到海边捉食小鱼、小虾、小螃蟹，涨潮时候便飞走，蹲在悬崖峭壁或树枝上、草丛里休息，一旦受到惊吓，便呼地一声飞起，不是“一行白鹭上青天”，而是一片白鹭难见天，非常壮观。

大气污染应急预案例文

一、总则

（一）编制依据。

《中华人民共和国大气污染防治法》、《中华人民共和国突发事件应对法》、《国务院关于印发大气污染防治行动计划的通知》、《珠江三角洲大气重污染应急预案》、《深圳市突发事件总体应急预案》、《城市大气重污染应急预案编制指南》等。

（二）工作原则。

1.统一指挥、分工负责。市政府成立大气污染应急指挥部（以下简称"应急指挥部"），组织、协调、指挥大气污染预警与应急响应工作。市有关部门和各区政府、新区管委会按职能密切配合、分工协作，确保应急措施落实到位。

2.分级分区、注重成效。根据大气污染情况建立不同级别的污染等级及相应的应急措施，划分不同的预警与应急响应分区，确保应急措施的有效性，优化应急预警与响应流程，提高时效性。

3.预防为主、防控结合。建立健全大气污染预报预警应急体系，对潜在污染做到"早预报、早报告、早处置"，加强大气污染防治工作，不断促进环境空气质量改善。

（三）适用范围。

本预案适用于发生在本市行政区域内的大气污染预警与应急响应工作。

（四）大气污染预警与应急响应分级。

按照环境保护部《环境空气质量指数(AQI)技术规定》的分级方法，结合深圳市空气质量状况，将大气污染预警与应急响应分为三级，具体分级为：

Ⅲ级预警：当出现大气污染且预测未来24小时一个或多个区域空气质量指数（AQI）在101-200范围，即空气质量达到轻度污染或中度污染时，启动Ⅲ级预警。

Ⅱ级预警与应急响应：当出现大气污染且预测未来24小时一个或多个区域空气质量指数（AQI）在201-300范围，即空气质量达到重度污染时，启动Ⅱ级预警与应急响应。

I级预警与应急响应：当出现大气污染且预测未来24小时一个或多个区域空气质量指数（AQI）大于300，即空气质量达到严重污染时，启动I级预警与应急响应。

（五）大气污染预警与应急响应分区。

1.预警与应急响应分区。

根据本市各区空气质量状况及污染源分布情况，将本市划分为2个预警与应急响应分区，按照不同分区的空气质量预报情况，启动不同的应急措施。具体分区为：

西部区：包括南山区、宝安区、光明新区、龙华新区等4个区（新区）；

中东部区：包括福田区、罗湖区、盐田区、龙岗区、坪山新区、大鹏新区等6个区（新区）。

2.分区执行要求。

建议性污染减排措施和机动车限行强制性措施全市执行；其他强制性污染减排措施按分区执行原则，依据预警与应急响应等级分区实施。

二、组织机构和职责

（一）领导机构。

应急指挥部总指挥由分管副市长担任，副总指挥由市政府分管副秘书长担任，执行总指挥由市人居环境委主任担任。成员由市经贸信息委、财政委、规划国土委、人居环境委、交通运输委、卫生计生委、教育局、监察局、住房建设局、市场监管局、水务局、城管局、气象局、建筑工务署、公安交警局、新闻办和各区政府、新区管委会负责同志组成。

（二）工作机构。

应急指挥部办公室设在市人居环境委，负责应急指挥部的日常工作，确定预警与应急响应等级，督查市有关部门和各区政府、新区管委会对预警与应急响应措施的落实情况。应急指挥部办公室内设监测预警工作组、专家会商工作组、新闻宣传工作组、检查督导工作组、后勤保障工作组，各工作组由市人居环境委负责组建。

应急指挥部各成员单位应按照职责分工制定本部门、本辖区的应急措施实施方案，报应急指挥部办公室备案，并在大气污染预警与应急响应时组织实施。

（三）应急专家组。

为了保证大气污染预警与应急响应决策的科学性，应急指挥部办公室负责组建和管理大气污染应急专家库，组成大气污染应急专家组，建立专家会商机制。专家会商采取现场会商与视频会商结合的方式进行。依据大气污染预警与应急响应的分级，专家会商划分为三个层次：当需启动或解除大气污染Ⅲ级预警时，由会商工作组内专业人员会商形成结论；当需启动或解除大气污染Ⅱ级预警与应急响应时，至少需3位本地专家参加会商；当需启动或解除大气污染I级预警与应急响应时，至少需3位本地专家和2位外地专家参加会商。

三、运行机制

（一）预警与应急响应机制。

1.预警应急信息分析及专家会商。

监测预警工作组根据实时空气质量监测数据，结合市气象局对未来24小时天气形势研判，预测未来24小时空气质量指数（AQI）可能达到100以上，由专家会商工作组组织专家会商，分析是否启动预警与应急响应，并由应急指挥部办公室按程序向应急指挥部报送会商结论和应急启动建议。

本市未达到相应级别，但由于珠三角区域应急联动需要时，应急指挥部办公室按程序报送应急启动建议。

2.应急启动决策。

大气污染Ⅲ级预警由应急指挥部办公室决定启动，并及时发布健康提示和建议性污染减排措施。

大气污染Ⅱ级预警与应急响应由应急指挥部审议并由应急指挥部总指挥决定启动，并在12小时内将污染情况上报珠江三角洲区域大气重污染应急领导小组办公室。

大气污染I级预警与应急响应由应急指挥部审议并将相关文件报送市长决定启动，并在12小时内将污染情况上报珠江三角洲区域大气重污染应急领导小组办公室。

3.预警应急信息发布。

应急指挥部办公室根据预警与应急响应等级，通过深圳市突发事件预警信息发布系统及网络、电视、广播、报纸、手机短信等手段，发布预警应急信息。

市人居环境委牵头，市交通运输委、公安交警局配合，联合发布机动车限行公告，并且利用网络、电视、广播、报纸等多种媒体加强宣传。

市经贸信息委负责为预警应急措施提供短信等通信保障。

4.应急措施实施。

各区政府和新区管委会、市有关部门和相关单位在应急指挥部发布应急响应通知后，立即启动应急预案，按各自职责落实本预案规定的各项应急措施，并向应急指挥部办公室报告落实情况。检查督导工作组应及时组织对各单位应急措施落实情况进行检查督导。

5.预警与应急响应解除。

监测预警工作组根据实时空气质量监测数据，结合市气象局对未来24小时天气形势研判，预测未来24小时空气质量指数（AQI）回落至100以下且环境空气质量将明显好转时，由专家会商工作组组织专家会商，形成终止应急措施的建议，并由应急指挥部办公室按程序报应急指挥部。

大气污染Ⅲ级预警由应急指挥部办公室决定解除。大气污染Ⅱ级预警与应急响应由应急指挥部审议并由应急指挥部总指挥决定解除。大气污染I级预警与应急响应由应急指挥部审议并报经市长同意后解除。

（二）大气污染应急措施。

根据大气污染预警与应急响应级别分3个级别采取相应的污染应急措施，包括健康防护措施、建议性污染减排措施和强制性污染减排措施。原则上由低到高逐级启动，在特殊时期及突发情况下，按相应程序可越级启动应急措施。

1.大气污染Ⅲ级预警措施。

（1）健康提示。提醒儿童、老年人和患有心脏病、呼吸系统疾病等易感人群应当留在室内，减少户外运动（市新闻办负责）。

（2）建议性污染减排措施。倡导公众及大气污染物排放单位自觉采取措施，减少污染排放，建议性减排措施包括：尽量乘坐公共交通工具出行，减少小汽车上路行驶（市交通运输委、新闻办负责）。加大施工工地洒水降尘频次，加强施工扬尘管理（市规划国土委、交通运输委、住房建设局、水务局、建筑工务署、各区政府和新区管委会负责，市新闻办配合）。加大道路洒水降尘频次，减少交通扬尘污染（市城管局、各区政府和新区管委会负责）。

2.大气污染Ⅱ级预警与应急响应措施。

（1）健康提示。提醒儿童、老年人和患有心脏病、呼吸系统疾病等易感人群应当留在室内，停止户外运动；建议中小学停止户外运动；一般人群应减少户外活动（市教育局、新闻办负责）。

（2）建议性污染减排措施。尽量乘坐公共交通工具出行，减少小汽车上路行驶（市交通运输委、新闻办负责）。停车时及时熄火，减少车辆原地怠速运行（市新闻办负责）。加大施工工地洒水降尘频次，加强施工扬尘管理（市交通运输委、住房建设局、水务局、建筑工务署、各区政府和新区管委会负责，市新闻办配合）。排污单位控制污染工序生产，减少污染物排放（各区政府和新区管委会负责，市新闻办配合）。

（3）强制性污染减排措施。在保障城市正常运行的前提下，大气污染达到Ⅱ级预警时，采取以下强制性污染减排措施：

使用生物质成型燃料的锅炉未安装在线监控设施并与环保部门联网的，责令停用（各区政府和新区管委会负责）。

全天24小时在全市范围对柴油车实行单双号限行，对其他机动车（电动车除外）采取按当天日期对应的车牌尾号（车牌号最后一位阿拉伯数字）限行。但以下车辆不受本限行措施限制：执行任务的警车、消防车、救护车、工程抢险车、环卫车、应急指挥车和解放军、武警部队车辆；按规定线路行驶的城市公共汽车和疏港物流车辆；20座（含20座）以上的大型载客汽车；行经本市行政区域内高速公路且不行经本市行政区域其他道路的过境车辆（市人居环境委、交通运输委、公安交警局负责）。

除重大工程项目外，所有施工工地停止土石方、房屋拆除、余泥渣土建筑垃圾清运等施工作业（市规划国土委、交通运输委、住房建设局、水务局、建筑工务署、各区政府和新区管委会负责）。

在日常道路保洁频次的基础上，每日对工地周边及扬尘污染严重道路增加洒水降尘作业2次（市城管局、各区政府和新区管委会负责）。

加强巡查执法力度，禁止露天烧烤等无油烟净化设施的污染行为（市城管局、各区政府和新区管委会负责）。

使用油性涂料、胶合剂、有机溶剂等进行生产的挥发性有机物排放重点企业，未规范有机废气排污口或无后处理设施的，停产或停业（各区政府和新区管委会负责）。

3.大气污染I级预警与应急响应措施。

（1）健康提示。提醒儿童、老年人和患有心脏病、呼吸系统疾病等易感人群应当留在室内，避免体力消耗；中小学和幼儿园停课；一般人群应避免户外活动；停止露天体育比赛活动（市教育局、新闻办负责）。

（2）建议性污染减排措施。尽量乘坐公共交通工具出行，减少小汽车上路行驶（市交通运输委、新闻办负责）。停车时及时熄火，减少车辆原地怠速运行（市新闻办负责）。减少机动车日间加油（市新闻办负责）。加大施工工地洒水降尘频次，加强施工扬尘管理（市交通运输委、住房建设局、水务局、建筑工务署、各区政府和新区管委会负责，市新闻办配合）。减少涂料、油漆、溶剂等含挥发性有机物的原材料及产品的使用（市市场监督局负责，市新闻办配合）。排污单位控制污染工序生产，减少污染排放（各区政府和新区管委会负责，市新闻办配合）。

（3）强制性污染减排措施。在保障城市正常运行的前提下，在大气污染达到I级预警时，实施更加严格的强制性污染减排措施：

责令使用生物质成型燃料、柴油等污染燃料的锅炉停用（各区政府和新区管委会负责）。

全天24小时在全市范围对柴油车实施禁行，对其他机动车（电动车除外）采取单双号限行。但以下车辆不受本限行措施限制：执行任务的警车、消防车、救护车、工程抢险车、应急指挥车和解放军、武警部队车辆；按规定线路行驶的城市公共汽车和疏港物流车辆；20座（含20座）以上的大型载客汽车（市人居环境委、交通运输委、公安交警局负责）。

全市建筑施工工地停止土石方、房屋拆除、余泥渣土建筑垃圾清运等施工作业（市规划国土委、交通运输委、住房建设局、水务局、建筑工务署、各区政府和新区管委会负责）。

在日常道路保洁频次的基础上，每日增加洒水降尘作业2次以上（市城管局、各区政府和新区管委会负责）。

加强巡查执法力度，禁止露天烧烤等无油烟净化设施的污染行为（市城管局、各区政府和新区管委会负责）。

使用油性涂料、胶合剂、有机溶剂等进行生产的挥发性有机物排放重点企业，停产或停业（各区政府和新区管委会负责）。

全市施工工地停止油漆喷涂和粉刷作业（市交通运输委、住房建设局、水务局、建筑工务署、各区政府和新区管委会负责）。

四、保障措施

（一）加强预警应急体系建设。

完善空气质量预报系统建设，提高预报结果的时效性和准确性，确保满足预警应急的要求。加强大气污染预警应急基础平台建设，实现空气质量监测、预报、预警信息及天气形势预报信息资源共享，为政府决策提供及时、准确的信息资料。

（二）加大宣传教育力度。

依托新闻媒体，广泛开展形式多样的大气环境保护宣传教育活动，提高市民对降低大气污染、促进空气质量改善的认识，引导社会各界自觉采取污染减排措施，共同承担防治大气污染的社会责任。同时，确保大气污染预警应急信息有效传达，提醒市民采取适当的健康防护措施。

（三）加强执法监督。

市人居环境委、城管局、公安交警局等部门在各自职责范围内加强对违法排污的执法力度，切实落实应急预案的减排措施。

市公安交警局加强冒黑烟车执法，在启动Ⅱ级预警与应急响应时，机动车尾气路检组数量增加到10个；启动I级预警与应急响应时，机动车尾气路检组数量增加到20个。

（四）落实经费保障。

市、区财政对大气污染应急工作所需资金予以保障。

（五）开展应急演练。

根据本市实际情况和工作需要，结合应急预案，定期组织开展本预案应急演练，以检验应急预案的可行性和有效性。应急演练由应急指挥部办公室组织有关部门制定方案，经应急指挥部批准后组织实施。

（六）加强应急培训。

坚持"平战结合"的原则，定期组织开展大气污染应急队伍相关知识、技能的培训，推广最新知识和先进技术，培养一批训练有素的大气污染应急预报、监测、处置等专门人才。应急培训由应急指挥部办公室负责组织开展。

（七）加强监督考核。

应急指挥部办公室监督考核各相关单位对本预案规定职责的落实情况。在应急行动期间加大对各类应急行动措施执行力度的巡查，确保措施有效落实，对未落实措施要求或措施执行不力的，由监察部门依照有关规定追究问责。

（八）强化各区政府和新区管委会职责。

各区政府和新区管委会应建立相应的应急指挥机构，负责落实本预案启动时辖区内工业企业污染减排措施，并配合做好辖区内扬尘污染控制及机动车停驶工作。

（九）落实区域预警与应急响应措施。

按照《珠江三角洲大气重污染应急预案》、《深莞惠大气污染防治区域合作协议》等文件要求，认真落实发生区域重污染天气时的预警与应急响应措施。

五、附则

本预案自印发之日起实施。本预案结合实施情况不定期修订。本预案由市人居环境委负责解释。

香港海洋公园享有“全球最受欢迎的主题公园”，“东南亚规模最大的娱乐消闲公园”，“世界最大的水族馆”(之一)等多项荣耀。介绍：

位于香港岛南面的香港海洋公园，堪称全球最受欢迎的主题公园之一，是东南亚规模最大的娱乐消闲公园之一，占地170英亩。公园建筑分布于南朗山上及黄竹坑谷地。分山上和山下两部分，山上是香港海洋公园的主要部分，有海洋馆、海涛馆、海洋剧场、百鸟居;山下的水上乐园，是亚洲第一个水上游乐中心，还有花园剧场、金鱼馆及仿照历代文物所建的集古村等。园内的海洋馆、太平洋海岸、鲨鱼馆等展现大海的奥秘，百鸟居、蝴蝶屋等生动诱人，极速之旅、冲天摇摆船等挑战胆量，儿童王国、超动感影院、大熊猫馆(由中央政府赠送的大熊猫安安和佳佳，于1999年首次公开免费让市民参观。)各有特色，还可以在海洋剧场观看有趣的海豚、海狮表演。足够花上一天的时间在香港海洋公园里狂热一番。另外，园内搭缆车是非常写意的活动，坐在二百零五米高空上可欣赏南中国海迷人景色，远外闪烁细沙，波光鳞影，仰望白云浮游。离园，还可乘坐全球第二长的户外扶手电梯。

香港海洋公园海洋馆

世界最大的水族馆之一。水体宽22米，长38米，水深达7米，分为4层，可由通道环绕参观。该馆按珊瑚礁布局，分深湖和泻湖两部分：深湖依据堡礁设计，泻湖参照缘礁摹造，两湖海水相通。馆内放养了太平洋岛屿及南中国海鱼类5000多条，约400多种，从体长不到2厘米的盐雀鲷到身长3米的豹纹鲨，还有海鳗、神仙鱼、石斑鱼等各种珊瑚礁鱼类。该馆还设有“珊瑚和珊瑚礁”展览，介绍有关珊瑚礁的形成。

香港海洋公园海涛馆一个巨型水池，宽152米，长122米，深2.7米，有各种不同的人工海岸，适合于不同的海洋动物生活。主要展出有美国加州海狮、非洲毛海豹、史提拉海狮、塘鹅、爵士企鹅及汉堡企鹅等。人造浪涛由电动浪涛机操纵，海浪起伏高达1米。还设有海岸和海洋动物为主题的展览，介绍海岸的种类和成因，潮汐和海浪与海岸的关系，各类海岸生态及海洋哺乳动物等，以一系列的灯箱、电子游戏机展示有关知识。还可以控制一台海底摄影机观看海底动物生态。

英文的导游词范文

英文导游词范文——陕西西安大清真寺英文导游词

the great mosque at huajue lane

the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.

however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.

islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.

however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.

among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.

the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.

according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.

the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.

the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.

英文导游词范文——陕西西安秦始皇兵马俑英文导游词

emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum

emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.

in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.

after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.

emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”

emperor qin shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.

no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.

no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.

no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.

no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.

the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.

in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.

no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.

西安英文导游词

inside the fourth courtyard, there is a structure called the phoenix pavilion, a place where worshipers wait for services. the pavilion, in fact, is a complex of three small buildings. the six-gabled structure in the central part is adjoined by two three-gabled buildings on each side which make it look like a flying phoenix; hence its name. just at the back of the pavilion there is a fish pond, and beyond it is a platform with an area of 700 square meters. acrothe platform stands the 1,300-square-meter prayer hall. it holds over 1,000 worshipers at a time. the ceiling is decorated with over 600 panels. the walls of the hall, as well as the panels, are decorated with patterns of trailing plants and arabic letters. the shrine at the western end of the hall is where the imam and worshipers chant the koran and pay homage while facing in the direction of mecca.

the moslems in china share much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night.

the constitution of china acknowledges that each citizen has the right freedom of religion, and that each ethnic group has the freedom to preserve or reform its own customs. of course, the moslems in china enjoy equal rights with other ethnic groups, and their religious beliefs and customs are respected everywhere in the country.

huaqing pool is situated about 35 kilometres east of the city of xi’an. historically, the western zhou dynasty saw the construction of the li palace on the spot. in the qin dynasty a pool was built with stones, and was given the name lishan tang (the lishan hot spring). the site was extended into a palace in the han dynasty, and renamed the li palace (the resort palace). in the tang dynasty, li shimin (emperor tai zong) ordered to construct the hot spring palace, and emperor xuan zong had a walled palace built around lishan mountain in the year of 747. it was known as the huaqing palace. it also had the name huaqing pool on account of its location on the hot springs.

huaqing pool is located at the foot of the lishan mountain, a branch range of the qinling ranges, and stands 1,256 metres high. it is covered with pines and cypresses, looking very much like a like a dark green galloping horse from a long distance. so it has the name of the lishan mountain (li means a black horse).

the tang dynasty emperor xuan zong and his favourite lady, yang gui fei used to make their home at frost drifting hall in winter days. when winter came, snowflakes were floating in the air, and everything in sight was white. however, they came into thaw immediately in front of the hall. it owed a great deal to the luke warm vapour rising out of the hot spring. this is the frost drifting hall that greets us today.

西樵山风景名胜区位于广东省佛山市南海区西南部，面积约十四平方公里，西樵山有七十二峰，以山青，水奇著称，享有“岭南佳境”之盛名。1988年被定为国家重点风景名胜区。

西樵山是七八千万年前由海底火山喷发岩浆，岩状，火山灰后形成的死火山，山体外陡内平，状若莲衣复合，大秤峰居群峰之首，九龙岩，冬菇石，石燕石等峰岩形态万千。西樵山岩石节理发育，裂隙纵横，富有潜水，形成多处水景，有232口泉眼，28处瀑布。“欲览西樵胜，应先访白云”。位于西樵山西北部的白云洞为——马蹄形山谷，它兼收岩泉飞瀑之美，有“胜甲西樵”之称。三峰之间有两飞泉左右迂回而下，称“大云泉”、“小云泉”。泉水折叠汇成了三个湖，即所谓“白云飞下过三湖”：上为“应潮湖”，中为“鉴湖”，下为“会龙湖”。现在其下又增辟“白云”、“人工”两湖，形成五湖飞瀑交辉，亭台山水相映的奇泉。洞山腰的云泉仙馆原是明代的玉楼书院，云泉仙馆西的“三湖书院”门额为林则徐所题，康有为青年时代曾在此面壁苦读三年，山西南部有西天湖和左垂虹瀑，右垂虹瀑等景;山东南部有清暑岩，云岩飞瀑等景，山东北部有全山最大的瀑布玉岩飞瀑，以及玉岩，仙人石，东天湖等景。

早在新、旧石器时代，西樵山就有人类活动，留下许多历史遗迹，史学界称为“西樵山文化”。明代中叶成为南国理学名山，至今还保存着白云古寺，以及大量摩崖石刻等文物古迹。

各位旅客朋友们：

大家好!

荆州市位于湖北省中南部、江汉平原腹地，东望省会武汉、西接长江三峡，南与湖南常德、岳阳、益阳交界、北与荆门毗邻。辖荆州、沙市两个区和公安、监利、江陵三个县及松滋、洪湖、石首三个市。总国土面积483平方公里，总人口630万。

荆州城早在四千多年前的夏代就已经形成，它是大禹治水定天下，定下来的九州之一，因为它管辖范围很大，包括湖北、湖南，两广边界和河南南阳盆地，而且靠的是湖北省南漳县西边的荆山山脉，当时古人按照依山傍水定地名的惯例定它为荆州。这个城市的特点就是一城二名，既叫荆州城，又叫江陵城，江陵城的来历是两千六百多年以前成立了江陵县，江陵这两个字的意思就是远处无高山，近处皆陵埠，也就是远处没有高山，近处都是丘陵和水的意思。千里江陵一日还的诗句，说的就是这个城市。

现在咱们所在的位置是荆州市的沙市区，不知道在座的朋友有没有来过我们沙市的呢?沙市原先是个轻工业城市，特别是纺织业比较发达，而且还有几个比较有名的企业，比如说活力28我想大家应该都知道吧。另外呢，沙市最早的时候也不叫沙市，叫沙石，可能是因为原来这里石头比较多的原因吧。原来它是长江上比较热闹的一个码头，早在1895年，清政府跟英国签定的(马关条约)里面有一条就是在长江上开辟五个通商口岸，那么沙市就是这五个通商口岸中的其中之一。

荆州市是楚文化的发祥地，中外闻名的三国古战场，湘鄂西革命根据地的中心，是国务院首批公布的全国24座历史文化名城之一，地处长江三峡旅游线、古三国旅游线、楚文化旅游线上，人文景观很多，历史遗迹遍布全市，现有国家级重点文物保护单位5处：鸡公山遗址、楚纪南城、八岭山古墓群、荆州古城墙、湘鄂西革命根据地旧址;省级重点文物保护单位32处，市9(县)级重点文物保护单位500余处。荆州自古为兵家必争之地。三国时，魏、蜀、吴为夺取荆州，不是留下了刘备借荆州、关羽大意失荆州等许多动人的故事，而且留下了大量的三国遗址。主要有江陵的关公点将台、马跑泉，洪湖的曹操湾、乌林寨，监利的子龙岗、华容道，石首的绣林镇、刘郎浦，公安的孙夫人城等。荆州城有保存完好的古城墙，历经1800多年，古貌犹存。现存城规模之大保存之好，为我过南方所仅有，在全国也为数不多。城内有建于唐代的开元观、玄妙观，建于明代的太晖观，建于清代的文庙、关庙和铁女寺。据考古发现、，荆州早在五千年前就是原始人类生存的地区，城北的鸡公山就是五万年至二十万年前的一处旧石器时代的遗址。五、六千年前，人类在荆州大地上创造了灿烂的屈家岭文化和石家河文化。春秋战过时代，青铜器冶炼技术，煅铸铁技术，丝织刺绣技术和漆器工艺技术都处于世界领先水平;老庄哲学、楚辞文学和音乐舞蹈也都登上了古代世界文明的殿堂。楚故都纪南城及其周围，有楚城遗址5座，楚文化遗址83处，大型古墓800多处，其中包括18个楚王的葬墓。三国时期，诸葛亮称荆州北据汉沔，利尽南海，东连吴会，西通巴蜀，此用武之过也。魏、蜀、吴三国的众多政治家、军事家围绕荆州斗智斗勇，留下了无数脍炙人口的故事和许多三国胜迹。

大家好，这里就是灵山大佛，灵山大佛高88米，连同三层石头基座在内通高101.5米。比“佛是一座山，山是一尊佛”的四川乐山大佛还高出17米，是目前世界上最高的青铜佛像。

有一点是值得介绍的：那就是大佛的“眼睛”。

请你们不妨注意一下，不论你走近走远，或左或右，大佛的“眼神”似乎始终在跟随着你，关注着你。当你愈靠近大佛时，大佛的“眼睛”似乎也是逐渐睁开、睁大……这是为什么呢?难道“眼睛”真的会“动”的不成?其实并不奇怪，这里绝没有任何“神奇”的色彩，是利用视觉差产生的效果。靠的就是艺术魅力，或者说是雕塑家的艺术功力。

我们整个大佛建造运用高科技拼装焊接而成，并且采用了完整的抗风、防震、耐腐蚀、避雷等措施。灵山大佛是分块铸造，然后再在现场将它们一块块地拼装，焊接在一起，使它达到“天衣无缝”的程度。

大家想一想，这里面包含着多少技术内容和多大的工作量呀?!尽管如此，但比起古代造铜佛的方法来说，那又不知道要省多少事了!

由于时间限制，我在这里只能谈两个“为什么?”

第一个“为什么”是：安装好的大佛，为什么是“两脚离地”的?

这是因为灵山大佛的总体设计方案采用的就是“整体悬挂”方案。佛体铜壁板经过拼装焊接成整体以后，是通过副支架、主钢架直接悬挂在像楼房一样的钢筋混凝土主骨架上的。副支架总共有四、五千根，平均每块铜壁板有2——3根。整个佛像相当于有四、五千只手从里面加以托着和拉着。这样，铜壁板可以铸得尽可能的薄，节省铜料，经济合理。因此，做到最下面一层铜壁板是离地的。

第二个“为什么”是：大佛头上没有看到避雷针，它能防雷吗?为什么?

大佛头顶上如果装上一根避雷针，像一根小辫子那样翘在那里，当然不好看!其实，大佛头上不是没有避雷针，而且有很多，所不同的是避雷针不是“尖”的，而是“球形”的，那就有298个发髻。人们都知道避雷针必须是尖头的，但是，在英国及其殖民地范围内的避雷针都是“钝”头的。尖头避雷针只能使自身免遭雷击，却保护不了邻近地区也免遭雷击。钝头避雷针的情况就完全不同，它自身虽然遭到雷击，但因为接地良好而不受到损害，但却能以它为顶点，有效地展开一顶锥形保护伞，使伞下的物体免遭落雷的伤害。钝头避雷针更有利于形成闪电的通道。这样，螺形发髻的顶端，岂不正好合适?!

正由于灵山大佛的建造，包含了这许多科技内容。因此我们可以自豪地说：灵山大佛的建成，是我国国泰民安、国力昌盛的象征。如果不是国泰民安，谁还有心思集中精力造大佛呢?如果没有先进的科技和强盛的国力，怎么可能建成象灵山大佛这样的大铜佛来呢?

古城中的店铺熙熙攘攘，店中的商品更是百货齐全。银光耀眼的银器、图案新颖的披肩、小巧精致的民族娃娃、也成了古城中的一道风景。

古城中心――四方街更是热闹，由整齐繁华的铺面围成一块方形街面，称四方街，自清初，就有四方商旅来这里贸易，使丽江古城成为滇西北主要的商品集散地和手工艺品产地。

夜幕降临，古城中的游客们没有选择走出古城，而是留在了古城中的客栈中，在古城客栈中继续欣赏古城的美。天渐渐黑了下来，古城中的人丝毫没有减少。酒吧一条街到了夜晚也开始热闹起来，在酒吧的二楼，不论是谁，都对起歌来，楼上没有地方了，就到楼下来，连桥都没放过。有了对歌的人们，两边的酒吧也成了一道靓丽的风景线。

天空中下起了雨，透过雨看见朦朦胧胧的古城，也是一番美景，两边的房子变得模糊了，雨打在小溪中，溅起一朵朵水花，雨声伴着对歌的声音，歌声显得更好听了。雨越下越大，人们依然不想离开，打起伞，接着游古城。在古城的高处抬眼望去，一把把伞像一朵朵漂亮的花儿，空中回荡着歌声和雨声，故然有种想永远留在这里的感觉。

大家好，我是你们这次的导游，今天就由我来给大家讲解颐和园的风景名胜。

请大家随着我走。现在，我手指的这个是著名的长廊。这个长廊可不一般。它全长700多米，分成273间。大家可以看到，每间的横槛上都有许多五彩图画，画得各式各样，有人物、花草、风景，几千幅画没有哪两幅是相同的。难怪被称为“世界第一廊”。

大家往前看，这就是碧波荡漾的昆明湖。这片湖静得像一面镜子。游船经常从这里经过，大家可以听到船上游人们的欢歌笑语。

在昆明湖的上面，就是闻名遐迩的万寿山。站在这里，我们可以看到颐和园的全部风景。站在这里看，整个颐和园真可谓是无比壮观。郁郁葱葱的树丛掩映着黄的绿的琉璃瓦屋顶和朱红的宫墙。

一座八角宝塔形的三层建筑耸立在半山腰上，黄色的琉璃瓦闪闪发光，这就是古香古色的佛香阁。

大家快随我看看这美丽的石桥吧!这座石桥有17个桥洞，叫十七孔桥。桥栏杆上有上百根石柱，柱子上都雕刻着姿态不一的活灵活现的小狮子。

这座在历史上为帝王建造的古典园林，现已成为中国最著名的旅游参观热点之一，每年接待游客数百万人。1986年，颐和园被联合国教科文组织列为世界文化遗产。

大家听了我的介绍，也心动了吧!那就亲自到颐和园看看吧!

怀圣寺又名光塔寺，位于中山六路光塔街，是公元七世纪伊斯兰教传入中国后最早兴建的古清真寺之一，

广州怀圣寺，据《南海百咏续编》载：怀圣寺为"回教之祖，名贵圣穆罕默德，寺号怀圣，怀念贵圣也"。可见，怀圣寺寺名是这样得来的。怀圣寺与扬州仙鹤寺、泉州麒麟寺、杭州凤凰寺合称中国伊斯兰教四大古寺。

相传唐高祖武德年间(618-620xx年)，伊斯兰教创始人穆罕默德曾派门徒4人来华传教。其中的艾比•宛葛素于唐贞观初年从波斯湾到达广州，建造了怀圣寺。怀圣寺于620xx年建造，至今已有1300多年历史。

怀圣寺历史上曾遭火焚而后重建。现寺是清康熙三十四年(1695年)再次修建的。全寺占地2966平方米。寺门西南隅为著名的光塔;正面为看月楼;楼后为月台、水房、东西回廊等;再后为礼拜殿。殿坐西朝东，礼拜时面向圣地麦加，

礼拜寺造型庄严肃穆，比例、色彩、装饰均具西亚风格。寺的整体采用中国轴体对称布局，层层深入，逐步展开。

寺内设有教长室、藏经室，礼拜大殿和专供洗礼的水房。教徒们常在星期五“主麻日”和伊斯兰教节日前来聚礼。广州交易会期间，许多阿拉伯商人前来做礼拜。

寺内的光塔，高36米。它的圆形塔身、笔尖形的塔尖显示了阿拉伯特有的建筑风格。在每次礼拜前，就有人登上塔顶高喊“邦克”，招呼伊斯兰教徒快来做礼拜，故该塔最初叫“邦克塔”。因“光”和“邦克”在广州话里发音相似，故该塔又称光塔。当时阿拉伯教徒常在晚上登塔点灯，为阿拉伯船舶指引航向。

怀圣寺是省级重点文物保护单位。当年建造怀圣寺的艾比•苑葛素归真后，葬于桂花岗的先贤古墓地。

欢迎大家来到三峡中的巫峡风景区，这里景色迷人。下面大家随我一起开始一趟美妙的三峡之旅。

三峡包括巫峡、瞿塘峡、西陵峡。在二百多里的三峡中，有许多高低起伏的山峰，没有中断的地方。请游客们注意一下这里的山峰，是多么的雄伟《水经注》作者郦道元曾经写道：“两岸连山，略无阙处。重岩叠嶂，隐天蔽日自非亭午夜分，不见曦月。”讲的就是这里的山峰重峦叠嶂，峰峦雄伟。抬头仰望三峡的山峰，只见山势拔地而起，巍峨峻峭，满山树木郁郁苍苍，望不到山顶。

下面介绍一下三峡的水，请游客注意一下船下的水，现在处于夏天水势上涨，那是奔放的美，水势磅礴、惊涛骇浪。

但是春秋时候秋天的时候水就临近枯涸，有的只是凄凉。但这里仍然很美岩石树木的倒影，有奇形怪状的柏树。那是清幽美。这里凄凉异常，猿声不绝于耳。

三峡的水清澈见底请游客们捧一口水看看，体会它的美。请游客注意了那前面的就是瀑布了，这时会让我们想起李白的 “飞流直下三千尺，疑似银河落九天”的磅礴气势。

请大家好好饱览这里的风光吧！下次有机会再来参观三峡！

澳门妈祖阁导游词

妈祖阁，位于湄洲湾北岸山亭镇山柄村麒山之巅，阁共四层，高32.3米，取妈祖农历三月廿三诞辰之意，总体造型端庄古朴，轻盈灵动。下面由小编来给大家分享澳门妈祖阁导游词，欢迎大家参阅。

澳门妈祖阁导游词1

妈阁庙是中葡文化融合起点，也是澳门最著名的名胜古迹之一，至今已逾五百年，是澳门三大禅院中最古者。妈阁庙原称妈祖阁，在澳门东南方，俗称天后庙，建于一四八八年，正值明朝。背山面海，沿崖建筑，古木参天，风光优美。整座庙宇包括大殿、弘仁殿、观音阁等四座主要建筑，石狮镇门、飞檐凌空，是一座富有中国文化特色的古建筑。

1998年10月28日，在澳门最高点，路环岛的叠石塘山顶，又落成了全世界最高的妈祖雕像。她矗立在澳门的最高点，因此，无论从海面或还是陆地，都清晰可见。开光以来原本人迹罕至的路环岗顶，一时车水马龙，香火鼎盛。

神功戏是澳门妈阁水陆演戏会历年的酬神习俗。“神功”是指为神做的功德。在节日、神诞等庆祝活动上表演粤剧，表达“神人共乐”的精神。

妈阁庙包括弘仁殿、“神山第一”殿、正觉禅林、观音阁等建筑物。明朝时本名“天妃庙(宫)”，至清道光八年(1828年)重修时增建山门，额名“妈祖阁”，华人俗称“妈祖阁”，又有另称’正觉禅林”。

“妈祖”在福建话里是“母亲”的意思。“妈祖”姓林名默，宋朝福建莆田人，自幼聪颖，得老道秘传法术，能通神，经常在海上搭救遇难船只，“升天”后仍屡次在海上显灵，救助遇难的人。人们感其恩德，尊为护航海神，历代王朝也多次封谥，明朝时晋封为“天后”。相传400多年前明代时有一福建商人在澳门附近遭遇飓风，危在旦夕，幸得“显灵海上消灾解难”的天后娘娘解难相救。后来这位商人在神女显圣处设庙纪念以谢神恩，被称为“娘妈角”。

妈阁庙背山面海，沿崖而筑，周围古木参天;庙门口有一对石狮，雕工精美，形态逼真，传说是300年前清人的杰作;庙内花木错落，岩石纵横，景色清幽，由大殿、石殿、弘仁殿、观音阁4座建筑物组成，它们之间用石阶和曲径相通，曲径两旁的岩石上有历代名流政要或文人骚客题写的摩崖石刻;院内有一块名为“洋船石”的巨石，上刻一艘古代海船，船的桅杆上挂着一面写有“利涉大川”的幡旗，是人们喜爱的“一帆风顺”的图景。庙内的碑石上刻有妈阁庙500周年纪念文字。

妈阁庙平时香火不绝，每年农历除夕和农历三月二十三日“天后”神诞，香火更甚。四方香客云集于此上香拜祀、叩首祈福，并举行丰富多彩的节目助兴，这时妈阁庙上紫烟弥漫，一派祥和，这就是澳门八景之一的“妈阁紫烟”的景色。

“妈祖”现在已不仅仅是善男信女们崇拜的“天后”，而且形成了一种国际文化现象——“妈祖文化”。

澳门妈祖阁导游词2

妈祖阁是澳门最著名的名胜古迹之一，至今已已有500多年的历史，是澳门三大禅院中最古老的一座，坐落在澳门东南方，建于明朝1488年。

妈祖阁俗称天后庙，相传天后是福建莆田人，又名娘妈，能预言吉凶，死后常显灵海上，帮助商人及渔民消灾解难，化险为夷，福建人就和当地居民共同在现址立庙奉祀。

每年春节和农历3月23日娘妈生辰日，是妈祖阁香火最鼎盛的时候。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神功戏。

有关“MACAU”的来历：400多年前，葡国人抵达澳门，在庙前对面的海峡登岸，看到到有一间神庙，询问居民当地名称及历史，居民误认为是指庙宇，随口称“妈阁”，葡人音译“MACAU”，成为澳门葡文名称的由来。

每年春节和农历3月23日娘妈诞期，即妈祖阁香火最为鼎盛之时。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神苏戏。

根据古代史料和福建莆田地方志记载，妈祖生于北宋太宗建隆元年(960年)农历三月廿三日，卒于太宗雍熙四年(987年)二月十九日。她是福建莆田湄洲郡巡检林愿的第6个女儿。她原名林湄娘，因她从出生到满月从不啼哭，故又名默。林默娘自幼聪颖，为人善良，乐于助人。有一年她随父兄渡船外出，中途遇浪，船覆落水，林默娘下水救父。她也屡次在海上救助遇难之人，还为百姓驱逐瘟疫，治病救人……

澳门妈祖阁导游词3

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下。

相传天后乃福建莆田人，姓：林，名：默娘，当地人称其为娘妈，能预言吉凶，死后常显灵海上，帮助商人及渔民消灾解难，化险为夷，福建人遂与当地居民共同在现址立庙奉祀。

澳门妈祖阁，早期称娘妈庙、天妃庙或海觉寺;后定名为妈祖阁，华人俗称妈阁庙。它位于澳门半岛的西南端，依山面海，沿岩而建。庙内的“神山第一”殿、正觉禅林、弘仁殿、观音阁等4栋主建筑，分别建于不同时期。其中，弘仁殿规模最小，是一座3平方米的石殿，相传建于明弘治元年(1488年);正觉禅林规模最大，创建于清道光八年(1828年);“神山第一”殿是当时官方与商户合资创建于明万历三十三年(1605年)。上述三殿均供奉天后妈祖，观音阁则供奉观音菩萨。

妈阁庙的大门为一牌楼式花岗石建筑，宽4.5米，只开有一个门洞，门楣上有“妈祖阁”3个金字，两侧书有对联：“德周化守，泽润生民”。门楣顶部为飞檐状屋脊，华丽美观。庙门口有一对石狮，雕工精美，栩栩如生，是300年前清人的杰作。院内一块名为“洋石船”的巨石上，刻有一艘古代的海船，船的桅杆上挂着一面写有“利涉大川”的幡旗。据考，是记载400多年前一位福建商人，乘船来澳门途中遇到风浪，幸得妈祖相救、转危为安的故事。庙后的石壁上，有多不胜数的摩崖石刻，是历代政要名流和文人骚客的手书。在各具特色的建筑物之间，有石阶和曲径相通，四周苍郁的古树，错杂的花木，纵横的岩石，把园林的幽雅和古庙的庄严巧妙地结合在一起，显得古朴典雅，雄伟壮观，极富民族特色。

澳门妈祖阁还是一座有着传奇色彩的庙宇。在上世纪80年代，妈阁庙发生了一场大火，澳门居民一说起这件事，仍记忆犹新。那天，庙内的“正觉禅林”深夜大火，整个殿宇被烧塌，而在神龛中央的妈祖神像，仅被烟火熏黑，塌下的横梁掉在神像的跟前，神像丝毫无损。

澳门妈祖阁平时香火不绝，每年农历除夕、三月廿三日妈祖宝诞、九月九日重九节，这里更是人山人海，热闹非凡。

为什么澳门妈阁庙的香火如此旺盛，海外华人也都信奉妈祖呢?设计、创作大型妈祖像的澳门著名雕塑家、画家梁晚年告诉大家：妈祖是人，也是护航海神。妈祖在海上舍己救人，为民消灾解难的博爱精神受到人们的尊敬，信众就把她当作神来朝拜。

人们为感谢其恩德，称林默娘为“妈祖”，福建话“妈祖”是“母亲”的意思，并被奉祀为“护航海神”。莆田人最初供奉妈祖的庙宇称为神女庙、神女祠。林默娘海上救人的故事和传说逐步被人们神化，得到信仰者广泛热烈的信奉。历代王朝也顺应民心支持妈祖信仰，宋代封妈祖为“夫人”;元、明二朝加封为“天妃”;清朝晋封为“天后”。我们看到妈阁庙内供奉的天后牌位上写着：“护国庇民天后元君之神位”。

澳门妈祖阁导游词4

大家好，我是这次负责带大家参观澳门着名名胜古迹妈阁庙的导游，希望我的解说能为大家打来一个愉快的旅程。首先允许我介绍一下妈祖庙。

妈阁庙早期称娘妈庙、天妃庙或海觉寺;后定名"妈祖阁"，华人俗称"妈阁庙"."妈祖"在福建话里是"母亲"的意思。此庙背山面海，沿崖而筑，周围古木参天;庙门口有一对石狮，雕工精美，形态逼真，传说是300年前清人的杰作;庙内花木错落，岩石纵横，景色清幽，由大殿、石殿、弘仁殿、观音阁4座建筑物组成。

而出游妈阁庙的最佳时期是在春节期间，因为这段时间香火最旺，而且还会举行不少传统活动。不少善男信女纷纷前来拜神祈福，庙前空地会盖搭一大竹棚，作为临时舞台，上演神功戏。

妈阁庙由"神山第一"殿、弘仁殿、正觉禅林、观音阁等部分组成，各建筑规模虽然细小简陋，但却能充分融合自然，布局错落有致。

大家可以看到入口大门的花岗石建筑，它宽4.5米，只开有一个门洞，门楣有"妈祖阁"三字，两侧为对联，三部份均有琉璃瓦顶等装饰，其中门楣顶部更有飞檐状屋脊，脊上装有瓷制宝珠及鳌鱼。

紧跟妈阁庙大门后的是一个三间四柱冲天式牌坊，也由花岗石建造而成，并有四只石狮分置在柱头上。

大家现在来到了规模最小的弘仁殿，殿堂只有3平方米左右。

位于最高处的观音殿，主要由砖石构筑而成，其建筑较为简朴，为硬山式做法。

大家现在来到的是正觉禅林，这座禅林不管在规模上或是在建筑形式上都较为讲究，建筑由供奉天后之神殿及静修区组成。修区建筑为一般民房，属硬山式砖结构，而神殿则为一四架梁结构、主殿前有一内院，两侧侧廊为卷棚式屋顶、主殿区被二列各三枝柱分为三个开间，屋顶为琉璃瓦坡顶，两边侧墙顶部为金字形"镬耳"山墙，有防火意思，具浓烈的闽南特色，位于内院前之正立面，由左至右可分为五部份，中间最高两边渐低，墙身有泥塑装饰，墙顶则以琉璃瓦装饰，而在琉璃瓦檐下是三层象征斗拱之花饰，此外，中间部份尚开有一半径为1.1米的圆形窗洞，而琉璃瓦顶上之飞檐及瓷制宝珠装饰，亦显示出此殿之重要性。

妈祖阁平时香火不绝，每年农历除夕、三月廿三日妈祖宝诞、九月九日重九节，这里更是人山人海，热闹非凡。

20__年5月3日下午，北京奥运会圣火途经澳门的妈阁庙。来自奥林匹亚的圣火将与妈阁庙的香火相遇，澳门将以最具代表性本土文化迎接奥运圣火的方式，展示其中西文化荟萃的特性。

好了今天的游览就到此结束，希望这次的解说给大家留下了深刻的印象，也请大家多多关注更多澳门景点，再见。

澳门妈祖阁导游词5

各位游客朋友,大家好!欢迎来到素有“东方麦加,海上布达拉宫”之称的湄洲岛。我是导游员小李。现在就请大家随我，一起去拜谒世人景仰的妈祖女神，参观神柢的祖庙吧。

为了让大家在游览过程中增加对湄洲岛的认识，先利用乘船的时间，向大家介绍一下湄洲岛的概况：它面积有14.3平方公里，因为形如人眉，嵌于万倾碧波之中，所以得名”湄洲”,它不仅是妈祖从小生活的地方，而且也是闻名海内外妈祖祖庙的所在地。朋友们，湄洲岛到了，请带好随身的行李物品，随我下船，大家要小心脚下，注意安全!

请看前方，那一批批进香的队伍，他们有飘洋过海来的台湾同胞和海外侨胞，也有祖国内地来的进香游客。大家注意到了吗?这些队伍前面都抬着一尊妈祖神像，朋友们是不是很好奇呢?其实啊，这些神像都是以前从祖庙分灵出去的,现在他们将她送回来，也叫”妈祖回娘家”。这种现象在这里是经常可以看到，这就证明了湄洲岛的香火十分的`旺盛。

各位请看，现在展现在我们面前的这座雄伟的建筑，像不像是西藏的布达拉宫呢?这里就是妈祖祖庙了。现在我们所处的位置就是祖庙的第一道门，山门。因为妈祖是“天上的圣母”，是至尊无上的女神，所以它的规格是按照皇家城阙建造的。而在山门里还供奉着“千里眼”和“顺风耳”两尊神明。据说“千里眼”和“顺风耳”是妈祖生前收复的海怪。

我们顺着石阶向上走,看到的就是祖庙的第二道门，仪门。大家看,在这个仪门的上面挂着一个牌匾,上面写着”圣旨”两个字,所以也称“圣旨门”。现在我们看到的这大广场，是每次祭奠时大型乐舞表演的地方。在我左手边和右手边的分别就是钟楼和鼓楼了。朋友们，我们继续往上走，现在我们来到的这里是“太子殿”，它是福建总督姚启圣所建的，可能大家会感到奇怪，这里是妈祖宫庙怎么会有太子殿呢?据说姚启圣当年受到妈祖的庇护，圆满的完成了皇帝交给他的任务，被皇帝封为“太子少保”，姚启圣为了感谢妈祖，便在这里建了“太子殿”。当初修建此殿就想使它成为正殿，但是民间习惯上仍愿意遵循古制。只认定旁边这座才是最原始的正殿，那现在就随我一起去参观正殿吧。

这里可是妈祖亿万信徒心中的圣地，在我们进入参观前，先来看下这门柱上的对联，这位团友知道什么意思吗?其实这副对联巧妙的运用了古汉语的通假字的特点，所以应该是这样念的：“齐斋，齐斋，齐齐斋，齐齐斋戒;朝潮，朝潮，朝朝潮，朝朝潮音”上联的介绍的是：湄洲的人文景观，看客一起诚心诚意拜妈祖，而下联介绍的是湄州的自然风光，主要突出湄州岛的莆田24景之一的“湄屿潮音”。看完对联就请大家，随我进入殿内吧，殿内分上下2个殿，中间用天井相连，大家看正梁上悬挂着一个牌匾，这可是雍正皇帝御笔亲颁的呢!朋友们，注意到了吗?这个殿非常的特别，在这供奉着2尊妈祖，前面的这尊叫“出巡妈祖”后面的这尊叫“镇殿妈祖”，每当出巡妈祖出巡时，镇殿妈祖就在殿里供信众朝拜。大家看，两边的神龛里可全是妈祖的陪神，被称为18水阙仙班，其中，有的是古代其他地方奉祀的海神，还有的是妈祖收复的水妖海怪。

好了各位团友参观完了妈祖庙正殿，现在我们一起去看看传说中妈祖升天的地方-----升天古迹吧。升天古迹到了，在这里大家一边参观，我一边和大家说一下关于妈祖生平的传说。据说妈祖从出生到满月都不曾啼哭，于是父母给她取名叫“林默”，默娘从小就比其他孩子聪明伶俐，相传她8岁就能诵经，又因海上救亲，被人们称为“孝女”。林默逝世后，民间都传说她是在湄峰羽化飞升的。据说啊!朝廷派使者路允迪出使朝鲜，这船在东海时遇到风浪。临危之际，见船顶上发出一道道红光，之后风浪就没有了。路允感到奇怪便问部下是什么神灵显圣搭救啊?恰好船上有一位莆田人，他说是湄洲女神相救。后来路允迪回到朝廷复命时就奏明皇帝，这也是妈祖的事迹第一次从民间到朝廷。

故事说完了，现在让我们一起到中轴线上的最高点朝天阁去看看吧，大家注意到了吗，里面供奉的妈祖与其它殿了的有什么不同?对了,里面供奉的妈祖是黑脸的。有去过中国台湾的朋友，一定发现中国台湾妈祖宫庙里供奉的妈祖全是黑脸妈祖，大家想知道为什么吗?据说当年中国台湾在分灵妈祖的途中，在海上航行数月，信众日夜焚香朝拜，虔诚的香火熏黑了妈祖的脸，于是中国台湾供奉的妈祖就都是黑脸的了，因为朝天阁是中国台湾鹿港朝天宫所捐建的，所以妈祖也是黑面的了。现在，我们就到山顶去看看妈祖的石雕像吧。从这里要登99级台阶才能到达，而且从山下妈祖庙的牌楼到山顶的妈祖像正条轴线总长323米。99是妈祖9月初9飞升的日子，那大家再来猜下323米代表的是什么呢?对了，就是妈祖诞辰之日。

好了朋友们，这里就是妈祖山的最高点，眼前这尊就是妈祖的雕像了，它高14.3米，由365筷花岗岩砌成，象征着妈祖一年365天天保佑着14.3平方公里的湄州岛大地上的居民，幸福平安。请看，妈祖的面部慈祥，遥望着大海。大家知道吗?妈祖娘娘眼望的地方是中国台湾，而且在中国台湾也有一尊一模一样的妈祖石像与之隔海相望。共同维护着两岸的和平安宁。在世界各地妈祖的信徒不计其数，对于妈祖，实际上都是一种强烈的不忘祖先的意识，或许这就是妈祖信仰久传不衰的关键所在吧。

朋友们，如果有机会，希望您能再次光临湄洲，欢迎拜谒这位奇女子，到时候，请你的朋友一起来湄洲做客。谢谢大家!

香港海洋公园导游词

海洋公园是东南亚规模最大的娱乐消闲公园之一，占地170英亩。园内的海洋馆、海洋剧场、鲨鱼馆等展现大海的奥秘，百鸟居、蝴蝶屋等生动诱人，极速之旅、冲天摇摆船等挑战胆量，还有吸引小朋友的儿童王国、超动感影院、大熊猫馆等等，还可以观看有趣的海豚表演。花上一天的时间在海洋公园里狂热一番，很值得。

另外，在园内搭缆车也是项非常有趣的活动，你会被吊在一部小车中，不知道缆车何时停止起动，缆车下方是波涛汹涌的大海，惊险刺激可见一斑了吧，当离开园区时，送你离去的可是全球第二大的户外扶手电梯。

大小洞天旅游区以道教文化为主题。洞天福地本就是道教的概念。这里融热带风光、保健旅游、康复养生、休闲度假为一体。按照规划，这里将建设大门景观区、道教文化区、南溟奇甸风景区、小月湾休闲区和综合区等部分。

进入景区，我们首先会看到一座纪念鉴真东渡的大型雕塑，鉴真和尚和陪着他第五次东渡的弟-子祥彦、思托，日本留学僧荣害、普照等人的形象高大凝重，表现出高远的志向和坚强的意志。

再往前行，到了滨海处，只见一块巨石上刻有“小洞天”三个大字，这是本景区代表性的景观。“小洞天”由许多大小不一的礁石所组成，洞口一侧有一块石头叫“蛤-蟆石”，好像是大青蛙仰望蓝天。顺着蛤-蟆石上行，就是“钓台”。“钓台”两个大字已经有720_年的历史了。一路前行，海滩上许多石景的天然造型奇趣无穷，令人叹为观止，您尽管展开想象的翅膀去把它们物化、人格化。沿海边小道继续行进，前面就是本景区的另一股景“海山奇观”了。只见海天辽阔，山势峻峭，树绿山青，海碧沙白，果然是海山奇观。宋代吉阳军知军毛奎在此开山筑路，修亭挂匾，摩崖题咏，刻石点景，为“小洞天”和“钓台”命名，并以“海山奇观”为景区总名。这里的“海山奇观”四个大字就是毛奎写的。由此处登天梯，绕巨石，可见一高一低两块直指蓝天的长石，这就叫“试剑石”。传说是古代的周康和许源两位得道的游士在此练剑时所劈。

1993年4月17日，_泽-民_视察海南，曾到此一游。面对飞花激雪、碧波万顷的南海，_于景区内欣然命笔，题写“碧海连天远，琼崖尽是春”这一佳句，以寄托对海南的殷切期望。_的题咏，后由石工刻于景区内海滨巨石上，熠熠生辉。

在景区披满绿色的山坡上，长着一片片树干粗壮、叶呈披针型、没有细树枝的奇特的树，这就是龙血树，雅称“南山不老松”。传说龙血树是盘古开天地时被荆棘利伤，血洒南山而长出来的。传说归传说，龙血树被称为植物中的活化石，树龄很高，已属濒临灭迹的珍稀树种，却是真的。在三亚市南山一带，生长着6万多株龙血树，其中大小洞天旅游区就有3万多株，郁郁葱葱，蔚为壮观。树龄有的已达20_年，最长的有6020_年以上，因此说它是“不老松”毫不夸张。据说在中国只有海南三亚和云南西双版纳生长这种树，其树脂可制成贵重的药材。南山文化旅游区采取多种科学措施挽救、保护这一珍稀树种，把它作为旅游区的景观之一。

颐和园英文导游词【最全】

颐和园，中国清朝时期皇家园林，前身为清漪园，坐落在北京西郊，距城区十五公里，占地约二百九十公顷，与圆明园毗邻。它是以昆明湖、万寿山为基址，以杭州西湖为蓝本，汲取江南园林的设计手法而建成的一座大型山水园林，也是保存最完整的一座皇家行宫御苑，被誉为“皇家园林博物馆”，也是国家重点旅游景点。下面是由小编为大家带来的关于颐和园英文导游词，希望能够帮到您！

颐和园英文导游词

the tour will take 4-6 hours. the route is as follows:

out side the east gate-side the east gate –in front of the hall of benevolence and longevity- in front of garden of virtuous harmony-in front of the grand theater building- a lakeside walk from the garden of virtuous harmony to the hall o jade ripples- in front of the o jade ripples- in front of the yiyunguan (chamber of mortal being)-hall of happiness and longevity- in front of the yaoyue (chamber of mortal beings)-hall of happiness and longevity-in front of the yaoyue(inviting the moon ) gate of the long corridor- strolling along the long corridor- visiting an exhibition of cultural relics- in front of the hall of dispelling clouds- inside the hall of dispelling clouds- atop the tower of buddhist incense- on a hilltop leading from the back door of the tower of buddhist incense- on a hilltop leading from the back door of the tower of buddhist incense- inside the garden of harmonious interest –outside the south gate to suzhou shopping street- atop the stone bridge inside the suzhou shopping street –on the road from the south gate of suzhou shopping street- on the road form the south gate of suzhou shopping street to the marble boat- in front of the ruins of the garden of complete spring –along the lakeside by the marble boat-boating on the kunming lake-leaving out through the east gate.

(out side the east gate)

ladies and gentlemen: welcome to the summer palace.(after the self-introduction of the guide -interpreter) i hope this will be an interesting and enjoyable day for you .

during our tour, you will be introduced to time honored historical and cultural traditions, as well as picturesque views and landscapes.

the construction of the summer palace first started in 1750. at that time, the qing dynasty was in its heyday and china was a powerful asian country with vast territories. the monarch in power then was emperor qianlong. with supreme power and large sums of money, he summoned skillful and ingenious artisans from all over the country to carry out this construction work in honor of his mother `s birthday. after 15 years and one seventh of the nation` s annual revenue spent, the garden of clear ripples was completed and served as a testimony to china` s scientific and technological achievements. in 1860, this vast royal garden was burnt down along with the yuanming yuan (garden of perfection and brightness) by angol-french allied forces. in 1888, empress dowager cixi reconstructed the garden on the same site and renamed it the garden of nurtured harmony (summer palace). characterized by its vast scope and rich cultural embodiments, the summer palace has become one of the most famous tourist sites in the world. this is the main entrance to the summer palace-the east gate on top of the eaves of the door there is a plaque bearing a chinese inscription which means garden of nurtured harmony” , whose calligrapher was emperor guangxu. the gate that you are now entering was used exclusively by the emperor, the empress and the queer mother. all others used the side doors.

(inside the east gate)

the summer palace can be divided into two parts: longevity hill and kunming lake .the whole garden covers an area of 290 hectares, of whih three- fourths consists of a lake and rivers .this imperial garden features 3,000 room-units and covers an expanse of 70,000 square meters with more than 100 picturesque spots of interest. the layout of the summer palace includes three groups of architectures: palaces where the emperor attended to state affairs, resting palaces of the emperor and empress, and sightseeing areas. entering the east gate we will come the the office quarters. entering the east gate we will come to the office quarters. the annex halls on both sides were used for officials on duty. this is the gate of benevolence and longevity. above the door there is a plaque bearing the same name in both chinese and manchurian characters. the gigantic rock in the foreground is known as taihu rock, or eroded limestone, quarried in jiangsu province and placed here to decorated the garden. on the marble terrace sits a bronze mythical beast, known as qilin or xuanni . it was said to the one of the nine sons of dragon king. a point of peculiar interest is that it has the head of a dragon, antlers of a deer, the tail of a lion and hooves of a ox, and is covered with a unique skin. it was considered an auspicious creature that brought peace and prosperity. this grand hall is the hall of benevolence and longevity. it was built in 1750 , and was known as the hall of industrious government. emperor qianlong ruled that the halls where monarchs attended to state affairs would be named after them . after the rebuilding of the summer palace, the hall was renamed, suggesting that benevolent rulers would enjoy long lives. the arrangement of the hall has been left untouched. in the middle of the hall stands a throne made of sandalwood and carved with beautiful designs. in the background there is a screen carved with nine frolicking dragons. on either side of the throne there are two big fans made of peacock feathers, two column-shaped incense burners, crane-shaped lanterns and an incense burner assuming the form of luduan, a mythological animal which was suppose to have the power to prevent fire. the small chambers on eight side were where the emperor qianlong and empress dowager cixi rested and met officials on formal occasions. on the verandah in the foreground of the hall there are bronze statues of dragon and phoenixes which served as incense burners on major occasions. they are hollow and smoke comes through holes on their backs. also on the veranda are tai ping (peace) bronze water vats made during the reign of emperor qianlong. as a precaution in case of fire, a fire was lit underneath the vats in the winter to keep the water in them from freezing.

(at the entrance of garden of virtuous harmony)

we are now visiting the garden of virtuous harmony, where emperor qianlong and empress dowager cixi were entertained with beijing opera performances. it mainly consists of the dressing house, the grand theater building and the hall of pleasure smiles. the grand theater building known as the cradle of beijing opera” was uniquely laid out and magnificently decorated. on september 10, 1984, the garden of virtuous harmony opened its doors to visitors. there are also 7 exhibition halls with articles of daily use on display here. the staff here put up court dresses of qing dynasty in order to give the visitor a more vivid impression.

(in front of the grand theater building)

this building is 21 meters in height and 17 meters in width and features three tiers of tilted eaves and stages. all of the stages are connected to a raise ,and a winch is installed at the top. a well and 5 ponds were sunk under the ground stage. there are trapdoors in the ceiling for fairies to descend, as well as on the floor for demons to surface. the underground passages also served as a means of improving resonance and making the performers` voices more audible .of the three main theater building of the qing dynasty, the grand theater building is the tallest and the largest. the other two are changyin (fluent voice ) pavilion in chengde, an imperial summer resort. the building played a major part in fostering the birth and development of beijing opera: since the completion of the grand theater building, many performances were held in it in honor of the empress dowager cixi.

(a lakeside walk from the garden of virtuous harmony to the hall of jade ripples)

we are now standing in the middle of a rockery behind the hall of benevolent and longevity. it appears that there` s nothing special ahead. however, after we clear the rockery, we will reach kunming lake. this is a application of a specific style of chinese gardening. not far away in the lake there is a islet. it is filled with peach and weeping willow trees and serves as a ideal place to appreciate the scenery. the pavilion on the islet is called zhichun (understanding spring) pavilion and is chardcterized by four- edged, multiple eaved roofs.

(in front of the hall of jade ripples)

this group of special and quiet courtyard dwelling is the hall of jade ripples. it was first used by emperor qianlong to attend to state affairs. it was also where emperor guangxu of the late qing dynasty was kept under house arrest. this hall is a hallmark of the reform movement of 1898, emperor guanxu was empress dowager cixi` s nephew. after emperor tongzhi died, empress dowager cixi made her nephew, who was at that time four years old a successor in order to continue her wielding of power behind the scenes. when emperor guanxu was 19 years old ,empress dowager cixi relinquished power to him but continued to exert considerable influence. in 1898, the reform movement took place with the aim of sustaining the corn principles of the qing dynasty while reforming outdated laws. the movement lasted for 103 days until it was suppressed by empress dowager cixi. the emperor` s six earnest reformists were beheaded and emperor guangxu was placed under house arrest which lasted for 10 years .all the back doors were sealed and a brick was was put up behind the wooden partition on each side of the two annexes of the courtyard. emperor guangxu was closely watched by eunuchs. the wall remains intact for tourists to see.. dynasty while reforming outdated laws. the movement lasted for 103 days until it was suppressed by empress dowager cixi. the emperor` s six earnest reformists were beheaded and emperor guangxu was placed under house arrest which lasted for 10 years .all the back doors were sealed and a brick was was put up behind the wooden partition on each side of the two annexes of the courtyard. emperor guangxu was closely watched by eunuchs. the wall remains intact for tourists to see. (in front of yiyunguan (chamber of mortal beings) this was where empress and empress dowager of china` s feudal system. however, emperor guanxu was not the last emperor of the qing dynasty. the last in the line was emperor puyi, who ascended the throne in 1908 at the age of three, too young to be married . in 1912, he was forced to abdicate. during the short reign of emperor puyi. empress longyu handled state affairs on his behalf in the name of empress dowager. in 1911, a revolution led by dr. sun yat-sun succeeded, and the year after, empress longyu announced the abdication of the last emperor of china.

(in the hall of happiness and longevity)

the aged empress dowager cixi was so fond of the summer palace that she decided to live here from april through october of every year. this group of buildings served as her residence. this group of courtyard dwellings consists of a forecourt and a backyard with annex courts on each side .the whole compound was basically made of wood, which is ideal for ventilation and lighting . with its quiet and tasteful layout, the hall of happiness and longevity made life very easy and convenient. no wonder one of empress dowager cixi` s pleasure boat. on the pier there is a tall lantern post. flanking the staircase leading to the main entrance of the hall, there are bronze cranes, deer and vases, symbolizing universal peace. the interior layout is the same as the imperial court, with throne, a large table and incense burners placed in the middle. at mealtime, eunuchs-in –waiting would make a gigantic table out of this table and empress dowager cixi would dine on 128 courses. because of this more than 1,800 tales of silver would be spent each month on meals. on the east side of the living room is the cloak room. the bedroom in on its west. in front of the yaoyue (inviting the moon ) gate of the long corridor the famed long corridor is ahead. facing kunming lake and in the foreground of longevity hill, the long corridor stretches from yaoyue (inviting the moon ) gate to shizhang (stony old man) pavilion. it is 728 meters in length and consist of 273 sections and connects four octagonal pavilions. in 1990 ,it was listed in guinness book of world records.

(strolling along the long corridor)

the long corridor is one of the major structures of the summer palace .since the corridor was designed to follow the physical features of the southern slope of longevity hill , four multiple-eaved, octagonal pavilions (beauty-retaining pavilion, enjoy-the ripples pavilion, autumn water pavilion and clarity distance pavilion) were placed at bends and undulation. thus sightseers will hardly notice the rise and fall of the terrain. as a major part of the architectural style of the summer palace, the long corridor serves as an ingenious connector between the lake and the hill. scattered buildings on the southern slope were linked to creat a unified complex. this corridor can also be called a corridor of paintings ”: there are more than 14,000 paintings on its beams. some of them are of birds, flowers and landscapes of the west lake in hangzhou, zhejian province. others present scenes from literary classics. the majority of the landscape painting were done under the order of emperor qianlong, who preperred the scenery of south china.

(by the door leading to the exhibition of cultural relics)

this group of temple-shaped structures are known as qinghua (clarified china) hall ,also known as arhat hall during the reign of emperor qianlong. the original hall burned down in 1860. after it was reconstructed, it was renamed. qinghua hall is now used as a exhibition hall displaying rare cultural relics collected in the summer palace. the hall consists of 6 exhibition rooms with tens of thousands of articles of treasure on display in turn. among the exhibits there are bronze ware, porcelain, jade assemblages from the ming and qing dynasties, and rare and paintings. there is also a gigantic stone slab, which is more than 3 meters in height and width. it bears the handwritten inscriptions of emperor qianlong is commemoration of the suppression of a rebellion in the xinjiang region. only this slab survived when the angle-french allied forces set fire to the summer palace.

(in front of the gate of dispelling clouds)

now we are approaching the central part of the structures on the lakeside slope, the tower of buddhist incense within the hall of dispelling clouds. the hall of dispelling clouds was where numerous palatines kowtowed to empress dowager cixi. it was surrounded by galleries and flanked by annex halls. in the forecourt there is a pool and marble bridges . starting from the lakeside, there lies in succession a memorial archway, the gate of dispelling clouds, the hall of dispelling clouds and the tower of buddhist incense. all of these structures are built on a central axis and each is taller than its predecessor. this was designed to give prominence to the last structure, the tower of buddhist incense, which was a symbol of imperial power. the layout of this group of architectures was based on scenes described in buddhist sutras. this group of structure are among the most magnificently constructed here in the summer palace.

(inside the hall of dispelling clouds)

the original buildings on this site were burned down by the anglo-french allied forces in 1860. a new set of structures was built during the reign of emperor guanxu, and was called the hall of dispelling clouds, suggesting that it was a fairyland. the hall was built on a high terrace, and has 21 room. inside the hall are a throne, screens, tripods and mandarin fans. on a platform you will see bronze dragons, phoenixes and tripods. at the foot of the platform there are four bronze water vats, the ancient form of fire extinguishers. the 10th day of lunar october was ,empress dowager cixi` s birthday. on that day ,she sat on the throne here to receive congratulations and gifts. now we are going to pay a visit to the highlight of the summer palace- the tower of buddhist incense. what we are now standing on is a stone terrace which is 20 meters in height. it has a semi housed stairway of 100 steps, you will live for 100 years. so, let` s go !

(in the front of the tower of buddhist incense)

an octagonal structure with three storeys and quadruple eaves, the tower of buddhist incense is the very center of the summer palace, and is one of the masterpieces of ancient chinese architecture. the tower is 41 meters in height, and is buttressed by 8 solid pillars made of lignumvitae logs. with its complex structure, ingenious layout, towering terrace and convincing grandeur, the tower of buddhist incense was artfully set out by the imperial gardens and beautiful scenery surrounding it .the tower overlooks kunming lake and other picturesque spots within an area of tens of kilometers .on the west side of the tower stands baoyunge (precious cloud pavilion). it is made of bronze and is7.5 meters in height and 270 tons in weight. it resembles its wooden counterparts in every detail. it is one of the largest and most exquisite bronze pavilions still on existence in china. lamas prayed here during the reign of emperor qianlong in honor of the monarchs and their families. at the turn of the century 10 bronze windows were spirited abroad. in 1992 an american company bought the windows and returned them intact to china.

(on a hilltop leading from the back door of tower of buddhist incense)

now we can see the long and snaking western causeway and a shorter dike that divides kunming lake into three areas that contain south lake island, seaweed-viewing island and circle city island. the three island represent three mountain in ancient chinese mythology, i. e. penglai, fangzhang and yingzhou. this peculiar method of incorporating a lake a three mountains within a single garden was a brainchild of emperor wudi of the han dynasty more than 2,000 years ago, bearing testimony to feudal monarchs` s longing for longevity. as the legend goes many heavenly elixirs grew on the three mythical islands. using artificial building techniques, the ancient chinese built this masterpiece based on the myth to make the mythical on appear to be accessible to humans.

(inside the garden of harmonious interest)

setting a garden within a larger garden has been one of china traditional architectural styles. the garden of harmonious interest serves as a fine example of this. this garden was built under the order of emperor qianlong and modeled after the jichang garden (garden of ease of mind )at the foot of mount huishan, jiansu province. it was renamed by his son emperor jiaqing in 1811. the existing garden was rebuilt by emperor or guangxu. empress dowager cixi used to go fishing here. the garden features 10 waterfront platforms, pavilions and halls as well as hundreds of galleries with all of its structures facing the lake and pools, the garden of harmonious interest is basically a garden of waterscape. spanning the vast expanse of the lake and pools are five bridges, each quite different from the others. the most famous of them is the bridge known as knowing –the fishing-bridge.” it is said that more than 2,500 years ago during the warring states period, two philosophere named zhuang zi had an interesting argument by the side of a pond. zhang said, ”fish swim to and fro in the water. what happy fish!” hui asked , ”you are not a fish. how do you know they are happy? ” zhuang replied, you are not me .how do you know i don’t know? ” hui signed, i am not you ,therefore, i don’t know you . and you are not a fish ,so how do you know that fish are happy? ” zhang said, you ask me how i know fish are happy, why do you keeping me the same question?” although the garden of harmonious interest was designed after jichang garden, it not only absorbed the original designs, but exceeded it .

(outside the south entrance to suzhou shopping street)

now lets have a look at longevity hill. on the back slope of the hill stands a group of architectures. the centerpiece of structures there are known as the four continents and are dedicated to buddhism. this group was laid out and arranged in accordance with buddhist cosmology. aside from a main shrine and structures embodying the four continents, there are eight towers representing minor continents. the shrine is surrounded by four lamaist pagodas and between the major and minor continents, there two platforms representing the sun and the moon. the qing authority attached great importance to buddhism. to further strengthen ties with the ethnic minorities who practiced buddhism, the monarchs incorporated both han and tibetan styles of architecture into this group of temples. further north at the foot of the four major continent lies the suzhou shopping street. built along the back lake of the summer palace, this street stretches about 300 meters and features more than 60 stores. it includes restaurants, teahouses, pawnshops banks, drugstores dye houses and publishing houses. in order to recreate the atmosphere of ancient times, visitors will have the chance to exchange their money to ancient style chinese coins for use here. storefronts are trimmed with traditional signboards and ornaments. the commercial culture of the mid-18th century has thus been recreated.

(atop the stone bridge inside the suzhou shopping street)

visitors may be surprise to see that this shopping street is almost the same as that in south china. as a matter of fact, this street was designed after the shops along the canals in suhzhou. originally known as emperor` s shopping street, it was built during the reign of emperor qianlong. after making several inspection tours to south china and being duly impressed by its commercial prosperity, emperor qianlong ordered the construction of this street. the imperial shopping street was burnt down by anglo-french allied forces in 1860. the site remained desolated until 1987, when reconstruction began. it was opened to the public in september 1990. with commercial culture as its hallmark, the suzhou shopping street is a vivid representation of china` s traditional cultures.

(on the road from the south fate of the suzhou shopping street to the marble boat)

this is the hall of pines. from it to the west we can walk to the marble boat. the path we aree taking stretches between longevity hill and back lake. monarchs and their cohorts used to stroll along it .hence it was named central imperial path. along this path you will see lilacs all around. hence, this road is also known as the path of lilac.

(in front of the ruins of the garden of complete spring)

quite a few unique structures were burnt down during the reign of emperor qianlong, among which the garden of complete spring was one of the most famous. the ruined and desolate courtyard by the roadside was its original site, it remains to be restored. this group of structures cover an area of 4,000 square meters and features a number of halls built on three different levels. all of the structures were connected with galleries and stone staircases. with its natural and ingenious combination of pavilions, a hall, galleries and rooms, the garden of complete spring serves as a fine model for other gardens. emperor qianlong frequently visited this compound.

(along the lakeside by the marble boat)

now we have returned from the back of longevity hill to the front. there is the famous marble boat. this structure is 36 meters in length and its body was made of marble. on top of it is a two storeyed structure. the floor was paved with colored bricks. all of the windows are inlaid with multi-colored glass and the ceiling was decorated with carved bricks. the drainage system channels rain water down through four hollow concrete pillars and into the lake through the mouth of dragon heads. according to a book written by emperor qianlong, the boat was used for enjoying the scenery and was supposed to be symbolic of the stability of the qing dynasty. halfway up the slope there stands the hall for listening to orioles . the ancient chinese liken the warble of an oriole to beautiful songs and melodies, hence the name of the hall which used to be a theater. now the hall is one of the most famous restaurants in china, featuring imperial dishes and desserts. it is a must for many foreign visitors to have lunch here when then come to beijing. more than one hundred heads of state worldwide have dined here and the late premier zhou enlai has held banquets here in honor of state guests. (sightseers who want to try the restaurant can go boating after they eat. those who do not can go abroad right away. those who do not feel like taking the boat can stoll along the long corridor to the outside of the east gate). (boating on kunmin lake) we are now going to enjoy the lakeside scenery from a pleasure boat. as a main part of the summer palace, kunming lake covers an area of 220 hectares, or three fourths of the combined space of this summer resort. this natural lake is more than 3500 years old. this lake was originally called wengshan lake. in 1749 emperor qianlong ordered the construction of qingyi garden, the predecessor of the summer palace. involving nearly 10,000 laborers, the lake was expanded and turned into a peach-shaped reservoir, the first of its kind for beijing. from 1990 to 1991, the beijing municipal government ordered the first dredging of the lake in 240 years .involving 200,000 men and hundreds of dredgers and other tools, a total of 625,600 cubic meters of sludge was dredged and 205 bombs dropped by the japanese during the anti-japanese war were removed. the summer palace set a precedent for sightseeing by boat. there used to be a large imperial flotilla, of which the kunming merry dragon” was the most famous. it was destroyed by the anglo-french allied forces in 1860. to make the tour of the summer palace a more pleasant one, a large pleasure boat tai he ” (supreme harmony )was built. this double –decked boat is 37.09 meters long,8,59 meters wide and 10.49 meters high. it can travel at a speed of 9 kilometer per hour. small pleasure boats are also available to tourist. another major spot of interest on the western causeway is jingming (bright view ) hall. both its front and rear face the lake. this structure also features three two- storeyed halls of varying heights. our tour is drawing to a close as we approach the shore. today we only visited the major scenic areas of the summer palace. i have left other spot of interest for your next visit. i will show you out through the east gate. i hope you enjoyed today` s tour. thank you .good-bye and good luck.