鼋头渚仙岛导游词(汇集20篇)

海岸带景观：在海南长达1528公里的海岸线上，沙岸约占50-60%，沙滩宽数百米至数千米不等，向海面坡度一般为5度，缓缓延伸;多数地方风平浪静，海水清澈，沙白如絮，清洁柔软;岸边绿树成荫，空气清新;海水温度一般为18-30摄氏度，阳光充足明媚，一年中多数时间可进行海浴、日光浴、沙浴和风浴。当今国际旅游者喜爱的阳光、海水、沙滩、绿色、空气这5个要素，海南环岛沿岸均兼而有之。自海口至三亚东岸线就有60多处可辟为海滨浴场。环岛沿海有不同类型滨海风光特色的景点，在东海岸线上，还有一种特殊的热带海岸森林景观----红树林和一种热带特有的海岸地貌景观----珊瑚礁，均具有较高的观赏价值。目前，已在琼山市东寨港和文昌市清澜港等地建立了4个红树林保护区。

山岳、热带原始森林：海南岛有海拔1000米以上的山峰81座，绵延起伏，山形奇特，气势雄伟。颇负盛名有的山顶部成锯齿状、形如五指的五指山，气势磅礴的鹦歌岭，奇石叠峰的东山岭，瀑布飞泻的太平山，以及七仙岭、类锋岭、吊罗山、霸王岭等，均是登山旅游和避暑胜地。海南的山岳最具有特色的是密布着热带原始森林，最著名的有乐东县尖峰岭、昌江县霸王岭、陵水县吊罗山和琼中县五指山等4个热带原始森林区，其中以尖峰岭最为典型。

珍禽异兽：为了保护物种，海南已建立若干个野生动物自然保护区和驯养场，其中有昌江县霸王岭黑冠长臂猿保护区、东方县大田坡鹿保护区、万宁市大洲岛(金丝燕)保护区、陵水县南湾半岛猕猴保护区等。

大河、瀑布、水库风光：南渡江、昌化江、万泉河等河流，滩潭相间，蜿蜒有致，河水清澈，是旅游观景的好地方，尤以闻名全国的“万泉河风光”最佳。大山深处的小河或山间小溪，洄于深山密林之中，中间大石迭置，瀑布众多，尤其通什市的太平山瀑布、琼中县的百花岭瀑布、五指山瀑布等久负盛名。海南岛上还有不少水库，特别是松涛、南扶、长茅、石碌等水库具湖光山色之美，不是湖泊胜似湖泊。

火山、溶洞、温泉：历史上的火山喷发，在海南岛留下了许多死火山口。最为典型的一座是位于琼山市石山海拔200多米的双岭，岭上有2个火山口，中间连着一下凹的山脊，形似马鞍，又名马鞍岭。该岭附近的雷虎岭火山口，罗京盘火山口也保存得十分完整而奇妙。千姿百态的喀斯特溶洞也有不少，著名的有三亚市的落笔洞、保亭县的千龙洞、昌江县的皇帝洞等。岛上温泉分布广泛，多数温泉矿化度低、温度高、水量大、水质佳，大多属于治疗性温泉，且温泉所在区域景色宜人。兴隆温泉、南平温泉、蓝洋温泉、七仙岭温泉、官塘温泉和半岭矿泉等，适于发展融观光、疗养、科研等为一体的旅游。

古迹名胜：具有历史意义的古迹主要有：为纪念唐宋两代被贬谪来海南岛的李德裕等5位历史名臣而修建的五公祠、北宋大文豪苏东坡居琼遗址----东坡书院以及为纪念苏东坡而修建的苏公祠、为巡雷琼兵备道焦映汉所修建的琼台书院、丘浚(明代名臣)之墓、海瑞(明代大清官)之墓，汉武帝派遗率兵入海南的伏波将军为拯救兵马而下令开凿的汉马伏波井，还有崖州古城、韦氏祠堂、文昌阁等等。革命纪念地有琼崖纵队司令部旧址、嘉积镇红色娘子军纪念塑像、金牛岭烈士陵园、白沙起义纪念馆、宋氏祖居及宋庆龄陈列馆等。

民族风情：除汉族外，世居海南岛的少数民族有黎族、苗族、回族。各少数民族至今保留着许多质朴敦厚的民风民俗和独特的生活习惯，使海南的社会风貌显得丰富多彩。海南是我国唯一的黎族聚居区，黎族颇具特色的民族文化和风情，有独特的旅游观光价值。

热带作物及田园风光：海南岛上种植了大量的热带作物，极大地丰富了自然景观。游人上岛既可欣赏热带田园风光，增长见识，又可品尝到热带水果，一饱口福。

大三巴牌坊导游词

大三巴牌坊位于大三巴斜港, 是圣保禄教堂前壁的遗迹。“三巴”是“圣保禄”的译音, 又因教堂前壁遗迹貌若中国传统的牌坊，所以称大三巴牌坊。

大三巴牌坊已有350多年历史，是澳门最为众熟悉的标志，也是著名的旅游景点，初来澳门的游客绝不会错过来此参观、留景的机会。大三巴牌坊视为一座不朽的祭台。游人在感受其雄伟壮观外，更要留意欣赏牌坊（前壁）上精致的浮雕及其含义。牌坊分为上下四层，顶部为三角楣。就整体而言，牌坊表达着两组意义：一组由下两层的方形构成，主要反映耶稣会宗徒及传教士的工作，属于周游地球传教的现世教会一派；另一组是由上层的三角形构成，主要表现至圣圣三（圣父、耶稣基督、圣神）与在天主面前为人类代褥的童贞玛利亚。

从下往上看,在底层大门上方刻有耶稣会（IHS）祭记和学院名称（天主圣母），第二层立有四位耶稣会圣人全身塑像，第三层正中为无原罪玛利亚升天，两边由身着白袍的修士之石刻围绕，极富东方特色。第四层正中为天父之子耶稣雕像，两旁刻着其救赎苦难的象征。牌坊顶部十字架下的三角形，象征着天父的召唤，正中有一幅鸽子形状的铜像，传说代表圣神，四周环绕的太阳月亮星辰象征圣母童贞怀孕时的刹那时光。·南湾公园的导游词 ·玫瑰圣母堂的导游词 ·澳门特别行政区导游词

11990年至1995年,在原圣堂的地址进行了修茸并建成博物馆。游客可入内参观。其中的天主教艺术博物馆内收集了澳门各教堂和修道院具有代表性的画作、雕塑礼仪饰物。

澳门的妈祖阁导游词

妈祖阁，位于湄洲湾北岸山亭镇山柄村麒山之巅，阁共四层，高32.3米，取妈祖农历三月廿三诞辰之意，总体造型端庄古朴，轻盈灵动。下面由小编来给大家分享澳门的妈祖阁导游词，欢迎大家参阅。

澳门的妈祖阁导游词1

妈阁庙是中葡文化融合起点，也是澳门最著名的名胜古迹之一，至今已逾五百年，是澳门三大禅院中最古者。妈阁庙原称妈祖阁，在澳门东南方，俗称天后庙，建于一四八八年，正值明朝。背山面海，沿崖建筑，古木参天，风光优美。整座庙宇包括大殿、弘仁殿、观音阁等四座主要建筑，石狮镇门、飞檐凌空，是一座富有中国文化特色的古建筑。

1998年10月28日，在澳门最高点，路环岛的叠石塘山顶，又落成了全世界最高的妈祖雕像。她矗立在澳门的最高点，因此，无论从海面或还是陆地，都清晰可见。开光以来原本人迹罕至的路环岗顶，一时车水马龙，香火鼎盛。

神功戏是澳门妈阁水陆演戏会历年的酬神习俗。“神功”是指为神做的功德。在节日、神诞等庆祝活动上表演粤剧，表达“神人共乐”的精神。

妈阁庙包括弘仁殿、“神山第一”殿、正觉禅林、观音阁等建筑物。明朝时本名“天妃庙(宫)”，至清道光八年(1828年)重修时增建山门，额名“妈祖阁”，华人俗称“妈祖阁”，又有另称’正觉禅林”。

“妈祖”在福建话里是“母亲”的意思。“妈祖”姓林名默，宋朝福建莆田人，自幼聪颖，得老道秘传法术，能通神，经常在海上搭救遇难船只，“升天”后仍屡次在海上显灵，救助遇难的人。人们感其恩德，尊为护航海神，历代王朝也多次封谥，明朝时晋封为“天后”。相传400多年前明代时有一福建商人在澳门附近遭遇飓风，危在旦夕，幸得“显灵海上消灾解难”的天后娘娘解难相救。后来这位商人在神女显圣处设庙纪念以谢神恩，被称为“娘妈角”。

妈阁庙背山面海，沿崖而筑，周围古木参天;庙门口有一对石狮，雕工精美，形态逼真，传说是300年前清人的杰作;庙内花木错落，岩石纵横，景色清幽，由大殿、石殿、弘仁殿、观音阁4座建筑物组成，它们之间用石阶和曲径相通，曲径两旁的岩石上有历代名流政要或文人骚客题写的摩崖石刻;院内有一块名为“洋船石”的巨石，上刻一艘古代海船，船的桅杆上挂着一面写有“利涉大川”的幡旗，是人们喜爱的“一帆风顺”的图景。庙内的碑石上刻有妈阁庙500周年纪念文字。

妈阁庙平时香火不绝，每年农历除夕和农历三月二十三日“天后”神诞，香火更甚。四方香客云集于此上香拜祀、叩首祈福，并举行丰富多彩的节目助兴，这时妈阁庙上紫烟弥漫，一派祥和，这就是澳门八景之一的“妈阁紫烟”的景色。

“妈祖”现在已不仅仅是善男信女们崇拜的“天后”，而且形成了一种国际文化现象——“妈祖文化”。

澳门的妈祖阁导游词2

妈祖阁是澳门最著名的名胜古迹之一，至今已已有500多年的历史，是澳门三大禅院中最古老的一座，坐落在澳门东南方，建于明朝1488年。

妈祖阁俗称天后庙，相传天后是福建莆田人，又名娘妈，能预言吉凶，死后常显灵海上，帮助商人及渔民消灾解难，化险为夷，福建人就和当地居民共同在现址立庙奉祀。

每年春节和农历3月23日娘妈生辰日，是妈祖阁香火最鼎盛的时候。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神功戏。

有关“MACAU”的来历：400多年前，葡国人抵达澳门，在庙前对面的海峡登岸，看到到有一间神庙，询问居民当地名称及历史，居民误认为是指庙宇，随口称“妈阁”，葡人音译“MACAU”，成为澳门葡文名称的由来。

每年春节和农历3月23日娘妈诞期，即妈祖阁香火最为鼎盛之时。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神苏戏。

根据古代史料和福建莆田地方志记载，妈祖生于北宋太宗建隆元年(960年)农历三月廿三日，卒于太宗雍熙四年(987年)二月十九日。她是福建莆田湄洲郡巡检林愿的第6个女儿。她原名林湄娘，因她从出生到满月从不啼哭，故又名默。林默娘自幼聪颖，为人善良，乐于助人。有一年她随父兄渡船外出，中途遇浪，船覆落水，林默娘下水救父。她也屡次在海上救助遇难之人，还为百姓驱逐瘟疫，治病救人……

澳门的妈祖阁导游词3

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下。

相传天后乃福建莆田人，姓：林，名：默娘，当地人称其为娘妈，能预言吉凶，死后常显灵海上，帮助商人及渔民消灾解难，化险为夷，福建人遂与当地居民共同在现址立庙奉祀。

澳门妈祖阁，早期称娘妈庙、天妃庙或海觉寺;后定名为妈祖阁，华人俗称妈阁庙。它位于澳门半岛的西南端，依山面海，沿岩而建。庙内的“神山第一”殿、正觉禅林、弘仁殿、观音阁等4栋主建筑，分别建于不同时期。其中，弘仁殿规模最小，是一座3平方米的石殿，相传建于明弘治元年(1488年);正觉禅林规模最大，创建于清道光八年(1828年);“神山第一”殿是当时官方与商户合资创建于明万历三十三年(1605年)。上述三殿均供奉天后妈祖，观音阁则供奉观音菩萨。

妈阁庙的大门为一牌楼式花岗石建筑，宽4.5米，只开有一个门洞，门楣上有“妈祖阁”3个金字，两侧书有对联：“德周化守，泽润生民”。门楣顶部为飞檐状屋脊，华丽美观。庙门口有一对石狮，雕工精美，栩栩如生，是300年前清人的杰作。院内一块名为“洋石船”的巨石上，刻有一艘古代的海船，船的桅杆上挂着一面写有“利涉大川”的幡旗。据考，是记载400多年前一位福建商人，乘船来澳门途中遇到风浪，幸得妈祖相救、转危为安的故事。庙后的石壁上，有多不胜数的摩崖石刻，是历代政要名流和文人骚客的手书。在各具特色的建筑物之间，有石阶和曲径相通，四周苍郁的古树，错杂的花木，纵横的岩石，把园林的幽雅和古庙的庄严巧妙地结合在一起，显得古朴典雅，雄伟壮观，极富民族特色。

澳门妈祖阁还是一座有着传奇色彩的庙宇。在上世纪80年代，妈阁庙发生了一场大火，澳门居民一说起这件事，仍记忆犹新。那天，庙内的“正觉禅林”深夜大火，整个殿宇被烧塌，而在神龛中央的妈祖神像，仅被烟火熏黑，塌下的横梁掉在神像的跟前，神像丝毫无损。

澳门妈祖阁平时香火不绝，每年农历除夕、三月廿三日妈祖宝诞、九月九日重九节，这里更是人山人海，热闹非凡。

为什么澳门妈阁庙的香火如此旺盛，海外华人也都信奉妈祖呢?设计、创作大型妈祖像的澳门著名雕塑家、画家梁晚年告诉大家：妈祖是人，也是护航海神。妈祖在海上舍己救人，为民消灾解难的博爱精神受到人们的尊敬，信众就把她当作神来朝拜。

人们为感谢其恩德，称林默娘为“妈祖”，福建话“妈祖”是“母亲”的意思，并被奉祀为“护航海神”。莆田人最初供奉妈祖的庙宇称为神女庙、神女祠。林默娘海上救人的故事和传说逐步被人们神化，得到信仰者广泛热烈的信奉。历代王朝也顺应民心支持妈祖信仰，宋代封妈祖为“夫人”;元、明二朝加封为“天妃”;清朝晋封为“天后”。我们看到妈阁庙内供奉的天后牌位上写着：“护国庇民天后元君之神位”。

澳门的妈祖阁导游词4

大家好，我是这次负责带大家参观澳门着名名胜古迹妈阁庙的导游，希望我的解说能为大家打来一个愉快的旅程。首先允许我介绍一下妈祖庙。

妈阁庙早期称娘妈庙、天妃庙或海觉寺;后定名"妈祖阁"，华人俗称"妈阁庙"."妈祖"在福建话里是"母亲"的意思。此庙背山面海，沿崖而筑，周围古木参天;庙门口有一对石狮，雕工精美，形态逼真，传说是300年前清人的杰作;庙内花木错落，岩石纵横，景色清幽，由大殿、石殿、弘仁殿、观音阁4座建筑物组成。

而出游妈阁庙的最佳时期是在春节期间，因为这段时间香火最旺，而且还会举行不少传统活动。不少善男信女纷纷前来拜神祈福，庙前空地会盖搭一大竹棚，作为临时舞台，上演神功戏。

妈阁庙由"神山第一"殿、弘仁殿、正觉禅林、观音阁等部分组成，各建筑规模虽然细小简陋，但却能充分融合自然，布局错落有致。

入口大门

大家可以看到入口大门的花岗石建筑，它宽4.5米，只开有一个门洞，门楣有"妈祖阁"三字，两侧为对联，三部份均有琉璃瓦顶等装饰，其中门楣顶部更有飞檐状屋脊，脊上装有瓷制宝珠及鳌鱼。

牌坊

紧跟妈阁庙大门后的是一个三间四柱冲天式牌坊，也由花岗石建造而成，并有四只石狮分置在柱头上。

弘仁殿

大家现在来到了规模最小的弘仁殿，殿堂只有3平方米左右。

观音殿

位于最高处的观音殿，主要由砖石构筑而成，其建筑较为简朴，为硬山式做法。

正觉禅林

大家现在来到的是正觉禅林，这座禅林不管在规模上或是在建筑形式上都较为讲究，建筑由供奉天后之神殿及静修区组成。修区建筑为一般民房，属硬山式砖结构，而神殿则为一四架梁结构、主殿前有一内院，两侧侧廊为卷棚式屋顶、主殿区被二列各三枝柱分为三个开间，屋顶为琉璃瓦坡顶，两边侧墙顶部为金字形"镬耳"山墙，有防火意思，具浓烈的闽南特色，位于内院前之正立面，由左至右可分为五部份，中间最高两边渐低，墙身有泥塑装饰，墙顶则以琉璃瓦装饰，而在琉璃瓦檐下是三层象征斗拱之花饰，此外，中间部份尚开有一半径为1.1米的圆形窗洞，而琉璃瓦顶上之飞檐及瓷制宝珠装饰，亦显示出此殿之重要性。

妈祖阁平时香火不绝，每年农历除夕、三月廿三日妈祖宝诞、九月九日重九节，这里更是人山人海，热闹非凡。

见证圣火

20__年5月3日下午，北京奥运会圣火途经澳门的妈阁庙。来自奥林匹亚的圣火将与妈阁庙的香火相遇，澳门将以最具代表性本土文化迎接奥运圣火的方式，展示其中西文化荟萃的特性。

好了今天的游览就到此结束，希望这次的解说给大家留下了深刻的印象，也请大家多多关注更多澳门景点，再见。

澳门的妈祖阁导游词5

各位游客朋友,大家好!欢迎来到素有“东方麦加,海上布达拉宫”之称的湄洲岛。我是导游员小李。现在就请大家随我，一起去拜谒世人景仰的妈祖女神，参观神柢的祖庙吧。

为了让大家在游览过程中增加对湄洲岛的认识，先利用乘船的时间，向大家介绍一下湄洲岛的概况：它面积有14.3平方公里，因为形如人眉，嵌于万倾碧波之中，所以得名”湄洲”,它不仅是妈祖从小生活的地方，而且也是闻名海内外妈祖祖庙的所在地。朋友们，湄洲岛到了，请带好随身的行李物品，随我下船，大家要小心脚下，注意安全!

请看前方，那一批批进香的队伍，他们有飘洋过海来的台湾同胞和海外侨胞，也有祖国内地来的进香游客。大家注意到了吗?这些队伍前面都抬着一尊妈祖神像，朋友们是不是很好奇呢?其实啊，这些神像都是以前从祖庙分灵出去的,现在他们将她送回来，也叫”妈祖回娘家”。这种现象在这里是经常可以看到，这就证明了湄洲岛的香火十分的`旺盛。

各位请看，现在展现在我们面前的这座雄伟的建筑，像不像是西藏的布达拉宫呢?这里就是妈祖祖庙了。现在我们所处的位置就是祖庙的第一道门，山门。因为妈祖是“天上的圣母”，是至尊无上的女神，所以它的规格是按照皇家城阙建造的。而在山门里还供奉着“千里眼”和“顺风耳”两尊神明。据说“千里眼”和“顺风耳”是妈祖生前收复的海怪。

我们顺着石阶向上走,看到的就是祖庙的第二道门，仪门。大家看,在这个仪门的上面挂着一个牌匾,上面写着”圣旨”两个字,所以也称“圣旨门”。现在我们看到的这大广场，是每次祭奠时大型乐舞表演的地方。在我左手边和右手边的分别就是钟楼和鼓楼了。朋友们，我们继续往上走，现在我们来到的这里是“太子殿”，它是福建总督姚启圣所建的，可能大家会感到奇怪，这里是妈祖宫庙怎么会有太子殿呢?据说姚启圣当年受到妈祖的庇护，圆满的完成了皇帝交给他的任务，被皇帝封为“太子少保”，姚启圣为了感谢妈祖，便在这里建了“太子殿”。当初修建此殿就想使它成为正殿，但是民间习惯上仍愿意遵循古制。只认定旁边这座才是最原始的正殿，那现在就随我一起去参观正殿吧。

这里可是妈祖亿万信徒心中的圣地，在我们进入参观前，先来看下这门柱上的对联，这位团友知道什么意思吗?其实这副对联巧妙的运用了古汉语的通假字的特点，所以应该是这样念的：“齐斋，齐斋，齐齐斋，齐齐斋戒;朝潮，朝潮，朝朝潮，朝朝潮音”上联的介绍的是：湄洲的人文景观，看客一起诚心诚意拜妈祖，而下联介绍的是湄州的自然风光，主要突出湄州岛的莆田24景之一的“湄屿潮音”。看完对联就请大家，随我进入殿内吧，殿内分上下2个殿，中间用天井相连，大家看正梁上悬挂着一个牌匾，这可是雍正皇帝御笔亲颁的呢!朋友们，注意到了吗?这个殿非常的特别，在这供奉着2尊妈祖，前面的这尊叫“出巡妈祖”后面的这尊叫“镇殿妈祖”，每当出巡妈祖出巡时，镇殿妈祖就在殿里供信众朝拜。大家看，两边的神龛里可全是妈祖的陪神，被称为18水阙仙班，其中，有的是古代其他地方奉祀的海神，还有的是妈祖收复的水妖海怪。

好了各位团友参观完了妈祖庙正殿，现在我们一起去看看传说中妈祖升天的地方-----升天古迹吧。升天古迹到了，在这里大家一边参观，我一边和大家说一下关于妈祖生平的传说。据说妈祖从出生到满月都不曾啼哭，于是父母给她取名叫“林默”，默娘从小就比其他孩子聪明伶俐，相传她8岁就能诵经，又因海上救亲，被人们称为“孝女”。林默逝世后，民间都传说她是在湄峰羽化飞升的。据说啊!朝廷派使者路允迪出使朝鲜，这船在东海时遇到风浪。临危之际，见船顶上发出一道道红光，之后风浪就没有了。路允感到奇怪便问部下是什么神灵显圣搭救啊?恰好船上有一位莆田人，他说是湄洲女神相救。后来路允迪回到朝廷复命时就奏明皇帝，这也是妈祖的事迹第一次从民间到朝廷。

故事说完了，现在让我们一起到中轴线上的最高点朝天阁去看看吧，大家注意到了吗，里面供奉的妈祖与其它殿了的有什么不同?对了,里面供奉的妈祖是黑脸的。有去过中国台湾的朋友，一定发现中国台湾妈祖宫庙里供奉的妈祖全是黑脸妈祖，大家想知道为什么吗?据说当年中国台湾在分灵妈祖的途中，在海上航行数月，信众日夜焚香朝拜，虔诚的香火熏黑了妈祖的脸，于是中国台湾供奉的妈祖就都是黑脸的了，因为朝天阁是中国台湾鹿港朝天宫所捐建的，所以妈祖也是黑面的了。现在，我们就到山顶去看看妈祖的石雕像吧。从这里要登99级台阶才能到达，而且从山下妈祖庙的牌楼到山顶的妈祖像正条轴线总长323米。99是妈祖9月初9飞升的日子，那大家再来猜下323米代表的是什么呢?对了，就是妈祖诞辰之日。

好了朋友们，这里就是妈祖山的最高点，眼前这尊就是妈祖的雕像了，它高14.3米，由365筷花岗岩砌成，象征着妈祖一年365天天保佑着14.3平方公里的湄州岛大地上的居民，幸福平安。请看，妈祖的面部慈祥，遥望着大海。大家知道吗?妈祖娘娘眼望的地方是中国台湾，而且在中国台湾也有一尊一模一样的妈祖石像与之隔海相望。共同维护着两岸的和平安宁。在世界各地妈祖的信徒不计其数，对于妈祖，实际上都是一种强烈的不忘祖先的意识，或许这就是妈祖信仰久传不衰的关键所在吧。

朋友们，如果有机会，希望您能再次光临湄洲，欢迎拜谒这位奇女子，到时候，请你的朋友一起来湄洲做客。谢谢大家!

人人都说，大自然有一双无比巧妙的手，创造了这个奇妙无比的世界。有清澈见底的水，有奇形怪状的峰峦，有惊险无比的崖壁……今天，我来到了“惊、险、秀”于一身的五指石。它位于广东省平原县差干镇。

五指石中的“天道”，走过以后，给人留下的，就只有险、美。走在半山腰的栈道上，头顶是峭壁，脚下是悬崖。走过这一段路，身子要微微倾斜，一不小心，就会碰到峭壁。弯弯曲曲的栈道，悬挂在峭壁的山崖边，让人腿肚子直打颤。

站在栈道上，远眺粤闽赣的旖旎风光，心中不禁感慨：好美!若是在这奇秀风光上披上一层薄雾，就如行走在天上的道路。“虎鲸觅食”一景十分奇丽。半圆的山，就如同虎鲸的头;山上有一个椭圆的大洞，就好似虎鲸的眼睛;悬挂在峭壁上的栈道，就是虎鲸的嘴，栩栩如生。仿佛在浩瀚的大海中，一只庞大的虎鲸正在寻找食物。

还有“妙笔生花”：旁逸斜出的石头好似一支笔，上面的那棵小树的树枝张开呈半圆状，就像一朵花儿怒放。“大象戏水”：一座大山，中间有一条突出的石头，就像是象鼻子，后面就是象身，象鼻微微翘起，似乎是在玩水……栈道在悬崖峭壁间逶迤穿行，从古树掩映的贵妃谷开始并回归。我们下了山，向玻璃栈道前进。

走上玻璃栈道，我的心中打着鼓。迈出步子，踩在全透明的玻璃上，向下看，树叶在半空掩住了下面的道路，给我一种安全感。扶着栏杆，向前看，走到中间的时候，再低下头，脚下的道路我看得一清二楚，也许是站在玻璃的边缘的原因，下面有石块，站在上面我竟不怎么怕!继续向前走，无意间，站到了玻璃中间，我又忍不住向下看去，却觉得那玻璃不存在，就仿佛站在空气上，随时会向下掉。透过脚下的钢化玻璃，是100多米的悬崖，让我心不由得一惊，魂不守舍，腿肚子直打颤，急忙跨上了木栈道。我们大呼过瘾，真是一次心跳之旅!

“春谷彩蝶翩翩，夏桐漫天飞舞，秋枫灿若晚霞，冬梅洁白如雪。”大自然的鬼斧神工把世界打造得神奇美丽，多么可爱的大自然!

各位游客们：

大家好!我叫张豪乾，大家怎么称呼我呢?叫我张导就行了，很高兴我能陪同大家一起参观故宫。

北京故宫位于北京市中心，是明清两代的皇宫，故宫有称为“紫禁城”。故宫经历有明清两个朝代和24个皇帝。故宫规模宏大，西东宽750米，南北长960米，占地72万平方米，建筑积15万多平方米，有房屋1000多间，是世界历史上最大最完整的古代建筑。进了故宫的大门，你就会看见五座汉白玉石桥为什么是五座，而不是七座、八座，甚至十座呢?原来，古时候的皇帝都必须带有仁、义、礼、智、信这种特点，所以才是五座石桥的。桥上有上百根石柱，柱子上刻着无数的小狮子，那么多的小狮子，有的颔首低眉，好像是忧闷而不开心的样子，有的张牙武爪，好像是展示自己的威武。

故宫的御花园，原名宫后椀，占地一万二千平方米。以鉄安殿为中心，园林建筑采用石砖来修建，左右对称的格砖紧凑。殿东北的堆秀山上筑御景亭，每年重阳节，皇上就在此登高。

好了游客们我们在这里歇一会，休息一下，你们也可以拍下自己喜欢的景点，注意卫生和安全。

六榕寺和花塔在朝阳北路，广州著名的佛教古寺。建于梁大同三年(537年)，距今已有一千四百多年的历史，是广州著名的古迹之一。

公元537年，南朝梁武帝萧衍(中国历史上最著名的信佛君主)的母舅昙裕法师从柬埔寨求得舍利(佛骨)来到广州。广州刺史萧裕为了迎接这一佛教之宝，特地在这里创造“宝庄严寺”。北宋端拱二年(989年)重修时，该寺僧人供奉佛教禅宗六祖慧能，以修净业，遂改名为净慧寺。宋代文学家、书法家苏轼于宋元符三年(1120xx年)路经广州时到此游览，看见寺内有古榕树六棵，便题书“六榕”二字。明代称六榕寺，并沿袭至今。

花塔在六榕寺内，原名宝庄严寺舍利塔。该塔是与六榕寺同时兴建的，但原塔已于公元十世纪时被火焚毁。1931年重修时在内部用钢筋水泥加固。现塔高57米，八角九级，里面十七层，沿梯级登至塔顶，可俯瞰全市景色。塔的外形华丽壮观，檐角都悬挂吊钟，整个塔好像是花朵叠成的一根花柱，塔顶好似长在最高一朵花上的花蕊心。所以人们一般叫它为“花塔”。

暑假爸爸妈妈带我到海南旅游，这是我的第一次旅游，也是我第一次坐飞机，我真的好兴奋呀!飞机启动滑向跑道，像一只飞箭冲向蔚蓝的天空。飞机穿过云层就像是被大大的棉花糖包住了一样，真是太有趣了、太奇妙了。

下了飞机我们坐上了旅游大巴，海南的景色真是太美了。坐在大巴车上，窗外我看到的美景真是无法形容。高速公路的一边是整片整片的椰树林，而另一边却是一望无际的大海和金色的沙滩，满眼都是热带植物、满眼都是热带风情!在导游的带领下我们去了有名的大小洞天、去了美丽的玉带滩、还去了满是贝壳和珊瑚的月亮湾……，但是我最喜欢的地方是亚龙湾，因为亚龙湾是海南最美的沙滩，亚龙湾是天下第一湾。我在那里品尝到了各种各样的热带水果，有颜色鲜艳的火龙果、有甜蜜蜜的木瓜、有闻着臭臭的吃着香香的榴莲、最美味的就是水果之王菠萝蜜，吃到嘴里都甜到心里去了。

我奔跑在亚龙湾的沙滩上，身后留下点点足迹。我看见远处的天是蓝蓝的，海也是蓝蓝的，一阵阵浪花冲上沙滩，打湿了我的小脚丫。浪花像一块洁白的海绵擦，擦平了沙滩上人们踩出的脚印，却悄悄地送来了许多五颜六色的贝壳。我欢天喜地的叫着爸爸妈妈来捡“宝贝”，沙滩上留下了我和爸爸妈妈的欢声笑语。

美丽的海南，我永久的记忆!

朋友们，大小洞天旅游区与南山佛教文化苑相毗邻，同在南山，滨临南海。作为旅游胜地，大小洞天旅游区开发较早，原来自成一体，199x年5月通过资产重组，成了南山文化旅游区的一部分。

大小洞天旅游区原称海山奇观旅游风景区，面积377公顷，同南山佛教文化苑共处南山脚下，沿滨海路相距仅七公里。山上植被茂密，风景秀丽，近三万株龙血树(南山不老松)郁郁葱葱。山中有清澈泉水和各种野生动物，山下七公里海岸线婉蜒曲折，遍布神工鬼斧、肖形状物的石景，因此而自古以来被称为"海山奇观"。

早在南宋时代，先后在崖州任知州的周康、任知军的毛奎即相继开山拓景，把这里开辟为旅游胜地，至今已800多年。可以说，这是古代由政府官员重视并进行建设的最古老的旅游点。当年的崖州治所在现在的三亚市崖城镇，离这里只十多里路。据记载，他们不走旱路，却泛舟绕海而来，再舍舟登岸，可想那时南山脚下林木何等茂密。毛奎对南山一往情深，卸任之后不回朝庭述职，不回乡与家人团聚，却隐入南山，终其一生。后人曾在这里修庙祭祀他。元明清以来，这里游者相续，诗文满山，被推祟为崖州八景之首，一说曾被誉为珠崖第一山水名胜。风景区内至今尚留有"小洞天""钓台""海山奇观""仙梯""仙人足""试剑峰"等摩崖石刻，是海南重要的历史文化遗迹。

大小洞天旅游区以道教文化为主题。洞天福地本就是道教的概念。这里融热带风光、保健旅游、康复养生、休闲度假为一体。按照规划，这里将建设大门景观区、道教文化区、南溟奇甸风景区、小月湾休闲区和综合区等部分。

进入景区，我们首先会看到一座纪念鉴真东渡的大型雕塑，鉴真和尚和陪着他第五次东渡的弟子祥彦、思托，日本留学僧荣害、普照等人的形象高大凝重，表现出高远的志向和坚强的意志。

再往前行，到了滨海处，只见一块巨石上刻有"小洞天"三个大字，/考·试·大/这是本景区代表性的景观。"小洞天"由许多大小不一的礁石所组成，洞口一侧有一块石头叫"蛤蟆石"，好像是大青蛙仰望蓝天。顺着蛤蟆石上行，就是"钓台"。"钓台"两个大字已经有720xx年的历史了。一路前行，海滩上许多石景的天然造型奇趣无穷，令人叹为观止，您尽管展开想象的翅膀去把它们物化、人格化。沿海边小道继续行进，前面就是本景区的另一股景"海山奇观"了。只见海天辽阔，山势峻峭，树绿山青，海碧沙白，果然是海山奇观。宋代吉阳军知军毛奎在此开山筑路，修亭挂匾，摩崖题咏，刻石点景，为"小洞天"和"钓台"命名，并以"海山奇观"为景区总名。这里的"海山奇观"四个大字就是毛奎写的。由此处登天梯，绕巨石，可见一高一低两块直指蓝天的长石，这就叫"试剑石"。传说是古代的周康和许源两位得道的游士在此练剑时所劈。

199x年4月17日，江视察海南，曾到此一游。面对飞花激雪、碧波万顷的南海，于景区内欣然命笔，题写"碧海连天远，琼崖尽是春"这一佳句，以寄托对海南的殷切期望。江题咏，后由石工刻于景区内海滨巨石上，熠熠生辉。

在景区披满绿色的山坡上，长着一片片树干粗壮、叶呈披针型、没有细树枝的奇特的树，这就是龙血树，雅称"南山不老松"。传说龙血树是盘古开天地时被荆棘利伤，血洒南山而长出来的。传说归传说，龙血树被称为植物中的活化石，树龄很高，已属濒临灭迹的珍稀树种，却是真的。在三亚市南山一带，生长着6万多株龙血树，其中大小洞天旅游区就有3万多株，郁郁葱葱，蔚为壮观。树龄有的已达20xx多年，最长的有6020xx年以上，因此说它是"不老松"毫不夸张。据说在中国只有海南三亚和云南西双版纳生长这种树，其树脂可制成贵重的药材。南山文化旅游区采取多种科学措施挽救、保护这一珍稀树种，把它作为旅游区的景观之一。

荷李活道是殖民地时期首条街道，早在1841年英国人登陆香港岛时便开始兴建，在太平山山脚的荷李活道，早年尚未填海前乃接近海边的，经过百多年来中环不断填海，已远离海傍甚远。很多人以为荷李活道得名自美国加州电影生产地荷里活，其实道路名称源自早年荷李活道两旁种植的冬青树(Hollywood)，因此被命名为Hollywood Road，中文则音译为荷李活道。这名称出现时，美国的好莱坞尚未出现。

自开埠早期起荷李活道已经是华人聚居地，主要都是以低下阶层为主，像现任(20__)香港特首曾荫权幼年时便曾在荷李活道居住。在荷李活道与楼梯街交界的文武庙，早在香港开埠前已落成，二十世纪初乃香港平民处理经济纠纷的地方，并有不少华人参拜。在荷李活道中环部分的旧中区警署，早在1864年落成，1919年进行过扩建，今日亦被列为香港法定古迹。

游客主要都是来购买中国古董为主，其中有不少都是珍贵文物，而货品来源亦一直受到争议，所以香港政府推广旅游活动中都极少提及荷李活道的古董买卖。

英文的导游词范文

英文导游词范文——陕西西安大清真寺英文导游词

the great mosque at huajue lane

the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.

however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.

islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.

however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.

among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.

the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.

according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.

the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.

the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.

英文导游词范文——陕西西安秦始皇兵马俑英文导游词

emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum

emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.

in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.

after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.

emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”

emperor qin shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.

no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.

no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.

no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.

no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.

the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.

in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.

no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.

澳门妈祖阁导游词

妈祖阁，位于湄洲湾北岸山亭镇山柄村麒山之巅，阁共四层，高32.3米，取妈祖农历三月廿三诞辰之意，总体造型端庄古朴，轻盈灵动。下面由小编来给大家分享澳门妈祖阁导游词，欢迎大家参阅。

澳门妈祖阁导游词1

妈阁庙是中葡文化融合起点，也是澳门最著名的名胜古迹之一，至今已逾五百年，是澳门三大禅院中最古者。妈阁庙原称妈祖阁，在澳门东南方，俗称天后庙，建于一四八八年，正值明朝。背山面海，沿崖建筑，古木参天，风光优美。整座庙宇包括大殿、弘仁殿、观音阁等四座主要建筑，石狮镇门、飞檐凌空，是一座富有中国文化特色的古建筑。

1998年10月28日，在澳门最高点，路环岛的叠石塘山顶，又落成了全世界最高的妈祖雕像。她矗立在澳门的最高点，因此，无论从海面或还是陆地，都清晰可见。开光以来原本人迹罕至的路环岗顶，一时车水马龙，香火鼎盛。

神功戏是澳门妈阁水陆演戏会历年的酬神习俗。“神功”是指为神做的功德。在节日、神诞等庆祝活动上表演粤剧，表达“神人共乐”的精神。

妈阁庙包括弘仁殿、“神山第一”殿、正觉禅林、观音阁等建筑物。明朝时本名“天妃庙(宫)”，至清道光八年(1828年)重修时增建山门，额名“妈祖阁”，华人俗称“妈祖阁”，又有另称’正觉禅林”。

“妈祖”在福建话里是“母亲”的意思。“妈祖”姓林名默，宋朝福建莆田人，自幼聪颖，得老道秘传法术，能通神，经常在海上搭救遇难船只，“升天”后仍屡次在海上显灵，救助遇难的人。人们感其恩德，尊为护航海神，历代王朝也多次封谥，明朝时晋封为“天后”。相传400多年前明代时有一福建商人在澳门附近遭遇飓风，危在旦夕，幸得“显灵海上消灾解难”的天后娘娘解难相救。后来这位商人在神女显圣处设庙纪念以谢神恩，被称为“娘妈角”。

妈阁庙背山面海，沿崖而筑，周围古木参天;庙门口有一对石狮，雕工精美，形态逼真，传说是300年前清人的杰作;庙内花木错落，岩石纵横，景色清幽，由大殿、石殿、弘仁殿、观音阁4座建筑物组成，它们之间用石阶和曲径相通，曲径两旁的岩石上有历代名流政要或文人骚客题写的摩崖石刻;院内有一块名为“洋船石”的巨石，上刻一艘古代海船，船的桅杆上挂着一面写有“利涉大川”的幡旗，是人们喜爱的“一帆风顺”的图景。庙内的碑石上刻有妈阁庙500周年纪念文字。

妈阁庙平时香火不绝，每年农历除夕和农历三月二十三日“天后”神诞，香火更甚。四方香客云集于此上香拜祀、叩首祈福，并举行丰富多彩的节目助兴，这时妈阁庙上紫烟弥漫，一派祥和，这就是澳门八景之一的“妈阁紫烟”的景色。

“妈祖”现在已不仅仅是善男信女们崇拜的“天后”，而且形成了一种国际文化现象——“妈祖文化”。

澳门妈祖阁导游词2

妈祖阁是澳门最著名的名胜古迹之一，至今已已有500多年的历史，是澳门三大禅院中最古老的一座，坐落在澳门东南方，建于明朝1488年。

妈祖阁俗称天后庙，相传天后是福建莆田人，又名娘妈，能预言吉凶，死后常显灵海上，帮助商人及渔民消灾解难，化险为夷，福建人就和当地居民共同在现址立庙奉祀。

每年春节和农历3月23日娘妈生辰日，是妈祖阁香火最鼎盛的时候。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神功戏。

有关“MACAU”的来历：400多年前，葡国人抵达澳门，在庙前对面的海峡登岸，看到到有一间神庙，询问居民当地名称及历史，居民误认为是指庙宇，随口称“妈阁”，葡人音译“MACAU”，成为澳门葡文名称的由来。

每年春节和农历3月23日娘妈诞期，即妈祖阁香火最为鼎盛之时。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神苏戏。

根据古代史料和福建莆田地方志记载，妈祖生于北宋太宗建隆元年(960年)农历三月廿三日，卒于太宗雍熙四年(987年)二月十九日。她是福建莆田湄洲郡巡检林愿的第6个女儿。她原名林湄娘，因她从出生到满月从不啼哭，故又名默。林默娘自幼聪颖，为人善良，乐于助人。有一年她随父兄渡船外出，中途遇浪，船覆落水，林默娘下水救父。她也屡次在海上救助遇难之人，还为百姓驱逐瘟疫，治病救人……

澳门妈祖阁导游词3

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下。

相传天后乃福建莆田人，姓：林，名：默娘，当地人称其为娘妈，能预言吉凶，死后常显灵海上，帮助商人及渔民消灾解难，化险为夷，福建人遂与当地居民共同在现址立庙奉祀。

澳门妈祖阁，早期称娘妈庙、天妃庙或海觉寺;后定名为妈祖阁，华人俗称妈阁庙。它位于澳门半岛的西南端，依山面海，沿岩而建。庙内的“神山第一”殿、正觉禅林、弘仁殿、观音阁等4栋主建筑，分别建于不同时期。其中，弘仁殿规模最小，是一座3平方米的石殿，相传建于明弘治元年(1488年);正觉禅林规模最大，创建于清道光八年(1828年);“神山第一”殿是当时官方与商户合资创建于明万历三十三年(1605年)。上述三殿均供奉天后妈祖，观音阁则供奉观音菩萨。

妈阁庙的大门为一牌楼式花岗石建筑，宽4.5米，只开有一个门洞，门楣上有“妈祖阁”3个金字，两侧书有对联：“德周化守，泽润生民”。门楣顶部为飞檐状屋脊，华丽美观。庙门口有一对石狮，雕工精美，栩栩如生，是300年前清人的杰作。院内一块名为“洋石船”的巨石上，刻有一艘古代的海船，船的桅杆上挂着一面写有“利涉大川”的幡旗。据考，是记载400多年前一位福建商人，乘船来澳门途中遇到风浪，幸得妈祖相救、转危为安的故事。庙后的石壁上，有多不胜数的摩崖石刻，是历代政要名流和文人骚客的手书。在各具特色的建筑物之间，有石阶和曲径相通，四周苍郁的古树，错杂的花木，纵横的岩石，把园林的幽雅和古庙的庄严巧妙地结合在一起，显得古朴典雅，雄伟壮观，极富民族特色。

澳门妈祖阁还是一座有着传奇色彩的庙宇。在上世纪80年代，妈阁庙发生了一场大火，澳门居民一说起这件事，仍记忆犹新。那天，庙内的“正觉禅林”深夜大火，整个殿宇被烧塌，而在神龛中央的妈祖神像，仅被烟火熏黑，塌下的横梁掉在神像的跟前，神像丝毫无损。

澳门妈祖阁平时香火不绝，每年农历除夕、三月廿三日妈祖宝诞、九月九日重九节，这里更是人山人海，热闹非凡。

为什么澳门妈阁庙的香火如此旺盛，海外华人也都信奉妈祖呢?设计、创作大型妈祖像的澳门著名雕塑家、画家梁晚年告诉大家：妈祖是人，也是护航海神。妈祖在海上舍己救人，为民消灾解难的博爱精神受到人们的尊敬，信众就把她当作神来朝拜。

人们为感谢其恩德，称林默娘为“妈祖”，福建话“妈祖”是“母亲”的意思，并被奉祀为“护航海神”。莆田人最初供奉妈祖的庙宇称为神女庙、神女祠。林默娘海上救人的故事和传说逐步被人们神化，得到信仰者广泛热烈的信奉。历代王朝也顺应民心支持妈祖信仰，宋代封妈祖为“夫人”;元、明二朝加封为“天妃”;清朝晋封为“天后”。我们看到妈阁庙内供奉的天后牌位上写着：“护国庇民天后元君之神位”。

澳门妈祖阁导游词4

大家好，我是这次负责带大家参观澳门着名名胜古迹妈阁庙的导游，希望我的解说能为大家打来一个愉快的旅程。首先允许我介绍一下妈祖庙。

妈阁庙早期称娘妈庙、天妃庙或海觉寺;后定名"妈祖阁"，华人俗称"妈阁庙"."妈祖"在福建话里是"母亲"的意思。此庙背山面海，沿崖而筑，周围古木参天;庙门口有一对石狮，雕工精美，形态逼真，传说是300年前清人的杰作;庙内花木错落，岩石纵横，景色清幽，由大殿、石殿、弘仁殿、观音阁4座建筑物组成。

而出游妈阁庙的最佳时期是在春节期间，因为这段时间香火最旺，而且还会举行不少传统活动。不少善男信女纷纷前来拜神祈福，庙前空地会盖搭一大竹棚，作为临时舞台，上演神功戏。

妈阁庙由"神山第一"殿、弘仁殿、正觉禅林、观音阁等部分组成，各建筑规模虽然细小简陋，但却能充分融合自然，布局错落有致。

大家可以看到入口大门的花岗石建筑，它宽4.5米，只开有一个门洞，门楣有"妈祖阁"三字，两侧为对联，三部份均有琉璃瓦顶等装饰，其中门楣顶部更有飞檐状屋脊，脊上装有瓷制宝珠及鳌鱼。

紧跟妈阁庙大门后的是一个三间四柱冲天式牌坊，也由花岗石建造而成，并有四只石狮分置在柱头上。

大家现在来到了规模最小的弘仁殿，殿堂只有3平方米左右。

位于最高处的观音殿，主要由砖石构筑而成，其建筑较为简朴，为硬山式做法。

大家现在来到的是正觉禅林，这座禅林不管在规模上或是在建筑形式上都较为讲究，建筑由供奉天后之神殿及静修区组成。修区建筑为一般民房，属硬山式砖结构，而神殿则为一四架梁结构、主殿前有一内院，两侧侧廊为卷棚式屋顶、主殿区被二列各三枝柱分为三个开间，屋顶为琉璃瓦坡顶，两边侧墙顶部为金字形"镬耳"山墙，有防火意思，具浓烈的闽南特色，位于内院前之正立面，由左至右可分为五部份，中间最高两边渐低，墙身有泥塑装饰，墙顶则以琉璃瓦装饰，而在琉璃瓦檐下是三层象征斗拱之花饰，此外，中间部份尚开有一半径为1.1米的圆形窗洞，而琉璃瓦顶上之飞檐及瓷制宝珠装饰，亦显示出此殿之重要性。

妈祖阁平时香火不绝，每年农历除夕、三月廿三日妈祖宝诞、九月九日重九节，这里更是人山人海，热闹非凡。

20__年5月3日下午，北京奥运会圣火途经澳门的妈阁庙。来自奥林匹亚的圣火将与妈阁庙的香火相遇，澳门将以最具代表性本土文化迎接奥运圣火的方式，展示其中西文化荟萃的特性。

好了今天的游览就到此结束，希望这次的解说给大家留下了深刻的印象，也请大家多多关注更多澳门景点，再见。

澳门妈祖阁导游词5

各位游客朋友,大家好!欢迎来到素有“东方麦加,海上布达拉宫”之称的湄洲岛。我是导游员小李。现在就请大家随我，一起去拜谒世人景仰的妈祖女神，参观神柢的祖庙吧。

为了让大家在游览过程中增加对湄洲岛的认识，先利用乘船的时间，向大家介绍一下湄洲岛的概况：它面积有14.3平方公里，因为形如人眉，嵌于万倾碧波之中，所以得名”湄洲”,它不仅是妈祖从小生活的地方，而且也是闻名海内外妈祖祖庙的所在地。朋友们，湄洲岛到了，请带好随身的行李物品，随我下船，大家要小心脚下，注意安全!

请看前方，那一批批进香的队伍，他们有飘洋过海来的台湾同胞和海外侨胞，也有祖国内地来的进香游客。大家注意到了吗?这些队伍前面都抬着一尊妈祖神像，朋友们是不是很好奇呢?其实啊，这些神像都是以前从祖庙分灵出去的,现在他们将她送回来，也叫”妈祖回娘家”。这种现象在这里是经常可以看到，这就证明了湄洲岛的香火十分的`旺盛。

各位请看，现在展现在我们面前的这座雄伟的建筑，像不像是西藏的布达拉宫呢?这里就是妈祖祖庙了。现在我们所处的位置就是祖庙的第一道门，山门。因为妈祖是“天上的圣母”，是至尊无上的女神，所以它的规格是按照皇家城阙建造的。而在山门里还供奉着“千里眼”和“顺风耳”两尊神明。据说“千里眼”和“顺风耳”是妈祖生前收复的海怪。

我们顺着石阶向上走,看到的就是祖庙的第二道门，仪门。大家看,在这个仪门的上面挂着一个牌匾,上面写着”圣旨”两个字,所以也称“圣旨门”。现在我们看到的这大广场，是每次祭奠时大型乐舞表演的地方。在我左手边和右手边的分别就是钟楼和鼓楼了。朋友们，我们继续往上走，现在我们来到的这里是“太子殿”，它是福建总督姚启圣所建的，可能大家会感到奇怪，这里是妈祖宫庙怎么会有太子殿呢?据说姚启圣当年受到妈祖的庇护，圆满的完成了皇帝交给他的任务，被皇帝封为“太子少保”，姚启圣为了感谢妈祖，便在这里建了“太子殿”。当初修建此殿就想使它成为正殿，但是民间习惯上仍愿意遵循古制。只认定旁边这座才是最原始的正殿，那现在就随我一起去参观正殿吧。

这里可是妈祖亿万信徒心中的圣地，在我们进入参观前，先来看下这门柱上的对联，这位团友知道什么意思吗?其实这副对联巧妙的运用了古汉语的通假字的特点，所以应该是这样念的：“齐斋，齐斋，齐齐斋，齐齐斋戒;朝潮，朝潮，朝朝潮，朝朝潮音”上联的介绍的是：湄洲的人文景观，看客一起诚心诚意拜妈祖，而下联介绍的是湄州的自然风光，主要突出湄州岛的莆田24景之一的“湄屿潮音”。看完对联就请大家，随我进入殿内吧，殿内分上下2个殿，中间用天井相连，大家看正梁上悬挂着一个牌匾，这可是雍正皇帝御笔亲颁的呢!朋友们，注意到了吗?这个殿非常的特别，在这供奉着2尊妈祖，前面的这尊叫“出巡妈祖”后面的这尊叫“镇殿妈祖”，每当出巡妈祖出巡时，镇殿妈祖就在殿里供信众朝拜。大家看，两边的神龛里可全是妈祖的陪神，被称为18水阙仙班，其中，有的是古代其他地方奉祀的海神，还有的是妈祖收复的水妖海怪。

好了各位团友参观完了妈祖庙正殿，现在我们一起去看看传说中妈祖升天的地方-----升天古迹吧。升天古迹到了，在这里大家一边参观，我一边和大家说一下关于妈祖生平的传说。据说妈祖从出生到满月都不曾啼哭，于是父母给她取名叫“林默”，默娘从小就比其他孩子聪明伶俐，相传她8岁就能诵经，又因海上救亲，被人们称为“孝女”。林默逝世后，民间都传说她是在湄峰羽化飞升的。据说啊!朝廷派使者路允迪出使朝鲜，这船在东海时遇到风浪。临危之际，见船顶上发出一道道红光，之后风浪就没有了。路允感到奇怪便问部下是什么神灵显圣搭救啊?恰好船上有一位莆田人，他说是湄洲女神相救。后来路允迪回到朝廷复命时就奏明皇帝，这也是妈祖的事迹第一次从民间到朝廷。

故事说完了，现在让我们一起到中轴线上的最高点朝天阁去看看吧，大家注意到了吗，里面供奉的妈祖与其它殿了的有什么不同?对了,里面供奉的妈祖是黑脸的。有去过中国台湾的朋友，一定发现中国台湾妈祖宫庙里供奉的妈祖全是黑脸妈祖，大家想知道为什么吗?据说当年中国台湾在分灵妈祖的途中，在海上航行数月，信众日夜焚香朝拜，虔诚的香火熏黑了妈祖的脸，于是中国台湾供奉的妈祖就都是黑脸的了，因为朝天阁是中国台湾鹿港朝天宫所捐建的，所以妈祖也是黑面的了。现在，我们就到山顶去看看妈祖的石雕像吧。从这里要登99级台阶才能到达，而且从山下妈祖庙的牌楼到山顶的妈祖像正条轴线总长323米。99是妈祖9月初9飞升的日子，那大家再来猜下323米代表的是什么呢?对了，就是妈祖诞辰之日。

好了朋友们，这里就是妈祖山的最高点，眼前这尊就是妈祖的雕像了，它高14.3米，由365筷花岗岩砌成，象征着妈祖一年365天天保佑着14.3平方公里的湄州岛大地上的居民，幸福平安。请看，妈祖的面部慈祥，遥望着大海。大家知道吗?妈祖娘娘眼望的地方是中国台湾，而且在中国台湾也有一尊一模一样的妈祖石像与之隔海相望。共同维护着两岸的和平安宁。在世界各地妈祖的信徒不计其数，对于妈祖，实际上都是一种强烈的不忘祖先的意识，或许这就是妈祖信仰久传不衰的关键所在吧。

朋友们，如果有机会，希望您能再次光临湄洲，欢迎拜谒这位奇女子，到时候，请你的朋友一起来湄洲做客。谢谢大家!

Hello, everyone. My name is __. Im lucky to be your leader and teach foryou. Today, our target is the magnificent Sun Moon Lake on both sides of theStrait.

Sun Moon Lake, formerly known as shuishalian, also known as shuishe Li, islocated in shuishe village, Yuchi Township, Nantou County, north of Ali Mountainand south of nengshan mountain. Sun Moon Lake is the largest natural freshwaterlake on both sides of the Strait, which can be called the crown of the Pearl. Inthe Qing Dynasty, it was selected as one of the eight scenic spots on both sidesof the Strait, known as "another cave in the world". There are six theme parks,including landscape, nature, peacock and butterfly, waterfowl, religion, eightspecial scenic spots, and two service areas of water society and Dehuasociety.

The Sun Moon Lake is formed by accumulated water in the fault basins ofYushan and alishanzhang. Huantan is 35 km in circumference, with an averagewater depth of 30 meters and a water area of more than 900 hectares, one thirdlarger than the West Lake in Hangzhou. There is a small island in the Sun MoonLake, which looks like a bead floating on the water, named "Pearl Island". Afterthe victory of the Anti Japanese War, it was renamed "glory island" to celebratethe restoration of the two sides. In the northeast of the island, the lake isround as the sun, which is called the sun lake. In the southwest, the lake isround as the moon, which is called the moon lake.

The beauty of the sun moon lake lies in the fact that it is surrounded bymountains, with many peaks, and the lake is vast, with a mirror like degree, andthe water is blue; there are islands in the lake, with mountains in the water;there are waves and haze shadows; there are four stages of the year, withdifferent scenes in the morning and dusk. In the sunny spring, surrounded byemerald mountains, the banks are curved, the mountains and rivers are reflected,and there are many changes. When the morning light comes up, everything isquiet, and the lake radiates majestic colors, suddenly changing andunpredictable. When the sun goes down to the west, the sun and moon Lake aresurrounded by rosy clouds, and the gauze like mist hovers on the lake. In caseof drizzle, the lake is covered with mist. The nearby mountains, as if washed bythe ground, are extremely clean, with beautiful scenery and lovely green.Especially on autumn nights, the moon shines on the lake, the lake is full ofclear light, and the green waves and the moon shine on each other all the way.Its safe and elegant to be in it, just like a yaochi lake. Zeng zuolin, a manof the Qing Dynasty, once used the poem "there is water in the mountain, themountain is in the sky, and the water is idle" to sing about the magnificentlandscape of Sun Moon Lake, which is "green mountain embraces green water, andbright lake embraces green pearl". Tourists often compare it with the West Lake.After all, who is beautiful? Indeed, the rivers and mountains of our country arenot beautiful! The Sun Moon Lake is not only the peoples complacency of peopleon both sides of the Strait, but also the mainland compatriots are proud of itsspectacle of "Mingtan emerging from the mountains".

The scenery in the Sun Moon Lake is beautiful and picturesque. There aremany pavilions and pavilions on the foot of the lake, which is an excellentoccasion to enjoy the scenery of the lake and the mountains. The beautifulnatural scenery nearby conceals the ancient pagodas of the temple, which makesit more elegant. Among them, the most attractive are Xuanzang temple at the footof Qinglong mountain in the south of Tan and Wenwu temple on the mountainside ofthe north of tan. At the foot of the mountain, there is a Xuanzang templededicated to master Xuanzang, an eminent monk of the Tang Dynasty. In thetemple, there is a plaque of "national master". In front of the temple, there isa gatehouse with white pillars, a roof with painted pillars and carved beams, acornice and a corner, which is full of national characteristics. There is asmall tower on the third floor of the temple, which worships the spiritual boneson the top of master Xuanzangs head. On the top of Qinglong mountain behind thetemple, a nine storey tower was built a few years ago, which is called "Cientower". The pagoda imitates the style of the ancient pagodas of the Liao andSong dynasties. It is an octagonal pagoda. A small bell is hung at the end ofthe eaves on each floor. It sounds like a bell in the wind. When you climb thepagoda, you can see the scenery of Mingtan clearly. Some people say that whenthe sky is high and the clouds are clear, you can see the spire of the Liuhepagoda on the Bank of Xizi lake at the top of the pagoda. Although it is similarto a myth, it reflects peoples longing for the motherland.

In the middle of the Wenwu temple in Riyuetan is the statue of Confucius.You are the statues of emperor Wenchang and Guan Yu. The temple alsocommemorates emperor Shennong, King Yue, jade emperor, Yuanshi Tianzun, Sanguanemperor, Chenghuang, Hailong king, etc. it can be said that the temple is a holymasterpiece. The ancient temple is extremely beautiful. From the foot of thelake to the temple gate, there are a total of 365 steep stone steps. Some peoplejokingly say that it will take "a year" to reach it The road to heaven.

Dehua society, surrounded by Sun Moon Lake, is a village inhabited byGaoshan ethnic groups. Now it has been built into a mountain cultural village.The mountain people are singing and dancing, especially the "clubbing dance"which indicates chunmi attracts a large number of tourists. In the west of SunMoon Lake, there is a unique Peacock Garden, where ten pairs of rare peacocksare raised. Every time you see a gorgeous dress, visitors will compete to openthe screen. The feathers are colorful, and the color is dazzling, which addsmore light to the visitors.

The Sun Moon Lake is now surrounded by the lake. At the foot of themountain on the northwest bank, you can hear the roar of the water. It wasoriginally the water inlet of the Sun Moon Lake. This is the water from theupstream of the chuoshui river through an 18 kilometer long tunnel. The waterspray from the water inlet is as high as 45 meters to 78 meters. It is as strongas a dragons spitting water, and it is turbulent and empty. So that the SunMoon Lake has a continuous rich source of water, at the moment, the lake sidedam, the lake is more and more desert, become a reservoir of hydropower station.Although the low land beside the Sun Moon Lake has been sunk by water, theappearance of the Moon Lake has become like a maple leaf, and the name of theSun Moon Lake has survived in name, its water and mountains are still full ofpoetic charm, worthy of being the outstanding representative of the beautifulscenery on both sides of the Strait.

Well, this is the end of my explanation. In the next moment, the touristscan visit the Sun Moon Lake by themselves. They can gather here at nine oclocksharp on time. I hope everyone can protect the situation and be a civilizedtourist. Finally, I hope everyone can have a good time!

The Great Wall is one of the seven wonders of the world. It is the blood of the working people in ancient China, is also a symbol of ancient Chinese culture and the pride of the Chinese nation. Visitors, we have come to the famous badaling Great Wall, on both sides of the mountain, is the pine and cypress, like hidden-away east, birds sounds, gurgling streams, is full of poetic. To the distance, you can see the Great Wall is divided into south and north two peak, winding in the mountain ridges, long teng hu yue, spectacular, the scenery is very spectacular. The Great Wall built around the mountain, ups and downs, twists and turns. The period of the Great Wall of the wall is made in the huge stone, some stone for up to 2 meters, weighing hundreds of pounds. Internal fill soil and stones, to the top of the wall where the ground covered square brick, very smooth. The wall of the lateral horse-refraining pits of building has 2 meters high, and have made a in, next shot mouth, the inside has a wall. Every city wall, built a fortress of square ChengTai type. ChengTai have high low and high called the enemy, is the watchman sergeant and accommodation; Low called Chinese Taiwan, height and the wall was similar but prominent wall, have the crenel around, is where the patrol.

Badaling at an altitude of 1000 meters, the twists and turns of the Great Wall, such as the dragon take off on the mountains. It is not only a hardworking, the crystallization of the wisdom of the Chinese nation, is also an excellent representative of ancient architecture engineering. The badaling Great Wall, the distant, rolling hills, XiongChen, stiffness of the north to the mountain. Due to the Great Wall and grand Great Wall for to the mountain, to the mountain is more dangerous.

Here are the beacon tower, also known as beacons, Wolf yantai. Independent buildings is not connected to the Great Wall. Once the enemy pounce, kindle wars on military, lit cigarette called sunshine during the day, evening called flint. When the Ming dynasty, also on the relationship between the war with the enemy made a strict rules: the enemy hundreds, burning a smoke point a gun; Five white, burning two smoke point two guns; More than one thousand people, three smoke SAN pao; More than five thousand people, four smoke four guns; More than ten thousand people, five five gun smoke. In this way, on the border of the military intelligence can rapid transfer to the imperial city ouchi. See the beacon tower, and then tell you a story, called "must play leud" : the zhou dynasty had a king named weeks you king, he has a beautiful woman, her temper is very strange, always dont smile, think of some way to you king. He lit up a distress signal (fire), as a result, drew leud come white, she laughed, you king is also very happy. But, really have an enemy to attack, you king lit the fire, but no one come, and he was killed by the enemy. Visitors, this is a story of two typical. Reader composition nets:

Visitors, now we have begun to take advantage of an opportunity down the Great Wall. The tourists! Stepping on the foot of the square brick, holding the stone on the wall, we will think of the ancient working people to build the Great Wall.

来到四川，我们除了游览九寨沟和峨眉山，还品尝了成都的特色小吃。

放下行李，我们首先来到第一站：“开心小吃店”。坐下来后，我点了一份“葡萄井凉糕”，妈妈点的是“红油龙抄手”。“哇!龙抄手!听名字就很霸气啊!这龙抄手是何方神圣啊?”妈妈神秘地眨了眨眼睛：“过一会儿你就知道了。”我的“葡萄井凉糕” 端上来啦。哦噢!圆月一样的凉糕浸没在黑夜似的红糖汁里，真的和菜谱图片里面的一模一样啊!我迫不及待地挖了一勺放在嘴里面——甜甜的糖汁在舌尖涌动，一股清凉的感觉从嘴里漫延到喉咙里、肚子里。凉糕又冰又Q，很是弹牙，比果冻好吃一百倍!我狼吞虎咽，一下子干掉一盘凉糕。这时，妈妈的“龙抄手”也端上来了，我伸脖子一瞧，原来“龙抄手”就是我们南京的馄饨啊!不过，这个头比南京的大了不止一倍，馄饨漂浮在半透明的红油汤上面，就像小船游在水面上，煞是好看。妈妈吃完后说：“这跟南京的馄饨有很大的差别，它的馅很饱满，味道也很鲜美!”听起来好像很不错哦!可惜我因为怕辣居然没有尝一口，我咽了一口口水。

吃完凉糕和龙抄手，我和妈妈继续寻找新的美食。我忽然发现一个小店面前排了很长的队伍，好像是卖凉拌菜的。我拉着妈妈去排队，人可真多啊。我看看店上面的牌匾：“红星兔丁”，我问妈妈红星兔丁是什么，“这个可是四川有名的小吃哦!”说话间，已经轮到我们了。看着橱窗里面各式各样美味的食物，我恨不得每样都尝上一口。最后，我们买了“红星兔丁”、“干拌牛肉”和“五香腐竹”。我和妈妈找了一个石凳坐下来，准备开始大吃一顿啦!我夹了一大块牛肉放在嘴里面细细品味，真是好辣啊!不过嚼起来可真香。我一下子爱上了这个好滋味。一块、两块……牛肉很快被我吃完了。我馋馋地又打开了招牌菜“红星兔丁”。兔丁已经被红艳艳的辣油浸泡得通体发红，还有做配菜的青葱、香菜，嗯，真是让人食指大动啊!我夹了一大块兔丁放在嘴里，慢慢品尝，真是又麻又辣又酸又香啊!真是开胃!虽然很辣，但是这种美味真是让人无法抵挡，我早已经把怕辣丢到了九霄云外，只顾埋头猛吃。

吃完红星兔丁，我和妈妈捧着鼓鼓的肚子继续散步。天很快就黑了，我和妈妈满大街找吃晚饭的地方。一个名叫“辣妹子串串香”的苍蝇馆子吸引了我们的注意力。我们走进去一瞧，人还挺多的。那所谓的“串串香”又是什么呢?我们决定点一点尝尝。我们从冷柜里挑选自己想吃的荤菜素菜，回到座位上，服务员很快把我们挑选的串串烫好盛在一个漏斗形状的大汤碗里面，汤碗里面照例是红红的汤汁。我立即抓起一个肉串放到嘴里，好烫!我的嘴差点被烫破了。我赶快吐出来。看来，心急不仅吃不了热豆腐，也吃不了串串香啊!我看看妈妈学她的样子，用筷子把竹签上的肉片、海带、金针菇等美味夹下来，放到洒满辣椒粉的小碟子里面蘸蘸，然后小心翼翼地放进嘴巴里。这时，一股奇异的感觉涌进口腔，麻、辣、鲜、香，真是妙不可言!实在太好吃了!

四川小吃可谓是品种丰富，但他们都有一个共同的特点，那就是辣。不过辣的味道也真的是让人回味无穷啊!难怪妈妈会告诉我，不吃辣的话你到四川会后悔死!我们的四川美食之旅就要告一段落了，四川小吃，我们下次再见啦!

大家好!我是三小的一名小小导游员，我叫庞小础=裉煊晌掖领大家去参观我们的学校——调兵山市第三小学。希望我的介绍能给大家带来轻松和快乐。

我们学校位于调兵山市中央大街中段。占地面积2万多平米。2幢色彩明快的教学楼南北并立，有学生一千三百多人，九十八名教师，三十三个教学班，他们是朝气蓬勃、团结向上的集体。

现在我将带领大家参观我们的南楼，南楼分四个楼层，一层是我们学校的幼儿园，二、三四层分别是一年、三年、四年三个年部，我们学校注重学生特长的培养，瞧，走廊版画就是我校学生的美术作品，看出我们学生的美术功底，南楼还有三个光盘播放室，一个卫星接收室，看，平时我们学生就要到这里上课，老师利用课程资源向大家展示丰富多彩的内容，同学们非常喜欢这样。看，这是我们学校的微机教室，平时各班同学有课便会来到这里，学习有关电脑知识，与现代技术靠近。

下面我将带大家参观我们的北楼，北楼的走廊更具有特色，有中外名家展板和世界一流大学的概况，从中可以看出学校为了我们的健康成长，花费了许多心思。从小让我们树立远大志向。看，这张书法家竹石图，竹子细挺有韧性，因为竹子虚心自强，生而有节，就像我们三小人一样谦虚向上，更具有生命力。

我们这座教学楼里更有特色的还有古筝室、扬琴室。每当训练时，教室里就会传出悠扬的琴声和清脆典雅的乐曲声，让我们感受到孩子的潜力是广大的。看，这些都是我们的学生教室，教室内布置学校基本上整齐划一，我们每天在宽敞明亮的教室里学习，心情格外舒畅。

不知不觉，我们已参观完毕，也相信大家对我们学校有了充分的了解，我作为一名小学生，我喜欢我的学校，也希望大家喜欢。谢谢今天与大家的合作。

长城英文导游词范文

到长城旅游还是有着很多外国人的，所以你需要准备英文的导游词，下面第一范文网小编为大家带来了长城英文导游词范文，希望对你有所帮助!

长城英文导游词范文

The Great Wall, like the Pyramids of Egypt, the Taj Mahal(1) in India and the Hanging Garden of Babylon(2), is one of the great wonders of the world. Starting out in the east on the banks of the Yalu River in Liaoning Province, the Wall stretches westwards for 12,700 kilometers to Jiayuguan in the Gobi desert, thus known as the Ten Thousand Li Wall in China. The Wall climbs up and down, twists and turns along the ridges of the Yanshan and Yinshan Mountain Chains through five provinces-Liaoning, Hebei, Shanxi, Shaanxi, and Gansu--and two autonomous regions--Ningxia and Inner Mongolia, binding the northern China together.

Historical records trace the construction of the origin of the Wall to defensive fortification back to the year 656 B.C. during the reign of King Cheng of the States of Chu. Its construction continued throughout the Warring States period in the fifth Century B.C. when ducal states Yan, Zhao, Wei, and Qin were frequently plundered by the nomadic peoples living north of the Yinshan and Yanshan mountain ranges. Walls, then, were built separately by these ducal states to ward off such harassments. Later in 221 B.C., when Qin conquered the other states and unified China, Emperor Qinshihuang ordered the connection of these individual walls and further extensions to form the basis of the present great wall. As a matter of fact, a separate outer wall was constructed north of the Yinshan range in the Han Dynasty(206 BC--1644 BC.), which went to ruin through years of neglect. In the many intervening centuries, succeeding dynasties rebuilt parts of the Wall. The most extensive reinforcements and renovations were carried out in the Ming Dynasty (1368--1644) when altogether 18 lengthy stretches were reinforced with bricks and rocks. it is mostly the Ming Dynasty Wall that visitors see today. The Great Wall is divided into two sections, the east and west, with Shanxi Province as the dividing line. The west part is a rammed earth construction, about 5.3 meters high on average. In the eastern part, the core of the Wall is rammed earth as well, but the outer shell is reinforced with bricks and rocks. The most imposing and best preserved sections of the Great Wall are at Badaling and Mutianyu, not far from Beijing and both are open to visitors. The Wall of those sections is 7.8 meters high and 6.5 meters wide at its base, narrowing to 5.8 meters on the ramparts, wide enough for five horses to gallop abreast. There are ramparts, embrasures, peep-holes and apertures for archers on the top, besides gutters with gargoyles to drain rain-water off the parapet walk. Two-storied watch-towers are built at approximately 400-meters internals. The top stories of the watch-tower were designed for observing enemy movements, while the first was used for storing grain, fodder, military equipment and gunpowder as well as for quartering garrison soldiers. The highest watch-tower at Badaling standing on a hill-top, is reached only after a steep climb, like "climbing a ladder to heaven". The view from the top is rewarding, hoverer. The Wall follows the contour of mountains that rise one behind the other until they finally fade and merge with distant haze. A signal system formerly existed that served to communicate military information to the dynastic capital. This consisted of beacon towers on the Wall itself and on mountain tops within sight of the Wall. At the approach of enemy troops, smoke signals gave the alarm from the beacon towers in the daytime and bonfire did this at night.

Emergency signals could be relayed to the capital from distant places within a few hour long before the invention of anything like modern communications. There stand 14 major passes (Guan, in Chinese) at places of strategic importance along the Great Wall, the most important being Shanghaiguan and Jiayuguan. Yet the most impressive one is Juyongguan, about 50 kilometers northwest of Beijing. Known as "Tian Xia Di YI Guan" (The First Pass Under Heaven), Shanghaiguan Pass is situated between two sheer cliffs forming a neck connecting north China with the northeast. It had been, therefore, a key junction contested by all strategists and many famous battles were fought here. It was the gate of Shanghaiguan that the Ming general Wu Sangui opened to the Manchu army to suppress the peasant rebellion led by Li Zicheng and so surrendered the whole Ming empire to the Manchus, leading to the foundation of the Qing Dynasty. (1644-1911) Jiayuguan Pass was not so much as the "Strategic pass Under the Heaven" as an important communication center in Chinese history. Cleft between the snow-capped Qilian Mountains and the rolling Mazong Mountains, it was on the ancient Silk Road. Zhang Qian, the first envoy of Emperor Wu Di of the Western Han dynasty (206 B.C-24 A.D), crossed it on his journey to the western regions. Later, silk flowed to the west through this pass too. The gate-tower of Jiayuguan is an attractive building of excellent workmanship. It has an inner city and an outer city, the former square in shape and surrounded by a wall 11.7 meters high and 730 meters in circumference. It has two gates, an eastern one and a western one. On each gate sits a tower facing each other. the four corners of the wall are occupied by four watch towers, one for each. Juyongguan, a gateway to ancient Beijing from Inner Mongolia, was built in a 15-kilometer long ravine flanked by mountains. The cavalrymen of Genghis Khan swept through it in the 13th century. At the center of the pass is a white marble platform named the Cloud terrace, which was called the Crossing-Street Dagoba, since its narrow arch spanned the main street of the pass and on the top of the terrace there used to be three stone dagobas, built in the Yuan Daynasty(1206-1368). At the bottom of the terrace is a half-octagonal arch gateway, interesting for its wealth of detail: it is decorated with splendid images of Buddha and four celestial guardians carved on the walls. The vividness of their expressions is matched by the exquisite workmanship. such grandiose relics works, with several stones pieced together, are rarely seen in ancient Chinese carving. The gate jambs bear a multi-lingual Buddhist sutra, carved some 600 years ago in Sanskrit(3), Tibetan, Mongolian, Uigur(4), Han Chinese and the language of Western Xia. Undoubtedly, they are valuable to the study of Buddhism and ancient languages. As a cultural heritage, the Wall belongs not only to China but to the world. The Venice charter says: "Historical and cultural architecture not only includes the individual architectural works, but also the urban or rural environment that witnessed certain civilizations, significant social developments or historical events." The Great Wall is the largest of such historical and cultural architecture, and that is why it continues to be so attractive to people all over the world. In 1987, the Wall was listed by UNESCO as a world cultural heritage site.

Notes:1. the Taj Mahal in India 印度的泰姬陵2. the Hanging Garden of Babylon 巴比伦的空中花园3. Sanskrit 梵语4. Uigur 维吾尔语

There stand 14 major passes (Guan, in Chinese) at places of strategic importance along the Great Wall, the most important being Shanghaiguan and Jiayuguan. Yet the most impressive one is Juyongguan, about 50 kilometers northwest of Beijing.

Known as "Tian Xia Di YI Guan" (The First Pass Under Heaven), Shanghaiguan Pass is situated between two sheer cliffs forming a neck connecting north China with the northeast. It had been, therefore, a key junction contested by all strategists and many famous battles were fought here. It was the gate of Shanghaiguan that the Ming general Wu Sangui opened to the Manchu army to suppress the peasant rebellion led by Li Zicheng and so surrendered the whole Ming empire to theManchus, leading to the foundation of the Qing Dynasty. (1644-1911)

Jiayuguan Pass was not so much as the "Strategic pass Under the Heaven" as an important communication center in Chinese history. Cleft between the snow-capped Qilian Mountains and the rolling Mazong Mountains, it was on the ancient Silk Road. Zhang Qian, the first envoy of Emperor Wu Di of the Western Han dynasty (206 B.C-24 A.D), crossed it on his journey to the western regions. Later, silk flowed to the west through this pass too. The gate-tower of Jiayuguan is an attractive building of excellent workmanship. It has an inner city and an outer city, the former square in shape and surrounded by a wall 11.7 meters high and 730 meters in circumference. It has two gates, an eastern one and a western one. On each gate sits a tower facing each other. the four corners of the wall are occupied by four watch towers, one for each.

Juyongguan, a gateway to ancient Beijing from Inner Mongolia, was built in a 15-kilometer long ravine flanked by mountains. The cavalrymen of Genghis Khan swept through it in the 13th century. At the center of the pass is a white marble platform named the Cloud terrace, which was called the Crossing-Street Dagoba, since its narrow arch spanned the main street of the pass and on the top of the terrace there used to be three stone dagobas, built in the Yuan Daynasty(1206-1368). At the bottom of the terrace is a half-octagonal arch gateway, interesting for its wealth of detail: it is decorated with splendid images of Buddha and four celestial guardians carved on the walls. The vividness of their expressions is matched by the exquisite workmanship. such grandiose relics works, with several stones pieced together, are rarely seen in ancient Chinese carving. The gate jambs bear a multi-lingual Buddhist sutra, carved some 600 years ago in Sanskrit(3), Tibetan, Mongolian, Uigur(4), Han Chinese and the language of Western Xia. Undoubtedly, they are valuable to the study of Buddhism and ancient languages.

As a cultural heritage, the Wall belongs not only to China but to the world. The Venice charter says: "Historical and cultural architecture not only includes the individual architectural works, but also the urban or rural environment that witnessed certain civilizations, significant social developments or historical events." The Great Wall is the largest of such historical and cultural architecture, and that is why it continues to be so attractive to people all over the world. In 1987, the Wall was listed by UNESCO as a world cultural heritage site.

万里长城导游词400字

尊敬的先生们，女士们，小朋友们，你们好!我们将要游览的是壮丽的万里长城。我是你们的导游。万里长城是我国重点文物保护单位，在1987年12月被列入世界遗产名录,这是中国人的骄傲和自豪.

毛主席说过:"不到长城非好汉."是啊!长城是中国民族的象征,身为中华儿女怎么能不来游览一番呢?

古时候有孟姜女哭倒长城的动人传说:勤劳聪明的孟姜女为了寻找被官兵捉去修长城的丈夫,千里迢迢来到长城下,经过打听,却知丈夫已被活活累死!听到这晴天霹雳,孟姜女伤心地在长城下一连哭了三天三夜.只听"轰隆"一声,8百里长城倒下了.游客们,这是一个多么动人的故事啊!

万里长城凝结了千千万万劳动人民的血汗.是中华民族智慧的结晶.长城像巨龙盘旋在群山中,那磅礴的气势,闻名世界.

我们此时正站在八达岭长城上,踏着脚下的方砖,扶着墙上的条石.单看着数不清的条石,一块有两三千斤重,那时没有火车,汽车,没有起重机,就靠着无数的肩膀无数的手,一步一步地抬上着陡峭的山岭.游客们,看着这些,我们没有理由不想起古代修筑长城的劳动人民来.他们的智慧不得不让我们敬佩!

万里长城到处都是雄伟壮丽的景象,说也说不尽,下面就请大家慢慢游览吧!

长城导游词

大家好，我是今天的导游，我姓薛，大家可以叫我薛导游，今天大家游览的地方是长城，俗话说得好：“不到长城非好汉。”今天，就让我们登上长城做好汉吧!

北京长城如同一条条沉睡的金色的巨龙，静卧在崇山峻岭之间，保卫着祖国伟大的毛主席，这天安门广场，就像龙身上的一片片鳞甲;这一个一个巨大的堡垒，好像龙身上的麟，秦统一六国以后，秦始皇发动一百八十万民工，将各个长城连接成了万里长城。

中间还有一个故事：古时候是用泥和热水来粘成的，现在我们面前的就是好汉坡了，登上了它们就是好汉了!我们扶好鉄扶手，我们向前吧!

从北京出发，不过一百里就来到了万里长城的脚下，这一段长城修筑在八达岭上，高大坚固，是用巨大的条石和城砖筑成的，城墙顶上铺着方砖，十分平整，像一条条很宽的马路，五六匹马可以并行。这气魄雄伟的工程，在世界历史上是一个伟大的奇迹!

今天的旅游就到这里结束了，希望大家下次再来观看这万里长城，看看我们中国这样气魄雄伟的奇迹呀!

天华山位于丹东市宽甸满族自治县灌水镇北部，距宽甸县城50公里，距丹东市150公里。天华山素以峰奇、峡险、涧幽、水秀著称，整个旅游区分为白龙涧、青龙涧、玉龙涧、天华峰、灵光顶、西谷顶六大景区，奇峰怪石、森林洞峡、幽涧瀑布遍布山间。

景区里有雄奇峻拔的天华峰、神采奕奕的毛公峰、坐立云端的观音峰、栩栩如生的狮头峰等十八奇峰，还有通天峡、天门风道、龙脊险崖等巧夺天工的景观。走在山间，常见瀑布、溪水从巨石上飞泄而下，尤其夏季更是避暑佳境。

通天峡和天台是天华山的两大奇景。天华峰开裂两道长缝，形成了高百余米、宽仅0.8米的通天峡，行走在其中犹如坐井观天。天台峰海拔1006米，为天华山最高峰，远望如整块巨石直插云霄，登临山顶，却是一块宽阔平整的天然大石台，可遥望远处群峰延绵。

天华山四季分明、各有特色，但秋季最美，是赏枫胜地。这里的秋季满山艳丽，到处是赤红的枫叶、金黄的白桦、天柏、胡柞，挂满枝头的野果子和瀑布谷壑的野菊，十分唯美。而春天的天华山万木吐翠、花草遍地，山间巨石上生满苔藓，山崖上丁香、杜鹃等山花竞放;夏日的天华山万木葱茏，林间遮天蔽日，清爽宜人，更是观瀑赏水的好时节;冬季的天华山则是一派金色林带银色山的壮观景象。

南山寺引人入胜之处是它的气魄、石雕和泥塑。我们沿登山古道盘桓而上，未入山门已被古刹的气势所折服。五台山寺院多有影壁，而南山寺最下面这一影壁是最大的，宽17.3米，高约8米，石砌底座，细磨青砖筑壁身，中嵌汉白玉石雕，多有题词和对联，顶部壁据有砖雕。转过影壁便是气魄雄伟的108级石阶和石牌楼。108级台阶在五台山不只一处，但比较而言，菩萨顶的台阶是以陡峭著称，而南山寺的台阶则以宏伟宽大闻名。台阶分三段，每段36级，直抵尽头的牌楼。南山寺的这座牌楼同样以气势取胜。这座牌楼宽达12.8米，厚1.6米，高9米，四方石柱中券三眼拱洞，上覆三面楼头，中间大而高，两旁稍低矮，比例匀称，主次分明，清一色的白石雕构更使牌楼气度不凡。中券洞上方的“信天由命”石刻匾额更令人玩味。牌楼之后的大钟楼兼作山门，下面是方台石券门洞，上面是两层木楼，高大而稳健，我们可以顺门洞两侧小洞的28级台阶登上木楼，楼上四周围以石栏，围栏上刻

各种花草树木，雕工纯熟。凭栏远望，清水河谷的风光，中台、北台、南台的雄姿可尽收眼底。

朋友们，大家好!我是导游苏杭，乌镇西栅由我为你们讲解。

现在我们来到的就是相对于东栅而言开发较晚的西栅景区，相比于东栅传统的旅游方式，西栅景区更多的是偏向于休闲度假，因此西栅除了保存着古老街区的原貌外，现代化服务的民宿住宅特别多，这是西栅很大的特色。乌镇是浙江的一个水乡古镇，位于浙北桐乡市杭嘉湖平原上，地处浙江北端，与江苏省相邻，曾经是两省三府七县交界之处。

春秋时期，乌镇是吴疆越界，吴国曾驻兵于此以防越国，当时称乌戌。“乌镇”的称呼，首次出现是在唐咸通十三年。南宋嘉定年间，以市河为界分为乌青二镇，河西为乌镇，河东为青镇，解放后，统称乌镇。鉴于乌镇有大量的经典明清建筑群尚待保护修复，乌镇古镇保护一期工程成功运作后，开始逐步更大更深层次地对二期西栅进行了规划，从20xx年开始，启动省级重点项目乌镇古镇保护二期工程(西栅景区)，投入十亿元巨资对乌镇西栅实施保护开发，保护工程实施范围近3。4平方公里，是东栅景区的3倍多。

乌镇西栅是依着一种现代文化观念重新打造的古镇，显然经过了精心的设计和施工。是典型的江南水乡，但显然是源于历史生活又高于历史生活的。它像是江南古镇，但显然是理想中的或者说是文化想象中的江南古镇。是更美了，但不是当年的历史上曾经有过的乌镇。当年的乌镇已经乌有，现在的乌镇应该是一个“莫须有”的乌镇。

现在大家跟随我进去看看吧!

走进大三巴，里面是以前的殿堂，现在只剩下一些大柱子的地基，有点遗憾。走上右边的台阶，站在唱诗班高台上，下面广场的景色大半收在眼底，身后就是殿堂。

最里面是墓堂，参观时一定要保持严肃，要体会这个地方宗教气息，就要亲自看看大理石上的祭檀。隔壁就是天主教艺术博物馆，展品有图画、雕刻、装饰品。都是十六到十九世纪的作品。

游客们，你们觉得大三巴漂亮吗?如果你们觉得漂亮，希望你们下次再来!

一：减少客流量。减轻当地环境压力，保持其空气湿度二氧化碳含量长久稳定 二：获得各方面资金支持，加大原生环境保护力度。

三：建立网上博物馆，通过3D图像让人足不出户即可欣赏到当地美景 四：建立防护栏，严厉禁止游客手触壁画雕像，违者予以重罚

五：建立预览制度，每天限定参观人数(仿造拉斯科洞窟壁画例子)

青少年对文物保护可以力所能及地做好以下事情：

1、多参观博物馆，多了解文物和文物蕴藏的历史文化，做一个历史文化的传承者;

2、了解文物法规政策，做好文物及相关法规知识的宣传，让更多的人增强文物保护意思，加入文物保护行列;

3、生活中见到有人兜售文物或假文物，以及有人破坏文物的现象要及时进行举报(向110或当地文物部门或当地党委政府)。

澳门住宅式博物館导游词

如果要領略一下本世紀初澳門的生活方式，不妨到仔島南岸的海邊馬路看看。這個區域被本地人稱為『龍環葡韻』，它是島上的舊城區。這裡有五棟建於十九世紀未，外型優雅的葡式住宅。

其中一被用作住宅式博物館，展示了當時土生葡人的家居風格；歐式的傢俱擺設和中式的裝璜融洽地共處一室，把當時雙重文化地區內，上流社會的悠閑雅致表露無遺。

其餘的房子分別用作可容納四百名觀眾的展覽廳、工藝中心、酒吧和葡國民族史展覽館。

剩下的一間成為了現時的餐廳，那裡有一個露天茶座，當你在濃濃樹蔭下品茗時，可能會墮入了時光隧道，回到了一百年前，看著一艘艘帆船緩緩駛來，而船上印度人正忙碌地下錨泊岸，準備接收從中國大陸運來的貨物。