鼋头渚仙岛导游词精品20篇

我的家乡在西安。西安有许多名胜古迹，最令我难以忘怀的要数华山了。

华山是五岳之一，它非常雄伟奇险，在古代就有“华山天下险”的说法了。从远处看，它那高耸的身躯拔地而起，直入云霄，山峰就像刀削般险峻。走近一点，抬头仰望，华山像巨人似的，一眼望不到顶!我不由得想起小时候背的诗句：只有天在上，更无与山齐。

我们走进华山去看一看吧!里面的风景真是妙不可言。瞧，树木成片成片的，树枝上的绿叶密密层层的，像是一顶大凉棚。山上还有许多形状各异的石头，这些石头坚硬无比。大自然的鬼斧神工让这些巨石成了栩栩如生的大象、老虎、神龟……

顺着陡峭的“天梯”终于爬到了山顶。只见蓝蓝的天空照着辽阔的大地，远处的山峰连绵起伏，云雾缭绕，仿佛置身在仙境中。真是“举头红日近，回首白云低”呀!

三亚，位于中国海南省，是一个风光迷人的地方。我去三亚玩了五天，印象最深刻的，是去“大小洞天”、“天涯海角”旅游的那一天。

我们起了个大早，匆匆地吃完早饭就出发了。首先，我们去大小洞天。大小洞天是中国最南端的道家文化旅游区，我们早就听说过。到了景区，乘上电瓶车，一路向西，最后在两块石雕边停了下来。

第一块石雕名为“南极仙翁”。只见一位面带笑容、两鬓斑白的老人捧着一只寿桃。而第二块石雕名为“老子望海”，一位老人正眼望大海，表情神圣而肃穆。大小洞天的道家文化，在这两座石雕就可见一斑了。

然后，我们一直向东走。走了一会儿，来到了小洞天。小洞天深28米，传说是神仙们居住的地方。小洞天的高度非常低，只有一米左右，而且洞内很黑，我往里走五六米就不敢走了。晕，这样的洞怎么能让神仙居住呢?

离开大小洞天，我们来到天涯海角。海南自古以来就是中国的土地，而且最靠南端，三亚又是海南较南边的城市，所以这里的原名叫“崖州”。天涯海角在海边，但是有很多岩石，其中最著名的有三块：“南天一柱”、“天涯石”和“海角石”。其中，“南天一柱”比较矮，但形状似圆柱体;“天涯”“海角”两块石头都比较高。我们在石头间蹦来跳去，觉得自己有种返璞归真的感觉。

傍晚，我们要回酒店了。路上，我还往后恋恋不舍地望着大小洞天和天涯海角两个景区。

鲁迅故里导游词

各位游客大家好，我是你们的导游肖锦川，这天我将带领大家去绍兴鲁迅故里游玩。

绍兴是个历史悠久的文化古城，有桥乡、水乡、酒乡和鱼米之乡的美称，还被称为“东方威尼斯”呢!绍兴人才辈出，如陆游、周恩来等。这天，我们就去观赏文学家、思想家、革命家鲁迅的故乡。

我们先来到了百草园，百草园是鲁迅先生小时候嬉戏玩耍的地方，他以前在《从百草园到三味书屋》这篇著名的散文中写到：“不必说碧绿的菜畦，光滑的石井栏、高大的皂荚树、紫红的桑椹……单是周围的短短的泥墙根一带，就有无限的趣味”百草园的名字虽然幽雅，但事实上是一块荒芜的菜地，是新台门几户人家共同拥有的一块菜地。鲁迅先生小时候经常和他的小伙伴一齐玩。他们玩捉蛐蛐、看蚂蚁背苍蝇的游戏等。大家游完了百草园，接下来我们去参观鲁迅笔下的三味书屋吧!

三味书屋是鲁迅读书的学校，叫私塾，学生要到老师家里去读书，这私塾便是老师的家，鲁迅的老师叫寿镜吾，寿老先生知识渊博，受鲁迅和同学们喜爱，大家往这儿看，那里的桌椅高高低低，因为去寿老先生家需要学生自我带桌椅，所以才高低不平，鲁迅的桌椅在教室右下角，远远望去上方还刻着一个“早”字，关于这个“早”，还有一个故事呢!一天，鲁迅的爸爸生病了，妈妈让他去药店买药，所以上学迟到了，被寿老先生狠狠地批评了，于是他便在自我的桌子上刻了一个“早”，勉励自我不要迟到。再走进去，你会看到一幅抱对：至乐无声唯孝弟，大囊有味是诗书。那里梁同书写的。三味书屋里还有一块匾额挂在墙上，十分醒目。三味书屋是个十分重要的景点!

此次旅游结束!如果还想玩，请去一个以鲁迅笔下的一位人物命名的土特产店，叫孔乙己土特产店品尝黄酒等特产，还能够品尝孔乙己最喜欢吃的茴香豆和臭豆腐。

接待各人来到这!我是你们的导游，我姓x，华北地区，各人可以叫我小x。为了便于各人旅行嬉戏，下面我起首各人先容一下。

澳门汗青城区是一片以澳门旧城区为焦点的汗青街区，其间以相邻的广场和街道毗连而成，包罗妈阁庙前地、亚婆井前地、岗顶前地、议事亭前地、大堂前地、板樟堂前地、耶稣会眷念广场、白鸽巢前地等多个广场空间，以及妈阁庙、港务局大楼、郑家大屋、圣老楞佐教堂、圣若瑟修院及圣堂、岗顶剧院、何东图书馆、圣奥斯定教堂、民政总署大楼、三街会馆(关帝庙)、仁慈堂大楼、大堂(主教座堂)、卢家大屋、玫瑰堂、大三巴牌楼、那边吒庙、旧城墙遗址、大炮台、圣安多尼教堂、东方基金会会址、基督教墓地、东望洋炮台(含东望洋灯塔及圣母雪地殿圣堂)等20多处汗青构筑。澳门汗青城区于2019年按照文化遗产遴选尺度 Ciiiiiivvi 被列入《天下文化遗产目次》。

澳门汗青城区生涯了澳门四百多年中西文化交换的汗青精华。它是中国境内现存年月最远、局限最大、生涯最完备和最齐集，以西式构筑为主、中西式构筑相互辉映的汗青城区;是西方宗教文化在中国和远东地域撒播汗青重要的见证;更是四百多年来中西文化交换互补、多元共存的结晶。

多元共存 调和领悟

16世纪中叶，因应中外商业的新形势，明朝当局划出澳门半岛西南部一片地段，供以葡萄牙工钱主的外国贩子栖身及举办商业，澳门由此成长成19世纪前中国首要的对外口岸，也是亚洲地域重要的国际口岸。商业勾当的昌盛吸引了天下各地的人前来，一个融合欧、亚、非、美四洲人民的“华洋杂居”的国际都市由是降生。葡萄牙人将这个用城墙围起的都市定名为“上帝圣名之城”，我们本日的澳门汗青城区就是它的焦点部门。

四百多年间，在这块城区内，来自葡萄牙、西班牙、荷兰、英国、法国、意大利、美国、东瀛鬼子、瑞典、印度、马来西亚、菲律宾、朝鲜乃至非洲地域等等差异处所的人，带 著差异的文化头脑，差异的职业武艺，差异的风尚风俗，在澳门汗青城区内盖屋子、建教堂、修马路、筑炮台以至闢建墓地，睁开多姿多彩的糊口，包罗种种文化勾当。在这种机会下，澳门得民俗之先，成为中国境内打仗近代西方器物与文化最早、最多、最重要的处所，是其时中国打仗西方文化的桥头堡。与此同时，栖身在澳门的外国人，也以各类方法，向天下各国先容在澳门见到的统统中国文化头脑与糊口习俗。澳门，也是一道外国熟悉中国的派别。

随著外国人的定居，他们把本身的构筑传统越洋带到澳门，使澳门成为近代西洋构筑传入中国的第一站。尤其是葡萄牙人在澳门的构筑物，无不显暴露与葡萄牙本土构筑的亲近相关。究竟上，文艺再起后的一些首要构筑情势、气魄威风凛凛，团结亚洲其余地域差异的构筑元素在澳门发生了新的变体，形成独树一帜的构筑气魄威风凛凛。

开创很多中国第一

明末清初，大量上帝教传教士以澳门为传教基地，起劲从事远东地域的传教事变，并由此缔造出中西文化交换的光辉篇章。这些传教士来自差异的修会，他们为中国带来了西方近代的科学技能及人文艺术，又向西方先容了中国的文化成绩。而作为基地的澳门，在各修会的全力建树下，开创了很多“中国第一”的奇迹，如中国第一所西式大学(圣保禄学院)、中国第一所西式医院(白马行医院)、中国第一以是西方金属制版和印刷拉丁笔墨的印刷厂(圣保禄学院隶属印刷所)、中国第一份外文报纸(《蜜蜂华报》)A Abelha da China 等等。由耶稣会在澳门创办的圣保禄学院(现已不存)及圣若瑟修院，为上帝教在远东和中国的传教奇迹作育了大量人才，同时也作育了大批中国籍的传教士，为中西文化交换作出卓越的孝顺。

到19世纪，随著第一位传教士马礼逊来到中国大陆，基督新教也以澳门为基地之一，起劲开展传教勾当。好比中国第一位新教徒蔡高就是由马礼逊在澳门为其洗礼;另外，由马礼逊编写的《华英字典》也是在澳门出书。而由新教徒在澳门创办的“马礼逊学校”更快要代西式学校教诲模式引入中国，作育出容闳等闻名门生，对中国教诲的当代化作为孝顺。

另一方面，澳门民间的妈祖崇敬，示意了澳门与中国闽粤沿海住民妈祖信奉一脉相承的相关。可是，因为社会和汗青情形的非凡性，澳门的妈阁庙在中国浩瀚的妈祖庙中又别具特色。它既有中国以至外洋妈祖崇敬撒播和组织的典范特性，又因澳门是近代中国与西方打仗最重要的商港，使妈阁庙成为最早向欧洲撒播妈祖文化的处所。

在四百多年的汗青里，中国人与葡萄牙人在澳门汗青城区内，协力营造了差异的糊口社区。这些糊口社区，除了展示澳门的中、西式构筑艺术特色外，更揭示了中葡两国人民差异宗教、文化以至糊口风俗的领悟与尊重。这种中葡人民配合酝酿出来的温情、淳朴、海涵的社区气味，是澳门最具特色、最有代价的处所。

各位游客，我是你们本次旅游的导游，我姓“高”，你们可以叫我“小高”或者“高导”，现在我将要带大家去游览丽江最著名的景点-丽江古城。丽江古城所以被称作为“高原姑苏”“东方威尼斯”是因为有玉泉水贯穿全城由古城分成西河、中河、东河三条支流，再分成无数股支流。城内亦有多处龙潭、泉眼出水。古城利用这种有利的条件，街道自由布局，不求网络的工整，主街傍河，小巷临渠，清澈的泉水穿街流镇，穿墙过屋，“家家流水，户户垂杨”的诗意是这座古城的真实写照，这里虽是云贵高原小镇，却颇有江南水乡的特色。

古城形成于南宋后期，已有八百多年的历史。1986年成为家级历史文化名城，1997年又被列入世界文化遗产，丽江古城除了同苏州古城一样具有“小桥流水人家”的特色外，还在古城选址、街道和房屋布局、纳西民居等方面别具一格 丽江古城又叫大研镇，它由大研、白沙、束河三部分组成，大研古城是它们的集中代表，所以人们常常把它叫作大研古城或大研镇。而且大研古城位于丽江盆地的中心，古城的西南角耸立着酷似书天巨笔的文笔锋，丽江盆地则象一方碧玉做成的大砚台，古时“研”和“砚”相通，所以古城叫大研。说话间我们便到了古城，城口最引人注意的应该是一双水车吧，有人说它是子母水车，也有人说它是情人水车。过去古城里就有水车，今天在、些偏远之地也在使用。 讲了这么多，各位游客心目中一定有这样一个问题，象这样的古城在中国有的是，为什么这个高原上的偏僻的古城竟被评上呢?想要得到答案，请各位游客随小高一同去游览一番。一条小巷、一户人家，一不小心你就站在了一百年的历史上了，这种感觉，在路上、在各个庭院中，您随处都能感受到。所以这座古城不是因为拍戏或是故弄玄虚而建的，是一座真实的活着的古城。相信古城一定会给你们留下美好的印象。

如果说大明湖是姑娘的美目，那历下亭就是美目中的眸子了。前方小岛上的亭子就是大明湖的点睛之笔—历下亭。它年代久远，几经兴废，唐朝时，在现今五龙潭附近，清初移至湖中，唐天宝四年中，著名诗人杜甫，和当时任北海太守的大书法家李邕曾饮宴于此，杜甫即兴做诗一首《陪李北海宴历下亭》，历下亭就是由此而得名。诗中的名句“海右此亭古，济南名士多”就题在游廊的门上，为清代的木质结构建筑，门上的楹联“杨柳春风万方极乐，芙蕖秋月一片大明”就是郭沫若先生的传神之笔。

大明湖寄托了人们美好的愿望，因而也就流传了许多故事和传说。关于大明湖的由来就有这样一种说法。古时候，这一带有一个大明国寺，表面上香火鼎盛，庄严肃穆，可是寺里的和尚却不守规矩，与官府勾结欺压百姓，坑骗掳掠前来进香的良家妇女。这附近住着一位官人，他的妹妹虔心信佛，非常想亲自到大明国寺烧香还愿，官人怕她遭到不测不让她去，妹妹于是乘着官人不在家时来到了大明国寺。和尚们见她如花似玉，就将她霸占在寺内。官人回家一听，又惊又怒，骑上马提着大刀就追到了大明国寺，这时突然狂风大作，暴雨倾盆，闪电过后，天塌地陷，大明国寺从此就沉入地下，官人也救出了妹妹。再说那些恶僧遭了天遣，有的变成了蛤蟆，见到人们安居乐业，只能气得生气鼓肚，却叫不出声来了。

说到这里，大明湖还有一个独特之处就是：“蛙不鸣，蛇不见”。传说是唐朝时，湖边真武届里有一位高天师，呼风唤雨法力无边，他收了个门徒，徒弟出师时要考试，就是捉拿湖里的的蛇精蛙怪，徒弟挥舞着神剑，不一会就把蛙怪打得落花流水，活捉了蛇精，高天师收了蛇精做真武大帝手下的一员大将，而青蛙呢，被打得又聋又哑，再也叫不出声来了。后来人们分析说因为大明湖的水是泉水，长年在18℃，水温低，不适宜水蛇生长，青蛙不能发情，所以也叫不出声来。

大明湖主要的景点都在北岸，第一个就是我们面前高台上的这座气象巍峨的庙宇，这就是――〔真武庙〕，济南市现存最大的道教庙宇。想必大家都知道，中国有四大宗教，其中唯一的土生土长的一种就是道教，先秦时期道家学派的创始人李耳(又名老聃)被尊为道教的教祖，他的著作《老子》

各位游客：

大家好!欢迎来到明珠幼儿园参观游览。我是今天的小导游，我叫阮可可。今天就由我来给大家讲解。如果大家遇到什么困难，祝你们玩的快快乐乐。

我们景成幼儿园坐落于华丰社区，幼儿园始于1999年8月2日，幼儿园共有20个教学班，有400多名小朋友。占地面积大约是：3000平方米，绿化面积占地大约是780平方米。我们幼儿园有一个象花园似的的操场。还有一幢高大的。有现代感的教学楼。幼儿园在整个华丰是首屈一指。

走进大门，首先映入眼帘的是一副巨大的抽象画，它大得占了整面墙，没有人能看得懂这幅画上的东西，但是上面最漂亮的是他的颜色：浪漫的紫色。淡雅的粉红色。神秘的黑色。

现在请大家跟我继续往右走，这里就是我们的花园。

地上都是五颜六色。光滑的鹅软石，在花园的有侧是一棵高大的银杏树，它已经有50年的历史了，它一直生长在这里，它向小扇子一样的，还有它那高大挺拔的躯干，都让人感觉了生命的神秘!

银杏树的后面长着一棵壮硕的芭蕉，从它巨大的。随风飘动的，可以看出它也是一个树老人了。芭蕉看的时候火红火红的，非常的绚烂。周围那些高大的有着小叶子的都是桂花树。当八月来临，有一些小小的。淡淡的小桂花铺满了一树浓郁的香味，能飘出很远很远!

请大家跟我继续往前走，这里是学校的长廊，顶上爬满了葡萄滕 。长廊两侧的大柱子，都用极其丰富画上了许多的鱼，这里也是同学们乘凉的场所。

走出长廊，大家看到的就是儿童乐园。乐园里有许多滑稽的滑梯，上面有三株大荷花在滑梯上。还有向大螃蟹的滑梯。

欢迎你们来欣赏我们的校园!下次光临!

天安门英文导游辞

Tian’anmen Rostrum

Tian’anmen( the Gate of Heavenly Peace), is located in the center of Beijing. It was first built in 1417 and named Chengtianmen( the Gate of Heavenly Succession). At the end of the Ming Dynasty, it was seriously damaged by war. When it was rebuilt under the Qing in 1651, it was renamed Tian’anmen, and served as the main entrance to the Imperial City, the administrative and residential quarters for court officials and retainers. The southern sections of the Imperial City wall still stand on both sides of the Gate. The tower at the top of the gate is nine-room wide and five –room deep. According to the Book of Changes, the two numbers nine and five, when combined, symbolize the supreme status of a sovereign.

During the Ming and Qing dynasties, Tian’anmen was the place where state ceremonies took place. The most important one of them was the issuing of imperial edicts, which followed these steps:

1) The Minister of Rites would receive the edict in Taihedian( Hall of Supreme Harmony), where the Emperor was holding his court. The minister would then carry the decree on a yunpan( tray of cloud), and withdraw from the hall via Taihemen( Gate of supreme Harmony)

2) The Minister would put the tray in a miniature longting( dragon pavilion). Beneath a yellow umbrella and carry it via Wumen( Meridian Gate), to Tian’anmen Gate tower.

3) A courtier would be invested to proclaim the edict. The civil and military officials lining both sides of the gateway beneath the tower would prostrate themselves in the direction of the emperor in waiting for the decree to the proclaimed.

4) The courtier would then put the edict in a phoenix-shaped wooden box and lower it from the tower by means of a silk cord. The document would finally be carried in a similar tray of cloud under a yellow umbrella to the Ministry of Rites.

5) The edict, copied on yellow paper, would be made known to the whole country.

Such a process was historically recorded as “ Imperial Edict Issued by Golden Phoenix”.

During the Ming and Qing dynasties Tian’anmen was the most important passage. It was this gate that the Emperor and his retinue would go through on their way to the altars for ritual and religious activities.

On the Westside of Tian’anmen stands ZhongshanPark( Dr. Sun Yat-sen’s Park), and on the east side, the Working People’s Cultural Palave. The Park was formerly called Shejitan( Altar of Land and Grain), built in 1420 for offering sacrificial items to the God of Land. It was opened to the public as a park in 1914 and its name was changed in 1928 to the present one in memory of the great pioneer of the Chinese Democratic Revolution.

The Working People’s Cultural Palace used to be Taimiao( the Supreme Ancestral Temple), where tablets of the deceased dynastic rulers were kept.

The stream in front of Tian’anmen is called Waijinshuihe( Outer Golden River),with seven marble bridges spanning over it . Of these seven bridges,historical records say the middle one was for the exclusive use of the emperor and was accordingly called Yuluqiao( Imperial Bridge). The bridges flanking it on either side were meant for the members of the royal family and were therefore called Wanggongqiao( Royal’s Bridges). Farther away on each side of the two were bridges for officials ranking above the third order and were named Pinjiqiao( ministerial Bridges). The remaining two bridges were for the use by the retinue below the third order and wre called Gongshengqiao( common Bridges). They anr the one in front of the Supreme Ancestral Temple to the east and the one in front of the Altar of land and Grain to the west.

The two stone lions by the Gate of Tian’anmen, one on each side were meant as sentries. They gaze toward the middle axis, guarding the emperor’s walkway. In front of the gate stands a pair of marble columns called Huabiao. They are elaborately cut in bas-relief following the pattern of a legendary dragon. Behind the gate stands another pair of similar columns. The story of Huabiao may be traced to a couple of sources. One of the versions accredits its invention to one of the Chinese sage kings named Yao, who was said to have set up a wooden pillar in order to allow the ordinary people to expose evil-doers, hence it was originally called a slander pillar. Later it ws reduced to a signpost, and now it serves as an ornament.

共3页，当前第1页123

有句话说的好，来海南不来三亚——等于没来海南，来三亚不去天涯海角——等于没来三亚。那天涯海角在哪里呢? 传承中国传统文化的人们更是这样张开想象的翅膀，把遥远的地方定位在天涯海角。天涯海角被用来形容遥远的难于临至、即使能够临至也要经过千般磨难的地方。

天涯海角游览区坐落与中国最南的三亚市西郊26公里处，我们还要二十分钟就可到达。今天各位闯天涯下海角的多年愿望非常快就可以实现了。天涯海角游览去是海南旅游最精彩的节目之一，是海南之行的主题曲。今天让我们在一次回归大自然，开开心心的度过这美好的日子，留下一个难忘的回忆。该景区主要是有热带海滩花岗岩风景区、购物区与度假村组成，集成热带海洋风光，历史遗迹，中华民俗文化为一体的旅游风景区，我们主要是游览该景区的主题景观，天涯 、海角、南天一柱等景观。

各位团友，天涯海角非常快就要到了，那么，我们如何理解天涯海角呢?我们先可以从字面上来看，简单来说来，天涯就是天之涯，海角就是海之角。相信这样的结实大家是不会满意的。通常认为天是无边无际的，因此无所谓天涯海角。但是海角，既海的湾是真实实在的，海角不是到处都有吗?真是太平常了，我们所说的海角就是各位现在看到左侧这一汪海角，这就是海之角。显然人们平时所说的天涯海角并没有那么简单，天涯海角是用来形同虚设遥远而难于临至或者需经千辛万苦才能到达的地方，由此可见，从古到今，人们常说的天涯海角并不是特指某一个地方。那么，为什么偏偏选择这个地方称之为天涯海角呢?带着这个问题，让我们一起去游览，去揭开心中的这个迷。

现在我们已经进入了天涯海角游览区的停车场，我们所乘坐的观光车就停在这里，该是“束马悬车”的时候了，游览时间是一个半小时，在游览的过程中或许比较辛苦。因为景区天涯 、海角是根据天涯行苦役，海角路漫漫。来刻意营造的。大家想要看到天涯、海角的石刻，需要经过一段漫长的热带海岸沙滩才能到达。达到目的地以后，还得原路返回，如此经过千辛万苦才能体会到前人，闯天涯海角的滋味。千年走一回，天涯海角，这时候人生的一大乐趣。朋友，让我们一起去天涯系日，海角揽月，留着这美好的时光。

这是我们沿海滩遇到的一个石刻，上面刻有“海判南天”，判在这里是什么意思呢?判为分开、分离、分辨的意思，可以认为南海与南天在此分开。如果我们一起背对着这块巨石，面朝着南还就能领悟到，也可以说大海把带与南天，隔开或分开。是否，也可以如此理解：大地，大海，与南天在此分开同时也是在此汇合。我们在回过头看看，这是谁题写的呢?是清康熙53年钦差大臣苗曹汤，巡边至此题刻，这时候天涯海角风景区目前发现的最早石刻。

往前走不出二十米米，在海边的一块巨石，就是举世文明的“南天一柱”。石刻，“南天一柱” 的上款刻着，宣统元年四个小字，下款刻的是，“永安范云梯”字样。“宣统元年”也就是“公元1920xx年”，永安是地名，经考证是指“永安州”，也就是现在的广西贺州地区的锰山县。“范云梯” 是“南天一柱” 的题字作者。字步月，永安水窦村人。，出生于清同治二年，“范云梯”在海南为官前后十八年，宣统元年晚清朝廷无能。外国列强纷至沓来，共同瓜分中国清朝处在内外交困，危机四伏，风雨飘摇之中，当时46岁的“范云梯”出任崖州知州，苦心经营海南岛这快不毛之地。一天巡边至此看见惊涛之中一根石柱顶天立地，心潮澎湃，感慨万千。有道是，“国家兴旺，匹夫有责”。意到笔到，“南天一柱”四个大字一挥而就。只见字体端庄，雄浑有力，笔记饱满，言近旨远。完全是浑然天成。

远古先民的“地方天圆”，认为大地是方形的，故有东南西北的说法，天是圆的，天笼盖着“四方大地”，大地东南西北分别有四跟柱子支撑着天空，如此的南天一拄迎合了人们的地方天圆之说。人们见此“南天一拄”大可不必担心天要塌崩下来。

而海角两字，据说是清末文人之手，虽有种种传闻，但至今一时无法考证，不过起能善解人意的题字，圆了人们天涯海角的梦，让有情人及有缘人在有生之年，相偎相伴来这海之角，天之涯，观赏这海的波涛，倾听着爱的呼唤。再次许下爱的宣言，让坚贞的爱情故事再现。

到了“天涯海角”一定要给自己的家人、亲朋好友、情人打个电话。告诉他(她)我在天涯海角还在惦念着你。送你一颗水晶一样的心!

​

南山寺引人入胜之处是它的气魄、石雕和泥塑。我们沿登山古道盘桓而上，未入山门已被古刹的气势所折服。五台山寺院多有影壁，而南山寺最下面这一影壁是最大的，宽17.3米，高约8米，石砌底座，细磨青砖筑壁身，中嵌汉白玉石雕，多有题词和对联，顶部壁据有砖雕。转过影壁便是气魄雄伟的108级石阶和石牌楼。108级台阶在五台山不只一处，但比较而言，菩萨顶的台阶是以陡峭著称，而南山寺的台阶则以宏伟宽大闻名。台阶分三段，每段36级，直抵尽头的牌楼。南山寺的这座牌楼同样以气势取胜。这座牌楼宽达12.8米，厚1.6米，高9米，四方石柱中券三眼拱洞，上覆三面楼头，中间大而高，两旁稍低矮，比例匀称，主次分明，清一色的白石雕构更使牌楼气度不凡。中券洞上方的“信天由命”石刻匾额更令人玩味。牌楼之后的大钟楼兼作山门，下面是方台石券门洞，上面是两层木楼，高大而稳健，我们可以顺门洞两侧小洞的28级台阶登上木楼，楼上四周围以石栏，围栏上刻

各种花草树木，雕工纯熟。凭栏远望，清水河谷的风光，中台、北台、南台的雄姿可尽收眼底。

英文的导游词范文

英文导游词范文——陕西西安大清真寺英文导游词

the great mosque at huajue lane

the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.

however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.

islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.

however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.

among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.

the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.

according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.

the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.

the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.

英文导游词范文——陕西西安秦始皇兵马俑英文导游词

emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum

emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.

in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.

after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.

emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”

emperor qin shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.

no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.

no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.

no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.

no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.

the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.

in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.

no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.

Changsha, though not nearly as prosperous Hong Kong than atmosphere in Beijing, but still has her own beauty.

Changsha is a beautiful place, there are beautiful as pavilion, love late pavilion. At night, lights, like the stars in the sky, twinkle.

Changsha charactizing a fine spring, spring breeze blow gently. Sunshine in March, the flower is gorgeous. The flower azalea is indescribable.

Summer, known as the "four big stove" one of changsha is hot. Cicada hot straight called "cicadas, cicada," dog hot tongue, floppy chicken wings. No matter how the weather during the day, children come out to play, so they had a hot, cant help but to the sun.

Autumn, the leaves fall, the fruit is ripe, the farmer uncle smile red in the face. The wild goose south, ants and squirrels have in preparation for winter food.

Winter, heavy snow, the children can be happy, because you can snowball fights, make a snowman! Leaves a also have no, many small animals also for the winter. The children are in the warm home looking at the beautiful snow...

Changsha year the four seasons scenery attractive, no matter day or night, she is always a kind face.

Changsha snack is to let a person dazzling, stinky tofu, bean jelly, roast sweet potato, onion cakes, taste shrimp, sucking screw... Is numerous, even the saliva all cant help flow down.

Changsha tourist resort also has a lot of, such as: taiping street, small Simon, as pavilion, baisha ancient, yuelu academy, and so on some places of interest. But they speak well "nobodys perfect, gold without gather" changsha ointment is loop mirror is not good, can see garbage everywhere, air is polluted by a lot.

Changsha is our common home, when I grow up must see her construction better, become a more attractive city.

“假日海滩”是海南省委党校研究员夏鲁平先生命名的。1993年海口市政 府策划了为海滩征名的活动。夏先生从夏威夷著名的檀香山的WAKIKI海滩上的希尔顿假日酒店处得到灵感。取这个名字的寓意是希望这个海滩能够成为城市里人们度假的圣地，能够引领海口假日休闲的生活方式。

假日海滩，多么讨人喜欢的名字!假日海滩，多么令人神往的!她犹如一棵镶嵌在椰城滨海的明珠，以其纯真的质地、璀灿的光彩而引人注目并为之倾倒。她的出现，给海南旅游业史章增添了绚丽的一页。

Changsha city, referred to as "long, nickname" star city ", "chu city", is also the provincial capital of hunan province, my hometown. By mountain city is the most valuable gift of nature to changsha. The beautiful land of write too much better on historical spanning, dufu.longhai left "jiangnan landscape, the fallen petal season and every gentleman" song of eternal; Zhang Shi song dynasty, zhu xi in yuelu academy teaching twice; More generation great man MAO zedong crowd j head, high-spirited, encouraging words...

When it comes to changsha, people naturally think of j head, the xiangjiang river sight. Orange continent, some people say that it is a painting, plum for spring, zhu qing Elizabeth Barbara ohm, orange, yellow, orange, green, silver. Orange continent, someone says it is a poem, between heaven and earth day flow, the ancient and modern in character. The emotion recalling ancientry, master the ups and downs. Orange continent, is the green pearl inlaid in the xiangjiang river, changsha is the pride of the people. Xiangjiang river sight all sight fully reflects the natural scenery in hunan province, a beautiful environment, is a good place for tourists sightseeing trip, and citizen exercise night tour of the state. Xiangjiang river is the mother river of the changsha, it surging south, bubbling to the north, zhao mountain in changsha city, the three han alum turned to the northwest, to Joe for wangcheng, in yueyang dongting, through the changsha city about 25 kilometers. The xiangjiang river on both sides of the red cliff, such as chardonnay, white as snow, sand willows, such as silk, Qiang sails as a cloud, make a beautiful sight along the river in changsha.

When it comes to changsha, nature is little not food. Hunan cuisine is one of the eight great cuisines of China. Today changsha delicacies already known: squid spicy small lobster, iron plate, stinky tofu, hot and sour powder... Eating in changsha, oneself of breath, "food" is interesting, such as "eat" such as drunk. In star city streets, how many traditional snacks waiting for, and how many trendy snack make people hope.

With the expansion of the city, the changes of flickering skyscrapers. At the same time, the street is lined with trees on both sides, we like to live in the garden. Straight, clean, clean, spacious avenue of traffic of the city changes with each passing day, make the camp of the new road tunnel urbanization construction on a new stage; Wuhan-guangzhou high-speed accelerated economic exchanges and coastal cities in central China, greatly improved the living standards of people; The city subway and light rail would be built and also greatly facilitates peoples travel.

Changsha, zhuzhou and xiangtan urban agglomeration in 20xx formally approved by the national construction of a resource-conserving and environment-friendly comprehensive reform pilot area, become the rise of central China "engine", drive the economic development of China. Was to press evaluation, "changzhutan economic integration both experience and lessons, whether success or setbacks, will be to the Yangtze river delta, the pearl river delta, bohai sea region these newcomers profound enlightenment." Believe in changsha will be more beautiful tomorrow.

I love my hometown, my beautiful star city - changsha.

雪玉洞是我国洞穴发育中最年轻的洞穴，具有很高的观赏价值和科学价值。洞内百分之八十的钟乳石“洁白如雪，质纯似玉”，被中国洞穴协会会长朱学稳教授命名为“雪玉洞”。雪峪洞全长1644米，已开发出1166米的旅游线路。它有三层，分为六大旅游区。

直到八万年到五万五千年间，雪玉洞才在龙河边开始发育。一万年前，洞穴内的环境发生了变化，有利于次生生化物质的产生和发展。在其他洞穴中，钟乳石景观一般形成于几万至几十万年前，质地老化，色泽暗淡。

雪玉洞除少数有四万至五万年历史外，在三千三百年至一万年之间形成了辽阔多彩、美丽的沉积景观。这些山洞景观就像一群花季少女，正处于快速成长期。洞穴沉积物景观的增长率一般为每百年1毫米左右，而雪玉洞则为每百年33毫米。

雪玉企鹅

这种企鹅状的地盾由碳酸盐岩构成。它有4米多高。是多有洞穴中的石盾之王，为世所罕见。地盾与地面垂直生长，很难形成下垂的护盾落差，这是与壁盾的一个重要区别。

沙场秋点兵

这是世界上最大、数量最多的塔珊瑚花群。它的名字来源于南宋大词人辛弃疾写给同甫的一首《壮词》。

鹅管林

它的学名是“鹅管”，它是由重力水从洞顶滴下形成的。因其白色和鹅毛管而得名。这里的鹅管重叠并倒挂在空中，密度是世界上最高的。

石旗之王

它是一面巨大的石旗。它是在洞内连续流动形成的一种薄而透明的碳酸钙沉积物。其垂直悬挂高度约8m，为世界之高，形成时间约为5万年。它薄如蝉翼，晶莹剔透，巧夺天工，让世人瞩目崇拜。

葡京娱乐场是澳门最具规模的博彩娱乐场，位于苏亚利斯博士大马路，由澳门旅游娱乐有限公司专营，场内设有多种博彩方式，不设入场券，可自由进出，但18岁以下未成年人及21岁以下本地人不准进入。

澳门把赌博称为幸运博彩，把赌场称为“娱乐场”，娱乐场一般附设于大酒店。澳门的赌场设备豪华，保安严密。

澳门葡京娱乐场设在澳门葡京大酒店内，正门向着嘉乐庇总督大桥(旧称澳凼大桥)，内设四间娱乐场及一间角子机娱乐场。澳门葡京娱乐场所处的区域附近也开设不少娱乐场或角子机娱乐场，如酒店正门与永利澳门相对，旁边则与金碧娱乐场、新葡京娱乐场相邻，并设有天桥及行人隧道连接葡京酒店与金碧娱乐场所在新建业商业中心、新葡京酒店两所娱乐设施。

春天到了，江水的冰融化了，两岸的柳树吐出了新芽。有很多人都在江边的沙滩上放风筝，只见那飞舞的风筝好像一只只美丽的蝴蝶，在天空中自由地飞翔。在看看远处，一只“大章鱼”风筝缓缓地飞向高空，飞过树梢，飞过白云，飞向那蔚蓝的天空。

夏天就更美丽了，河堤绿树成荫，游船一条挨着一条，太阳岛的风景映在那清澈的江水里。每当端午节的时候，那里就人山人海，非常热闹

秋天到了，一片片金黄色的树叶飘落江中，宛如一条条渔船在飘荡。凉风习习，河面上泛起一圈圈鱼鳞一样的花纹。黄昏时的太阳不知什么时候已经悄悄地移到西面，将天边的云彩映红，倒映在江中，这是一幅多么美丽的图画呀!

冬天的松花江也不寂寞，好多小孩子在江上滑冰。哈尔滨著名的冰灯用的冰就是从松花江里采来的。

我爱我的家乡黑龙江，更爱那里一年四季都美丽迷人的松花江!

九寨沟导游词

各位游客，大家好欢迎来到美丽的九寨沟。我是你们的导游，我叫黄月倩，你们能够叫我黄导。

九寨沟的名子是因沟内有九个寨子而得名。

请大家跟我走，我们先到的是，蓝天、白云、雪山、森林、尽融于瀑、河、滩、缀成一串串宛若从天而降的珍珠;篝火、烤火、锅庄美丽的传说，展出藏族人的好客。

接下来，大家看到的是翠海，如果，你把海水捞起来，是绿色的，如果，你把海水又放在翠海里，就是彩色的。

游客们，九寨沟，是一个秀丽神奇的好地方。其中，翠海、叠瀑、彩林、雪峰、藏情是九寨沟的五绝。

游客们，下面请大家跟我去看彩林的美丽神奇吧!

游客们，此刻，我们四周都是大树，大树有20000余种值物，争奇斗艳，林中奇花异草，色彩绚丽，可漂亮了。

3万顷莽莽苍苍的原始森林，随着天气变化，呈现出种.种奇丽风貌。

入冬，积雪使九寨沟变成了银白的世界，莽莽林海，以玉树琼花，冰瀑，冰幔，晶莹结白。

游客们，九寨沟的景色太多了，是走不完的，请游客们细细游赏。

大家好我是石导游，今天我们去的是长城。

长城是世界七大奇迹之一。远看长城像一条长龙，在嵩山峻岭之间蜿蜒盘旋。

每隔三百多米就有一座方形的城台，是屯兵的堡垒。打仗的时候，城台之间可以互相呼应。

站在长城上，踏着脚下的方砖，扶着墙上的条石，很自然地想起古代修筑长城的劳动人民来。单看这数不清的条石，一快有两三千斤重，那时候没有火车、汽车、没有起重机，就靠着无数的肩膀无数的手，一步一步地抬上这陡峭的山岭。多少劳动人民的血汗和智慧，游客们!现在我们已经开始顺势走下长城。游客们!踏着这方砖，才凝结成这前不见头、后不见尾的万里长城。

这样气魄雄伟的工程，在世界历史上是一个伟大的奇迹，这就是万里长城。

雷峰塔的知名度之高，与中国民间广泛流传的神话传说《白蛇传》密切相关。中国有四大悲剧爱情故事，分别是白蛇传、梁祝、孟姜女、牛郎织女。其中两个故事发生在杭州，为杭州西湖美丽的湖光山色平添了不少的人文色彩。故事中白蛇的化身白素贞因追求人间真情而被法海和尚囚禁于雷峰塔下，雷峰塔因而声明远播。法海扬言，除非雷峰塔倒掉，西湖的水抽干，白素贞才有可能逃出来。白素贞也真是一个至真至性的一个女子，令人佩服。修炼了这么多年了，都快要成仙了。据说白素贞只要收集齐“生老病死悲欢离合”八粒眼泪，即可成仙。我时常在想，她已经快收集齐了，为什么不成仙偏偏爱上许仙呢?成了仙多好啊，想干嘛干嘛。不要成仙爱许仙?我想如果我能收集齐这八粒眼泪也可以成仙的话我想我一定不会爱上许仙。但是这可能吗?答案是否定的。是凡人就不可能真的看透生老病死非欢离合这八滴眼泪。如果真的能看透，置生老病死而不顾，遇到快乐之事并不快乐，遇到悲伤并不流泪，那做人还有什么意义呢?你都超脱了，什么都不在乎了，那谈什么悲伤快乐。真的有一天，你说一个人什么感情也没有了，死也不在乎了，有没有感情也不在乎了，没有快乐也不在乎了，那这个人和死了有什么区别?所以老人家讲的：难得糊涂，这话讲的好。既然你不可能看透不如及时行乐，乐得糊涂。有的人天天在烦恼这个烦恼那个，烦钱赚的太少，烦工作太忙。可你想过没有，钱赚的要怎么样才算多?有如郭台铭这么多?还是蔡万霖?是盖茨这么多还是李嘉诚这么多?工作太忙没时间出来消费没时间陪家里人，你不觉得这只是自己假设的一个借口吗?出来玩的人哪个不比你忙?忙不忙，想不想忙，这在于你自己，人生的道路自己走，快乐自己寻，花钱买开心，这都在于你自己。要不要开心要不要拥抱大自然，一切尽在自己掌握哦!

各位游客，大家好!我是澳门历史城区的导游，大家可以叫我“小张”。希望大家可以从我的讲解中体会澳门历史城区的魅力。

澳门历史城区在20xx年正式给列入《世界文化遗产名录》中，是中国第31处世界遗产。

被列入澳门历史城区的地点有：大三巴牌坊、妈阁庙、大炮台、玫瑰圣母教堂等等，它们是澳门历史城区中内现最古老、规模最大、保存最大、保存最整和最集中的东西方风格共存建筑。

大三巴牌坊本是圣保禄教堂，但因1835年1月26日黄昏，圣保禄教堂失火，一发不可收拾，烧了两个多小时，幸好教堂最珍贵的前壁仍能保存屹立，才成为今日的大三牌坊。

玫瑰圣母教堂给我的第一印象是：它像一个黄白色的奶油蛋糕。它的表面有黄色、白色和深绿色，它的门、窗是深绿色的，其它地方是黄色和白色的。教堂顶上有一个小十字架。教堂里面很宽敞，装修得很像皇宫。

妈阁庙是中葡文化融合起点，也是澳门最著名的名胜古迹之一，至今已逾五百年，是澳门三大禅院中最古者。进入妈阁庙有一小段阶梯要走，两边栏杆上都有一只大狮子守着。

大炮台建于公元1620xx年明宗年间，是中国最古老的西式炮台之一，本属教会所有，用于保护圣保禄教士而兴建，用以防范海盗，后转为军事设施区，在1620xx年抵御荷兰人入侵时发挥了重要作用。大炮台上有一大片空地已建成花园，绿草如茵，古木参天，古炮雄距于旁，从这里可以看见澳门全景，还可以看见大三巴牌坊。

澳门历史城区保存了澳门四百多年中西文化交流的历史精髓。