上海旅游导游词【精选20篇】

钓鱼台位于宝鸡市东南40公里蟠溪河上，南依秦岭，北望渭水，山清水秀，古柏叠翠，景色绮丽，历史久远，是古今中外颇享盛名的游览胜地，是省级风景名胜区和省级重点文物保护单位。钓鱼台因西周名士姜子牙在此隐居十载，滋泉钓干遇文王而闻名于世，史料典籍均有记载。唐贞观年间：“太公兵家者流，始令蟠溪立庙。”并植柏四株，至今犹存。至清乾隆年间有庙宇17处，著名的有太公庙、文王庙、山门口、三清庙等，河东岸的钓台遗迹，河道中央的“璜石”，河西的望贤台以及飞瀑流霞，浪声莫测。钓鱼台建筑风格典雅、自然景色迷人。

根据记载，太公钓鱼台有3处，初钓河南新安城东，继钓陕西咸阳城西，后钓宝鸡县伐鱼河谷，而三处中又以幡溪钓鱼台最为有名。因为，姜太公在此垂钓的时候，遇到周文王的拜谒，辅佐朝政，才出现了我国历史上的“文武之治”盛世。从此以后，北魏地理学家郦道元，唐代诗人李白、许浑，宋代诗人苏轼都曾游览于此，并赋诗记胜。唐代的钓鱼台就此建庙塑像，历经3次重建，至今人们还可以看到“太公庙”、“文王庙”、“望贤台”、“乞子崖”、“钓鱼台”等一些庙宇，祭钓堂、殿、廊、楼、台和一石驮五柏等壮观奇景。《吕氏春秋》(水经注)有“太公钓兹泉”的记叙，民间亦有“太公背泉垂钓”、“周文王纳谏邀贤”、“武吉代薪奉母”等传说。古往今来，钓鱼台就以其盛名招待游客，宋代文学家苏轼曾游此地，留下“夜入幡溪如入峡，照山炬火落惊猿”的名句。站在伐鱼河上的瓦子坡村南眺，秦岭群峰峥嵘起伏，重峦叠嶂，郁郁葱葱，气势磅礴，蔚为壮观。近看，奇峰耸峙，翠柏葱绿，庙宇宏伟，水色碧透，绚丽诱人。

然而，最引人注目的还是那块屹立在伐鱼河畔的奇特巨石——“丢石”。丢石，是一块庞大而完整的石英花岗岩体，上大下小，呈碗形，丢石上几乎找不到任何裂隙。丢石北侧有清乾隆五十九年三月，宝鸡知县徐文博书写的4个1米见方的苍劲大字：“孕磺遗璞”。丢石高6.6米，上部直径11.2米，下部直径仅4米，伐鱼河湍湍急流擦石而过，大有一触即倒之势，然而，千百年来，它始终“稳如泰山”，充满着神秘的色彩。

雄伟壮观的姜太公庙在丢石右上方的河边。房屋出檐斗拱，雕梁画栋，古香古色，为唐贞观初年所建，明嘉靖年间整修，清乾隆二十六年重修。庙前正立着4棵40余米高的参天古柏，枝杆粗壮，根深叶茂，四季常青，传说为唐代所植，此为钓鱼台景观之一。 周文王庙，由姜太公庙盘山而上即到。文王庙依山而建，庙堂重瓦危檐，布局严谨，巧夺天工。隔河山腰，还有规模更加宏伟的武王庙和武吉庙。武吉庙内原有一根武吉担柴用的铁肩担，重60公斤，“_”中丢失。据钓鱼台碑得记载，这里 自唐代设神修庙，计有庙宇、祭堂17处，殿、廊、搂、台共40余间，现在多数已重建恢复。从丢石顺水而下，河水层层下跌，浪花飞溅，向下游直泻，形成一个个深潭，犹如朵朵雪莲盛开。离丢石100米处，有一水面宽广，水色碧透的深潭，名“滋泉”，泉边有一石英花岗岩巨石嵌入河心，巨石上有两道40厘米长，15厘米深的平行光滑浅槽，相传姜子牙来此隐居后，每每在此垂钓，年深日久，便在巨石上跪出了两道槽痕。钓鱼台即由此得名，侧方岩壁上雕凿有“钓鱼台”3个巨型篆字。

从丢石溯水而上，两岸高山对峙，河谷狭窄，谷坡陡峭，水流湍急，有“一步跨过伐鱼河”之称。沿峡谷再上河谷，豁然加宽。一座双曲拱大坝挡住了去路，这即是“钓鱼台水库”。钓鱼台水库，坝顶宽2米，坝长200米，坝高50米，水深45米，总库容量255万立方米， 1973年开工， 1978年 12月建成，可灌溉2200公顷农田。水库大坝东端有一八角亭，记载了水坝开工时间，使用人力及竣工日期，具有古代亭台楼阁和现代建筑艺术的综合风格，典雅灵秀。大坝中间有一观景楼。登上观景楼，整个风景区尽收眼底。 钓鱼台水库为这里增添了不少风景。夏秋季节，水面碧波荡漾，周围高山披红挂绿，湖光倒影，煞是好看，游人乘坐小船或游艇漫游水面，恍如置身于桂林漓江之上，杭州西湖之中，十分惬意。从坝侧溢洪跌下一道瀑布，约40多米高，瀑布飞流而下，如白练垂挂，似银河倾泻，訇然之声震耳欲聋，水珠飞溅数丈之远，日光照在迷蒙瑰丽的水雾上，竟幻化出一道绚丽无比的七色彩虹，云蒸霞蔚，壮观无比，充满诗情画意。冬春季节，水库冰封水面，光滑平整如明镜，雪落山间，银装素裹，一片银色世界。巨厚的冰层，成了游人的天然滑冰场。水库的天然景色和人工建筑浑然一体，构成了一幅耐人寻味的风景画。

历史上的姜太公，姓姜，名尚，字子牙，号飞熊。生在商世，因见纣王无道，遂弃官出走，隐居在此，终日以垂钓度日。“姜太公钓鱼，愿者上钩”成为后世人们的俗话。后来他终于被周文王发现。文王礼贤下士，亲到伐鱼河畔迎聘。于是，被尊为军师的姜太公遂辅佐文武二王开创了在中国历史上卓有成就的西周霸业，自己亦名留青史。

Ladies and gentlemen

Hello! Welcome to Chengde summer resort. Located in the north of ChengdeCity, the summer resort is an existing classical Royal Garden in China.

The summer resort is a symbol of the heyday of Kangxi and Qianlong in QingDynasty. As the founders of the villa, Kangxi and Qianlong visited the south ofthe Yangtze River for six times, traversing the beauty of the scenery in theworld. In the construction of the summer resort, the advantages of many familieswere learned, and the style of Chinese north and south gardens was integrated,so that the summer resort became the summary and sublimation of Chineseclassical garden art. Chinese garden experts say that the whole summer resort isthe epitome of the beautiful rivers and mountains of the motherland. Why doexperts say that? I think ladies and gentlemen will answer this question aftervisiting the summer resort. However, I would like to remind you that the reasonis related to the topography of the summer resort. (the tour guide adoptssuspense method to stimulate tourists interest in sightseeing)

Ladies and gentlemen, the summer resort is here. Please get out of the car.Now Ill show you her style.

(outside Lizheng gate)

Ladies and gentlemen, the antique door in front of us is the main door ofthe summer resort, which is called the Li main door. It is the entrance of theQing emperor. The palace gate is three rooms wide, with two floors up and down.There are three square door openings in the lower layer, and a city platform anda que tower in the upper layer. You see, there is a stone plaque on the top ofthe middle door. On it is the "Lizhengmen" inscribed by Emperor Qianlong inManchu, Tibetan, Han, Uygur and Mongolian. It symbolizes that our motherland isa unified multi-ethnic country.

There are two stone lions on both sides of the door to show the majesty ofthe emperor. There is Yudao square in front of the gate. The road is paved withblue stones. There are stone tablets in the East and west of the square, onwhich are engraved in Manchu, Mongolian, Tibetan and Chinese characters:"officials wait to dismount here", so we call it dismount tablet. There is a redscreen wall to the south of the square, separating the Royal Garden from theoutside world. It is said that there is a golden rooster flying from Jiguanmountain in Hongzhaobi. In the dead of night, if you tap Zhaobi, the GoldenRooster will chirp. If you want to make a textual research, please come here atnight to listen. OK! Today, I invite you to be the "emperor" and go in and feelthe life of the emperor.

(inside the main entrance of Li)

Please look to the right. On the mountain in the distance, there is a hugestone pillar standing up from the sky, straight into the clouds. It is thick onthe top and thin on the bottom, which is very similar to the hammer used forwashing clothes. We Chengde people call it Bangchui mountain, and Emperor Kangxinamed it "qingchufeng". During the construction of the summer resort, this sceneis skillfully used to integrate the inside and outside of the resort, expand thesense of space, and create a new artistic conception. This is a successfulexample for the designer of the resort to use the garden art of "borrowingscenery". People who come to Chengde usually go to the mountain to touchBangchui mountain, because there is a popular saying in Chengde: "if you touchBangchui mountain, you can live one hundred and three years." If you areinterested, you may as well go up the mountain tomorrow to have a touch. It mustbe very interesting.

The palace in front is the place where the Qing emperor "worked and lived"in Chengde. Now Chengde people call it the summer resort Museum.

(in the exhibition room)

The first picture that comes to our eyes is the complete picture of thesummer resort, which is the full picture of the peak period of the Qing Dynasty.Summer resort, also known as "Rehe Palace", "Chengde Palace". It startedconstruction in 1703, the 42nd year of Emperor Kangxi, and was completed in1792, the 57th year of Emperor Qianlong. In the early and middle Qing Dynasty,several emperors came here almost every year to spend the summer and deal withgovernment affairs, usually in April and may of the lunar calendar, and returnedto Beijing in September and October. In fact, the summer resort has become thesecond political center of the Qing Dynasty. The whole villa covers an area of5.64 million square meters, which is about twice the size of the summer palacein Beijing and eight times the size of Beihai. The villa can be divided intopalace area and garden scenic area. The palace area is composed of four groupsof buildings: the main palace, songhezhai, Wanhe SONGFENG and Donggong. Gardenscenic area is divided into mountain area, Lake area and plain area. Themountain area is wide, accounting for more than 70% of the total area of thevilla. The villa is the essence of the national garden, with the characteristicsof Nan Xiu Bei Xia. There are 90 pavilions, 29 dykes and bridges, 25inscriptions on cliffs, more than 70 groups of rockeries and stones, more than120 groups of buildings such as temples, halls, temples, pavilions, towers andpavilions, with a total construction area of more than 100000 square meters.

The 36 scenes named after four words by Emperor Kangxi and the 36 scenesnamed after three words by Emperor Qianlong are known as "72 scenes of summerresort". Emperor Kangxi praised it as "the north pole with its own mountains andrivers, and the natural scenery is better than the West Lake." The palace wallof the villa is about 10 kilometers long. Because it looks like the Great Wall,we Chengde people affectionately call it "little Great Wall". Outside the palacewalls are the Royal temples built in imitation of the famous temples of allethnic groups in China. These temples are semicircular around the periphery ofthe villa, forming the trend of the stars and the moon, symbolizing that allethnic groups in the country were closely around the ruling center of the QingDynasty at that time. With the passage of time and the change of dynasties, thesummer resort has gone through many vicissitudes. After the founding of newChina, the villa has been reborn. Now it is a well preserved and large-scaleRoyal Garden in China, a world cultural heritage and a famous tourist attractionat home and abroad.

(coming to the second exhibition room)

Most of the pictures on display here are pictures. This picture of autumnMulan is eye-catching. Mulan, which means sentinel deer in Manchu. The way towhistle deer is that before dawn, soldiers sneak into the mountain forest,wearing deerskin and antlers, whistling at the mouth to imitate the call of amale deer. Autumn is the season for deer to mate and group. In this way, thefemale deer can be drawn out for shooting. "Means hunting in autumn. Thispicture is painted by Xinglong a in Qing Dynasty. It depicts the hunting sceneof the emperor more than 200 years ago. You may wonder why the emperor of theQing Dynasty led a large group of people to hunt here for thousands of miles.Because after the emperor of the Qing Dynasty entered the pass, the fightingcapacity of the Eight Banners who were brave and good at fighting in historybegan to decline. Some of them fled, some wounded themselves, sometimes oneperson was injured, and many people escorted them, in order not to go to thefront line. Emperor Kangxi realized that it was urgent to improve the quality ofsoldiers and consolidate the northern frontier. In this situation, EmperorKangxi personally led the Eight Banners out of xifengkou and went north toinspect, and set up a Mulan paddock for the purpose of practicing martial artsin Suiyuan.

The establishment of Mulan paddock was the product of the friendlyrelationship between the Qing Dynasty and the Mongolian and TibetanNationalities. It closed the relationship between the Mongolian and Tibetanareas and the Central Plains, strengthened the exchanges among the Manchu,Mongolian, Tibetan and Han nationalities, consolidated the northern borderdefense, and was conducive to resisting the invasion and expansion of tsaristRussia. The annual hunting lasted about 20 days each time. The emperorpersonally led officials of various government departments and eight banners ofManchu and Mongolian to participate. In order to meet the needs of a largenumber of people, accommodation, rest, savings and the emperors handling ofgovernment affairs, more than ten palaces were built from Beijing to thepaddock. Rehe is located in the middle of this northern patrol route. FromBeijing to here, the memorial ceremony is coming day and night. Moreover, theclimate here is pleasant, the scenery is beautiful, and the water and grass areabundant. So Kangxi decided to build a large palace here, which is Rehe palace.In this regard, Qianlong had a very clear saying: "our emperor built this villaoutside the Great Wall, not for his own travel in Henan, but for theconstruction of the world.".

History shows that the establishment of the autumn festival and the summerresort achieved the Emperor Kangxis political goal of "combining the internaland external heart and forming a solid career". Now lets look at this pictureagain. It can be divided into two parts: the imperial camp and the huntingground. The imperial camp was the place where the emperor lived and dealt withthe government affairs, and the hunting ground was the place where he actuallyhunted. When hunting, there was strict organization and discipline. After thesoldiers disguised as deer led the deer out, the sergeants gradually reduced theencirclement to the level of people side by side and horses with ears, but theycould not shoot at will. At this time, the emperor first came out to shootarrows, and then the princes, ministers and soldiers shot in turn. The pictureshows a deer hunting scene. Please follow me.

This second gate is called "Yue shoot", which is the place where theemperor watched the archery competition between the emperors son and hisgrandson. There is a plaque on the top of the door, which is written with fourgold-plated characters of "summer villa". It is the imperial pen of EmperorKangxi. This plaque is extremely beautiful and eye-catching. Perhaps you havefound that the word "avoid" in this summer resort is written one morehorizontal. Is it Emperor Kangxis mistake, or is there another reason )Thisgentleman (young lady) is right. It turns out that in the Qing Dynasty, when thetwo characters "Bi" were used at the same time, either way of writing wascorrect. This is a variant character phenomenon. Here Emperor Kangxi wrote itfor the sake of pursuing the beauty of calligraphy.

The two bronze lions on both sides of the gate are majestic. Speaking ofthese two bronze lions, there is a touching legend! It is said that during theAnti Japanese War, the Japanese invaders occupied Chengde and plundered it. Oneday, a group of Japanese soldiers found that the two bronze lions were beautifuland priceless. They wanted to take them away, but they were too heavy to carrythem. So they went to find tools separately. All this makes the old people inthe nursing home look in the eyes and feel pain in the heart. He thought thatthe bronze lion was the treasure of the country, and it must not be taken awayby the Japanese soldiers. He had an idea. He immediately got pig blood from thevillage and smeared it on the lions eyes. When the Japanese soldiers found thetools and came back, they found that the lions eyes were red, and they allcried blood. They were all stunned. They were afraid that moving the lion wouldbring them bad luck, so they ran away in a panic. This pair of nationaltreasures has been preserved until now. Now the pair of bronze lions have becomemascots in peoples minds. If you want everything to go well, dont forget totouch it.

承德导游词英语作文3

Dear friends

Hello! Today we visit Pule temple. Pule temple, commonly known asyuantingzi, is another royal temple built by Emperor Qianlong after PuningTemple and Anyuan temple. It covers an area of 24000 square meters with the eastfacing the West and the central axis facing the summer resort. The first half ofthe architecture of Pule temple is the traditional "Jialan Qitang" style of theHan temple, and the second half is the Tibetan form. The main building of thetemple, Xuguang Pavilion, imitates the praying Hall of the temple of heaven inBeijing. The layout of the building is different from that of ordinary temples,which breaks the pattern of traditional temples facing south. In the East, it isadjacent to the chime hammer peak, and in the west, it is opposite to the summerresort. It echoes with the Puren temple, Anyuan temple, Puning Temple, XumiFushou temple, Putuo Zongcheng temple, etc. in the eight outer temples, forminga pattern of stars holding the moon and bowing to the summer resort.

(in front of the Mountain Gate of Pule Temple)

Now we come to the gate of Pule temple. There is a pair of stone lions infront of the door. You see how well preserved they are. In the middle of themountain gate, there is a stone plaque inscribed with "Pule Temple" written byEmperor Qianlong in Han, Manchu, Mongolian and Tibetan Languages.

(entering the Mountain Gate)

The first thing you can see when you enter the mountain gate is the belland drum towers on both sides of the north and the south. Its function is thesame as the bell and drum towers of Puning Temple. I will not repeat ithere.

You see, there is a five room hall with a single eaves on the top of theplatform. Under the central eaves is a Yunlong plaque written by EmperorQianlong. In the center of the hall is Maitreya Buddha with a big belly. He hasa fat head and a big cheek. He is happy with his eyebrows and smiles. It seemsthat he is welcoming us. On both sides of the cloth bag monk are clay statues ofthe four heavenly kings.

The four heavenly kings, 8.38 meters high, are in sitting position. Thoughthey have been living for 200 years, they are still resplendent and magnificent,ranking second to none in the country. Behind Maitreya Buddha stands WeituoBuddha. Weituo is the Dharma protector of the Buddha and one of the EightGenerals of the southern growth heavenly king, ranking first among the 32generals (each of the four heavenly kings has eight generals). It is said thatwhen Sakyamuni Buddha came to Nirvana, the evil spirits took away the remains ofthe Buddha, and Weituo chased them in time and tried hard to recapture them.Therefore, Buddhism regards him as the God to expel evil spirits and protectBuddhism. Since the Song Dynasty, Chinese temples have worshipped Weituo, knownas Weituo Bodhisattva. They often stand behind the Maitreya Buddha statue andface the main hall to protect the Dharma and help monks.

(in front of Zongyin Hall)

When we enter the second courtyard from the Tianwang hall, we are presentedwith a hall with seven wide faces and five deep faces, with double eaves andglass tile roofs on Xieshan mountain. This is the main building of the temple"Zongyin hall". Zongyin means that Buddhism is the unchanging truth. In thecenter of the main ridge of Zongyin hall, there is a yellow glazed tile Lamatower, about two meters high. The base of the tower is xumizuo. The tower iscomposed of Chenglu pan, Xianglun, sun and moon. On both sides of the pagoda areinlaid with eight ornaments for Buddhas offering: wheel (Dharma wheel), snail(Buddhas sound is widely spread), umbrella (protecting all Dharma), cover(Buddhas power), lotus (not contaminated by worldly customs), vase (virtue isperfect), Pisces (freedom and liberation), pan Chang (Buddhist doctrine runsthrough all the time). In the center of the hall, there are three Buddhas: thepharmacist Buddha in the Oriental glass world, the Sakyamuni Buddha in theChinese dancing world, and the Amitabha Buddha in the Western Paradise. Thereare eight wood carved Bodhisattvas on the stone Xumi seats on both sides of thethree Buddhas: Manjusri, Vajrayana, Avalokitesvara and King Tibetans in theSouth; Puxian, Maitreya, void Tibetans and removing dirt and obstacles in thenorth. They are called eight Bodhisattvas. The eight Bodhisattvas are of thesame size. They are all carved in wood and painted in gold.

There are five auxiliary halls on each side of Zongyin hall. The Nanpeihall is called "Huili hall". In the hall, there are statues of Buddha, Vajrawith horse head, Vajra with subduing part and Vajra with anger. They are pink,blue, red, three heads and six arms, with human skin on the back and tiger skinskirt around the waist. The backlight behind is a five color flame, which issaid to represent five kinds of "wisdom". The north side hall is "Shengyinhall". Inside the hall is dedicated to the inner achievement of Vajra hand, theouter achievement of Vajra hand and the secret achievement of Vajra hand. It issaid that these three Buddhas are the images of Sakyamuni when he preached thesecret Dharma, and are the secret incarnations of Sakyamuni. So its also called"secret master".

(Shangcheng)

Dear friends, we now come to the "city" in the eastern half of Pule temple.The city is actually a Datura entity. Mandala is a transliteration of Sanskrit,translated as "Tan" or "Daochang". This is the place where the lamas practice,observe and teach the secret law. In order to prevent the invasion of "demons",the tantric sect of Lamaism drew a circle or built a high altar on the practicesite, on which the Buddha, Bodhisattva or scroll were placed. Only in this waycan we get the protection of Buddha and Bodhisattva and not be disturbed by the"demons".

The city is divided into three layers: the outer layer is a group of squarehouses. There are doors on all sides. Facing the west is the main gate, which isthree rooms wide and one room deep, with a single eaves resting on the top ofthe mountain. There is a Qianlong stele built in the gate hall. It is inscribedwith Qianlongs stele of Pule Temple written in Manchu, Han, Mongolian andTibetan Languages. The construction of Pule temple is not like that of PuningTemple and Anyuan temple. In view of specific historical events, EmperorQianlong felt that there was still a large space to be used from Puning Templeand Anyuan temple to the area of qinghammer peak. In order to make the overallrational layout of the temples around the summer resort, he built this temple."Pule" is derived from Fan Zhongyans "Yueyang Tower" in which "the worries ofthe world come first and then the happiness of the world come later". On bothsides of the original square courtyard, it has 72 single-layer Gallery room, nolonger exist.

The second floor is a square stone platform with battlements on the brickwall. A stone arch is built in the center of the platform, and there is acorridor between the arch and the gate hall. In the middle of the West arch,there is a stone plaque of "shewei Xianxiang" written by Emperor Qianlong, whichmeans that it is the same as shewei state, showing auspicious scenery. There arestone pedals on both sides of the arch leading to the bottom of the platform.The arches on the north and south sides are closed, with Buddhist painting axeshanging inside. There is a small hall at the exit of the pedal road from thepedal road to the top of the second floor platform. There are eight Lama pagodaswith the same shape and different colors in the middle of the four corners andfour sides of the top. The pagoda is divided into five colors: yellow, black,purple, green and white. These five colors represent the "five elements" ofland, water, fire, wind and air in Lamaism. The five color pagoda symbolizes thefive color land (the land of Chinas Kyushu is five colors), which means thatunder the heaven, is it the kings land. The eight pagodas are divided intoeight directions and serve as the merit towers of Sakyamunis "eight greatachievements" (Buddha, becoming Tao, turning the wheel of Dharma, manifestingsupernatural powers, benefiting the world, transforming monks, thinkingimmeasurably and entering Nirvana). It symbolizes the long-term and stable ruleof the Qing Dynasty.

The square stone platform on the third floor is surrounded by stonerailings. In the center of the platform is the main building "Xuguang Pavilion"in the second half of the temple. It means facing the rising sun in the East.This is a round pavilion with double eaves, yellow glazed tiles and a pointedroof. Its shape is the same as that of the praying Hall of the temple of heavenin Beijing. 12 eaves columns and 12 gold columns support the double eaves domein two layers. The square platform and the round roof show the ancient Chinesecosmology with a round sky and a round place. The building on the round stoneXumi seat in the center of the hall is called "Mandala", which is athree-dimensional "Mandala" model in China.

The nine palace grid on its base is made of 37 pieces of wood, representing37 kinds of knowledge of Sakyamuni. In the middle of the mandala, there is adouble bronze statue of the king Buddha of shangle. Shangle King Buddha, alsoknown as Shengle King Buddha, is also called "Huanxi Buddha". It is also named"Deqiao" and is one of the original Buddhas of Tantric practice of Lamaism.Tantric school advocates practicing secret law, that is, practicing through "thedoor of convenience" (yoga) to become a Buddha. King Buddha of shangle is theincarnation of King Buddha holding wheel, representing wisdom. Mother Buddha(female image) represents meditation. Only with "both wisdom and tranquility"and "both meditation and meditation" can one become a Buddha. The combination oftwo bodies is like the wings of a bird and the wheels of a car. Only in this waycan one become a Buddha, which is another form of cultivation in TantricBuddhism.

The top of Xuguang Pavilion is decorated with exquisite dragon troupe andPearl caisson. The carving is exquisite and glittering, which has high artisticvalue. come

(in the exhibition room of Tantric Buddhism)

Dear friends, now we are in the exhibition room of Tantric Buddhism. Thisis the gate hall on the north side of the city. Originally, there were 21 groupsof rooms beside the square gate hall. Now only the gate hall is left. Except forthe west gate hall, the other nine gate halls have been turned into exhibitionrooms.

Esoteric Buddhism, also known as esoteric Buddhism, originated in the latestage of the development of Mahayana Buddhism in ancient India, and has obviouscharacteristics compared with Xianzong. 800 years after Sakyamunis death,Buddhism was divided into Buddhism and Buddhism. Academia believes that EsotericBuddhism is the product of the combination of Mahayana and Brahmanism after the7th century. It was introduced by Indian master rinwatson in the early 8thcentury. He fought many times with Bon witches in secret law. Every time hedefeated some Bon witches, he declared that some stupid God had been subdued andnamed him the protector of Buddhism. The tantric Buddha statue of TibetanBuddhism is unique, which is not only the precious wealth of religious art, butalso the treasure of human body statue art in the world. Lets have a lookhere

Apart from the modern clay statues, they are all originally preserved inthe temple, which is hard to see in other temples.

What are the differences between Tantric Buddhism and Buddhism? There arethe following points: first, Tantric Buddhism takes Sakyamuni as its leader andattaches great importance to theory, while Tantric Buddhism praises theTathagata and pays attention to matters; second, Tantric Buddhism advocatespreaching Buddhism, meditation, enlightenment and self-cultivation, whileTantric Buddhism attaches great importance to inheritance, truth and mantra inorder to become Buddha; 3、 Xianzongs Classics mainly include scriptures, laws,precepts, and theories. In addition to tantric, there are eulogy, praise,Dharma, mantra, rituals, yoga, and seal of contract. Fourth, Xianzong has fourkinds of prestige: walking, living, sitting, and lying. In addition to tantric,it also needs to contemplate, follow the teachers instruction, abide by ritualsand practice procedures.

Tantric cultivation can be divided into four steps: Shimi, xingmi, yoga MIand supreme yoga MI. Master zongkaba, the founder of the Yellow religion,stipulated that the order of practice should be first obvious and then secret.Only the living Buddha who has obtained the degree of gexi in Tibetan educationis qualified to practice Esoteric Buddhism, which is passed on by master Vajraand practiced in the upper and lower esoteric schools. The practice of TantricBuddhism is accompanied by the imperial concubine Ming. Therefore, most of thetantric statues are double figures of men and women, which are called "joyfulBuddha" or "joyful heaven". Each of these statues has a Buddhist story orlegend, so they are three-dimensional fables of Buddhism. Because the joyfulBuddhas are all naked, they are men and women, so some people mistakenly thinkthat "joyful" refers to the sexual pleasure of men and women. In fact, these twowords mean fearless, angry spirit, transcending life and death, and gainingjoy.

(in the second exhibition room of Tantric Buddhism)

One of the most influential Buddhist statues of Tantric Buddhism is thebronze "King Kong of great power, virtue and terror" in the second exhibitionroom. He was a man and a woman, with nine sides, thirty-four hands and sixteenfeet. The nine faces represent the nine Sutras of Mahayana, the two hornssymbolize the two truths, the thirty-four hands with body, the thirty-sevenmeaning, the thirty-seven Bodhi Dharma, the sixteen feet symbolize the sixteenemptiness, and the combination of men and women symbolizes the great happiness.On the left and right, eight feet step on eight things and eight birds,symbolizing "80% of the Department" and "eight freedom". Nudity and nirvanasymbolize "no dust". Anger and uprightness symbolize "wonderful way". As for thejoyful Buddha image, there are such legends in sibunayega Dharma and JapaneseTantra of dongmi: the woman is the incarnation of Guanyin Bodhisattva. With herbeauty, she subdued the king who believed in Brahmanism and made him theprotector of Buddhism. This kind of saying is completely out of the secularattachment psychology. It is a difficult realm for ordinary people to reach todeeply study the essence of Tantric cultivation. It is to break the ignorance,cultivate the good root and obtain the right consciousness. There is amysterious veil about the true meaning of Tibetan secrets. No wonder we cantunderstand it. However, the artistic charm of these superb human figures isamazing to every tourist.

Also on display in the exhibition room are the prison master King Kong,riding sheep to protect the Dharma, joyful King Kong, auspicious HeavenlyMother, shangle King Buddha and so on. Please enjoy it freely.

Although Pule temple is a Lamaist temple, there is no Lama in it, but it isguarded by eight banners. This is the place where the Kazakh, Uighur, Kirgiz andother ethnic upper class people who come to the summer resort to worship theQing emperor pay homage and live.

Dear friends, this is the end of the tour guides explanation of Puletemple. Short time together, eternal memory, in your heart, my heart left a goodmemory. I remember a song like this: "when we surpass our dreams, we need toface them sincerely, let our life savor this moment, and let the years rememberthis time.".

Dear friends, goodbye!

桂林灵渠景区位于漓江上源“中国十大魅力名镇”、“桂林米粉的发源地”兴安县境内，北距桂林市50余公里。在这个钟灵毓秀的神奇的土地上中国的历史曾两次被改写，其中一次则因灵渠而成就。灵渠全长37.4公里，是秦始皇于秦三十三年(公元前220xx年)为一统中国大业而建，至今已有20xx多年的历史，与都江堰、郑国渠齐名，是现存世界上保存最完整的古代水利工程，也是世界上最古老的运河之一。彰显了中华民族先人们开山引河的高度智慧，被当代著名学者郭沫若先生称之“与长城南北相呼应，同为世界之奇观。”

灵渠的开凿，连接了湘、漓二江，也从而沟通了长江和珠江两大水系，从秦朝至民国两千余年来一直是中原和岭南唯一交通枢纽，促进了中原与岭南的经济文化文明的融合，目前已被列入世界文化遗产预备名单中。

桂林灵渠景区作为全国重点文物保护单位、国家4A级旅游景区，其分为渠首核心历史文化保护区与秦城水街游船休闲区。渠首核心历史文化保护区由铧嘴、大小天平、南北二渠、泄水天平和陡门组成，设计科学，结构精巧，铧嘴将湘江水三七分流，其中三分水通过南渠流入漓江源头，七分水通过北渠汇入湘江，形成著名的“湘漓分派，湘江北去，漓水南流”，为秦始皇统一中国起了决定性的作用。而陡门则是建筑在南北渠中的一种通航设施，其作用是调节水位，便于航行，类似于现代船闸，曾被世界大坝委员会的专家学者称赞为“世界船闸之父”。

秦城水街游船休闲区则是指灵渠南渠流经兴安县长约1公里的南北两岸，居民依灵渠水而成街，故名水街。整街传袭秦汉时期文化仿古建成，包括古建筑文化、古桥文化、石雕文化、渠水文化和岭南市井风俗五大部分。这里的亭台、楼阁、古桥、雕塑等载体鲜活地展现了灵渠曾经的沧桑和辉煌，再现了沿岸小桥流水人家，两岸商贾云集，中原文化与岭南文化相互融合的风貌，荡舟水街有如倘徉于一条历史文化长廊，堪比阳朔“西街”之韵味。

灵渠由铧嘴、大小天平、南渠、北渠、泄水天平和陡门组成，设计科学，建筑精巧，铧嘴将湘江水三七分流，其中三分水向南流入漓江，七分水向北汇入湘江，沟通了长江、珠江两大水系，成为秦代以来中原与岭南的交通枢纽，为秦始皇统一中国起了重要作用。

灵渠两岸风景优美，水清如镜、古树参天、文物古迹众多、尤其是水街的亭台楼榭、小桥流水、市井风情都鲜活地再现着千年历史文化。灵渠景区现已成为桂林著名的旅游胜地，是大桂林旅游圈中一颗璀璨的明珠。

世人对兴安的向往，也许是灵渠工程的盛名，也许是古老历史的沧桑，也许是淳朴民风的诱惑，也许是土特产品的吸引。总之，这一切都让人遐想联翩，憧憬无限。然而，令游人纷至沓来的另一个理由就是始皇帝的行宫——秦皇宫了。

于20xx年重建的秦皇宫，恢复了历史的本来面目。自南向北看去是一个寿字，而打东边看来则是一个囍字。游人来此，倘若想看清那些字的形状，就得在行宫中来回的穿梭。在来来回回的穿梭中不免会让人恍惚，恍惚间，就像是穿越了时空隧道，回到了久远的从前：那时，这里兵马云集、战船林立，川流不息的人群中多是精明能干、腰缠万贯的随军商贾。而今天，面对沧桑历史的，却是满街的游客，悠闲萧散中领略这浮光掠影般梦幻世界;当你投射猎奇的目光，搜寻拍摄构图的时候，即发现这里是人间仙境。

经过20个小时的火车颠簸，我怀着激动的心情来到了梦想之地――上海。

出了火车站，映入眼睑的是一座座高楼大厦，四通八达的`立交桥上车来人往，真壮观啊!出了火车站我们坐地铁来到了小姑家，稍作休息我们来到了上海最繁华的街道――南京路。一出地铁站口就看到南京路上人头攒动，你来我往行色匆匆。还不时有无轨电车穿梭在人群中，真是热闹非凡。我们在几个大商场里转了一下，就来到一个叫“汤姆熊”的游戏厅里，这里什么游戏都有，我们先玩了投球游戏，接着又玩了扫蜘蛛。砸怪人。双枪连击等游戏。

随后，我们乘无轨电车来到了外滩，夜晚的外滩到处是闪烁的霓虹灯，美丽的东方明珠塔直插云霄，一座座西方建筑静静矗立在诉说着上海那个不堪回首的过去。电视画面里经常看到的报时大钟整点响起了动听的音乐，江堤上是人山人海，遥遥望去，杨浦大桥上灯火通明，黄浦江面时时响起轮船的笛声，好一副热闹的画面啊!

澳门旅游塔位于南湾新填海区D区域1号地段，占地面积达13363平方米。第一期兴建一座高约338米的澳门观光塔，第二期兴建娱乐中心。开发单位为澳门旅游娱乐有限公司。1998年7月30日澳门政府批出土地的租赁期限为20xx年，可续期至2049年12月19日。观光塔的商业用途部分为3675平方米，服务部分为4370平方米;娱乐中心总建筑面积为42188平方米，其中楼宇地库的第二及第三层用作停车场。

澳门新的标志性建筑——澳门观光塔，总耗资10亿元澳门币，1998年开始兴建，经过3年的建设，于20xx年12月19日竣工揭幕，并正式接待游客。澳门特别行政区行政长官何厚铧和澳门旅游娱乐有限公司总经理何鸿燊为澳门观光塔亮灯。从此，澳门观光塔成为澳门新的旅游景点，大大促进了澳门旅游业的发展。该塔动工时，正值亚洲金融危机严重冲击澳门经济之时，可是澳门著名实业家何鸿燊却应对超前，看好回归后的澳门市场，毅然投资兴建这座观光塔。

澳门观光塔集观光、会议、娱乐于一体，是全球十大观光塔之一。观光塔顶层为大型旋转餐厅，可俯瞰全澳景色。站在塔的观光廊，澳门、珠海尽收眼底，晴天可以看到香港的大屿山岛。此外，该塔还有展览及会议设施、主题餐厅、高级购物中心和剧场、露天广场和海滨长廊等。观光塔为全球第8高塔，也是超越巴黎埃菲尔铁塔的东南亚最高观光钢塔。这座338米高、可远眺香港和珠三角部分地区的高塔被誉为澳门新的标志性建筑物。

被命名为“澳门旅游塔”的观光塔位于澳门南湾新填海区，面对珠江口。塔身内的3部高速电梯飞速运转，50秒内就将参观者带到223米高处的公众观景层，在以整体玻璃幕墙围成的观景层内，不但澳门大小景观一览无遗，就连隔海相望的横琴岛、与澳门半岛相连的珠海市区也都显得近在咫尺。能见度高的时候，游客甚至可以眺望到几十公里外香港的大屿山及部分离岛。

在旅游塔顶向下望去，只见澳门半岛和凼仔、路环两岛犹如莲花漂浮在碧绿的海面上，东西望洋山、中银大厦、葡京酒店等分布错落。两条乳白色的跨海大桥下，过往船只像点点繁星，在海面上划出弧型的痕迹。澳门旅游塔观景层最大的特色在于部分地面由透明玻璃铺成，尽管厚达4厘米的强化玻璃能够确保安全，但看到位于脚下200多米处的海面、公路和建筑，仍令不少观众“不寒而栗”。有人说，走在这种透明的地面上，的的确确是在“空中漫步”。

观光塔塔底配套建有大型会议、展览、娱乐、餐厅、剧院、商场等设施。其中包括一个可容纳1200位宾客的宴会厅和一个500座位的剧院。投资兴建旅游塔的澳门旅游娱乐有限公司总经理何鸿(三个火下加木)今天在揭幕仪式上说，旅游塔选择今天启用，是对澳门回归祖国两周年纪念日的“特殊献礼”。他说，旅游塔的落成使澳门增加了一个新的旅游产品，将为澳门吸引更多的游客。

各位游客，大家好！欢迎大家光临上海。我是上海旅行社的导游，大家可以叫我小X，或者X导。现在，我们来到了外滩游览区。下面，我先把外滩游览区的概况跟大家介绍一下。

外滩游览区位于上海的母亲河黄浦江和苏州河的交汇处、与浦东的东方明珠游览区隔江相望，它北起外白渡桥，南至延安东路全长1300米的中山东一路两侧区域。

外滩游览区的主要景点有被誉为"万国建筑博览群"中最高的海关大楼，在外滩门面最宽、占地最广、体量最大的汇丰银行大楼，充满中华元素的中国银行大楼和外白渡桥，以及上海的母亲河黄浦江、黄埔公园，还有世博会前夕竣工的四大广场。（周边的景点有百老汇大厦和正在进行综合改造的外滩源。）

外滩，原来是上海城厢外东北面的沿江滩地，俗称"黄浦滩"。1843年上海开埠后，英国第一任驻沪领事巴富尔看中了这块地方，就在1845年以上海道台公布的所谓"上海土地章程"为依据，划定外滩在内的800亩土地为英租界，沿江开筑道路称"黄浦路、黄埔滩路"。上世纪初前后，就有国内外银行入住，并逐步发展成为"东方的华尔街"。直到1945年，才改名为中山东一路。

解放后，特别是20世纪90年代和20xx年世博会前夕外滩经历了两次大规模的改造。值得一提的是：经过世博会前夕的改造，外滩游览区全面提升了外滩滨水区域的环境品质、更加凸显了"万国建筑"的历史文化风貌和特色、充分演绎了"城市，让生活更美好"的世博会主题，使外滩成为上海最具标志性、最经典的城市景观区域。

20xx年，外滩游览区以"外滩晨钟"之名，被评为"新沪上八景"之一。

总之，我们说：外滩游览区集人文景观和自然景观于一体、西方古典风情和中国现代风情相得益彰，是上海都市旅游中经久不衰的经典旅游景区。是国内外游客到上海游览必到的一个旅游景点。

好，各位游客。由于时间关系，有关外滩游览区的概况就暂时说到这里。下面，我们就去参观景点吧。

青城山为中国道教发源地之一，属道教名山。位于四川省都江堰市西南，古称“丈人山”，东距成都市68公里，处于都江堰水利工程西南10公里处。主峰老霄顶海拔1600米。在四川名山中与剑门之险、峨嵋之秀、夔门之雄齐名，有“青城天下幽”之美誉。青城山是中国著名的历史名山和国家重点风景名胜区，并于20xx年同都江堰共同作为一项世界文化遗产被列入世界遗产名录。

青城山属于亚热带温湿季风气候区，年平均气温15摄氏度左右，素有“洞天福地”、“人间仙境”之称，山内古木参天，群峰环抱，四季如春，故名青城山。青城山分青城前山和青城后山。前山景色优美，文物古迹众多;后山自然景物原始而华美，如世桃园，绮丽而又神秘。

青城山旅游最佳时间：一年四季皆适宜旅游，7、8月更是避暑胜地。

东山岛古称铜山，是福建省第二大岛。铜山古城位于东山岛东北部铜陵镇，距漳州市区158公里。明洪武二十年（1387年），为防御倭寇侵犯，江夏候周德兴在此以石垒城，设立水寨，坚守海防。古城内有关帝庙，又称武庙，建于明洪武二十二年，至今仍香火鼎盛。在关帝庙附近海滨石崖上，有一块重约200吨的临海巨石，状似玉桃，底部触地仅数寸，风吹石动，故名“风动石”，历经台风、地震而不倒。

东山岛是福建对外和对台经济贸易的重要口岸，是福建省人民政府批准规划的二十一世纪港口旅游城市，是福建省建设海峡西岸繁荣带的重点投资口岸。东山岛，冬暖夏凉，终年无霜，年平均气温20。8摄氏度，东山风光极具南国海滨特色。主岛七个月牙形的海湾首尾相连。绵延30多公里，是天然海滨浴场。风景名胜铜山古城，明朝大将戚继光，郑成功屯兵遗址，大学士黄道周故居深井村；号称“天下第一奇石”的铜山风动石，石僧拜塔等自然景观更是妙趣天成，龙、虎、狮、象四屿栩栩如生，惟妙惟肖，令人流连忘返。

东山海域是闽南渔场中心，海产丰富，尤其以龙虾，石斑鱼闻名遐尔。

位于东山岛东部的马銮湾，天蓝海阔，沙白水净，加之岸边绿林葱茏，沙滩长2500多米，宽60米，沙滩东北有“三支峰”为屏，东南有赤屿等四个小岛拱卫，因而自成格局。

在南京路的两侧，有四百多家商店，其中最有名的商店，餐馆都集中在和平饭店和第一百货商店之间。例如上海最在的书店、食品商店、服装商店以及著名的广东、四川、北京餐馆都在这里。各位请看车子的两侧，华联商厦和上海服装商店以经营款式新颖的一流服装闻名，备受女青年的青睐。上海人讲究穿着，下如你们所看到的那样，街上行人的服装各异，犹如在进行时装表演。快!请看!那里有一位穿着旗袍的女士，”旗袍”两边开衩是中国的传统服装，我们团中富有魅力的女士，穿旗袍是很适合的。这种大胆开放的裙服，在日本穿着一定会引起男士的注目。旗袍，在友谊商店和宾馆商场里均有出售。

请看车子的左前方，聚集许多人的地方是著名的北京餐馆”燕云楼”，你们知道为什么那里会有那么多人?因为那里将举行结婚宴席，要拍照的请备好相机，我请师傅放慢车速。你们看，胸前别着红花，在门口恭候客人光临的是新郎新娘。在中国法定结婚年龄为男的22岁，女的20岁。人们自由恋爱，结婚通常有做媒介绍九自由恋爱两种。自由恋爱结婚者占绝大多数。

各位朋友，进入南京路之后，我们见到了形形色色的各种人：他们当中有边吃冰淇淋边逛街的外地人，有身穿旗袍的时髦小姐女郎……可你们注意到没有，像那种装束打扮的老大爷，你们看，就是站在那儿戴着白帽，身穿黄衣服，手拿小红旗的老大爷，他究竟是干什么的呢?大家知道吗?我想来个有奖竞猜游戏，请大家参加。

小林先生，请您谈谈。噢，您说他是在街头做买卖的。那么，村上先生你以为他是干什么的?

是在街头做商品宣传的。看来，你们都说得不对，下面我们请一位女士来猜谜。山口美智子小姐，您说呢?“指导交通秩序的管理人员。”对了，她猜对了，我们为了感谢他们的协助，分别给他们发一、二、三、等奖。

广西药用植物园坐落在距南宁市区8公里的东郊山峦，占地200多万平方米，是我国及东南亚地区最大的药用植物园之一。园内林木苍翠，藤蔓纵横，加上棚架点缀其间，小桥流水更添雅趣。绿树成荫，鲜花烂漫，芳草萋萋，曲径通幽，溪水潺潺，古藤缠绕，美食飘香，好一幅人间仙境!这就是广西药用植物园。现在，它已成为广西十大风景区之一，成为南宁市民的一个旅游休闲胜地。

药物园划分为7个药物区：广西特产区、药物疗效区、荫生植物区、木本药物区、草本药物区、藤本药物区和药用动物区。它集南药、北药、本区特产药物和区外、国外药物于一园。药物有灌木、乔木、藤木、草木等，药用动物园还饲养黑叶猴、恒河猴、梅花鹿和飞虎等一些珍贵药用动物。药用植物园，既是游乐休闲的好地方，也是增长见识的好去处。

药用植物园重新对该园作了总体规划，并开发多项旅游项目，利用园内的药物作为原材料，开发了药膳粥、药膳汤、保健茶、烧烤等项目，并在溪上设铁索桥、浮桥等探险类项目，还在园内设有垂钓、卡拉OK、麻将、扑克、棋类、气排球、羽毛球、乒乓球等休闲类项目。顾客到这里游玩，不仅能休闲、娱乐，而且还能学到很多中草药的科普知识。

菏泽市地处山东省西南部，与江苏、河南、安徽三省接壤，东与济宁市相邻，东南与江苏省徐州市、安徽省宿州市接壤，南与河南省商丘市相连，西与河南省开封市、新乡市毗邻，北接河南省濮阳市。介于北纬34°39′—35°52′，东经114°45′—116°25′之间，南北长157千米，东西宽140千米，总面积12238.62平方千米[2][6][7]。东南距江苏省丰县界106.4千米、安徽省砀山县界87.2千米，南距河南省商丘县界74.43千米，西南距河南省兰考县界43千米，北距范县界44.7千米，东北距泰安市东平县界109.8千米，东距济宁市嘉祥县界73千米;距首都北京750千米，距省会济南240千米。

菏泽市地质构造属中朝准地台，居其东南部。以斜贯西部的聊城—兰考大断裂为界，将境域划为华北断拗和鲁西中台隆两个二级构造单元。西侧东明凹陷为四级构造单元，属华北断拗中的三级构造单元开封台陷。东侧属鲁西中台隆，占境内大部，为三级构造单元成武-济宁断陷的西半部。又以曹县断裂和凫山断裂为界，划分为成武断凹及济宁断块两个四级构造单元。复被曹县断裂、汶泗断裂分割成一些局部构造。前者如菏泽，曹县砖庙集、青?集，丰县等凸起和巨野、梁山县拳铺等凹陷。

燕山运动形成各构造格局的雏形，喜马拉雅山运动控制了境内各构造机体。全市各构造单元，尤其是二、三级构造的展布，具有以下特点：西侧的华北断拗构造线以北东向为主;东侧的鲁西中台隆以弧形的北东-东西向为主，后者生成较早。

历次运动的结果，造成境内，尤其是东部隐伏断裂纵横交错。地层区内出露的地层以新生代的第四纪为主，个别地方有古生代的寒武纪、奥陶纪。

长征胜利景园由清华大学建筑学院设计，原副主席刘华清题写了园名。景园主要由入口剑形标志、毛泽东《长征》诗碑、景园大门、瑞金塔、红军长征门、遵义会址、强渡嘉陵江、赤水河、泸定桥、懋功会师桥、草地宿营、甘孜会师、 岷山栈道、俄界会议会址、天险腊子口、哈达铺纪念馆、榜罗镇会议会址、六盘山长征纪念亭、延安宝塔、红军会师广场等20个景点组成。

长征胜利景园利用桃花山山形地貌和自然风景，采用摹拟与微缩相结合的手法，形象、逼真、生动地再现了红军二万五千里征程的千难万险、雄奇壮观，使参观者既可以满足瞻仰革命遗迹的渴望，又可享受登山览胜的乐趣。

Zhaoqing Seven Star Rock est situé à environ 4 km au nord du Centre - villede Zhaoqing. La zone pittoresque est composée de cinq lacs, six collines, septrochers et huit grottes. La zone pittoresque est de 8,23 kilomètres carrés. Il ya des montagnes dans le lac, des grottes dans les montagnes et des rivières dansLes grottes. Il ny a pas de ville dans la ville. Cest aussi beau quune féesur Roche Qixing est caractérisée par des pics rocheux karstiques etdes paysages lacustres. Sept pics calcaires disposés comme Beidou Qixing sontdisposés sur une surface de lac de 6,3 kilomètres carrés. La digue de plus de 20kilomètres de long divise la surface du lac en Grands Lacs avec un beaupaysage.Connu sous le nom de "Fairyland" et "première merveille deLingnan".LUnit é nationale de protection des reliques culturelles qixingyanCliff Stone est le groupe le plus concentré de sculptures de falaise dans le sudde la Chine, de sorte quelle est nommée qixingyan.

La Roche Qixing est à lorigine un lac Asphalt é formé par lancien chenalfluvial de la rivière Xijiang. Le corps principal est composé de sept sommetscalcaires, à savoir la roche Lufeng, la roche Yuping, la roche shimurite, laroche stigmate, la roche crapaud, la roche palmitique et la roche Po. Ils sontdisposés comme des étoiles de la Grande Ourse qui se dispersent sur près de 600hectares de surface du lac avec des vagues bleues comme des miroirs, et desdigues de lac ombragées de plus de 20 km de long, qui flottent comme desceintures vertes sur le lac fée, le lac central, le lac Bohai, leLe lac estrelié par des montagnes et des lacs magnifiques.

Qixingyan a une longue histoire

Il y avait des documents écrits dès la dynastie Jin.Lécrivain etcalligraphe Li Yong (Beihai) de la dynastie Tang est venu visiter le célèbre"Duanzhou Stone Chamber record", gravé sur le mur de pierre à lentrée de lagrotte.- en avril 1900, lors dune visite à Seven Star Rock, le maréchal écrivitsept versets: ? une fois que leau du lac West a été empruntée, les septmontagnes de Yangshuo ont été déplacées; des saules de soie ont été ajoutés auxremblais et des tableaux ont été laissés entre le ciel et la terre.?Les septétoiles sont magnifiques et colorées. Il y a "Guilin, Hangzhou Water" dans unendroit. Depuis lantiquité, il y a "Peak Risk, Stone Difference, Dongqi, templeancient" dit. Il y a "Seven Rock, Eight Holes, Five Lakes, six Hills" dans lesprincipales zones touristiques, et il ya plus de 80 endroits pittoresques à pierre céleste est la plus haute, avec une altitude de 117 mètres; lagrotte Longyan est la plus étrange, avec des grottes dans la grotte, qui a laréputation de "galerie de poésie Millénaire"; le temple Shigu est le plusancien, avec des temples dans la grotte.

Cinq Lacs: Central Lake, Fairy Lake, Li Lake, Bohai Lake et QinglianLake

Six postes: shipaigang, Shigang, Xianggang, wansonggang, huangmaogang,Yinzi Gang et Fozi Gang

Seven Rock: Lufeng Rock, Yuping Rock, shimurite Rock, tianshu Rock, crapaudRock, cactus Rock, apolitic Rock

Huit grottes: grotte Shishi, grotte Lianhua, grotte Bixia, grotte lusgu,grotte shuangyuan, grotte JinJin Yuye, grotte spirale et grotte de sortie deriz

大相国寺(国家4a级景点)的名称，始于唐朝，现在的相国寺是清朝重建后又修葺的。据《如梦录》记载，相国寺这个地方原是战国时魏公子无忌(信陵君)的故宅，宋代曾在此兴建一座信陵亭，名为信陵坊。南北朝时期佛教盛行，北齐天保六年(公元555年)在此兴建寺院，名建国寺，后毁于战火。唐初这里成了歙州司马郑景的宅园。

唐长安元年(720_年)名僧慧云从南方来到开封，用募化来的钱买下郑景的住宅和花园，于唐景云二年(720_年)兴建寺院，并根据施工中从地下挖出的北齐建国寺旧碑，又命名为建国寺，同时将募铸的一尊高3米的精美弥勒佛铜像安置寺中。建国寺重建时，唐睿宗为这个寺院亲笔书写了“大相国寺”的匾额，这就是相国寺的来历。

大相国寺位于河南开封市自由路西段路北，中国著名佛教寺院之一，相传为战国时魏公子信陵君故宅。北齐天保六年(555年)在此创“建国寺”，后遭水火两灾而毁，至今已有一千四百多年历史。唐初，为歙州司马郑景住宅。武则天长安元年(720_年)慧云和尚寄宿安业寺，发现原郑景宅池内有楼殿幻影，认为此地很有灵气，便募银建寺。唐中宗神龙二年(720_年)慧云到濮州(今山东鄄城北)铸了一尊一丈八尺高的弥勒佛像，于睿宗景云元年(720_年)请回开封，翌年，慧云靠募捐购买郑景宅院造寺，在挖基时掘出旧建国寺碑，遂沿用“建国寺”名。第二年(延和元年)，睿宗敕令改名为相国寺，并赐“大相国寺”匾，习称相国寺。昭宗大顺年间(890-891年)被火焚毁，后重修。宋太祖年间(962年)五月又遭火灾，后又重建。

北宋时相国寺为开封最大的佛寺，深得厚遇。自至道元年(995年)开始大规模扩建，到真咸平四年(1020_年)，用了七年时间才完工。扩建后的相国寺占地545亩，殿阁庄严绚丽，僧房鳞次栉比，花卉满院，被赞为“金碧辉映，云霞失容”。寺院住持由皇帝册封。相国寺成为皇帝平日观赏、祈祷、寿庆和进行外事活动的重要场所，被誉为“皇家寺”。不少国外僧人来相国寺进行文化流活动。宋太祖时，印度王子曼殊室利出家为僧，后来到中国，在相国寺居住多年。宋神宗熙宁七年(1074年)，朝鲜的崔思训带了几位画家来寺，将寺内所有壁画临摹回国。神宗时日本僧人成寻也曾在此居住。宋徽宗时，徽宗将“大相国寺”匾额赠送给朝鲜使者。另外每年举办五次“相国寺万姓交易”庙会，使该寺成为进行政治、商贸、社交、文化等活动的重要场所。

各位朋友：

大家好!欢迎您走进三峡人家风景区。我叫x ，是各位的导游，很高兴与大家相遇相识。在此我衷心祝愿峡江的青山绿水能带给大家一份好心情，也希望三峡人家能给大家一种别样的风情体验!

各位朋友，我们的游船现在是航行在灯影峡中，正在驶向龙进溪码头。借此时间，我先给大家简单介绍一下三峡人家的自然风光和淳朴风情。

三峡人家风景区位于长江三峡中最为奇幻壮丽的西陵峡境内，三峡大坝和葛洲坝之间，跨越秀丽的灯影峡两岸，面积14平方公里。三峡人家石牌之美，美在“湾急、石奇、谷幽、洞绝、泉甘”，它包括龙进溪、天下第四泉、野坡岭、灯影洞、抗战纪念馆、石牌古镇、杨家溪漂流等景区，其旅游内涵可以用“一二三四”来概括，即：一个馆(石牌抗战纪念馆)，两个特别项目(三峡人家风情项目和杨家溪军事漂流项目)，三个第一(三峡第一湾——明月湾、中华第一神牌——石令牌、长江第一石——灯影石)，天下第四泉——蛤蟆泉。其中三峡人家风情项目又分为水上人家、溪边人家、山上人家、今日人家。古往今来，历代文人骚客写下了许多优美的诗文，如唐代李白，北宋欧阳修、苏辙、黄庭坚，南宋陆游，清代张之洞,还有现代大诗人郭沫若等等。诗人们用他们的灵性之笔，或写三峡人家,或写橹声帆影,或写蛤蟆甘泉,或写青山飞瀑,或写秀峰奇石……读了这些诗篇，恍若身临其境，饱览了三峡人家石牌的神奇景色和浓郁风情。

到三峡人家石牌旅游，主要有八大看点：

绝版峡江风情——三峡人家

传统的峡江吊脚楼点缀于青山绿水之间，久违的古帆船、乌蓬船静泊于碧波清溪之中，江面上悠然的渔家在撒网打鱼，溪边少女挥着棒槌在清洗衣服……水上人家、溪边人家、山上人家，今日人家，一幕幕景致如画，千百年流传不衰的习俗风情更是体现着峡江人民的质朴好客。

三峡宜昌第一漂——杨家溪漂流

杨家溪因宋朝杨家将的后裔曾移居于此而得名。神秘的杨家溪漂流以军事漂流为主题，充满了浓厚的军训色彩，它分为动水漂流和静水漂流。在这里漂流，游人坐军车，穿军服，唱军歌，划皮艇，仿佛水上军训，一路搏激流，过险滩，既可领略冲浪闯滩的刺激，又可感受平湖荡舟的悠闲。

中华第一神牌——石令牌

据《东湖县志》载：江南芯奘?崃?呤?桑?缗品ぃ?拭钆疲频孛?从纱硕?础j?钆聘?2米，顶部宽12米，底部宽13米，厚约4米，重达4300余吨，远观之雄伟壮观，气势非凡。五代后周时期，峡州州治一度设于石牌，南宋建炎(公元1127-1130年)年间，峡州夷陵郡“移治石鼻山，绍兴五年(公元1135年)复旧”，在石牌设治六、七年。

长江第一石——灯影石

四块兀立山巅的奇石，酷似《西游记》中唐僧师徒西天取经的形象，每当夕阳西照，晚霞映衬峰顶时，远远望去，它们仿佛灯影戏幕上的人物造型，惟妙惟肖，“灯影石”即由此得名。当年郭沫若先生游历灯影峡时，曾题诗赞叹：“唐僧师弟立山头，灯影联翩猪与猴”。

灯影石中最负盛名的是沙僧石，被誉为“万里长江第一石”。它矗立在悬崖绝壁之巅，呈蘑菇状，重达100余吨，底部的承重截面仅200余平方厘米，平均每平方厘米承载近半吨的重量，堪称世界奇观。

三峡第一湾——明月湾

浩浩长江奔涌至石牌河段时，在这里向左急转弯110度,改向东去，形成一个巨大的月牙形，这就是“长江三峡第一湾”。

船过明月湾，置身于游船之上，眺望远方江面，便会发现两岸连绵不绝的山峦仿佛阻塞了滚滚长江，但船进山退，路转峰回，旋即又豁然开朗。故而当年郭沫若先生在过石牌远眺第一湾时，发出了“山塞疑无路，湾回别有天”的感叹。

西陵第一洞——灯影洞

灯影洞幽深狭长，长约1500米，洞内岩溶地貌景观奇特，洞道地形多变。洞内的“五色奇音石”是灯影洞最绝妙的景观，它色彩丰富，呈黑、白、黄、灰、绿五色交织，用手敲击，可闻鸣锣击鼓之声，令人叹为观止，洞内一条落差达30米的地下河，水流或缓缓无声，或状如洪钟，或潺潺悦耳，或悠如琴鸣，行走在这梦幻般的地下世界，令人心醉神迷。

抗战第一馆——石牌抗战纪念馆

公元1943年5月，为保卫陪都重庆，15万中国军队围绕石牌与10万日寇展开了殊死拼杀，取得了被誉为“中国的斯大林格勒保卫战”的辉煌胜利，粉碎了日寇觊觎重庆的美梦，成功地阻截了日寇进犯大西南的铁蹄。此战是二战期间中国抗日战场以弱胜强的一次著名战役。

石牌抗战纪念馆是三峡地区第一个综合性抗战纪念馆，修建在当年抗战的军事遗址之上，馆舍面积440平方米，由凭吊缅怀大厅、多媒体展览厅、图文展览厅、实物展览厅四部分组成，收藏珍贵实物200余件，珍贵图片近100幅。公元_年3月，宜昌市政府将石牌抗战纪念馆命名为首批国防教育基地。

天下第四泉——蛤蟆泉

灯影峡南岸扇子山下，原有一大石豁然挺立，好似一只张口吐舌、睁眼鼓腮的蛤蟆，其背后的一股泉水四季长流不息，水清味甘，是烹茶、酿酒的上好水源，这就是著名的蛤蟆泉。“茶圣”唐代陆羽品尽天下名泉后，誉之为“天下第四”，陆游亦有诗赞其为“天下泉中第四泉”。除二陆之外，苏辙、黄庭坚、王士祯、张之洞等都曾在此留下咏泉诗文。

神奇的石牌是长江三峡中一颗璀璨的明珠、一幅精彩的画卷，是两坝之间风景最为奇秀、风情最为淳朴的地方。_年6月三峡大坝下闸蓄水，石牌所在的西陵画廊保留了唯一一段原汁原味的三峡风光，这颗明珠放射出更加夺目的光彩。今天，各位朋友离开城市的喧嚣，忘却工作的烦恼，一头扎进三峡石牌的神奇山水之间，到天然氧吧里作一次绿色深呼吸，去三峡人家里感受一段厚重的峡江风情，您会真切地感受生命与自然贴近的意义，体味感悟自然、关爱生命的无穷乐趣。

各位朋友，我们航行的这段峡谷叫灯影峡，又叫明月峡，北宋时期称作石牌峡。船行江中，两岸的岩石色彩斑斓，黄、灰、褚等颜色兼有，不少地方呈银白色，明净可人，如天工细心打磨而出，这明净的峡壁被明净的天宇映射，酷似一幅水墨国画，崖壁映入江水之中，静影澄碧，江水瑟瑟，更添明丽之趣。若晚间过此，月落西山，月光之下的山光水色形成的那种“净界”，难以言喻。唐宋以来的诗人，对此多有吟咏，李白的“春水月峡来”，欧阳修的“江上挂帆明月峡”等，都是对它极为生动而特有的描绘。

各位朋友，我们的游船已到龙进溪码头了，请大家带好自己的行李，准备下船。

[龙进溪景区]

朋友们，我们的游船靠岸了，咚咚的鼓声敲响了三峡人家的热情和豪放，清幽的溪谷向我们露出了灿烂的笑容，请大家先按捺一下自己急切的心情，注意下船安全。

各位朋友，我们眼前的这条清溪叫龙进溪，她是三峡人家风景区最具风情的景区之一。溪口一座青瓦长廊石桥，掩映在摇曳的枝叶中，衬托出一种古朴幽深的意境。桥下一湾清水，清澈见底，波平纹静，目之所视，温顺如处。正对溪口的江北山崖上，一条带状石岭从山顶蜿蜒而下，快临江时向上高高翘起，活象一条巨龙，而看那龙头所向，似要跳进南岸的清溪，回巢歇息去了。龙进溪因此而得名。

龙进溪里，溪水碧绿，波光粼粼，林木苍翠，枝繁叶茂。小路纵横交错，鸡鸣狗叫相闻;古帆船静泊水中，吊脚楼掩映竹林，水车“咿咿呀呀”在水中转动，山民们怡然自得，自由自在，与世无争，过着原始古朴的生活，唱着心中想唱的情歌，吹一段古朴的下里巴人曲，喊一支高亢的峡江号子。舞蹈还是那么野性，菜肴还是那么地道，山民的热情还是那么如酒般浓烈醇厚。走进这条清幽的溪谷，真有一种“步入桃源不知归”的醉意。

水上人家

在龙进溪水与长江的交汇处，几只古帆船迎风而立，小渔船撒开了渔网，初峡亭精巧别致，在近溪的一边，一道水坝已筑起，截住了清幽的龙溪水，使溪水抬高了1-2米，溪水碧绿，林木苍翠，斑驳沧桑的龙溪桥横跨其上，几只小渔船静静地泊在桥下，“龙溪桥下春波绿，曾是惊鸿照影来”，如梦似幻，令人如痴如醉。世世代代生息于峡江的人们，以一种靠山吃山、靠水吃水的执着，形成了一种独特的生存方式和劳动习惯，这其中最具特色的便是渔民的家了。许多三峡人祖祖辈辈生活在船上，常年以打鱼为生，在水上流动，和风浪搏击，与渔船为伴，形成了“水上人家”。现在渔民生活虽然改善了，但这种古老的习俗却长久地保存了下来，年轻一代仍然撒网捕鱼，风里来雨里去，延续着这种古老的渔文化。

大家请看前面的几艘古帆船，过去它是峡江最重要的交通工具，也是三峡地区古老沧桑的历史见证。大家可能已经看到了，每条帆船上都装有两个乌蓬，比较矮的那个乌蓬里面是卧室，供主人睡觉休息之用，立于船头比较高的另一个乌蓬是为主人推桡、摇橹时遮风挡雨之用。过去，峡江一带滩多水险，暗礁密布，航道险恶，加之没有现代化的动力设备，在江上行船则极其艰难。为此三峡人充分利用聪明才智，设计了风帆，巧借自然之力，利用风力推动船只前行。顺水顺风时，升起风帆，利用风力鼓动风帆带动船只前进，则可安全顺利到达目的地，成语“一帆风顺”即由此而来;逆水行船时则要降下风帆，利用人力拉动船只前进。一边用人在船上推桡，一边用人在江边拉纤，两方齐心协力，才能让船只前进。由此船工拉纤便应运而生，成为三峡地区独具特色的风景线。留意一下峡江两岸的峭壁，和江滩的礁石，你就会发现那上面一道道深邃而光滑的石糟，那是纤夫们拉纤时的纤索勒刻下来的，那是一代一代峡江人留下来的生活的痕迹。“可怜牵船人，水湿半头裤，一步千滴汗，双手攀石路。”“三尺白布四两麻，脚蹬石头手扒沙。一步一滴辛酸泪，恨得要把天地砸。”这是流传在三峡地区的歌谣，是峡江纤夫自己的呐喊。长长的纤绳勒在纤夫赤裸的背，拉动着飘摇在波涛中的木船，江帆拉断了桅杆，船工手中的橹也折断了，船却依旧在滩前的急流中徘徊，有时乘船的旅人不得不舍舟登岸，踏上遥远而坎坷的纤道，伸出手去拉一把纤绳……没有人考究这历史有多长，有了长江，有了舟楫，拉纤也许就相伴而生了，这劳动的习俗就沿袭下来。峡江人那执着顽强的抗争精神足可与高山峡谷媲美。

船工们在拉纤时，为协调用力和减轻疲劳，便喊起了船工号子，高亢激昂的峡江号子，回荡在高山峡谷之间，时而雄浑高昂，时而苍凉悲壮，仿佛生命的呐喊，显示了船工与大自然抗争的伟力，更是船工悲苦生活的真实写照。船工们在拉纤时，凄苦而悲凉，偏偏两岸又时时传来啾啾不住，哀啭不绝的青猿啼叫，犹如重伤口上撒把盐，越发激起纤夫们的无限凄苦哀愁，使纤夫们禁不住摧肝裂胆，泪湿衣襟。北魏郦道元《巴东渔者歌》写道：“巴东三峡巫峡长，猿啼三声泪沾裳”;宋代欧阳修任夷陵县令时也留下：“万树苍烟山峡暗，满江明月一猿哀”的诗句，表达了同样的感受。

峡江渔船

刚才大家对帆船有了一定的了解，如果说古帆船勾起了大家的沧桑回忆，那么，峡江渔船则会带您找回至真至淳的渔家之乐。峡江渔船，风情独具。它既是渔民的“家”，又是古老三峡一道独特的风景线，历数千年而不衰，有如活跃在峡江一带的黑精灵。峡江渔船形如绍兴乌逢船，大者可载一二十人，小者可载三四人。构造分为上下两部，下为木舟，上为竹篷，篷有若干扇，形呈半圆，由竹丝夹竹箸编成，外表涂以煤烟和桐油，成黑色。每扇皆可随意移动，合拢，可挡日晒雨侵，推开可采光透气。篷内为舱，大者舱内人可直立，备有客座，小者人虽不可直立，但舱底铺席，可枕席坐靠或卧躺。其动力装置，大船为橹，小船为桨，现在大多已装有发动机，行船已十分容易了，但龙进溪的渔船仍需摇橹划桨，保持着古老的样式。坐渔船则更是一种至乐。推开半扇船篷，江上清风，泠然而来，凭眩远眺，明月山水，帧帧丹青，联翩而至，令人目不暇接。仰靠船舱、闭目养神，身心俱随船体轻摇，飘然悠悠，如登太虚之境，胸中了无世情;平卧舱板上，船底流水潺湲，汩汩有声，如琴如筝，至于在舱内围桌把盏，品茗谈笑，更是其乐融融，走遍世界，没有比这更美的氛围了。

“桥如虹，水如空，一叶飘然烟雨中”，“拈棹舞，拥蓑眠，不作天仙作水仙”，这是古人对渔船的讴歌和向往。而今，我们也禁不住它的诱惑了。有机会的话朋友们可登上乌蓬船，亲自摇橹划桨，体验渔家之乐。

峡谷幽幽

各位朋友，今年是虎年，在龙进溪就生活着成群的猴子。两岸山坡林木葱笼，藤蔓交杂，两百多只猿猴，分成几个部落，它们往来嬉戏，猿声阵阵，欢迎我们这些稀客的到来，给清幽的溪谷增添了几分生机。桥下碧波荡漾，溪水清澈见底，登上原始古朴的豌豆角或竹排筏，四面无遮无拦，抬头可见山景，俯首能赏水色，侧耳可听溪声，伸手能触清流，好似在画中游。几只小渔船安静的泊在溪边，船头晾晒着破衣服、旧渔网，船尾飘起了袅袅炊烟，一种“小桥流水人家”的江南水乡风情不觉恍入梦中，祥和而又宁静。

摇橹荡舟间，渔船就轻轻的拐了个弯，穿过了古朴的石拱桥。清幽的溪边撑开了一张大渔网，斑驳的渔船，陈旧的木杆，破旧的渔网，令人不禁生出几许沧桑感来。原来这是峡江一带捕鱼用的大渔网，俗名“扳罾”。它别具风情，是三峡人不可缺少的劳作用具，凝聚着三峡人的勤劳和智慧，现已难觅其踪影了。

各位朋友，游完色彩斑斓的溶洞世界,今天的游览活动到此就结束了，相信神奇瑰丽的峡江风光,淳朴沧桑的三峡人家风情都给大家留下了深刻的印象，非常感谢各位对我工作的支持与配合，有服务不周的地方请多多原谅。中国有句古话叫“两山不能相遇，两人总能相逢”，我们衷心期待着与大家再次相逢，欢迎大家再到三峡人家来作客，祝大家旅途愉快，一路平安!

各位朋友好！现在，我们到了著名的长江三峡了，三峡位于长江上游的重庆与湖北之间，是瞿塘峡、巫峡和西陵峡的总称。而这儿的风光，雄奇险拔却又不失庄雅秀丽，是个休闲的好地方。

三峡总长二百公里，大家看看两边都是连续不断的山，山没有一点缺口，如一条绿龙一带。这儿的山都高耸入云，遮天蔽日，把天空锁成了一条带子。要不是现在是正午，连太阳也瞧不见呢！

三峡是个“多景”的地方。一年四季，这个地方都有绝然不同的美景等你欣赏。在夏天，这儿水势浩大，水流湍急，是一种奔放的美感。但出于安全起见，还是要略加小心。秋天呢，是一种凄婉的美感，每到带霜的早晨，都有猿那哀转的啸叫，真可谓催人泪下。

要是你是个喜欢清幽美感的人，可真是来对时间了！像今天这样的春日，展现了三峡的清幽美。这儿有如雪的急流和碧绿的深潭，回旋着清波还倒影了世间万物的影子，游客依次可以探下头看看，喏，那还有倒映的太阳呢！在你们两边的山峰上，长着许多奇怪的松柏，很有趣味。现在，我们面前是两边的瀑布。这水飞流激荡，是文雅中跃动的美感，好了，随着船的前行，我们好好享受水清树秀、山高草盛的美景吧！

快乐的时光总是过得很快，我们旅行就此结束了。愿这次三峡之旅能在你心中留下一段美好的回忆，再见！

欢迎大家来到这里，下面我来为大家介绍一下!

庆云寺，位于上海市浦东新区合庆镇庆丰村，原为猛将庙旧址。一九九三年十二月，以当地种福庵、海潮寺、观音堂、三官堂、野三官堂、猛将堂六处庙主动统一规划，建为庆云寺。明旸法师入室弟子慧觉法师主持筹建，在庆丰村、庆丰实业总公司等鼎力资助下，于一九_年一月破土动工，一九九七年十二月十六日建成开放。

寺前有大山门，接大山门的是天王殿，殿中供天官弥勒菩萨;其背后为护法韦驮。左右背壁为四大天王像。过天王殿，右侧为鼓楼，内供伽蓝菩萨。右侧为钟楼，铜钟重三吨，钟楼内供地藏王菩萨。大雄宝殿在最后，东西长三十米，前后二十米，殿高十八米;正殿供三世如来，法身高五米，连同莲坐、佛龛，共高九米;两侧为十八罗汉坐像。其后还有五百罗汉山。三世如来后壁，背靠千手大慈大悲观音菩萨。庆云寺总占地面积共七千平方米。

亲爱的各位游客，你们好，欢迎你们的到来! 今天我很开心能在这做大家的导游，带领大家一起去游玩辽宁省著名的本溪水洞。

大家也许早就听说辽东山城本溪有一个亿万年的洞穴奇观：山中藏洞、洞中有水、水润石生、石扬城名，今天我们终于有机会能在这饱受眼福啦，哈哈~~

各位朋友，您可能走遍了祖国各地，也曾参观游览过许许多多知名的旅游洞穴。今天参观游览本溪水洞，您一定会感到还是本溪水洞美。每个旅游洞穴都有他独具特色的精美景观，而水洞的九曲银河恰是其精美景观当中的精髓。

好了，本溪水洞全程游览到此结束，经过今天的游玩活动，相信大家对辽宁本溪水洞有了更深一层的了解和见识。感谢各位的参观游览!欢迎各位下次再来，谢谢大家!!

上海地区供奉城隍由来已久。早在宋淳佑七年(1247)，华亭即立城隍庙。上海在置县前，也供祀城隍于淡井庙，以作为华亭县城隍行殿，后人称老城隍。明朝开国后，于洪武二年(1369)，诏封天下州县城隍府神为显佑伯。

相传上海的城隍神姓秦，名裕伯，字景容。为宋代尤图阁学士秦观八世孙。元时累官至福建行省郎中。元末避兵扬州，转徙上海。当时占据苏州的张士城派人前往招用，为其拒绝。吴元年及洪武初年，朱元璋几次淮备起用秦裕伯，秦均称疾不出。初定天下的朱元璋对于秦裕伯隐卧上海甚感不安，这位生性多疑的皇帝深虑由此“海邦不靖”，即下手渝：“海浜民好斗，裕伯智谋之士而居此地，坚守不起，恐有后悔。”手谕的意思十分明白，秦裕伯只得应召人朝，次年拜待制，旋为治书待御史。洪武三年，设科取士，与刘基同为京畿主考官。洪武六年(1373)病卒，葬于上海长寿里。为“释主疑，明民志，不惜一身之去就，为国人请命也”，因而，海滨之民怀着感激与敬重，奉祀其为城隍神。

永乐年间，上海知县张守钓将原位于县西北的霍光行祠改建成具城隍庙。据至元《嘉禾志》引《吴越备史》载，相传吴王孙皓病重时，有神附体一小黄门，对孙皓言道：“华亭谷东南有盐塘，风潮为害，非人为所能防。臣本汉霍光也，愿统部属镇之。”遂立庙祀汉博陆侯霍光，是为上海祀奉霍光之始。

上海的霍光行祠又常称为金山神庙。金山庙改成城隍府后，前殿仍奉祀金山神霍光坐像，后殿则供奉秦裕伯。改建之初，城隍庙规模尚小，以后历代都有所修葺。全盛时，包括有大殿、中殿、寝宫、星宿殿、阎王殿、财神殿、文昌殿等殿堂。清康熙四十八年(1709)，在庙侧起造东园。乾隆时，由全县士商捐纳，购潘氏豫园故址，归城隍庙，称西园。重加兴修，所费资产累巨万，极泉石之美，以作娱神乐神之用。府基一度达70亩，称盛一时。其时，江南奉祀城隍“尤谨”，开堂皇崇，寝阁羽卫，“庙制辄拟古诸侯，又极池台园囿之观，吴越所在者皆然，而上海为尤盛”。与盛大的庙宇相一致，上海人对于城隍神有着特别虔城的奉祀：先是松江民俗，每重祷献，而于城隍庙尤甚，如祈病祈福，富室用全猪羊，贫者用三牲首，日元虚晷，佥云城隍有炅，能祸福人，别府铯无此事。除夕日，家家户户备牲醴，前往城隍庙瞻拜。牲醴香烛，源源而来，香火称旺一时。每年清明、中元、十月朔，城隍神出巡祭厉坛，迎送间，彩旗、灯幡、鼓乐、戏妓、烟火、舆马，备极豪华、隆重，“虽王侯不能拟，官府不能禁”。历经数世，在沪人的心目中，上海的城隍神“御灾捍患，素者威灵”，士民对其感恩戴德。清代曹一士曾应邑民之请，为城隍神作《颂序略》，其中记载了送样一则故事：顺治十年秋，一直在海上坚持抗清斗争的张名振引兵人吴淞。苏州总兵王?时掌军务，督战上海，见对方旌旗蔽空，海艘鱼贯而入，一时竟不知所措。是役，清兵溃败。不久，江宁巡抚周国佐按临上海，王?深恐其畏敌逃避之迹败露，遂先发友制人，诬告上海百姓犯通海之罪。周国佐信以为真，决定屠城，淮备从南浦至静安寺，承数烧杀。上海知县阎绍庆及乡绅曹垂灿等闻知，急忙赶赴抚台行营，长跪陈请，愿以全家百口性命为保。自朝至暮，再三恳求。周国佐仍一意孤行，下令鸡鸣时分纵戮。夜半，城隍神显形巡抚官廨，朱袍象简，赫立阶下，周国佐见之，心意稍动。稍顷，城隍神又显形，对着周国佐“直视摇首者数四”。于是，周国佐收回屠城之令，全城百姓终于免遭屠戮。这一传说，反映出上海的老百姓已将能保有家室、安享太平归功于城隍神之赐。

也有说城隍作为神，是由《礼记》中所渭“天子大蜡八”而来。天子要祭八种神，其中有“坊”与“水庸”，大略是对城堑、护城沟渠之祭，这是对城市守护神的祭札。明代人陆容《菽园杂记》卷五谈到了城隍之祀：城隍之在祀典，古无之。后世以高城深池，捍外卫内，必有神主之，始有祠事。惑于理者，衣冠而肖之，加以爵号，前代因袭，其来久矣。后世的城隍正是被赋予了城市守妒神的面目与功能，御灾难，安生聚，垂丰穰，庇百姓。城隍庙亦就因此成为一个城市不可或缺的祭典埸所。地方官府朔望进香，祈晴祷雨，并常藉以宣讲乡钓。士庶禳病祈福，牲醴香楮，祷献报赛。这也就难怪城隍庙庙宇崇闳，香火繁盛。

自清末以来，上海的城隍庙又多出一重功能。当时辟出西园的部分，租于商家。此例一开，园中广设商店，竟成集市，城隍庙各种土特产、美味食品的声名不胫而走。另外，东、西园园囿之胜号称一邑之冠，游赏者颇多。各种花会，如四月下旬兰花会，九月中旬菊花会等，常设于东、西园，各神庙会、灯会又常以城隍庙为盛。三月二十八日，传乃城隍夫人诞，上海街巷悬灯亦一如天后。

作为海滨城市，上海的城隍庙还兼有着护海功能。明初城隍庙改建之时，大门有坊，其额曰“保障海隅”。清同治时又加封“护海公”，匀天后神合力护庇南来北往的海舟，“上海地濒溟渤，华夷于兹互市，北达燕齐，南连闽粤，舳舻衔尾，鳞萃?集，往往惊涛骇浪中，神之灵异与天后相佐佑”。进出黄浦的船艘，则必向天后官、城隍庙烧香祈祷。“惯驾沙船走北洋，船头四望白茫茫。得归庆幸团团会，天后城隍遍?香。”每次城隍庙修葺，不仅上海商民踊跃捐赠，不恤财力以助，四方富商巨贾也皆“捆载辐辏而集”。上海城隍庙由此得以称盛兴旺。

Lancienne gare de Shanghai, construite en 1908, sappelait la Gare Nord(Gare Nord), située à lintersection de Baoshan, Tianmu Middle Road.

La gare nord de Shanghai est lun des centres de transport reliant le nordet le sud de la Chine.Au nord de la gare nord de Shanghai le long de la ligneHuning, il est possible de relier Jinpu et Longhai à Hefei, Tianjin, Beijing,Xian, Urumqi, Yuyang, Changchun, Harbin et dautres endroits; au sud de laligne Shanghai - Hangzhou, il est possible de relier Zhejiang - Jiangxi etdAutres lignes à Nanchang, Fuzhou, Xiamen, Guangzhou, Kunming, Guiyang,Chengdu, Chongqing et dautres endroits, et darriver près de 50 fois par jourpour prendre en charge les voyages nationaux.14,3% de lenvoi des clients.

La zone de construction initiale de la gare de Shanghai nétait que de 20__ mètres carrés, et les incidents de 20__ et de 20__ ont été endommagés par laguerre. Bien que la gare ait été construite plusieurs fois, sa capacitédexploitation était limitée.Afin daméliorer les conditions de transport, lamunicipalité de Shanghai a décidé de commencer officiellement, le 20 septembre1984, la construction dune nouvelle gare routière adaptée à la grande ville deShanghai.

La nouvelle gare ferroviaire est un projet de construction complet à grandeéchelle à Shanghai dans les années 80, qui a été officiellement ouvert le 28décembre capacité nominale de la nouvelle gare passagers est de 72paires, et le débit de passagers prévu pour toute la journée et les heures depointe sur la place de la gare est de 575 000 et 50 000 fois respectivement; ledébit de véhicules est de 33 000 et 3 000 fois respectivement.Selon le flux depersonnes, le débit des véhicules et les conditions dutilisation des terres, ilest déterminé que la nouvelle gare voyageurs est équipée de deux places Nord superficie prévue de la place est de 97 000 mètres carrés, dont 67 000mètres carrés pour la place Sud, 30 000 mètres carrés pour la place Nord, 10 000mètres carrés pour les piétons, 7 200 mètres carrés pour les véhicules et 12 800mètres carrés pour le stationnement.Les passagers peuvent prendre le bus le plusproche, réduire les détours et améliorer les conditions de conduite.Entre -temps, il se croise avec la ligne de métro 1 et la ligne de métro Pearl enconstruction pour former un centre de distribution de flux de voyageursefficace.

La place Sud se compose dune place centrale et de deux places auxiliairesà gauche et à droite, disposées symé ceinture de marche devant lasalle de sortie est - Ouest sétend vers lavant et entoure le parking centralen forme de pince à crabe. L?le verte est aménagée au milieu en face de laporte du b?timent principal de la gare pour devenir le Centre de toute laplace.Le terminal de la ligne de bus est dispersé devant le hall de sortie est - place Nord utilise la route kongjiamuqiao nord - Sud et la route decirculation est - Ouest comme principales routes daccès à la gare.Lestationnement des véhicules automobiles est aménagé sur le c?té nord de la sallede sortie de la place et sur les ailes est et ouest de la salle dentrée, etplusieurs terminaux de circulation sont aménagés près de la salle dentrée. Lestationnement des véhicules non automobiles est aménagé aux deux extrémités estet ouest de la place.

朋友们，前面就是石林景区了。提起石林有人可能会想到云南的石林，想到美丽的阿诗玛。老君山的石林与云南的石林相比有很大的不同，从地质角度讲，云南石林属于典型的石灰岩岩溶地貌，老君山的石林属于海底火山岩及火山沉积岩系。其地质术语为：“花岗岩峰林”。说到花岗岩，人们就会想到光秃秃、滑溜溜的特征。这是由于花岗岩的风化形态是球形风化，因此，其形体特征是鹅卵状，表面特征是光滑，难存植被。然而，老君山石林却不具备花岗岩的这些特征，而是刀劈斧削，犬牙交错，披绿挂红，植被茂盛。看上去更加雄伟壮观，多姿多彩。这是由于老君山花岗岩体与其它花岗岩的不同造成的。老君山的岩体是由“斑状黑云母二长花岗岩”组成。它是在距今1.4——0.8亿年间秦岭造山带抬升造山过程中形成的相对年轻的花岗岩体，被国内地质专家命名为“老君山岩体”。老君山岩体就位后，经长期的构造剥蚀作用，造就了当今奇峰异谷，挺拔秀丽的地貌景观。因此，世界地质公园评审专家赵逊先生称：老君山南坡石林是“迄今为止世界范围内发现的规模最大的花岗岩峰林奇观。”

这次由于时间和天气原因，老君山的一些胜景和奇观大家没有观赏到，不过，1775年乾隆登上嵩山时说：“好景一时观不尽，天生有缘再来游”，希望大家以后有机会再来领略老君山青山绿水的灵韵。预祝大家归途一路顺风。

大家就要分别了，在这分别之际，我想引用徐志摩的《再别康桥》来表达我此时此刻的心情：悄悄的我走了，正如我悄悄的来;我挥一挥衣袖，不带走一片云彩。不知道这首诗能不能表达您此刻的心情?康桥之美远在大洋的彼岸，这君山之美，却近在咫尺，愿不久的一天，您再故地重游。预祝大家返程一路顺风。