旅游导游词英语(精选20篇)

各位旅客朋友们：

大家好!

丹东市位于东经123°22′至125°42′，北纬39°43′至41°09′，东与朝鲜民主主义人民共和国的新义州市隔江相望，南临黄海，西界鞍山，西南与大连市毗邻，北与本溪市接壤。丹东地区东西最大横距196公里，南北最大纵距160公里，总面积15222平方公里。

丹东位于亚欧大陆东岸中纬度地带，属暖温带亚湿润季风型气候，年平均雨量多在800-1200毫米之间，是中国北方雨量最多的地区，降水2/3集中于夏季。

年平均气温南部在8-9℃，北部6-7℃，受季风影响，季节变化明显，四季分明，是中国东北地区最温暖最湿润的地方。春秋季节是南、北风交替的季节。春季冷空气开始衰弱北退，暖空气北进;秋季则反之。

冬季时间最长，夏季次之，春秋过渡季节最短。丹东降水量较多，是东北地区降水量最多区，占辽宁省降水量的70%，水源充足。年平均降水量为881.3-1087.5毫米，全年降水量的2/3集中在夏季，其中七月中旬至八月中旬是该区暴雨集中期。

丹东地区江河密布，主要有鸭绿江水系、大洋河水系和沿海水系。全地区2公里以上的大小河流944条，其中流域面积超过4983平方公里的大江、大河4条，即鸭绿江、浑江、叆河、大洋河。

丹东地区是辽东山地丘陵的一部分，属长白山脉向西南延伸的支脉或余脉。地势由东北向西南逐渐降低。按高度和地形特征，可划分为北部中低山区、南部丘陵区、南缘沿海平原区3类规模较大的地貌单元。其中以山地和丘陵为主，局部还有阶地、盆地、台地等小型地貌单元。

丹东市属丘陵地带，地势北高南低，山地丘陵占72.4%，平原谷地面积占14.6%，水域占8.7%，其他占4.3%。自然概貌可概括为"七山一水分半田，半分道路和庄园";宽甸和凤城北部地势最高，平均海拔500米左右，有千米以上山峰14座，最高峰花脖山，海拔1336.1米;凤城中南部以及东港北部平均海拔300米—500米，丹东市城市区和东港中南部地势最低，海拔多在20米以上，最低处海拔在2米以下。

Dear tourists

Hello everyone, welcome to Yueyang Tower, one of the three famous buildingsin Jiangnan.

Yueyang Tower is a national key cultural relic protection unit and one ofthe first batch of national 4A tourist areas. The landscape characteristics ofYueyang Tower can be summarized into four aspects. First, it has a long history.Yueyang Tower, formerly known as Yuejun tower built by Lu Su, was built in the19th year of Jianan in the Eastern Han Dynasty (A.D. 220__) and was namedYueyang Tower in the 2nd year of Qianyuan in the Tang Dynasty (A.D. 759). It hasthe longest history among the three famous buildings in the south of the YangtzeRiver.

Second, the scenery is unique. Yueyang Tower is composed of river, lake,mountain and city. "Baling Sheng shape, a trace in the Dongting, the title ofthe distant mountains, swallow the Yangtze River, vast, boundless horizontal,morning and evening Yin, magnificent." The poet Du QinYong said: "the vast snowwaves with smoke, the sky and the West back painting, the building is verybeautiful scenery, a mountain nine lake." Yueyang Tower is a marvelous praisefor its geographical shape. It is strong with water, beautiful with mountainsand better than Jiangnan in shape. Third, it has a profound culture. YueyangTower poetry anthology contains more than a few famous works, a large number ofcouplets, plaques, paintings and inscriptions, most of which are permeated withthe "sense of hardship" of the Chinese nation. _In Du Fus "climbing the YueyangTower", he said, "I heard the Dongting water in the past, but now Im going tothe Yueyang Tower. In the southeast of Wu and Chu, heaven and earth float dayand night. Family and friends have no word, old and sick have their own boat.The army passes the mountain north, depending on the Xuan tears Si flow Hisconcern for the prison and the people is beyond expression. Fan Zhongyans"Yueyang Tower" is the development of this excellent tradition to the peak. Thephilosophy of "not to be happy with things, not to be sad with yourself", Atthat time, Su Dongpo expressed his emotion that "although it is not easy for asage to rise again", which Liu Shaoqi introduced as the criterion for thecultivation of Communist Party members, Hu Yaobang praised as thecrystallization of traditional Chinese virtues. It is indeed the most preciouscultural relics of Chinese spiritual civilization. Among the three famousbuildings in the south of the Yangtze River, only Yueyang Tower is a nationalcultural relic with historical, artistic and scientific value. The Yueyang Towernow seen is a pure wood structure. It was overhauled in 1983 according to theprinciple of "keeping the old as it is". It has four columns, three floors,cornices and helmet top. The whole building is made of wood without a brick or anail. The door joints are mortise and tenon. The workmanship is very exquisite.In history, Yueyang Tower has been destroyed and repaired for more than 50times. Friends, this couplet in front of the door, "Dongting Tianxia water,Yueyang Tianxia tower", is extracted from the five character quatrains of WeiYunzhen, a poet of the Ming Dynasty. The last two sentences of this poem are"who is the scholar in the world, drinking on the top of the building." Today,you are going to be the corporal of the day. Lets enjoy the profound YueyangTower culture and the magnificent mountains and rivers of Yueyang with Dongtingas the wine. Maybe you will be as drunk as Li Bai.

On the wall of Baling ancient city, the "Xiaoxiang archway in the SouthPole" and the "Wuxia archway in the north" were built in the Qing Dynasty. Thecouplets of chanting scenery in the two places are all written by famousartists. In the north of the ancient times, he Shaoji, a great calligrapher ofthe Qing Dynasty, wrote couplets, and Li duo, a famous calligrapher of thecontemporary era. In the south, Zhang Zhao, who wrote Yueyang Tower in the QingDynasty, and Liu Haisu, a contemporary master of calligraphy and painting, wrotethe couplet. From then on, we can see that Yueyang Tower was loved by literatiof all ages.

Now in front of you is Yueyang Tower. The three characters of "YueyangTower" on the horizontal plaque were inscribed by Mr. Guo Moruo, and now it hasbeen compiled into the book named plaque of Zhongjun. Yueyang Tower is 2135mhigh, 1724m wide and 14.56m deep. Three story three eaves, helmet top type woodstructure, covered with yellow glazed tiles. The helmet top is a prominentfeature of Yueyang Tower. You can see that it looks like the helmet of anancient general. It is powerful and majestic. With cornices, it has smoothcurves and gives people a sense of power. Looking at the Ruyi Dougong under thehelmet top, it looks like a beehive. It is decorated with dragon head, phoenixhead and cloud head. It not only supports the gravity of the helmet top, butalso makes the whole building more exquisite, solemn and harmonious. The top ofthe roof, ridge ornaments, head up and other components are all ceramic productsleft over from the middle of the Qing Dynasty. Therefore, Yueyang Tower has madeamazing achievements in aesthetics, mechanics, architecture and technology.

When you enter the main building, the first thing you see is the carvedscreen of Yueyang Tower, which is composed of 12 pieces of red sandalwood. Asmentioned above, the name of Yueyang Tower was only used in the Tang Dynasty. Atthat time, Li Bai, Du Fu, Liu Yuxi, Li Shangyin and other talented personagesand poets came one after another. They look out from the cantharidin tower, goboating in Dongting, and write hard. In his poem "climbing Yueyang Tower withXia 12", Li Bai described it as follows: "the tower views Yueyang as far aspossible, and the Sichuan Dongting opens. The wild goose leads the sorrowfulheart to go, the mountain holds the good month to come. Even stay in the clouds,the sky line cup. After getting drunk, the cool wind blows and the people danceLi Shangyin, a poet in the late Tang Dynasty, also wrote the poem Yueyang Tower:"if you want to get rid of your worries, you can go to Yueyang Tower on DongtingLake. Its a pity that thousands of Li can take advantage of the prosperity.Its a dragons solution to the shipwreck. " The Yueyang Tower became more andmore famous because of these new words.

However, it was after Teng Zijing rebuilt Yueyang Tower and Fan Zhongyanwrote Yueyang Tower. In the fourth year of Qingli period, Ying Zijing wasdemoted to be the governor of Yuezhou. After he took office, he organized threemajor events: first, building a rainbow dike under the Yueyang Tower to defendthe waves of Dongting Lake; second, setting up a county school to cultivatetalents; third, rebuilding the Yueyang tower. Teng Zijing has both literarytalent and military strategy. He thinks that "it is not long for Louguan to becalled a reporter by writing, and the writing is not written by those who aretalented and powerful.". So he thought of his friend Fan Zhongyan, who was aJinshi in the same middle school. He wrote a Book of Qiuji, which introduced thestructure and momentum of Yueyang Tower after it was revised. He poured out hiseagerness to ask Fan Zhongyan to write a record. He also asked someone to draw apicture of autumn evening in Dongting, which copied the poems and Odes ofYueyang Tower chanted by famous scholars of all ages. He sent people to FanZhongyans demoted residence day and night It is located in Dengzhou. FanZhongyan was a famous statesman, litterateur and militarist in the Northern SongDynasty. Like Wei Zijing, he was rejected and attacked because he advocated theinnovation of politics. After receiving the letter from Teng Zijing, he read itrepeatedly and thought about it carefully, and finally wrote the famous story ofYueyang Tower. Although the full text of this article is only 368 words, it hasbroad content, profound philosophy, majestic momentum, sonorous language andpearly words. It has become a masterpiece for thousands of years. However, thesaying "first worry about the world, and then joy about the world" has become afamous saying handed down from generation to generation, and has become theaccumulation of the noble personality culture of the outstanding knowledge ofthe Chinese nation. The story of Yueyang Tower, with its supreme content andartistic charm, has been handed down for thousands of years and nourishedpeoples hearts. After receiving Fan Zhongyans Yueyang Tower, Teng Zijing wasoverjoyed. He immediately asked Su Zimei, a great calligrapher, to write it andShao Songhui, a famous sculptor, to engrave it on a wooden plaque. As a result,Lou, Ji, calligraphy and sculpture are collectively known as the "four wonders".Unfortunately, the sculpture was destroyed in the fire during the reign ofemperor Shenzong of the Song Dynasty. The screen we see now is written by ZhangZhao, a famous calligrapher and Minister of the Ministry of punishment in theQianlong period of the Qing Dynasty.

The whole building is supported by four big nanmu columns. It runs from thebottom of the building to the top of the building, and then uses 12 gold pillarsas the inner ring to support the second floor. Around it, 20 wooden pillars areused to control the door joints and tenons, and connect them as a whole. Thewhole Yueyang Tower is of pure wood structure, and no iron nail can be found. Onthe first floor, there are couplets chanting Yueyang Tower by ancient and modernmasters. The one in the middle of the hall is the longest of the couplets. Thefirst couplet begins with "whats strange on the first floor", listing theachievements and legends of poets, famous Confucians, virtuous officials andwine immortals left in Yueyang Tower, expressing the authors regret for thepast and the present; the second couplet introduces the famous mountains andrivers, the magnificent and dangerous city of baling. If you write down thiscouplet, you will have a general understanding of Yueyang Tower.

A carved screen of Yueyang Tower is hung on the front of the second floor.There is a story circulating here. During the reign of Daoguang in the QingDynasty, a magistrate surnamed Wu came to Yueyang. He took a fancy to the carvedscreen of Yueyang Tower, and bribed a master of folk art carving with a largesum of money to make another carved screen. Taking advantage of the opportunityof being transferred out of Yueyang, Wuzhi county took advantage of theopportunity to steal the beam and change the column, and fled on a stormy nightwith the carved screen of Jiaxiao and Zhang Zhao. The boat was overturned in thejiumazui section of Dongting Lake by wind and waves, and the carved screen sankto the bottom of the lake. It was salvaged by local fishermen and collected byWu Minshu, a local scholar. After 120 silver from the hands of Wus descendantswill screen back. During the cultural revolution, the red guards wanted to smashthe feudal carved screen. In order to protect it, the workers covered thewriting with plaster and wrote Chairman Maos poems. In this way, the carvedscreen escaped another disaster. This one and the one on the first floor areboth true and false, just like the list of merits and demerits.

The third floor is the top floor of Yueyang Tower. Looking from the window,you can appreciate the majestic momentum of "holding the distant mountains andswallowing the Yangtze River" and enjoy the beautiful scenery of lakes andmountains, which is "the same color of water and sky, boundless wind and moon".Signed "Changgeng libaishu". When we stand on the third floor and look out fromthe window, we can see that the water and sky of Dongting Lake are united, theclear wind and the moon are boundless, and the mountains and lakes are all onthe first floor. Isnt the feeling that "the water and the sky are united, thewind and the moon are boundless"?

In the middle is the strip screen of Deng Yueyang Tower written by Du Fu inMao Zedongs handwriting. You can see that it has rigorous layout, bold andunrestrained brushwork, iron and silver hook, vigorous and straight, which isdeeply rooted in huaisus wild grass style, and has its own style. This is arare art treasure, hanging here, making Yueyang Tower even more icing on thecake.

Out of the Yueyang Tower is the three drunk Pavilion, which is the place toworship Lu Xian. Lu Dongbin used medicine to save people and did good deeds. Hewas deeply respected by the people. In addition, he was named "Fuyou emperor" bythe emperor of Yuan Dynasty. He was one of the five northern ancestors ofTaoism. Yueyang Tower was built with yellow glazed tiles specially used by theemperors in feudal times as the place where LV Xian stopped. Why is Lu Xian soprominent in Yueyang? It turns out that there are anecdotes about Lu Xian in theannals of Yueyangs prefectures and counties, saying that he had drunk with TengZijing, played chess with Wang Taishou, the national chess player, and stoppedQiao Taishous sedan chair when he was drunk. In particular, Zhizhou Li Guan notonly records the origin of LV Xiantings story, but also includes two poems byLV Xian. At that time, they were carved in front of Yueyang Tower with hugestones. One of them is "when you travel to the north, the dusk of Cangwu, thecourage of the green snake in your sleeve, when you are drunk in Yueyang, youcant recognize it, and you can fly over Dongting Lake with langyin." The nameof sanzui Pavilion comes from this poem.

Finally, visit Yueyang Tower culture and Art Center. There are not only thecarved screen of Yueyang Tower written by the famous calligraphers Mi Fu, ZhuYunming, Dong Qichang and Zhang Zhao, but also the image display of theconcentrated landscape of Yueyang Tower in song, yuan, Ming and Qing Dynasties.There are also a large number of works of art and crafts with Yueyang Towerculture as the theme, as well as various books and periodicals about YueyangTower. Besides enjoying, you can choose your favorite souvenirs forcommemoration.

"鸟巢",是第29届奥林匹克运动会的主会场，位于北京奥林匹克公园内、北京城市中轴线北端的东侧。建筑面积25.8万平米，用地面积20.4万平米。20__年奥运会期间，承担开幕式、闭幕式、田径比赛、男子足球决赛等赛事活动，能容纳观众10万人，其中临时坐席2万座。奥运会后，可容纳观众8万人，可承担特殊重大体育比赛、各类常规赛事以及非竞赛项目，并将成为北京市提供市民广泛参与体育活动及享受体育娱乐的大型专业场所，成为全国具有标志性的体育娱乐建筑。

你们知道"鸟巢",是由谁来设计的吗?让我来告诉你们吧!"鸟巢",是由20__年普利茨克奖获得者赫尔佐格、德梅隆与中国建筑师李兴刚等合作完成的巨型体育场设计，形态如同孕育生命的“巢”，它更像一个摇篮，寄托着人类对未来的希望。设计者们对这个国家体育场没有做任何多余的处理，只是坦率地把结构暴露在外，因而自然形成了建筑的外观。

国家体育场坐落在奥林匹克公园中央区平缓的坡地上，场馆设计如同一个容器，高地起伏变化的外观缓和了建筑的体量感，并赋予了戏剧性和具有震撼力的形体，国家体育场的形象完美纯净，外观即为建筑的结构，立面与结构达到了完美的统一。结构的组件相互支撑，形成了网络状的构架，它就像树枝编织的鸟巢。体育场的空间效果即具有前所未有的独创性，却又简洁而典雅，它为20__年奥运会树立了一座独特的历史性的标志性建筑。体育场就像一个巨大的容器，不论是近看还是远观，都将给人留下与众不同的、永不磨灭的形象，它完全符合国家体育场在功能和技术上的需求，又不同于一般体育场建筑中大跨度结构和数码屏幕为主体的设计手法。体育场的空间效果既具有前所未有的独创性，而又简洁、典雅。从这里，人们可以浏览包括通往看台的楼梯在内的整个区域动线。体育场大厅，是一个室内的城市空间，设有餐厅和商店，其作用就如同商业街廊或广场，吸引着人们留恋忘返。

"鸟巢"体育场外壳采用可作为填充物的气垫膜，使屋顶达到完全防水的要求，阳光可以穿过透明的屋顶满足室内草坪的生长需要。比赛时，看台是可以通过多种方式进行变化的，可以满足不同时期不同观众量的要求，奥运期间的20000个临时座席分布在体育场的最上端，且能保证每个人都能清楚的看到整个赛场。入口、出口及人群流动通过流线区域的合理划分和设计得到了完美的解决。

塔尔寺位于青海省湟中县鲁沙尔镇西南隅的莲花山坳中，是我国藏传佛教格鲁派(俗称黄教)创始人宗喀巴大师的诞生地，是藏区黄教六大寺院之一， 也是青海省首屈一指的名胜古迹和全国重点文物保护单位。距省会西宁市26公里。

塔尔寺是青海省藏传佛教中的第一大寺院，原名塔儿寺，得名于寺中大金瓦殿内纪念宗喀巴的大金塔。

14世纪，藏传佛教开始向东亚和中亚地区传播。与此同时，青海省和整个中国西北地区的佛教中心和黄教圣地塔尔寺在鲁沙尔镇建立。汉族、藏族、回族、土族人在这里或信奉佛教，或信奉伊斯兰教，或皈依儒道，或拜金拜神，彼此包容、和睦。佛说，“众生皆平等”。塔尔寺，就是坐落在这块“众生平等”的宝地上的一朵美丽莲花。

塔尔寺是藏传佛教格鲁派的创始人宗喀巴大师的降生地。宗喀巴成名后，有许多有关他灵迹的传说。据说在他诞生后剪脐带滴血的地方长出一株白旃檀树。明洪武十二年(公元1379年)，宗喀巴母亲按儿子来信所示，在信徒们帮助下，以这株旃檀树和宗喀巴所寄狮子吼佛像为胎藏，砌石建塔，这是塔尔寺最早的建筑。后来，该塔一再改建易名，成为现在大金瓦殿中的大银塔，是全寺的主供神物，汉语塔尔寺即由此塔得名。明嘉靖三十九年(公元1560年)，禅师仁钦宗哲坚赞于塔旁建一静房，聚僧坐禅。20xx年后，再建弥勒佛殿一座，塔尔寺初具规模，取藏名“衮本贤巴林”，意为“十万佛身像弥勒洲寺”。

400多年来，塔尔寺逐步发展成一座具有鲜明民族特色和地方风格的古建筑群，全寺占地600余亩，僧舍房层9300多间，殿堂52座，僧人最多时达3600余人。全寺四山环绕，殿宇宏伟，佛像庄严，梵塔棋布。其中，大金瓦殿和大经堂为全寺主体建筑。大金瓦殿始建于清康熙年间，建筑面积456平方米，上下三层，飞檐四出，各抱形势，歇山式金顶，覆以镏金铜瓦，墙面用琉璃瓦砌成，图案精美，殿内纪念宗喀巴的大银塔，誉为“世界一庄严”，殿堂正门上方悬有清代乾隆皇帝亲题的“梵教法幢”匾额。大经堂始建于明万历四十年(公元1620xx年)，民国元年(公元1920xx年)遭火焚后重修，总面积为2750平方米，经堂内长柱18根，短柱90根，皆用特制地毯包裹，地上铺设地毡坐垫，可供3000僧人集体诵经，正西方供有无数佛像、藏文经典，设有0、班禅以及寺院法台座，柱间满挂各种堆绣的卷轴画。

此外，尚有弥勒殿、九间殿、三世0灵塔殿、释迦殿、依怙殿、小金瓦殿、花寺、居巴扎仓、丁科尔扎仓、曼巴扎仓、如来八塔、过门塔、菩提塔、时轮塔、印经院、大喇让以及各-府邸等。除各种造型精美的佛像、法器、卷轴画，还保存有宋代的哥窑瓷坛、玉雕、明代的龙瓷瓶、清代的龙鱼瓶、竹雕寿星、玉雕观音等珍贵工艺品，藏有历代统治阶级赐赠的各种匾额和汉藏文碑刻。

塔尔寺是藏族文化艺术的宝库。明万历四十年(公元1620xx年)，在三、四世0-的倡导下，塔尔寺首建显宗学院，建立讲经开法制度，系统学习因明、般若、中观、俱舍、戒律等显宗经典。以后又相继建成密宗、时轮、医明学院，形成正规的学经制度，学习生圆次等方面的密宗经典和天文、历算、医学等方面的知识。现存有数以万计的有关佛学、藏族历史、文学、语言方面的文献图书，是研究藏学的珍贵资料。此外，该寺的酥油花、壁画(唐卡)、堆绣。被誉为艺术“三绝”，誉满藏区。

Distinguished visitors, everybody is good. I am the guide from xi an travel, my name is guo, you can call me guo. Today we are going to visit is listed as "world heritage list" of qin shihuang terracotta warriors, qin shihuang terracotta warriors is 13 years old when he began to reign, qin shi huang started to build a great project. Until 1974 in xi an lintong was discovered and excavated, it with its magnificent, rare reputation both at home and abroad, has been hailed as one of "the eight wonders of the world".

First of all, we came to a pit, the pit is the largest of three pits a pit, the pit depth of 5 meters, covers an area of about 14260 square meters, how, enough! Not only big and warrior figures is the no. 1 pit, pit is about more than 600 TaoRen, TaoMa, their orderly arranged in annular square, the eastern end of the pit, the warriors have three columns rank them with bows, crossbows, hand weapons, such as long shots like, like for striker troops. Followed by more than 600 armor of the main body of troops, and amraphel, holding spear gun isometric weapon, with 35 by a team of four horses chariots have eleven holes arranged in 38 columns and 30 eight-way columns. The warriors in pit no. 1 unearthed in total more than 500 pieces, horse 24 driving six chariots.

The warrior figures in the no. 1 pit of different, image lifelike, lifelike. You see: some warrior figures in with a smile, seem to come up with a magic weapon to defeat the enemy; Some just looked at the sky, seem to be missing loved ones far away; Some serious face, as if determined defend; And clenched his fist, glared at the front, as if to march at any time. These amazing warrior figures and chariot, truly reflect the generation of emperor qin unified the six countries of ambition.

Now please enjoy freedom, please consciously abide by the relevant regulations of the museum, dont litter, dont spit, graffito of the scribble not to. Ok, please enjoy the condensed the ancient working peoples wisdom and sweat in our country a great miracle, to feel the history of the gut-wrenching, thundering!

Todays trip to the Terra Cotta Warriors came to an end, I hope you come back to visit the ancient city of xi an. Thank you, goodbye!

Ladies and gentlemen, through the dalinggeng tunnel, its Zhapo town.

As for the origin of Zhapos name, some people say that once upon a time,when men went out to sea, the women in their families often stood on the highslopes and waited for their husbands to come back, so they called it "zhanpo";ganmin in Yangjiang pronounced "Zhan" and "Zhapo", so they called it "Zhapo";others said that Zhapo was originally built on a very messy hillside, so it wascalled "zapo" In fact, the origin of Zhapos name comes from the couplets at thegate of Mayuan temple.

In ancient times, on the island along the coast of Yangjiang, fishermenlived happily and peacefully.

It is said that since then, an evil dragon has been swimming in the sea,often making waves, and the fishermens life is not peaceful.

When the tsunami came, families were destroyed and devastated.

Later, Ma Yuan, the Fubo General of the Eastern Han Dynasty, passed throughYangjiang. Knowing this, he called for a big stone from the sea to suppress thewaves.

This big stone is now the "Butterfly Island" in front of Zhapo town.

From then on, the sea did not raise waves, and fishermen moved in one afteranother, making it a new fishing port.

In memory of the Fubo General Ma Yuan, people built a Ma Yuan Temple on theseaside mountain. A couplet was written at the entrance of the temple: "chishisilently protects the stability of the boat, and the gate wave maintains thepeace of Hailing." it means: General Ma Yuan moved the big stone here to protectthe safety of the fishing boat; the big stone blocked the waves, and the windand waves were calm from then on, maintaining the peace of Hailing Island.

Later, the local fishermen were grateful and nostalgic for General MaYuans kindness of "chishizhapo", so they named the new port "Zhapo".

天坛在北京市东南部，崇文区永定门内大街东侧。占地约270万平方米，是中国现存最大的古代祭祀性建筑群。今日天安门东侧的劳动人民文化宫就是当年皇帝祭祖的地方，西侧的中山公园是祭祀丰收神即五谷耕地之所。

在整个北京城里，北有地坛祭地，南有天坛祭天，东有日坛祭太阳，西有月坛祭月亮，其中天坛最为光彩夺目、气宇非凡。天坛始建于明永乐十八年(1420xx年)，清乾隆、光绪时曾重修改建。为明、清两代帝王祭祀皇天、祈五谷丰登之场所。 天坛是圜丘、祈谷两坛的总称，有坛墙两重，形成内外坛，坛墙南方北圆，象征天圆地方。主要建筑在内坛，圜丘坛在南、祈谷坛在北，二坛同在一条南北轴线上，中间有墙相隔。圜丘坛内主要建筑有圜丘坛、皇穹宇等等，祈谷坛内主要建筑有祈年殿、皇乾殿、祈年门等。著名的祈年殿在最北方，这是天坛内最宏伟、最华丽的建筑，也是想象中离天最近的地方。祈年殿的上下三层屋顶，均用深兰色琉璃瓦铺盖，象征天色。

坛面除中心的太极石是圆形外，外围各圈均为扇面形，数目也是阳数，象征九重天，天帝的牌位就安放在太极石上，象征着天帝高居九重天之上。圜丘坛的附属建筑有皇穹宇及回音壁。如果说天安门城楼已成为中国的象征，那么，天坛祈年殿就是北京这座不朽名城的象征。的确，这座无与伦比的建筑是智慧和文明的结晶，在通高38米、直径30米的体积内，容纳了如此丰富的学问。

同时，她也是中国木结构建筑的顶峰，仅凭木榫交结，斗拱支架，全用木材就完成了这一惊世杰作。天坛另一美妙绝伦之处，是奇妙的回声。站在圜丘坛的中心叫一声，你会听到从地层深处传来的明亮而深沉的回响，这声音仿佛来自地心，又似乎来自天空，所以人们为它取了一个充满神秘色彩的名字：“天心石”。在皇穹宇的四周有一道厚约0.9米的围墙，你站在一端贴着墙小声说话，站在另一端的人只要耳贴墙面就能听得异常清晰，并且还有立体声效果，这就是“回音壁”。这证明520xx年前的中国人已经能够运用声学原理。

At the end of winter and the end of spring, I once again set foot on theway to and from Chu and Wu. Now it is dusk, and my boat is sailing on Jiangdong.I stood up and looked at the beautiful place I had passed several times. A touchof sunset reddened the thin clouds. The river reflected the beautiful scenery ofJiangbei Gushan in Jiangsu town. A gentle breeze swept over the lake, ripplinglayers of microwaves. I told the boatman to dock here and leave the next day.The boatman did the same.

I sat back again, holding my glass and enjoying the euphemistic night. Idont know when I fell asleep. Maybe Ive been immersed in the beautifulscenery

In the early morning, I was woken up by the sound of rowing. I looked atthe rising sun with mist in my eyes. A thin layer of fog on the river made thedistant green mountains flicker. "The mountains are so far away!" I cant helpsighing! Really, I cant even see the black and blue, and the end of my journeymay still be on the other side of the mountain. The reflection of the mountainis very long. The boat is driving quietly on the emerald green river, as ifafraid of waking up. The sun shines on the lake, and everything turns fiery red.The scene became so fast that there was no time for people to remember it, sothe next scene appeared again. The fish in the water also showed their headscuriously, trying to understand

The tide is slowly rising, making the original flat river more vast Ah, nowon the river, I am alone. I paced to the bow of the boat, and the river wasbeating the boat at a constant speed. Looking at the broad river, looking at thered sky, in my heart there is a feeling that the sea is broad with fish, and thesky is high with birds flying. The sails were full in the breeze. The boatpushed on. The songs of birds and insects near the ears are high, low, slow andurgent. Lie down on your back and enjoy what nature has brought me

So I spent the night again

The night on the river is very cold, and its the night of the old winterand the new spring. I was awakened by the cold. I went back to the cabin and gotthe quilt. I lay on my back in the bow of the boat and looked up. In the coldblack night sky, there was an incomplete crescent moon. This crescent moon makesme familiar and strange. I remember that at this time of last year, thisincomplete crescent moon seemed to accompany me through another waterway. It wasmore desolate than last year. This feeling was very strange. I always felt thatthe moon and I were a family, ha ha!!

So I mixed with all kinds of complex emotions through the cold night, onceagain, ushered in the dawn, but the moon is still hanging half of the sky.Everything that happened last night is in front of us. Looking at the newbornsun, I cant help but feel the sad darkness in my heart. Then there is the warmdawn. A sense of hope arises spontaneously in my heart. Suddenly, I think of thecoming new year, the old mother, wife and children, the cattle and black dog,and the family reunion and mutual respect in the past years Ah

Now Im alone and cant be reunited with my family. I feel sad. But when Ithink that Im busy for my country, I feel sad. I wrote a letter from home onboard. So far, I have written several letters, but I dont know how to send themback to my hometown. Geese just go back to the north, I put a little bit ofemotion in the letter on geese, hope geese can send back my emotion In the backof the letter I couldnt send out, I filled in another sentence: "my son isaway. I hope my mother wont be afraid that my son wont come back. Geese flyingsouth, home in the north, I will return soon after my long journey

With tears in my eyes, the boatman holds the oar and moves closer to thedistant country. I suddenly recited the poem that I had been brewing for a longtime in my heart, "outside the green mountains, before sailing on the greenwater. The tide is flat, the banks are wide, and the wind is blowing. The Seagrows day and night, and the river springs into the old year. Where can thelocal books be reached, they will return to Luoyang. "

欢迎大家到江西来旅游!江西是个好地方，这里山青水秀、人美茶香。我们今天将去看看“中国最美丽的乡村”----婺源。

婺源，位于江西东北部。在唐代开元20xx年设县(即公元740年)是一个有着壹仟贰佰多年悠久历史的古老县级行政区。因其“地当婺水之源”而得名。

婺源与安徽、浙江相邻，这里文风鼎盛，古迹遍布，尤其是明清古建筑群更为经典，这里田园、小溪、古木、翠竹环绕村落，飞瀑、驿道、路亭、拱桥散布乡野…，自然风光如诗如画。有着丰富的人文和自然风光。

全婺源县方园贰仟玖佰肆拾柒平方公里，现下辖十一个镇和十五个乡。素有“八分半山-分田，半分水路和庄园”之说。

这里是受亚热带季风气候影响的区域。年平均气温在摄氏16.7度，年平均降水量在1821毫米以上。婺源是现代中国的速生丰产林基地县及生态农业先进县之一。拥有“全国绿化百佳县”和“全国民俗文化村”的桂冠。

这里是中国的茶乡，中国茶文化之乡…

婺源县在唐朝到五代时期隶属江南道歙州、宋代属徽州新安郡，元朝属徽州路，明清时期属徽州府…，这里是徽商的发源地之一，当年商人们在外挣钱，回家投资兴学，冲破了封建政治制度的斥商情结，走出了一条“以商养儒”、“以儒扬商”、“儒商互补”的生财之路。当年的婺源，行商的人多，读书的人多，做官的人也多。在“读书好，营商好，效好便好”的训示下，使婺源“-室之内，必有俊才”。在训示的影响下，婺源之人读书成风，并且久盛不衰。从读书好的氛围中走出了宋代文学家朱弁、南宋教育家理学家朱熹，走出了纂刻家何震、走出了中国铁路之父詹天佑、现代大学者胡适，现代教育家江谦、现代著名医学家程门雪......。据史书上的记载：自宋代至清未，全婺源县考取进士的有550人，出任各级官吏的人多达2665人，出现过“一门九进士、六部四尚书”、“连科三殿撰，十里四翰林”的胜况…。

自古“无徽不成商”，然而在徽商之中的劲旅却是在婺源，当年在徽商里有“无婺不成徽”之说，来自婺源的商人是徽商中的木商、茶商盟主。这足以说明当年婺源商人的地位。

这也使得今日的婺源，明清建筑遍布全县。官宦府第、家族祠堂、商人住宅、乡民故居，应有尽有。这些建筑，有前堂后堂先后序列者，有数十栋连片者，街巷均由青石板铺成。石建筑以沱川、思口、江湾、流头、浙源、龙山、许村和清华等乡镇的某些村庄更为集中，此外尚有廊桥、路亭、门楼、店面、戏台等。 婺源是我国古建筑保存得最完整的地方之一，青林古木之间处处掩映着飞檐翘角的民居，这里是“最后的香格里拉”。

婺源物产丰富，当地的绿茶“婺绿”，是明清时期的贡品;独特的荷包红鲤鱼是钓鱼台国宴上的珍品;龙尾砚是中国传统的四大名砚之一;被誉为“江南梨王”的是江湾雪梨。

婺源文化与生态旅游区现已开放了“一区四线”20个旅游景区，这里我们可以欣赏到“京剧老祖宗”徽剧的韵味、粗犷原始的“舞蹈活化石”傩舞、这有清纯迷人的山村姑娘的茶艺表演…。

青山沟为省级风景名胜区，位于宽甸的北部山区，由“青山湖”、“飞瀑涧”、“虎塘沟”三大景区组成。127平方公里的景区面积，散布着126个大小景点，光瀑布就有36条。在众多的风景名胜区中也堪称佼佼者。

沉睡了亿万年的青山湖风景区，尤如“仙女未出浴”锁在深山人未识，是艺术家超凡的眼光发现了她。修路、架桥、建村、把这颗埋藏在泥土的“明珠”展现于世，她是辽宁人的骄傲，也是东北人的自豪。就艺术而言，画家村的建立，亦是民族的荣耀。

碧绿的浑江宛若两条龙须盘绕青奇峰异石，缓缓流入鸭绿江，山峦间大小瀑布36条，新发现的“飞云瀑”落差81米，居东北之首，八面威山顶的小天池，至今没人能说清她的奥秘，点缀在128平方公里的奇观圣景，更是神秘莫测。

飞瀑涧景区有：青山飞瀑、仙女潭、水穿石、小石径、镇水石、靖宇泉、将军岭、员外墓等。

虎塘沟景区有：响溪、黑熊碧同石、九曲天水、虎啸瀑、仙姑瀑、黑龙泉、老虎背、虎穴等。

青山湖景区，登船沿江尽览丁香崖、花仙台、钓鱼台、望夫台、白云 峰、参王峰、双乳峰、小仙山、千年松神、青铜古堡、蟠桃石、金钟壁、柳花岛、更令人神奇的是盛夏冰凌奇观。

仙人谷景区，遍布道家足迹，传说是神仙住过的地方，有八仙台、聚仙台、五龙泉、三吟泉、鹿鸣泉、道土墓、仙人石、僧帽石、半桃石、夹蛋石、柳抱石、情人松、神水阁、木兰坡。以及至今保留完好的杨靖宇抗击日军的战壕宿营地等。

新加坡慈善家蔡金钟先生捐款修复的青山寺，于96年秋季举行隆重的开光仪式。画家村群体建筑面积近万平方米，具有一次可接待180位宾客住宿的规模。

青山湖景区，备有游船、快艇、豪华龙舟，同时能载运300位客人游 湖、观瀑、览胜、敬庙、拜佛、垂钓、购买山货。冬季的青山湖、银装素裹、更别有一番北国风情，湖上雪橇载客漫游，观冰上秧歌，听松涛荡谷，品山珍海味，至名家书画，让游客尽得低消费高享受的山野乐趣。

乐山大佛具有一套设计巧妙，隐而不见的排水系统，对保护大佛起到了重要的作用。在大佛头部共18层螺髻中，第4层、第9层和第18层各有一条横向排水沟，正胸有向左侧也有水沟与右臂后侧水沟相连。两耳背后靠山崖处，有洞穴左右相通;胸部背侧两端各有一洞，但互未凿通，这些水沟和洞穴，组成了科学的排水、隔湿和通风系统，防止了大佛的侵蚀性风化。

沿大佛左侧的棱云栈道可直接到达大佛的底部。在此抬头仰望大佛，会有仰之弥高的感觉。坐像右侧有一条九曲古栈道。栈道沿著佛像的右侧绝壁开凿而成，奇陡无比，曲折九转，方能登上栈道的顶端。这里是大佛头部的右侧，也就是凌云山的山顶。此处可观赏到大佛头部的雕刻艺术。大佛顶上的头发，共有螺髻1051个。远看发髻与头部浑然一体，实则以石块逐个嵌就。

大佛右耳耳垂根部内侧，有一深约25厘米的窟窿，长达7米的佛耳，不是原岩凿就，而是用木柱作结构，再抹以锤灰装饰而成。在大佛鼻孔下端亦发现窟窿，露出三截木头，成品字形。说明隆起的鼻梁，也是以木衬之，外饰锤灰而成。

大佛胸部有一封闭的藏脏洞。封门石是宋代重建天宁阁的纪事残碑。洞里面装着废铁、破旧铅皮、砖头等。据说唐代大佛竣工后，曾建有木阁覆盖保护，以免日晒雨淋。从大佛棱、腿臂胸和脚背上残存的许多柱础和桩洞，证明确曾有过大佛阁。宋代重建之，称为“天宁阁”，后遭毁。维修者将此残碑移到海师洞里保存，可惜于文革被毁。

各位游客朋友，须弥山石窟具有两大特点。一是须弥山佛教石窟艺术兴盛与古丝绸之路关系密切。须弥山所处的位置自古以来就是中原通往河西走廊、大漠南北的交通枢纽和战略要地。“丝绸之路”开通后这里又成为“丝绸之路”东段北道的必经之地，是由长安到西域的最短的必经之地。到了唐代，唐王朝为了加强边疆防卫，又在这里设立了“石门关”，直接制约着中原与西域的军事与交通，使这里有着“关中咽喉”之称。石门关，是隋唐前后著名的七关之一，为西北通往都城长安的要冲，是屏蔽中原及长安的门户。二是须弥山石窟的分布格局与众不同，国内大多数石窟都开凿在一座石崖上，而须弥山石窟开凿在鸿沟相隔的八座石山上，格局奇特，而且各沟之间有梯桥相连。各沟之间都已架梯搭桥，以方便游览。

各位游客朋友，现在我们来到了须弥山博物馆参观。该馆位于宁夏固原市，建筑面积5558平方米，陈展面积4500平方米。博物馆由序厅和尾厅加上五个单元组成。第一单元“丝路开通”。从公元前138年张骞出使西域开始，通过场景复原、文物陈列手段展示了丝绸之路开通以后给固原带来的文化经济繁荣。第二单元“佛教东传”运用场景复原、文物陈列和多媒体技术，展示了佛教从印度诞生并东传进入中原大地的历史进程。第三单元“须弥之光”再现了丝绸之路上古原州商贾如流、物阜民丰的繁荣景象r展示了须弥山从石窟初凿、兴盛、高峰期到衰落几个部分，反映了须弥山石窟发展的全过程。第四单元“佛国众生”运用图版、石窟雕像复原、文物陈列和多媒体演示等手段系统介绍了佛国世界各类形象，是专题的佛教知识单元。第五单元“佛窟集萃”用图片展示和多媒体技术系统地介绍了印度阿旅陀、阿富汗巴米扬和中国各具特色的18处著名石窟。陈展中运用科技媒介、艺术创作、文化象征等多种手段全面展示丝绸之路文化和佛教石窟艺术，将游客带进了全景式的探秘丝绸之路、欣赏佛教石窟艺术的殿堂。

各位朋友，现在在您窗外的是西双版纳的勐腊县，我想到来美丽的西双版纳旅游的朋友们没有不知道勐腊的理由，因为如果说西双版纳是祖国西南边陲一片神奇的绿洲，那么勐腊就是镶嵌在这北回归线上仅存的绿洲里的一颗明珠。

勐腊县有着与身俱来的区位优势，它是中国云南省西双版纳傣族自治州最南端的一个边境县，东部和南部与老挝接壤，西边与缅甸隔江相望，国境线长达740.8千米。它还是目前云南省与缅、老、泰直接进行经贸交往的重要通道。磨憨口岸已经被列为国家级口岸，至老挝延伸到泰国的旅游线路也已开通。区位优势让勐腊县自然的成为了西双版纳东部旅游圈的重要旅游片区。既然说勐腊县是西双版纳的一颗明珠，那么在这颗明珠上当然少不了璀璨的文化，勐腊县是中原汉文化、西南民族文化、东南亚文化的交汇地，它还是贝叶文化和中国古茶文化的发源地之一，版纳的五大茶山就有四大茶山在勐腊呢。据说随着张骞西行丝绸之路成形后，这里的香料也流到了西方国家，并受到了追逐和热捧。

热带雨林是地球上最为繁茂的森林类型。由于地域纬度的限制和其它原因，热带雨林在当今世界已是依稀尚存，拥有它的国家便以此为自豪。在这里，茫茫的热带雨林一望无际——层峦叠嶂，延绵不断;独特的林海，绿色的海洋，绿色的世界……无论你怎么遐想和形容都不过分。

勐腊是中国大陆、也是世界上同纬度地区植物生长最密集，植物种类最多的地区。到了勐腊，最让人感慨、印象最为深刻的就是尽收眼底的充满了无限生机和希望的绿色。勐腊县7093平方公里的沃土上，自然森林覆盖率达66.1%。在广袤浩翰的热带雨林中，最引以自豪的就是“林中巨人”——望天树。

20世纪60年代以前，由于交通闭塞等方面的因素，勐腊望天树这一珍稀热带雨林植物一直无人知晓，国外热带雨林专家从地理位置分析就片面地否定了中国热带雨林的存在。直到70年代中期，我国著名植物学家蔡希陶教授亲临勐腊补蚌进行实地科考、取样鉴定，终于发现了热带雨林龙脑香科树种的望天树，以此充分证实了我国热带雨林的存在，从而摘掉了中国无热带雨林的帽子，中国成为世界上森林类型最完整的国家之一，随之，望天树的美名也传遍世界各地，科学家、旅游者纷至沓来，一睹望天树这一万树之王、林中“巨人”的风采。

望天树——国家一级保护的珍稀植物，属龙脑香料，常绿乔木，其树叶呈长椭圆形、卵形或针状椭圆形，喜光或高温，不耐寒。树干笔直，不分叉，树高一般为70-80多米，胸径1米以上，通体圆直，雄姿伟岸，上摩云天，青枝绿叶聚集于顶，形似一把巨伞，是我国长得最高的阔叶树种。因此，望天树被称为万树之中的“王者”、林中“巨人”，犹如鹤立鸡群高居于其他乔木之上。人们称：望天树是森林中的王者、巨人，更是勇者，守护着勐腊的森林，望天树伟岸挺立的形象正是勐腊各族人民崇高的精神境界和优秀品质的象征。

勐腊现在是国家自然保护区之一，热带雨林得到了更好的保护，而望天树森林主题公园是勐腊境内保存最完好的原始热带雨林，在这里放眼望去，你将会看到一片望天树的绿色海洋，这样的景色会让你陶醉，会让你感觉到大自然对这块土地的厚爱。

傣族先民说：“没有森林就没有水，没有水就没有农田，没有农田就没有粮食，没有粮食就没有生活”。人民依靠森林有了食物、医药、文学艺术、宗教信仰等，这是一种独特的民族森林文化，傣家人从森林里获取生活资源，和森林和谐相处，协调共生。

我这里有着当地许多美丽的故事，现在我说出来和大家分享一下，希望大家对这里有更多的了解，更希望能为您去除一些在车上的乏味。这些故事都和我们要去的景点有关哦~

故事一望天树传说

传说在很久很久以前，天上的神仙总是往地上撒一些花，也就是“天女散花”，让人间不仅有鸟语，还有花香。这样人们的生活才多姿多彩，才不会那么单调。

这些被撒下的种子经过许多许多年漫长的努力，根据各自的目标，有的成为了情人节最受欢迎的礼物——玫瑰。有的成了掠夺者，以掠夺的方式壮大自己的——绞杀蓉。也有堕落如小草的，不求荣华富贵、不求飞黄腾达，得过且过，到也悠然自得。而有一种家伙，总希望看一看最初的地方地容貌——故乡天堂。它不停地长啊、长的。不知道它是否已实现愿望，但它总是最靠近天堂了，取得了更加令人羡慕的高度，我们就叫它雨林的巨人——望天树。

也许有人认为这毫无道理，我要说，它是一个执着、勇敢地家伙，你看它那笔直的身资，可以证明它一直向着目标天堂努力地，不曾有那么一小会地偷懒。它不枝不蔓，只在顶端保留几支必要的机构，绝对精兵减政，退去浮华、刚显本色，证明它不曾彷徨失措，确定目标并实现目标是它的性格，坚韧、顽强是它的品质。

故事二佛祖与水

在西双版纳，在南腊河边，想起一次关于水的对话。

相传，佛祖在恒河边说法。波斯匿王在座，哀叹随着时间流逝，肉体和灵魂一起消散于虚空。佛祖问他，你笑时候看见恒河，长大后看见恒河，如今老了你依然能够看见恒河，你看见的恒河，有什么变化吗?波斯匿王说，没有变化。佛祖又问，那么你看得见恒河的本性有什么变化吗?波斯匿王说，没有。我从童年到老年，看见的恒河没有变化，能够看见恒河的本性也没有变化。佛祖说，可见随着时间流逝，在你身上依然有不变的东西。波斯匿王闻言，恍然大悟，感激涕零，叹未曾有。

三千年后的现在，如果佛祖转世于一片土地，那是美丽的西双版纳，这里依然有虔诚崇奉他的人民。如果今日的佛祖想在一条河边说法，这条河应该是南腊河，就是佛祖曾经以茶水作法而成的茶水河，即南腊河。“南腊”傣语就是茶水的意思。这条河流依然是千古不变的清澈之水和美丽风光。

在南腊河浸润的地方，有万种植物、动物和一个个如水的民族，他们眼波如水、笑靥如水、温柔如水。

在西双版纳，人们把一个民族刻在贝叶上，就像把一个人的名字写在水上。阳光和水化成的贝叶，经阳光和水的浸蚀化成水和阳光的灰烬。那些刻字的人们对此不以为意，只是淡然如水地笑笑，轻轻拂去时光的灰烬，再次砍下新鲜度贝叶，把水晾干，小心翼翼地刻下如水的文字。

在西双版纳，美丽的女子在黄昏，把自己的身体在水里打开，把秀发漂散成流水的形状，像一朵朵新艳的花，在时间的水里一尘不染地盛开。

在西双版纳，男人们把自有和激情酿进水里，敲着顶天立地的乐器，唱着古老的歌，跳祖先的舞，万人齐声吆喝水的名字，然后仰起脖子，把一碗碗烈酒倒进胃里。他们真的把酒当成水，把身体当作溪水流过的大山。

在西双版纳，水是世界上最圣洁的，在每年春天，人们怀念佛祖诞辰的日子，把世界最好的水，向爱水的人们身上泼水，祝愿他们拥有洁净和吉祥、智慧和永久。

在西双版纳，想做一位年老的王，回首已经消逝的青春，我依然能抚摩到如水一样永远不消逝的美。

故事三傣历新年

每年的阳历四月十三至十五日就是傣族一年一度的“傣历新年”，傣语叫做“楞贺尚罕”，也叫“六月新年”。实际上就是傣历的元旦，因为傣文历法，新的一年是从六月开始计算的。

在这一天，泼水是一个传统的习俗。

关于泼水的来历，当地流传着这样一个传说：很早以前，一个无恶不作的魔王霸占了美丽富饶的西双版纳，并抢来七位美丽的姑娘做他的妻子。姑娘们满怀仇恨，合计着如何杀死魔王。一天夜里，年纪最小的姑娘侬香用最好的酒肉，把魔王灌得酩酊大醉，使他吐露自己致命的弱点。原来这个天不怕，地不怕的魔王，就怕用他的头发勒住自己的脖子，机警的小姑娘小心翼翼地拔下魔王一根红头发，勒住他的脖子。果然，魔王的头就掉了下来，变成一团火球，滚到哪里，邪火就蔓延到哪里。竹楼被烧毁，庄稼被烧焦。为了扑灭邪火，小姑娘揪住了魔王的头，其他六位姑娘轮流不停地向上面泼水，终于在傣历的六月把邪火扑灭了。乡亲们开始了安居乐业的生活。从此，便有了逢年泼水的习俗。现在，泼水的习俗实际上已成为人们相互祝福的一种形式。在傣族人看来，水是圣洁、美好、光明的象征。世界上有了水，万物才能生长，水是生命之神。

各位团友，不知道通过我短短的几分钟的介绍，这里给您留下的印象是什么，是美丽、神秘、惊奇，还是其他?不用着急，因为西双版纳望天树热带雨林主题公园即将呈现在我们眼前，这里不仅有森林巨人望天树，还有很多好看、好玩、好吃的东西。我相信您会在接下来的旅途中将会觉得眼睛舒服了、脑子清爽了、心情舒畅了。让我们一起去感受一下吧!

曼龙代、曼龙勒村寨介绍：

现在呈现在您面前的是带有浓郁傣族风情的村寨，他们分别是曼奄代、曼奄勒、曼东村寨。曼奄代村和曼奄勒村都位于望天树生态旅游区南侧的南腊河边，两个村寨相邻，都是传统风貌保留得较完整的傣族村寨，在村寨中还存在着上百年历史的傣族老寨，大家别看村寨密密麻麻给人感觉好象很拥挤似的，其实我告诉大家，曼奄代、曼奄勒村寨沿南腊河呈现自然式分散格局分布，空间层次不知道多丰富呢，是典型的傣族村寨布局。在他们的周边林木葱郁，特别是寨边的竹林，长的异常繁茂，依稀间还露出傣楼的一角，感觉远在天边却又近在眼前，寨旁是静静流淌的河水，四周是平整广阔的稻田，远处是郁郁葱葱的青山，充分展现了傣族传统的稻作文化，是一幅诗情画意的傣家田园风光，充满了浓郁原始乡土气息，村寨中绿化较好，种植品种很多，密度大，绿化覆盖率高，村民还自发的种植了部分小树木以点缀独特的村寨。而接下来的曼东村是傣族地区著名的村寨，历史悠久，单体建筑姿态各异，尤其是寨中佛寺，规模较大，建筑精美华丽，非常具有观赏价值，寨中居民还依然保持着傣族传统的生活方式、民风、民俗，他们远离了大城市的喧嚣，给人以世外桃源的神秘感觉。说到这里，就不得不说说傣家人热闹而丰富的节日庆典祭祀了，每当节日庆典祭祀来临的时候，傣族的小伙子和小姑粮们都会穿着傣族特有的服饰跳起他们特有的舞蹈，他们整个村寨身着傣族服饰，一起载歌载舞，形成了傣族歌舞的海洋，充分体现了傣族风情与自然的结合，如果您亲身经历过的话，一定会有一种意犹未尽的感觉，好不热闹!我想此时您的心里肯定很期待亲身感受傣族风情，团友们，我觉得有机会的话大家一定要去看一下，一定会让您有所收获的。

各位团友，大家好!

现在展现在我们眼前的这片神奇美丽的大森林就是西双版纳望天树热带雨林主题公园，在这里，您不仅可以仰望到屹立千年的森林巨人——望天树、聆听到大森林的天籁之音、在版纳最大的湖面上体验到热带雨林景观，在这里，您还将享受到到阿莲雅特色美味、感受到阿莲雅热情洋溢的人民。好东西太多，我就不多费口舌，希望各位在这里能玩的开心玩的尽兴。

在天安门城楼前面的这一条河，被称为金水河。那这里为什么被称为金水河呢?因为这条河是从北京的西北方向被引过来的，而在阴阳五行中，西属金，北属水，所以这条河命名为金水河，而河上的7座汉白玉桥，就是金水桥。其中最旁边的这两座桥叫做公生桥，分别对应着太庙和社稷坛，也就是现在的劳动人民文化宫和中山公园。而中间的这座是御路桥，是皇帝皇后专用的，它旁边的两座是皇族桥，供宗室王公行走，在旁边的两座是品级桥，只有三品以上的官员才可以通过。

在金水桥前面，左右各有一个石狮子。左边的是雄师，右边的是雌狮。我们是如何分出雌雄的呢?因为雄师脚踩的是绣球，而雌狮则是幼狮。现在为了保护文物，这对狮子已经被围栏保护起来了。在天安门前后各有一对华表，其实华表的原名叫做诽木，是皇帝为了表示自己能够采纳意见和接受意见而设立的，逐渐演变成了今天的华表。它的顶端的异兽叫做吼，北华表上的叫做望君出，意思是为了让皇帝出宫体察民情，而南端的 则叫望君归，意思是皇帝不要留恋宫外的花花世界，应该及时回宫处理政务。

现在请大家向后转，在我们身后，就是天安门广场。在明清时候，这里是成T字型的，中间是南北走向的御路，在御路两侧，建有千步廊，两边都有廊房110间，到了长安街南侧，在随着红墙向东西两侧延伸，有廊房34间，所以千步廊共有228间廊房。而在御路的最南端明代时是大明门，清朝则改为大清门;东西两侧的门分别是长安左门和长安右门，也分别称为龙门和虎门，因为在科考之后，黄榜在长安左门公布，考中的进士要从这里进入皇城，所以称之为龙门，而虎门的来由则是每年霜降以后，朝廷都要对犯人进行审查，而审定的犯人则被带出长安右门，等于落入虎口，所以称为虎门。而订立这些，都是与五行有关。

在我国古代，有文东武西之说，所以在千步廊东西两侧就是五府六部的所在地。在广场东侧，现在的历史博物馆一带，基本上都是中央文职机关，而西侧，也就是人民大会堂一带，则是五军都督府和特务锦衣卫。为了方便这些官员进入皇城，所以就在龙门虎门外各建了一道南北走向的大门，东公生门和西公生门。

Located on Guangfu Road in the northeast corner of Changchun City, thepuppet Manchukuo Palace Museum covers an area of 12 hectares. It is the palaceof Aixinjueluo Puyi, the puppet emperor of the puppet Manchukuo state. He livedhere from 1932 to 1945. The main building of the Puppet Manchurian palace is agroup of two-story buildings covered with yellow glazed tiles, including Qinminbuilding, Jixi building and Tongde hall. These three buildings are unique instyle and are a combination of Chinese and Western styles.

The museum can be divided into two parts: the outer court for politicalactivities and the inner court for daily life. The outer court (Imperial Palace)is the place where Puyi deals with government affairs. The main buildings areQinmin building, Huaiyuan building and Jiale hall. Qinmin building is the placewhere Puyi works. In addition, there are garden, rockery, fish pond, swimmingpool, tennis court, golf course, horse racing course, calligraphy and paintinglibrary and other ancillary places. The inner court (Imperial Palace) is thedaily life area of Puyi and his family. Among them, Jixi building is theresidence of Puyi and empress Wanrong, which is the daily living place; Tongdehall is the residence of "Fugui people", which also has some entertainmentfacilities. Today, a part of the Imperial Palace has been set up as JilinProvincial Museum, displaying historical materials of the feudal dynastiesestablished in Northeast China, such as Koguryo, Bohai, Liao, Jin, etc.

The Museum of Manchukuo palace is a palace site museum built on the formersite of Manchukuo palace. Taking the cultural relics, documents and pictures ofthe puppet Manchukuo period as the main objects of collection, the history ofJapans occupation of Northeast China, the history of puppet Manchukuo, and thehistory of puppet Manchukuo palace as the main research contents, the formersite of the puppet Manchukuo palace as the carrier, and the exhibition as themeans, through the basic exhibition and special exhibition of "the puppetManchukuo palace in its original state", "from emperor to citizen", "dontforget September 18" The exhibition reveals the crimes of Japans occupation ofNortheast China by force, the implementation of fascist colonial rule, and thepuppet regime of Manchukuo headed by Puyi - the crimes of seeking honor,alleging to Japan, being emperor gandanger, enslaving and maiming the people ofNortheast China; it also shows the distorted palace life of Puyi and his"empresses" and "concubines". In order to inspire the national spirit, unite thenational strength, maintain world peace and seek common development, we shouldcarry out modern history education and patriotism education for the masses,especially the teenagers.

The main collection objects of the museum are the history of Japansoccupation of Northeast China, the history of Manchukuo and the history ofManchukuo palace. Taking the former site of Manchukuo palace as the carrier andby means of display and exhibition, the museum has held basic exhibitions andspecial exhibitions, such as "display of Manchukuo Palace in its originalstate", "from emperor to citizen" and "dont forget September 18" The crime ofoccupying Northeast China, carrying out fascist colonial rule, and the puppetregime of Manchukuo headed by Puyi - the crime of seeking honor, being loyal toJapan, being emperor ganer, enslaving and maiming the people of Northeast China;the distorted palace life of Puyi and his "empresses" and "concubines". In orderto inspire the national spirit, unite the national strength, maintain worldpeace and seek common development, we should carry out modern history educationand patriotism education for the masses, especially the teenagers.

The puppet Manchukuo Palace Museum was established in 1962, and then workedtogether with Jilin Provincial Museum. In 1982, it resumed its establishment. In1984, it officially opened to the public to receive visitors. The original nameof the museum was Jilin provincial puppet Palace Museum. In 20__, it was underthe management of Changchun Municipal government. On February 18, 20__, it wasrenamed puppet Manchukuo Palace Museum. At present, the protected area is 137000square meters, including 47000 square meters of exhibition area, 161 employeesand nearly 20000 cultural relics. Since its opening, the museum has receivednearly 5 million visitors from home and abroad, and has been rated as a national4A tourist attraction and a national excellent patriotism education base.

In the northeast corner of Changchun, the beautiful spring city of theNorthern Kingdom, there is a building complex that is quite different frommodern architecture. It is the Palace site of the last emperor of China,Aixinjueluo Puyi, when he acted as the puppet emperor of the puppet Manchuriastate, covering an area of 137000 square meters. Among them, the main part ofthe palace, namely the core reserve, is 46000 square meters, and the rest is thesubsidiary part.

The Puppet Manchurian Palace Museum is one of the more complete palacesites preserved in China so far. It has a close relationship with ShenyangPalace Museum and Beijing Palace Museum in history. The nature of the puppetManchukuo palace itself is the Palace site where Puyi, the last monarch ofChinas feudal society, acted as the puppet emperor of the puppet Manchukuo. Itis also a historical witness of Japans invasion of Northeast China, processingof the puppet Manchukuo and its colonial rule. The complexity of the historicalbackground and the multiplicity of cultural connotation of the Puppet Manchurianpalace determine its unique nature, as well as the scarcity, universality anduniqueness of cultural resources. The puppet Manchukuo palace is now open todisplay more than 20 kinds of original displays and special exhibitions. Everyyear, it attracts a large number of audiences at home and abroad to visit. Ithas received excellent social repercussions and left endless reverie andenlightenment. Have you ever been to Changchun, the beautiful spring city ofnorthern China? Do you know Puyi and Manchukuo palace? It will be a lifelongregret for you not to visit Manchukuo Palace Museum!

中国历史文化名城扬州，地处江苏中部，长江下游北岸，江淮平原南端。扬州城区至今已有近 2500 年的建城史。现辖广陵、维扬区、邗江 3 个区，江都、高邮、仪征 3 个市和宝应县。全市共有 87 个乡镇， 11 个街道办事处。全市总面积 6634 平方公里，市区总面积 988.81 平方公里，全市总人口 453.61 万，其中市区人口 112.52 万人。现辖区域在东经 119 度 01 分(仪征市移居、青山一线)至 119 度 54 分、北岸 31 度 56 分至 33 度 25 分(宝应县西安丰、泾河一线)之间。南部濒临长江，北与淮安、盐城接攘，东和盐城、泰州毗联，西与天长(安徽省)、南京、淮安交界。境内有长江岸线 80.5 公里，沿岸有仪征、邗江、江都;京杭大运河纵穿腹地，全长 143.3 公里，由北向南沟通白马、宝应、高邮、邵伯 4 湖，汇入长江。扬州市城区位于长江与京杭运河交汇处，东经 119 度 26 分、北纬 32 度 24 分。

扬州全市共有 49 个民族，汉族占总数的 99.57% 。少数民族中，回族人口最多，占少数民族人口总数的 65% 。高邮市菱塘回族乡是江苏省唯一的少数民族乡。

扬州既是风景秀丽的风景城，又是人文荟萃的文化城、历史悠久的博物城。这里有中国最古老的运河，汉隋帝王的陵墓，唐宋古城遗址，明清私家园林，众多的人文景观，秀丽的自然风光，丰富的旅游资源，多少年来吸引了大量的中外游客。

Lianhuashan ski resort is located in Qingshan village, the fourth hometownof Erdao District, Changchun City. It is 39 kilometers away from the urban areaof Changchun and only 20 kilometers away from Longjia International Airport. Thetraffic is extremely convenient. It is the closest ski resort to the centralcity among the middle and high-grade ski resorts in China. Changchun Lianhuashanski resort is planned to cover an area of 6 square kilometers, surrounded bymountains and connected by mountains and rivers. Nine undulating peaks look likenine budding lotus flowers, among which lianxiufeng is the highest peak, with analtitude of 413 meters. The unique natural conditions are the ideal place forthe construction of competitive and tourist ski resorts. The advanced snowmaking system can advance the skiing period to the late November of each yearand extend it to the end of March of the next year.

At present, Lianhuashan ski resort in Changchun has designed and built twocompetition venues of "Freestyle Aerial skills" and "U-shaped groove ofsnowboarding" according to international standards; six primary, middle andadvanced ski trails have been opened in the first phase, which can meet theneeds of tourists with different skiing levels; The newly-built two alpine chaircableways and two towing Cableways will deliver tourists to the starting pointsof each snowway in the shortest time and carry out paragliding. At the sametime, there are many kinds of sports such as snowmobiles, flying saucers, iceslides, horse climbing, dog climbing and tennis. In addition, the fish feast oflotus fish hall, the villa group that can accommodate more than 100 people inthe forest, and the athletes center that can accommodate more than 500 people aday All reflect the warmth of home.

一条悠长奇绝的山路，穿越尘嚣，向天空延伸;一队队无比虔诚的朝拜者，不辞辛劳，艰难跋涉，只为双脚踏上这块圣洁之地，奉献身心地为之叩首。

鲜花和绿草辉映的草场，潺潺流淌的小溪，五光十色的海子古朴幽深，神峰戴冰雪冠冕，披白云哈达，卓然挺立，一尘不染--惊世骇俗的神韵让你不由得匍匐跪拜，将胸膛与大地贴近，把灵魂与天空相融。这就是四川甘孜藏族自治州稻城县的神秘风光--稻城神峰，一个编织神话，更激发诗情画意的雪域圣地。稻城县位于中国四川省西南边缘，地处青藏高原东南部，属康巴藏区的甘孜藏族自治州。它北高南低，西高东低，群山起伏，逶迤苍莽。

北部为高原宽谷区，其中的海子山为青藏高原最大的古冰体遗迹，素有稻城古冰帽之称。其冰蚀地表发育完全，冰蚀岩盆星罗棋布，3200多平方公里内便有大小海子1145个，规模和数量都是我国少有的，是研究第四纪冰川地貌的重要基地。

中部为山原区，包括俄初山和东义河。俄初山海拔5140米，高峻巍峨，挺拔俊俏，像一位美貌仙子端坐云霓。最令人陶醉的是俄初的秋色--红的娇艳，黄的明丽，绿的柔和，五彩缤纷，漫山遍野，可谓浓妆淡抹总相宜。东义河则如一匹骏马自俄初山飞驰而下，两岸林木参天，怪石嶙峋，涛声隆隆，瀑布层叠，山水相映，妙趣横生。

毗邻俄初山的就是驰名藏区的雪域神峰--稻城神峰。它由三座雪峰组成，峰名相传为五世_所封--北峰仙乃日，意为观世音菩萨，海拔6032米;南峰央迈勇，意为文殊菩萨，海拔5958米;东峰夏诺多吉，意为金刚手菩萨，海拔5958米，方圆约800平方公里。稻城神峰冰封雪锁，雄奇壮丽;山腰的五色海子七彩班斓，变化无穷;山下草原，珍禽异兽与人和谐相处。藏民视之为神山，参拜者络绎不绝。

稻城神峰的美，不在于它的苍劲雄奇，如珠穆朗玛峰;也不在于它的艰险诡秘，如梅里雪峰;而在于它独特的个性--浓郁的神秘色彩。每当雨雾朦胧，雪山神姿若隐若现，宛若天仙;而丽日晴天则碧空如洗，舒倦的云彩伸手可摘。仙乃日似大佛，慈善安祥，温馨平和;央迈勇如少女，端庄娴静，冰清玉洁;夏诺多吉像少年，英俊刚烈，神采奕奕。三尊圣灵，在天空与大地间，在神界和人界，共守一方净土。雪峰、森林、海子、草地、溪流间曲曲弯弯的小路上，远远近近那些朝圣的善男信女，扶老携幼，口中低诵经文，眼里闪出质朴的光，他们在向神山参拜，向苍天和大地祈祷，祈求健康，祷告幸福。而那些大自然之子--野羊、獐子、猴子、鹿子、黑熊……悠然自得，欢畅嬉戏，追逐跳跃于草丛林间，万物众生在这里和睦相处，同享生之乐趣。

稻城历史文化悠久，其藏传佛教的神秘文化很有特色。全县有13座寺庙，以雄登寺和贡嘎岭寺最负盛名。

湖北清江画廊旅游度假区成立于20xx年，位于宜昌市长阳土家族自治县隔河岩旅游专用码头，距长阳县城10公里，是三峡地区面积最大的一个国家5A级风景区，国家级森林公园，与神龙架、武当山、长江三峡并称为湖北四大甲级旅游资源区，被列入鄂西圈十大核心旅游景区之一，年接待能力达到100多万人次，是湖北省服务标准化旅游示范景区。

清江画廊主景区东起清江隔河岩大坝倒影峡，西至清江水布垭大坝盐池温泉，涵盖沿线所有旅游资源，高峡平湖东西纵深长达一百公里。景区内山青水秀，风光满眼，青山绿如缎带，江水蓝如宝石。早晚，江面雾气升腾如蓬莱仙境;四季，野花点缀如天女花裙，被称为东方的多瑙河，桨声灯影的故乡。景区当前主要有巴人发祥地武落钟离山、仙人寨、倒影峡等景点，以及刚打造的“魔芋健康养生之旅”绿色精品线路，还有麻池古寨、盐池温泉等景点正在打造之中。

景区内有按国家5A级景区标准建设的游客接待中心，包括地质博物馆、购物中心、票务中心、景区生态停车场以及其它辅助设施，形成售票、观坝、停车三大功能。

景区内有星级宾馆，也有农家小院可供食宿，吃的既有野“山珍，也有麻辣“海味”，住的有几千上万元的宾馆套间，也有几十元的农家休闲标间不等。还有长阳绿茶、奇石、清江鱼、魔芋膳食纤维、土家腊肉等各种特色旅游纪念品，样式美观，便于携带。

神秘清江，源远流长。清江是长江在湖北境内的第二大支流，是巴人的发祥地，土家儿女的母亲河。十九万年前，古“长阳人”在这里开启了中国长江的古文明，五千年前，古代巴人从这里开疆拓土建立古代巴国，两千年前，土家族在这里诞生。

梦幻土家，巴土天堂。景区所在的长阳土家族自治县历史悠久，文化璀璨，被誉为中国民间艺术之乡。山歌、南曲、巴山舞是长阳“文化三件宝”，还有哭嫁等众多的奇异风俗，则成为古代巴人遗存在清江画廊的活化石。

清江画廊，一步一景，一里一画。成功横渡英吉利海峡的中国铁人、世界横渡王-在这里率队畅游清江画廊;李谷一、李双江、谭晶、阿幼朵、毛宁、凤凰传奇、阿宝等二十多位中外歌星在这里高歌“山歌好比清江水”;世界著名钢琴家、钢琴圣手马克西姆在这里热情演奏世界名曲《海神曲》;长阳农民兄弟王爱民、王爱华用清江山歌“花咚咚的姐”征服了全国观众，夺得中央电视台青年歌手大奖赛原生态组金奖;中国工程院院士桑国卫等二十三位院士专家游览清江画廊;央视国际频道隆重播出长阳专题节目《中华情-巴土恋歌》;称赞清江是国内保护最好的河流之一，说“清江画廊可与桂林山水媲美”。

Longgong, located 27 kilometers southwest of Anshun City, Guizhou Province,more than 30 kilometers away from Huangguoshu waterfall, belongs to LongtanVillage, Matou Township, Anshun county. The Dragon Palace was discovered in1980. It is called a strange cave in the dark lake. Boating on the lake can beused as the midstream of the cave.

The Dragon Palace is more than 3000 meters long and consists of five groupsof caves connected by an underground river. The masses used to call it "WujinDragon Palace". The first entrance to the Dragon Palace is from the gate to bengKe Yan, the second from Beng Ke Yan to Hua Yu Tang, the third from Hua Yu Tangto Qing Yu Dong, the fourth from Qing Yu Dong to Feng Shu Dong, and the fifthfrom Xuantang to xiaocaihua lake. The deepest part of the dark river is 28meters, the widest part is more than 30 meters, and the narrowest part can onlyaccommodate a small boat.

In front of the Dragon Palace is an open deep pool, named "Tianchi", alsoknown as "Longtan". It is a small high mountain lake, covering an area of morethan 10000 square meters, with clear water and a depth of 43 meters. On the edgeof the pool, there are cliffs and rocks, which are covered by ancient trees andvines. When you enter the palace gate, you will be faced with a group ofdragons. More than ten stalactites hang down from the Green Cave top, whichlooks like a dragon. The underground river is stable and dignified, deep andunpredictable, and the water port is tortuous and confusing.

Dragon Palace is different from ordinary dry cave, it is immersed in a poolof blue water. Boating through the caves is like boating in the Dragon KingCrystal Palace.

In the Longgong scenic area, which covers an area of about 8 squarekilometers, there are more than 20 large and small dry caves formed by karstdevelopment, including Xinzhai cave, Longqi cave, Tianjian cave and Huxue cave.Among the four caves, Xinzhai cave is the largest, also known as "Yuzhu cave".The cave is about one kilometer deep, with seven cave halls and colorful karstlandscape. Yuzhu cave, Longqi cave and Tianjian cave are named for theirpeculiar stone pillars, stone curtains and stalagmites, which are similar inshape to Yuzhu, Longqi and Baojian. Tiger cave is named because there is amountain nearby that looks like a fierce tiger.

The scenic spots outside the Dragon Palace include Longmen waterfall,bengyan flying swallow, Huayu Taoyuan, Yunshan stone forest, Wolong pool,Bashang bridge, etc. Longmen waterfall is near the gate of the Dragon Palace. Itis formed by the water from the Tianchi Lake pouring down through the cavewindow. The waterfall is about 25 meters wide and 34 meters high. The sound ofthe waterfall is like avalanche and thunder. The width and height of thewaterfall in the cave are rare. Local people call this scene "white dragon outof nest". There is a stone forest park on the mountain behind Tianchi.

Xuantang is located near Qingshui cave, which is called "sijinlonggong". Itis a pond name, and it is the name of the village. The diameter of the whirlpoolis 120 meters. The water in the pond rotates all the year round from the edge tothe center of the pond. The reason for the continuous rotation is that there isa water dissipation pit in the center of the pond, and the water is rapidlydiving, forming a unique landscape. There are two beautiful stone mountains inthe stockade. The mountains, water and stockade are picturesque.

"Flying swallow of clam shell" is located in clam shell rock. The clamshellrock is a huge partial rock, the upper part of which inclines forward and lookslike a clamshell. There are caves, big and small, in which swallows nest. Thereare thousands of swallows competing up and down. At the foot of bengke mountain,a "tiger cave" is opened, in which there are many landscapes, such as "heavymountains", "panoramic scenery", "shangyaotai" and so on.

Longgong Longgong is a national scenic spot, 27 kilometers away from AnshunCity, the western tourism center of Guizhou Province. There is a high-gradehighway directly to the scenic spot.

The Longgong scenic spot is mainly composed of karst caves. It alsointegrates karst caves, waterfalls, canyons, peaks, cliffs, lakes, rivers,ethnic customs and religious culture, forming a picture of a wonderland onearth.

Longgong scenic spot is famous for its wonderful scenery, especially thewater cave in the central scenic spot is the longest in the country, thewaterfall in the cave is the highest in the country, and the natural radiationrate is the lowest in the country, which is called the "three best" by expertsand tourists in China. The adjacent Xuantang scenic area is also famous for its"three wonders", namely, the wonder of Xuanshui, the number of short rivers andthe size of the Buddha Hall in the cave. Stepping into the Dragon Palace is likeentering a fairyland and a paradise, which makes people forget to returnhome.

Mesdames et Messieurs les dirigeants, nous sommes maintenant sur la placecentrale de Wuzhen: la place du temple de la culture et de la vérité, cest leCentre culturel et récréatif de Wuzhen dans le passé, les gens accueillent lafoire du temple, le meilleur endroit pour voir lOpéra de Dieu.Le thé?tre est unb?timent auxiliaire du concept de culture de la vérité, construit pour lapremière fois dans la 14ème année du règne de lempereur Qianlong de la dynastieQing (1749) après avoir été endommagé, mais il a été restauré depuis 1919jusquà aujourdhui, de sorte que les gens ici lappellent le Thé?tre antique.Lascène couvre une superficie de 204 mètres carrés et est divisée en deux étages.Lavant de létage supérieur est la scène.

Aujourdhui, les gongs et les tambours devant la scène continuent desonner. Chaque matin et chaque après - midi, il y a des spectacles qui chantentlopéra local: lOpéra Tongxiang Huagu, qui est chanté dans le dialectelocal.Ensuite, regardons en arrière le point de vue de la culture et de lavérité.Le temple de la culture et de la vérité a été construit pour la premièrefois dans la première année de Xianping (998) de la dynastie Song du Nord. Letao?ste Zhang Dongming a obtenu la culture et la vérité ici, de sorte quil aété nommé Temple de la culture et de la vérité.Cest lun des trois points devue du Sud de la rivière Yangtze, ainsi que le Temple Xuanmiao de Suzhou et letemple Xiangyun de Puyuan.Selon les documents pertinents, il y avait troisgrandes salles de culture de la vérité au début de la construction, puis ellesont été détruites et construites à plusieurs reprises. Après lajout de la portede montagne et de la scène dans la 14ème année de lempereur Qianlong, le modèlede culture de la vérité a été fondamentalement fa?onné.Aujourdhui, la vue de laculture de la vérité est la porte de la montagne devant, la salle de la montagneorientale au milieu, et le pavillon de lempereur de jade derrière.

Je suppose que tout le monde se demande pourquoi il y a un Abacus à laporte.Vous voyez ce couplet, le couplet supérieur est: "lhomme compte mille",le couplet inférieur est: "le ciel compte un", dit aux gens "lhomme comptemoins que le ciel", donc?Ce grand Abacus représente le vieux dieu Abacus.Suivez- moi à lintérieur.En entrant dans la porte de la montagne, vous pouvez voirdeux immortels familiers, le dragon vert à gauche et le tigre blanc à droite.Ils sont équivalents au Dieu de la porte et gardent le temple de la culture dela vérité jour et nuit.

En entrant dans la vision de la vérité, vous pouvez trouver un problème.Cest aussi une caractéristique de la vision de la vérité. Cest lunité dubouddhisme et du tao?sme.Alors pourquoi?En théorie, bien que le bouddhisme et letao?sme aient des doctrines et des objectifs différents, leurs modes decomportement sont différents, mais dans le processus de développement demilliers dannées, il y a intégration et infiltration, les deux sont exhortentles gens à être bons, de sorte que les gens ordinaires pensent que cest unechose, deux, deux et un, il est tout à fait naturel de les mélanger.

Après avoir traversé les deux c?tés de la porte de la montagne, à droite setrouve la sculpture et la peinture du roi Yan et du magistrat Wen Wu, et aumilieu se trouve le bodhisattva tibétain.Chaque année, le 30 juillet estlanniversaire du Bodhisattva tibétain, de sorte que cette nuit - là, il y a lacoutume dinsérer de lencens tibétain dans cette région de Wuzhen.Sur la gauchese trouvent les trois dieux de la dynastie Qing dans le tao?sme, taishang LaoJun, yuan shi tian Zun et taishang Dao Jun, qui occupent la plus haute positiondans le tao?sme.

La deuxième entrée dans la salle principale est la salle Dongyue.Il est ditque lempereur Dongyue est responsable de la vie et de la mort sur terre. Lesgens le craignent beaucoup. Par conséquent, il y a des temples Dongyue dans larégion. Chaque année, le 28 mars du calendrier lunaire est son anniversaire, degrandes cérémonies et des foires de temple auront lieu.De part et dautre, il yavait des figures de deux mètres de haut du zodiaque.

? lheure actuelle, dans les salles de gauche et de droite sont consacrésle Seigneur de la ville et le maréchal de la peste. Chaque année, le 15 mai etle 15 juillet, Wuzhen a des activités pour accueillir le maréchal de la peste etle Seigneur de la ville.

La troisième entrée dans le pavillon de lempereur de jade est divisée endeux niveaux.Au niveau inférieur se trouve Guanyin, dont les c?tés gauche etdroit sont ses disciples, shancai Boy et xiaolongnv.Il y a une statue delempereur de jade au - dessus. LEmpereur de jade est le chef suprême dans lemonde des fées, de sorte que le statut est le plus élevé.Sur les deux c?tés, ily a des fresques créées par le laboratoire de Cheng changgeng.Les deux fresques,dune hauteur de 3 mètres et dune longueur de 8 mètres, sont la carte de ladynastie Shang des dieux Taiyi et la carte de voyage de la Reine mèreoccidentale.

Après avoir vu le point de vue de la culture de la vérité, Xia Tongshan estallé à la calligraphie.

Xia Tongshan Hanlin di et Shadow Opera

Il y avait deux dynasties Han dans la ville de Wuzhen, lune pour Yan Chende la porte nord, lautre pour Xia Tongshan de la ville centrale.Xia TongshanHanlin est à lorigine une résidence populaire générale, nous lappelonslocalement Xiao Hall.Le seuil de la porte de la maison Xiao est très haut, lasection centrale peut être enlevée, appelée ? seuil de vertu ?.Au - delà duPatio en pierre se trouve la salle principale de la famille Xiao, et les grandesbo?tes en bois émaillé Rouge sont placées sur les deux c?tés de la plaque de lasalle principale pour tenir la liste des décrets impériaux.

Alors comment la maison de Xiao peut - elle devenir la maison de XiaTongshan?Il savère que la maison Xiao est la maison de la belle - mère de XiaTongshan. La mère biologique de Xia Tongshan est morte quand il avait cinq ans.Son père a continué à épouser Xiao, une jeune fille de la famille Xiao à Wuzhen.Xia Tongshan a servi comme sa mère biologique. ? l?ge de 15 ou 16 ans, son pèrevoulait abandonner le confucianisme et faire des affaires en raison de la chutede la famille. Xia Tongshan a vécu avec sa belle - mère dans la maison Xiao. Sononcle Xiao Yibin a une riche collection de livres. Xia Tongshan aime beaucouplire. Chaque jour, Xia TongshanNe pas laisser tomber les rouleaux et ne passoccuper des affaires de la boutique de vin et de sauce.Xiao laogong na pasbl?mé Dan, mais a pensé que les enfants pouvaient enseigner, la envoyé àlécole pour demander un professeur.Par conséquent, Xia Tongshan a fait degrands progrès dans lapprentissage et les examens impériaux. Il a été admis àlUniversité à l?ge de 25 ans. Lannée suivante, Xia Tongshan a été nomméHanlin. Xia Tongshan a été récompensé par la gratitude de la famille Xiao pourléducation de Xiao. La plaque de hanlindi a été accrochée dans la salle de lafamille Xiao.

En 1876, Xia Tongshan, en collaboration avec 27 fonctionnaires, a résolulaffaire pour Yang naiwu et xiao chou, et a re?u léloge de la populationlocale. Le Squire de Wuzhen la respecté et a financé la construction dune courimpériale à c?té de la maison Xiao.Maintenant, traversons cette roche etregardons à c?té.Cette petite cour est le jardin de la famille Xiao. Rockery,Pool, bambou et banane sont petits et élégants. Au nord du jardin se trouve lasalle des Sedan s, également appelée salle de réception des fonctionnaires. ?lintérieur se trouvent deux sedans, lun pour la voiture dhiver et lautrepour la voiture dété.En regardant vers le Sud, cest la salle principale de lacour impériale. Tous les meubles à lintérieur sont disposés selon la situationde cette année - là. La plaque de la cour impériale est accrochée au mur de lasalle principale.Cette image en bambou avec le titre "gaofengliangjie" symboliselintégrité officielle et lintégrité de Xia Gong.Après avoir traversé le patioderrière la salle principale se trouve le hall. En bas se trouve la statue deXia Tongshan. ? cette époque, Xia Tongshan et Weng Tong ont servi pourlempereur Guangxu et ont adoré le serviteur droit du Ministère de laguerre.

Il y a aussi une petite maison où le chou a vécu dans cette Cour, connuesous le nom de "maison du chou".Comment les choux peuvent - ils vivre ici?On ditque le Prince Yu était très curieux après que laffaire de Yang Ge ait étérévélée. Quelle femme ma fait porter une plume de fleur à près dune centainede fonctionnaires?Il a donc ordonné au Département de la punition dapporter lechou pour linspection. Bien que le chou était très hagard, il ne pouvaittoujours pas cacher sa beauté naturelle. Le Prince Yu a pris pitié delle et luia demandé ce quelle voulait. Le petit chou a vu le Prince Yu et a dit: Elle afait un v?u en prison. Quiconque la aidé à nettoyer ses griefs, il a servi quitoute sa vie.Le Prince Yu était dans une situation difficile à entendre, parceque Cixi avait donné lordre daller au couvent pour le reste de sa vie, maisses mots avaient été exportés et difficiles à récupérer.Après un moment deréflexion, ja i pensé que cétait une bonne idée. Il a demandé au chou dallerà Wuzhen pour servir la mère de Xia Tongshan, la vieille dame Xia, pendant troismois, puis dentrer dans le couvent après trois mois pour répondre à sonsouhait.Mais cette période doit être invisible, silencieuse et silencieuse.Ondit que la porte de derrière et la promenade sont construites pour que les chouxne voient pas le jour.

Ensuite, nous allons voir une sorte dart populaire rapidement perdu:"shadow play", cest - à - dire lanimation antique!

Huiyuan prêteur sur gages

Ja i vu un merveilleux jeu dombre, ci - dessous va à un prêteur sur gages"Huiyuan prêteur sur gages".

Huiyuan Dang a été créé par Xu huanhua, la neuvième génération de Xu Dong,le plus riche de la ville de Wuzhen. Il a été créé pendant la période Guangxu dela dynastie Qing (1875 - 1908). Dans lantiquité, la ville de Wuzhen était unendroit où deux provinces, trois gouvernements et sept comtés ont ététransférés. Léconomie était prospère. Par conséquent, il y avait beaucoup deprêteurs sur gages, qui ont atteint 13 au plus. Après le changement des temps,les prêteurs sur gages ont disparu pendant des décennies.Aujourdhui, en raisondu développement du tourisme, lancien prêteur sur gages a repris son apparencedes années précédentes.Allons jeter un coup doeil.Tout dabord, le mot "Dang"est particulièrement frappant sur le haut mur, qui est appelé mur de lumière. Ila deux significations, lune est un passage; lautre est parce que lentrée dansle prêteur sur gages est une chose sans visage, de peur dêtre vu par les gensdans la rue, de sorte que linstallation du mur, a joué le r?le de "honte".Celamontre que les commer?ants de cette année - là ont pris en compte la psychologiedes clients.

Le comptoir du prêteur sur gages est particulièrement haut avec 1.8 mètres,dans lantiquité, il y avait des comptoirs de prêteur sur gages plus hauts,jusquà 2.Et pour les 0 mètres.Alors vous vous demandez peut - être pourquoi ilest si haut?En fait, il sagit de faire en sorte que M. chaofeng du prêteur surgages soit condescendant, quil fasse face aux clients avec un grand élan, quilpuisse mieux faire baisser le prix, et quil joue un r?le de protection pouréviter les combats.Par ici, sil vous pla?t.

Dès que nous entrons dans la porte, nous voyons quil y a un lit spécialprès du mur ouest, un lit roulé, qui est utilisé pour ranger des vêtements etdes objets en gage.Sur les deux c?tés du lit roulé, nous avons vu deux brins decorde de chanvre, qui étaient utilisés pour envelopper des objets en gage.

Il y a une carte en bois spéciale ici, appelée carte despoir, qui est enfait léquivalent de notre calendrier actuel.Les lignes 1 et 3 de wangbaiutilisent les dix - huit caractères du texte de mille caractères. Ces caractèrespeuvent être déplacés. Pourquoi utiliser les dix - huit caractères?Cest parceque le temps le plus long pour les marchandises en gage était de 18 mois. Chaquemot représente un mois. Après un mois de stockage, les mots correspondants ontété déplacés dune case à lautre. Après avoir été déplacés à 18 cases, lesmarchandises nont pas pu être rachetées et le propriétaire peut Les traiter parlui - même.

Trois dieux de la richesse ont été consacrés sur la "table naturelle" aumilieu.Parmi eux, les joues sont particulièrement rouges. Par conséquent, le nomde la pensée est Guan Gong. ? c?té de lui se trouve le maréchal Zhao GongMing.Les deux sont des dieux martiaux et financiers. Plus tard, celui qui regarde soncostume sait quil est un Dieu littéraire et financier - zengfu.

Cette table ici, que nous appelons la table de gestion de largent,contient de largent pour payer les marchandises en gage. Lancien personnel dece fils était léquivalent du caissier actuel.Celui qui sassoit sappelle lecanapé dargent, il peut sasseoir et économiser de largent.Il y a donc unepetite table de compte ici, qui fait principalement quelques livres de compteuniques dans lindustrie du prêt sur gages.Lancien M. Huizi, le dragon volantet le Phoenix dansant, sest ouvert ici.

Plus loin, cest une chambre à bijoux.Contre le mur, ces armoires en boisavec tiroirs étaient autrefois utilisées pour stocker de lor et de largentdoux.Cette table sur notre gauche est une vraie table de compte, faisant descomptes comme un compte courant.

En bas de lescalier à c?té, il y a une chambre noire très profonde et trèssombre qui sert de refuge durgence, de sorte quelle est particulièrementproche de la chambre à bijoux pour faciliter le transfert des objets devaleur.

En montant les escaliers, on voit en face deux divinités que lon ne peutvoir que dans un prêteur sur gages.Sur la gauche se trouvait le Dieu du feu, quiétait autrefois un ma?tre qui priait pour la paix pour la prévention desincendies.Lautre est le Dieu du signe, "le signe" et "la consommation"homonymes, comme son nom lindique, est de prévenir les rats.Les vieux prêteurssur gages ne pouvaient pas garder de chats.