大理烤乳扇哪家好吃优秀19篇

在大理，人们流传着这样一副对联：上关花，下关风，下关风吹上关花。苍山雪，洱海月，洱海月映苍山雪。早晨，我和爸爸乘着画舫，游览这如诗如画般的大理洱海。

现在正值春季，风总在这个季节到来。然而下关正是能衬托出它的地方。这里的人们都爱这清爽、洒脱的风儿。许多外地人来到这儿，都会找一片草地，舒舒服服的躺着，感受那潇洒的下关风温柔地拂过面颊的感受。我想这就是它为什么排在风花雪月之首的原因吧。

来到上关，人们首先想到的便是花了。现在，这里的花开的很茂盛，放眼望去，这里简直是一片花海。可找来找去，也没有几朵像：玫瑰、牡丹这类娇艳的花儿。这是为什么呢?我们问了问当地的人们，总算知道：大理人民是热情如火的。比起这些花，他们更喜欢野菊、向日葵这类阳光，向上的花儿。上官的阵阵花香和下关的徐徐微风交相辉映，真是大理独具特色的风景啊!

清凉的微风荡漾起一道道水纹，我坐在船边，望着清澈的海水。那醉人的碧绿，映着白云，映着苍山，假如大理没有这美如仙境的洱海，定会失去一半的抚媚。一只只游船在海水中游荡，此时的洱海，静若处子，温柔如纯洁的少女，岁月带走了风情脉脉的南诏古国，却怎么也带不走洱海的冰清玉洁。向远处眺望，一艘艘游船在平静的洱海飘荡，为这壮丽的湖光山色，打下了美丽的衬托。游船在岸边停下，我们随着人群，走过一级级石阶，绕过一条条小道，径直来到了南诏风情岛，小岛那悬崖峭壁上，长着绿绿的仙人掌，仿佛在向人们展示它那顽强的生命力。往里走，就来到了奇花异草的王国--蝴蝶泉。叮咚的泉水砸在石阶上，像一串串闪着莹光的珍珠，像一串串即将凋零的花，像晶莹的、透亮的水晶球。泉水旁，一朵朵月季竞相开放，一支支杜鹃绽放着它那迷人的光彩，洁白如玉，金黄似光，粉若红霞，紫犹幻梦。天空中，鸟儿在倾心的鸣啭，蝴蝶在上下的飞舞，构成了一幅无与伦比的水墨画。

再别，洱海。我在心底默默的想着。人虽上了船，可心却依然留在岛上，直到它一直变小，变小，消失在我的视线之中……船上，这样的水倒映着这样天，这样的天笼罩着这样的水，让我不由得想起这样一句诗，“水光万顷开天镜，山色四时环翠屏”。

我爱洱海，爱它的美丽，它的神秘。我不知道，以后是否还能来到大理，来到洱海，但是，这次洱海之行必将在我的脑海中烙下一段深刻的记忆，永生难忘。

大理古城简称榆城，位居风光亮丽的苍山脚下，距大理市下关13公里。大理古城始建于明洪武十五年(1382年)，是全国首批历史文化名城之一。大理古城东临洱海，西枕苍山，城楼雄伟，风光优美。大理城的规模壮阔，方围12里，原城墙高7.5米，厚6米，东西南北原有四座城门，上有城楼。如果说，自治州首府下关给人以繁盛、喧闹的印象，那么大理古城则是古朴而幽静。

大理古城东临碧波荡漾的洱海，西倚常年青翠的苍山，形成了“一水绕苍山，苍山抱古城”的城市格局。由南城门进城，一条直通北门的复兴路，成了繁华的街市，沿街店铺比肩而设，出售大理石、扎染等民族工艺品及珠宝玉石。街巷间一些老宅，也仍可寻昔日风貌，庭院里花木扶疏，鸟鸣声声，户外溪渠流水淙淙，“三家一眼井，一户几盆花”的景象依然。古城内东西走向的护国路，被称为“洋人街”。这里一家接一家的中西餐馆、咖啡馆、茶馆及工艺品商店，招牌、广告多用洋文书写，吸着金发碧眼的“老外”，在这里流连踯躅，寻找东方古韵，渐成一道别致的风景。

苍山孕育了大理石，大理石就是苍山的魂。这种瑰丽的奇石，世界许多地方都有，独大理的最奇美，且开民得早，因此，全世界凡此奇石均称为“大理石”，“大理”也因石而名扬天下。

各位朋友，我们的游船正在前行，现在应该向大家介绍这碧波万顷的洱海本身了。

洱海，古称昆明池、洱河、叶榆泽等;因其状似人耳，故名洱海。它南北长42公里，东西宽3—9公里，湖岸线长117公里，面积250多平方公里;平均水深10.5米，最深21.5米，蓄水量28.8亿立方米，面积与蓄水量均列云南湖泊第二，在全国淡水湖中居第七位。

洱海南有弥苴河等注入，西纳苍山十八溪水，东汇波罗江、挖色河、南面的西洱河是惟一出海口，经漾濞红绕入澜沧江。洱海属构造湖，湖岸东西多崖壁，北西南三面为沙洲。

大家看，洱海水深清澈，宛若无瑕的美玉，秀丽无比，它正以广阔的胸怀欢迎各位来自远方的宾朋。洱海是中国著名的高原湖泊，早在汉代它已名载史册。

“洱海月”是大理四大名景之一。如果在农历十五月明之夜泛舟洱海，其月格外的亮、格外的圆，其景令人心醉：水中，月圆如轮，浮光摇金;天空，玉镜高悬，清辉灿灿，从洱海中浴出。看着，看着，水天辉映，你竟分不清是天月掉海，还是海月升天。洱海月为什么如此明亮?科学的结论是：一、洱海水质特别纯净，透明度相当高，其反光极强;二、洱海海面尘埃较少，空气清新，使得水天相映，月光更加明亮。此外，洱海月之著名，还在于洁白无瑕的苍山雪倒映在洱海中，与冰清玉洁的洱海月交相辉映，构成银苍玉洱的一大奇观。

友達のみなさん：

皆さん、こんにちは大理古城を見物して、この地の人文景観の深さを初めて感じました。今は蒼山アール海を観賞して、大理の山水の美しさを味わいます。

まず、私たちは遊覧船でアールハイ公園に行きます。アル海公園はまた有名な団山公園で、下関城区の東北の2キロメートルの所の団山に位置します。それは北は碧波の万頃のアル海に臨んで、西は蒼山の南端の斜陽峰と向かい合います。南詔国の時、ここは王の鹿苑です。1976年にここは新しく公園になりました。1600ムー余りの敷地を占めています。山には動物園と苗園の花壇があります。大理地方には有名な花や草がたくさん植えられています。

今は遊覧船はもうアル海公園の臨海堤に着きました。船から岸に上がります。これは団山のふもとの浜海観光区で、270級の石段に沿って階段を上っています。頂上に着きます。みんなは見て、この角を上げて軒を飛ぶ楼閣は海楼を眺めるので、軒下に額を掛けて、上書：玉アル銀蒼”、黒の底の金の字、蒼然としている力は古雅で、それは中国の有名な画家の呉作人の筆です。海楼を眺めるのは“玉アルシルバー”の佳境を味わうので、欄干によって遠くを眺めるのです。東のアル海は広々としていて、一碧万時、西の果てには蒼山が延々と続いていて、広々としています。

皆様、もう一度船に乗って、アール海の中を漫遊しましょう。でも、まず皆さんに紹介したいのですが、蒼山です。以前、私たちは大理城にいました。蒼山のふもとの道路で、蒼山の雄姿をよく見られませんでした。昔の人が言ったように、「廬山の本当の姿を知らないで、ただ山の中だけに縁があります。」今、遊覧船が前に進むにつれて、私達の目の中の蒼山はもっとはっきりしていますか?ある人は山脉を横断して大きな腕のように、「世界の屋根」のチベット高原から南に云南西部に伸びたと言います。苍山はこの世界の有名な山脉の中で云岭の分岐です。

雲南昆明石林ガイド語?雲南ガイド語?昆明ガイド語?西双版納ガイド語を紹介します。

蒼山の景色は雪、雲、泉の石で有名です。まず蒼山の雪を紹介します。夏を経て消えない蒼山雪は、大理の「風花雪月」という四大名景の中で最も有名です。雪が積もって、歴代の文筆家の賛辞が多く、民間の伝説も少なくない。明代文学者の李元陽はかつて「日麗蒼山雪、瑶台十九峰」と賛美した。

蒼山の雲はさらに名を馳せている。雲が集まって雲が散って、薄い時もあれば軽い煙のようです。時には濃い時もあります。変化の多い雲の中で、最も不思議なのは「望夫雲」と「玉帯雲」です。いわゆる「望夫雲」とは冬と春の季節になると、蒼山玉局の頂上にはいつも孤独な雲が現れ、突然志が落ちて、上下に揺らめくことを指します。不思議なところはそれが現れると、蒼山が突風を起こして、アール海に吹きます。いわゆる「玉帯雲」とは、夏の末から秋の初めになると、雨の後に晴れ、蒼山の19峰の半分の山の間にはよく白い雲が現れ、雲が集まって集まって、ゆっくりと開けて、まるで真っ白な玉帯の横束の青々とした山の中腹のようです。数十里にわたって，一日も消えない。奇妙なことに、「玉帯雲」は農業の豊作を予兆する。地元の白族には「蒼山系玉帯、飢えた犬は白米を食べる」ということわざがあります。

蒼山の泉も有名です。十九峰の中で海抜が3800メートル以上の峰の頂上には多くの高山モレーン湖があります。これは第四紀の氷河が残したものです。また、18渓流の渓流水、飛瀑は泉を畳み、四季を通して激しく流れ落ち、清純で甘い泉の滋養のもと、蒼山は生気に満ちています。モレーン湖畔は原始林と多くの珍しい林や奇異な花が密布しています。特に皆さんに教えなければならないのは、蒼山の花はとっくに芳名が広く放送されています。米国では100万人以上が中国の雲南省の大理蒼山を知っています。彼らは美しい大理蒼山のつつじをたくさん植えていますから。

蒼山の石は内外に名を知られている。郭沫は「大理石を詠む」という詩があります。蒼山の韻風月、奇石は雲煙を吐く。心の外で向かい合って、ひよこの間を冷ます。天功人力代、海外競珍伝。」

苍山は大理石を懐胎して、大理石は苍山の魂です。このような綺麗な奇石は世界の多くのところにあります。独大理の一番奇麗で、しかも開民が早いです。だから、全世界のこの奇石は皆大理石と呼ばれています。

みなさん、私たちの遊覧船は前に進みます。今はこの碧波万時のアール海自身を紹介します。

アル海南島には弥恂河などが注入されています。西納蒼山十八渓水、東匯波羅江、掘色河、南の西アール川は唯一の海口で、炜?紅を経て瀾滄江に囲まれます。アーモンド海は構造湖であり、湖岸の東西の断崖壁が多く、北西南の三面が砂州である。

みんなは見て、アル海の水は深くて澄みきっていて、まるで傷のない美しい玉のようで、秀麗で比類がなくて、それは広大な心で各位を歓迎して遠方の賓客と友達から来ます。海は中国の有名な高原湖で、漢代にはすでに歴史に名を載せています。

「アル海月」は大理の四大名景の一つです。もし旧暦の十五月明の夜に、アール海を舟で浮かべたら、その月は特別に明るくて、特別な円で、その景色は心を酔わせます。水の中で、月は輪のように輝いています。見ていて、見ていて、水の空が照り映えて、あなたは意外にもはっきり見分けられないのが天月が海に落ちますか?それとも海月が昇天します。どうしてこんなに明るいですか?科学的な結論は、第一に、アール海の水質はとてもきれいで、透明度はかなり高くて、その反射力は極めて強いです。これ以外に、アル海月の有名さ、また真っ白で無傷な蒼山の雪がアル海中に映っていることにあって、氷の清らかなアル海月と互いに照り映えて、銀の蒼玉アルの一大奇観を構成します。

先说蝴蝶泉水吧，蝴蝶泉最早叫“无底潭”，因为发生在这里一个动人的“雯姑与霞郎”的爱情传说，这潭爱的泉水才被称为：“蝴蝶泉”。大家眼前看到的这一池清澈见底的泉水，就是从苍山山麓的岩缝砂层中渗透出来的，水质特别清冽，一出地表便汇聚成潭，一眼看去，在渎底洁白如银的细砂上，泉水从细沙中的无数个泉眼中涌出，不时升腾起一串串气泡。这泉水奇就奇在冬不枯竭、夏不满溢。泉壁上方的大理石上，刻有一代文豪郭沫若题写的。“蝴蝶泉”三个潇洒自如的大字。有意思的是，人们喜欢将蝴蝶泉看作是爱情的幸福泉，因此，都要将硬币投向池塘中，一试“运气”，你要是忠贞于爱情的话，那您投出的硬币一定会飘飘摇摇落在那一个个汩汩流出的爱的泉眼之上，

游蝴蝶泉当然要说“蝶”。据科学工作者考证，蝴蝶聚会是自然界生物传宗接代的一种自然现象。在蝴蝶泉内，蝴蝶泉种类繁多，每年阳春三月到五月之间，正是蝴蝶泉边合欢古树开花释放花蜜的季节，也是各种蝴蝶交配繁殖后代的时间，它们从各处飞夹采花蜜，同时雌雄相互交配，所以出现这种蝴蝶聚会的奇观。大的大如巴掌，小的小如蜜蜂，成串挂在泉边的合欢树上，彩蝶翻飞，如梦如幻。徐霞客在他的《滇游日记》中写道：“有峡泉之异，余闻之已久。泉上大树，当四月初即发花如峡蝶，须翅栩然，与生蝶无异。又有真蝶无数，连须勾足，自树巅倒悬而下，及于泉面，缤纷络绎，五色焕然”。徐霞客笔下这一生动的描述，让我们感受到一幅蝴蝶与奇花竞相争艳的美丽画图。著名诗人郭沫若1961年秋游蝴蝶泉时，曾写：“蝴蝶泉头蝴蝶树，蝴蝶飞来万千数，首尾联接数公尺，自树下垂疑花序”的著名诗句。当然，到蝴蝶泉看蝴蝶，最好的时节是每年的农历四月十五，是白族人民自古相传的“蝴蝶会”，这一天，四方八面的蝴蝶都飞到这里来，竞妍争艳。如果你错过了“蝴蝶会”那也没关系，我们现在就要游览的“蝴蝶馆”里真实地再现了蝴蝶泉边蝴蝶的生态、品种以及与蝴蝶有关的蝴蝶文化，为不能亲临蝴蝶会的游客提供了解蝴蝶奇观的珍贵资料。

古城楼

1、文献楼

文献楼始建于清康熙年间。楼额悬挂云南提督偏图于康熙四十年(1701年)所题的“文献名邦”匾额，故名文献楼。文献楼为两层歇山式土木石结构的镝楼，具有典型的白族建筑特色。

2、五华楼

五华楼最早是南诏王的国宾馆，元世祖忽必烈征服大理时，曾经驻兵楼前。明朝初年，五华楼在战乱中被烧毁。明洪武年间，重修大理古城时，在五华楼旧址上修了钟鼓楼，其规模格局已远不如南诏的五华楼。[

3、南城楼

南城楼图片

南城楼称双鹤楼又称承恩楼。南城门是古城四门之首，始建于明洪武十五年(1382年)，为古城最古老雄伟的建筑，是大理古城的象征和标志。古城墙四面各长约1500米、高6米、厚达12米。城门上“大理”二字是郭沫若1961年游览大理时亲笔所提，“大理”是国号，意为“大治大理，富国兴邦”之意。

4、北城楼

北城楼，又称“安远楼”。北城门又称“安远门”、“三塔门”，始建于1382年，是古城四座城门之一。城楼的屋顶采用了中国宫室建筑中较高等级的重檐歇山式，保留了明朝时的建筑风格。

云南省大理白族自治州的苍山洱海是古今旅游者所向往的地方。明代著名文人杨升庵描绘它“山则苍茏垒翠，海则半月掩蓝”，“一望点苍，不觉神爽飞越”。

苍山，又名点苍山，共有十九座山峰，最高峰海拔4000多米。

苍山十九峰北起洱源邓川，南至下关天生桥。苍山十九峰，巍峨雄壮，与秀丽的洱海风光形成强烈对照，其峰自北而南依次为：云弄、沧浪、五台、莲花、白云、鹤云、三阳、兰峰、雪人、应乐、观音、中和、龙泉、玉局、马龙、圣应、佛顶、马耳、斜阳。这些山峰，海拔一般均在3500米以上，有七座山峰海拔高达4000米以上，最高的马龙峰海拔4122米。苍山十九峰，每两峰之间都有一条溪水奔泻而下，流入洱海，这就是著名的十八溪，溪序为：霞移、万花、阳溪、茫涌、锦溪、灵泉、白石、双鸳、隐仙、梅溪、桃溪、中溪、绿玉、龙溪、清碧、莫残、葶溟、阳南。苍山景色向来以雪、云、泉著称。经夏不消的苍山雪，是素负盛名的大理“风花雪月”四景之最。在风和日丽的阳春三月，点苍山顶显得晶莹娴静，不愧是一个冰清玉洁的水晶世界。

点苍山的云变幻多姿，时而淡如青烟，时而浓似泼墨。在夏秋之交，不时出现玉带似的白云横束在苍翠的山腰，长亘百里，竟日不消，妩媚动人。 在苍山顶上，有着不少高山冰碛湖泊，湖泊四周是遮天蔽日的原始森林。还有18条溪水，泻于19峰之间，滋润着山麓坝子里的土地，也点缀了苍山的风光。苍山还是一个花团锦簇的世界。不仅有几十种杜鹃，而且有珍稀的茈碧花和绣球似的马缨花等。

供方单位(甲方)：

需方单位(乙方)：

一、 质量商定标准：以甲乙双方协定某工程为参考标准;提交地点和方式：供方将货运至甲方指定的存货地点; 运输办法及费用承担：一律由供方单位承担; 包装和包装物的供应与回收：均由供方单位自理; 合理损耗及计算方式：按实际平方实量实算; 验收标准与方式：建设单位、监理单位、质量监督站等有权部门验收认可为依据;

二、结算方式及期限：结算方式以银行转账方式支付，期限按收到货物起3个月之内付清上一批货款违约责任及解决的方式：先调解，若不成则由当地人民法院裁决; 本合同一式两份供需方各执一份;本合同有效期限：本合同签定之日起即生效至结清所有货款后自行失效。

三、 其他约定事项： 其他未尽事宜甲乙双方协商处理

甲方：

乙方：

年 月日

Dali has a long history and splendid culture. It is known as the "famousnation of literature". Dali is the settlement of the Bai nationality. More than4000 years ago, the ancestors of the Bai nationality multiplied in Erhai area.After the establishment of a county in the Han Dynasty, they communicated withthe Central Plains and became a transit station for the central dynasty tocommunicate with Myanmar and India. Dali has been the transportation fortress ofYunnan since ancient times. In history, the Southern Silk Road and the ancienttea horse road met here. Tour guide tools

During the Tang and Song Dynasties, Nanzhao and Dali established theircapitals here. Dali, as the capital of Nanzhao and Dali, has had frequentcultural exchanges with the Central Plains for 500 years. It has built temples,built pagodas, carved stones and erected steles, and prospered in culture. TheThree Pagodas of Chongsheng temple, Hongsheng temple, Buddha Temple Pagoda,Cangshan temple, Gantong temple and Dehua stele in Dali are still wellpreserved. Today, we are going to visit the Three Pagodas of Chongsheng Templein Dali, a national key cultural relic protection unit, which is famous at homeand abroad.

Dear friends, now we are about to arrive at the Three Pagodas of ChongshengTemple in Dali. It is the symbol of Dali and even Yunnan. It enjoys highpopularity at home and abroad and is an important tourist attraction inDali.

First of all, I would like to introduce Chongsheng temple, which is locatedat the foot of yingle peak of Cangshan Mountain, about 1.5 kilometers northwestof Dali ancient city. It is generally believed that it was built by the tenthgeneration of Wang quanfengyou of Nanzhao state in the later period of Nanzhao.Chongsheng temple has a large scale. According to the literature, the temple hasa scale of "three pavilions, seven floors, nine halls and one hundredbuildings". In Dali after Nanzhao, Buddhism was more developed, known as"Buddhist kingdom" and "Miaoxiang kingdom", while Chongsheng temple was known as"Buddha capital". Nine Dali kings abdicated and became monks, practicing here.After the completion of Chongsheng temple, it became the center of Buddhistactivities in Nanzhao state and Dali state, and became a famous royal temple inDali state. The holy name of Chongsheng temple is Guanyin, because the worshipof Guanyin was popular in Dali area at that time. The Three Pagodas ofChongsheng temple, Nanzhao Jianji bell, Yutong Guanyin, zhengdaoge tablet andBuddha plaque, and Sansheng gold statue are regarded as the five importantweapons of Chongsheng temple. Unfortunately, Chongsheng temple will encounterthe Dali earthquake during the Zhengde period of the Ming Dynasty. Fortunately,the three pagodas still exist.

The Chongsheng temple we see today is restored and rebuilt on the originalbasis. After the restoration and reconstruction, the overall layout is theprimary and secondary three axes, which is divided into 8 platforms, 9 entrancesand 11 levels. On the main axis, there are sixteen kings, the great kings, thestone carving, the wall, the golden bird, the mountain gate, the heavenly kinghall, the Wang Hai building, etc. the buildings on the two sides of the axis andthe secondary axis are well proportioned: the abbot hall, the guest hall, LuoHantang and the patriarch hall show the essence of the classic architecture. Thewhole complex is full of ups and downs, scattered, resplendent and majestic.

The three pagodas are a group of buildings in front of Chongsheng temple,so the three pagodas are also known as the three pagodas temple, which is thethree pagodas Temple written by Xu Xiake, a traveler in Ming Dynasty, in hisdiaries of traveling to Yunnan, and the Tianlong Temple written by Jin Yong, amaster of modern martial arts novels. The three pagodas are recorded in XuXiakes Travels: "the temple is under the tenth peak. It was built in Kaiyuan ofTang Dynasty, and is famous for worshiping saints. In front of the temple, thereare three towers, and the middle tower is the highest, square in shape andtwelve stories in length, so it is now called the three towers. "

The Three Pagodas of Chongsheng Temple are composed of one large tower andtwo small ones. The big tower is also called Qianxun tower. The distance betweenQianxun tower and the two small towers in the north and south is 70 meters, andthe distance between the two small towers is 97.5 meters. It is a tripod with aunified layout, harmonious shape and an integral whole.

Qianxun tower, 69.13 meters high, is a square hollow brick tower with denseeaves. It belongs to the typical architectural style of Tang Dynasty, and itsshape is similar to Xian small wild goose tower. The Qianxun pagoda has 16floors in total, with a bronze bird in each corner of the top. The inner wall ofthe tower runs up and down vertically, with wooden stairs. You can climb the topof the tower and enjoy the panoramic view of Dali ancient city from theobservation hole. Qianxun tower stands on a two-story high platform. On the eastfacing screen wall in front of the tower, you can see the four vigorous andpowerful stone characters "Yongzhen mountains and rivers". Each character is 1.7meters high. It was originally written by Mu Shijie, the grandson of muying, theDuke of Guizhou in the Ming Dynasty. During the 1925 Dali earthquake, except for"Chuan", the other three characters were destroyed. What you can see now is thatthey were carved according to the outline of Mu Shijie. There are two reasonsfor writing these four words: one is that there are many floods and evil dragonsin Dali area in history. Therefore, to control the water, we must first controlthe dragon. But the dragon only respects the pagoda and is afraid of the Mirs.Therefore, as long as the pagoda and the Mirs on the pagoda exist, the dragonwill not dare to do evil. Of course, the flood will be reduced. Another way ofsaying is that in the Ming Dynasty, Dali, which is located in the border area,has become a part of its territory. In order to fully express its adherence tothis territory, it is more appropriate to "inscribe a stele" on the standingtower foundation.

The two towers are 42.19 meters in height, each with 10 stories. They are apair of octagonal brick towers with dense eaves. Above the eight stories, theyare solid, below the eight stories, they are hollow. There are three coppergourds on the top of each tower, which are magnificent and solemn. The outlineis like a cone, which is a typical architectural style of Song Dynasty.According to the relevant historical data, the construction of the North-Southpagoda was later than the Qianxun pagoda, which was the period of Duan Zhengyanand Duan Zhengxing in Dali. Now the two towers that we see have deviated fromthe vertical line and are in a worrying tilting state, but dont worry, becausethey have been tilting for more than 400 years.

Since its construction, the Three Pagodas of Chongsheng temple have notonly experienced thousands of years of wind, rain and sunshine, but alsoexperienced 30 strong earthquakes. Among them, during the great earthquake inZhengde period of Ming Dynasty, most of the houses in Dali ancient citycollapsed, and Qianxun tower also cracked like a broken bamboo. Ten days later,it was miraculously self compounded. In the 1925 earthquake, 99% of thebuildings in urban and rural areas collapsed. The keqianxun tower only knockeddown the top of the pagoda, which is another miracle for the three towers builtdirectly on the earth without stone foundation. As one of the oldest and mostmagnificent buildings in South China, the Three Pagodas of Chongsheng Temple arethe symbol of Bai culture in Dali and ancient history and culture in Yunnan. Thethree pagodas are an integral whole, magnificent and simple in national style.Over the past thousand years, the three pagodas have gone through manyvicissitudes, gone through the erosion of wind and rain and many strongearthquakes, and still stand tall. It shows the wisdom of the working people inancient China. It has high historical, scientific and artistic value, and is animportant material for the study of ancient architecture and history. In 1961,it was announced by the State Council as one of the first batch of national keycultural relics protection units. In 20__, it was rated as a national 4A touristarea. It is a famous historical and cultural city, a symbol of Chinas excellenttourist city Dali, and an important cultural landscape of Dali, a nationaltourist scenic spot.

Dear friends, we entered the gate of the Three Pagodas of Chongsheng Templein Dali, visited the three towering pagodas of "Yongzhen mountains and rivers",and went on to the bell tower. Nanzhao Jianji clock was cast in the 12th year ofNanzhao Jianji, so it was named Nanzhao Jianji clock. Xu Xiake once wrote in hisdiary of traveling to Yunnan: "the bell is very big, its diameter can be morethan Zhang, and it is as thick as a foot, and its sound can be 80 Li."Therefore, "Zhong Zhen fo Du" has become one of the 16 famous scenic spots inDali. Jianji clock was destroyed in the Tongzhi period of Xianfeng in QingDynasty. We see the recast Jianji clock, which is 3.86 meters high, 2.138 metersin diameter and 16.295 tons in weight. It is the fourth largest clock in Chinaand the first in Yunnan. The clock was rebuilt and installed on the day of HongKongs return to the motherland in 1997. When the "Zhong Zhen Buddha capital"was restored, it was also a warning.

Dear friends, after visiting the Jianji bell tower, which has the largestbell in Yunnan, we climbed dozens of steps along the wide passage and enteredthe majestic Yutong Guanyin hall.

The rain bronze Guanyin was cast in 899 A.D. in the second year ofZhongxing reign of Nanzhao. It is said that an eminent monk of Chongsheng Templein Dali had vowed to raise money for casting a bronze statue of Guanyin all hislife. When it came to the shoulder of the statue, the prepared copper had beenused up and he was helpless. At this time, the sky was raining with copper andthe ground was full of copper beads, which were used to cast the statue. So itwas named "rain copper Guanyin". The statue of rain bronze Avalokitesvara, 24feet high, together with the three pagodas and Jianji bell, is one of the mostimportant three of the five heavy vessels in Chongsheng temple. Yutong Guanyinwas destroyed in the cultural revolution in the past ten years. Today, theYutong Guanyin hall is expanded and rebuilt on the original site. It is 29.99meters high, covers an area of 8100 square meters, and has a construction areaof 4384 square meters. It is another important scenic spot of the Three Pagodacultural relics scenic spot. It was completed in 1999 and is a high-qualityproject of Yunnan Province to welcome the World Expo. The statue ofAvalokitesvara, which is now recast, is carefully reproduced according to thephotos left at the end of the Qing Dynasty. The statue of Avalokitesvara on theleft and right sides of Yutong and the four Avalokitesvara[shuiyueavalokitesvara, cuoyeavalokitesvara, male Buddhist monk Avalokitesvara,and negative stone Avalokitesvara] are all made vivid and lifelike.

When we ascended the second floor of Yutong Guanyin hall, we saw two rarepaintings in front of us, namely the biography of the history of Nanzhao and thepainting of Sanskrit by Zhang Shengwen.

The picture biography of Nanzhao history was painted in 899 by Zhang Shunand Wang fengzong, the officials of Nanzhao state. It is dedicated to shunHuazhen, the last king of Nanzhao state. The original painting is paper color,580.2 cm long and 31.5 cm wide. The scroll is divided into three parts: theorigin of Weishan, the sacrificial iron pillar and xibaihe, which are valuablematerials for studying the history, religion and folk custom of Nanzhao.

Zhang Shengwens painting of Buddhist images is also known as the volume ofBuddhist images in Dali. Completed in 1180, the painting was painted by Dalipainter Zhang Shengwen. This painting volume has a very high position in the arthistory of Yunnan. It has been praised as the "pride of the north and the South"for a long time.

Dear friends, now we will finish the tour of the Three Pagodas ofChongsheng temple. Due to the time, we are only a part of the tour. If you havetime, you will come to Dali again and I will serve you wholeheartedly. Thankyou~

Dali, the only Bai Autonomous Prefecture in China, is one of the earliestbirthplaces of Yunnans history and culture. The Qin Dynasty formallyincorporated Dali into the territory of the feudal state. The Han Dynasty set upcounties here. Nanzhao state in the Tang Dynasty and Dali state in the SongDynasty established their capitals here. Dali became the political, economic andcultural center of Yunnan at that time. Dali ancient city is a famous historicaland cultural city in China. It has the reputation of "xianmingbang" and "theancient capital at the crossroads of Asian culture". It is one of the firstbatch of excellent tourist cities in China and won the title of "the bestcharming city in China". Its long history and splendid culture have left manycultural relics and historic sites. Among them, the most famous is the ThreePagodas of Dali, Rich in cultural connotation and unique aesthetic value, it waslisted as the first batch of national key cultural relics protection units bythe State Council in 1961. In the eyes of many tourists, it is the symbol ofDali and Yunnan ancient history and culture. If you dont visit the ThreePagodas in Dali, you wont visit Dali

Dali Three Pagodas stand at the foot of Cangshan Mountain and the Bank ofErhai Lake. The scenery of lakes and mountains makes the three pagodasparticularly enchanting, while the three pagodas are opposite each other, whichmakes Cangshan and Erhai Lake more beautiful. Dali Three Pagodas are likebeautiful and affectionate Bai girls, welcoming tourists in all directions withtheir unique outstanding demeanor, Now the temple has been destroyed in wars anddisasters, but the three pagodas have survived thousands of years, which is akind of historical and cultural fate

Among the three pagodas, the main pagoda, also known as Qianxun pagoda, wasbuilt in the period of Nanzhao state in Tang Dynasty (AD 836). It is 69.13meters high. It is a 16 story square hollow brick Pagoda with dense eaves. Itsshape is similar to Xian small wild goose pagoda. It is one of the typicalpagodas in Tang Dynasty, We must come up with some towers of different shapesthat we have seen. Do you know that towers can be divided into several typesaccording to their forms? Let me tell you! Generally speaking, they can bedivided into four types: pavilion type, such as the big wild goose pagoda in theWest; close eaves type, such as the little wild goose pagoda in the West;covered bowl type, such as the White Pagoda of Miaoying temple in Beijing; KingKong throne tower, such as the King Kong throne tower of Zhenjue temple inBeijing, Some people cant help asking: the Xiaoyan Pagoda in Xiyin, the LeifengPagoda in Hangzhou and the Qianxun Pagoda in Dali are all closely eavesedpagodas. Whats the difference between them?

Dali Qianxun pagoda is 69.13 meters high, while Xian Xiaoyan pagoda isonly 46 meters high. If you compare Xiaoyan pagoda to a slender and dignifiedgirl, it will be eclipsed in front of Qianxun pagoda. Leifeng Pagoda in Hangzhouwas built in the Song Dynasty with only five stories, while Dali Qianxun pagodawas built in the Tang Dynasty with 16 stories, The long history and superbconstruction techniques all show the unique charm of the Three Pagodas in Dali.In particular, in the great earthquake in 1514, the Qianxun pagoda "cracked twofeet and was like a broken bamboo", but "compounded within ten days"; in 1925,the strong earthquake in Dali city collapsed nine rooms, while the Qianxunpagoda only fell, Jinpeng was destroyed. Its a miracle. If you look carefully,you will find that "Yongzhen mountains and rivers" is engraved on the wall infront of the pagoda. The font is powerful and intriguing. Why is there "Yongzhenmountains and rivers" on the base of Qianxun pagoda? Because Dali is a placewith many floods in history. "Yongzhen mountains and rivers" reflects that oneof the important reasons for the construction of the three pagodas at that timewas the flood in Zhenfu, These four words also reflect the important historicalposition of the Three Pagodas in Dali. By the way, the functions of the threepagodas can be roughly divided into three types: worshiping Buddhism,suppressing disasters and reducing evils, and viewing. Qianxun pagoda has threefunctions in one, and has high cultural and artistic value

Qianxun tower is still amazing to us. The two small towers, North andsouth, separated behind the big tower, have attracted our attention. The twosmall towers are located in the southwest and northwest of the big tower, 70meters away from the main tower, forming an isosceles triangle with the maintower. They were built in Dali during the Five Dynasties period. They are both10 storey, 42.4 meters high, octagonal hollow brick towers with dense eaves,From a distance, the three pagodas are integrated, majestic, and have a simpleBai ethnic style

Here I would also like to tell you that the three towers have twocharacteristics different from the inland towers: first, the number of floors ofthe three towers is even, while the inner tower is odd. Second, the CentralPlains tower shrinks linearly from the base upward, with big bottom and smalltop, showing a rectangular trapezoidal shape; while the three towers are smallerup and down, larger in the middle, and curved in the outer contour, which ismore straight and handsome compared with the Central Plains tower

For thousands of years, the Three Pagodas of Dali still stand tall andbecome important material for studying the history and culture of Dali. At thattime, the Bai people in Dali were able to build the Qianxun pagoda, which can becalled the first Pagoda in southern China. Undoubtedly, it is a historicalmiracle. How the Qianxun pagoda was built for more than a thousand years hasalways been a mystery, The method of building a tower with one layer of soil isadopted. After the tower is repaired, the soil layer is dug out to show thetower. Therefore, the construction method of the three towers has always beendescribed as "piling civil construction tower" and "digging soil to show thetower". It is not hard to imagine that Dali during the Nanzhao period had anunprecedented grand occasion of economic prosperity, colorful culture andnational unity, More than 600 Buddhist relics have been found in Qianxun pagoda,including a large number of Buddhist statues and manuscripts, as well as a goldstatue of Avalokitesvara, which is extremely precious. These discoveries haveuncovered the mystery of the ancient Dali "Buddhist kingdom". According to therecords, there were 3000 small temples and 800 large temples in Yunnan duringthe Nanzhao period. At that time, Dali Chongsheng Temple became the center ofBuddhist activities, and Dali was also known as the "Buddhist kingdom", Throughthe three pagodas, we can easily imagine the profound influence of Buddhistculture on Dali

After visiting the three pagodas, we can have a look at the bell tower andYutong Guanyin Hall of "Zhong Zhen fo Du". This bell, together with the treasureof Chongsheng Temple in the three pagodas, was built in the 12th year ofNanzhaos founding. Unfortunately, it was destroyed in the Xianfeng Period ofthe Qing Dynasty. Now this huge copper bell is built to celebrate Hong Kongsreturn to the motherland, according to the old system of Nanzhaos founding. Itis 3.86 meters high, 2.138 meters in diameter and weighs more than 16 tons. Thebell tower is 19.97 meters high, In 1997, Hong Kong returned to the motherland.Behind the bell tower is the rain copper Avalokitesvara hall, which houses thelargest and tallest indoor Avalokitesvara in Yunnan. The rain copperAvalokitesvara was originally cast in the 13th year of the founding of Nanzhao.Unfortunately, it was destroyed during the cultural revolution. The recast raincopper Avalokitesvara, which is 8.6 meters high, was carefully reproducedaccording to the photos left in the late Qing Dynasty, In addition, the totalheight of lotus seat and xumizuo is 12.6 meters. The lotus seat and the statueof Avalokitesvara are gold plated bronze statues, weighing 11 tons. The shape issimilar to that of the statue of Avalokitesvara painted by Wu Daozi of TangDynasty. It has the characteristics of male and female in Dali

Dear friends, the tour of the three pagodas scenic area is coming to anend. The reconstructed Chongsheng temple complex is of a large scale andrepresents the glory of Dali royal temple, the "Miaoxiang Buddha kingdom" inhistory. Welcome to visit the three pagodas scenic area of Chongsheng templeagain!

说到双廊，想必很多人都不知道它的所在地吧!之前我也是没听说过，这一切都要归功于我那两位爱玩的父母。它位于云南省大理洱源县的东南和洱海的东岸，它是一个比大理古城还要美丽，还要清净，还要鸟语花香的一个古镇。它的地理位置也特别好：有苍山在旁，洱海在侧，素有“大理风光在苍洱，苍洱风光在双廊”的美誉。可以担当起——人间仙境这四个字吧!

早晨7:00钟的时候，窗外传来阵阵鸟鸣声。暖暖的阳光照进房间，本来很贪睡的我，竟然一下子就醒来了。

我悄悄地走出了房间，天哪!我立刻就被震撼啦!烟波无际的洱海就这样呈现在我的眼前，我走到楼下的海边栈道旁，倚栏继续欣赏，这时的洱海风平浪静，好像一个乖巧、动人的娃娃。一阵微风习习吹过，海面上便泛起一道道动人的涟漪。在阳光的照耀下，海面上金光闪闪，十分的动人。

双廊的中午，古朴而热闹。我们一家三口骑车去了附近的挖色镇买东西。挖色镇的东西可真多呀!有卖菜的，有卖小饰品的，有卖围巾的，有卖水果的……商品多得好像永远看不完，集市大得好像永远走不完。我才走了几步就看见了好几件让我心动的民族手工艺品，绣的花看上去仿佛能闻到香味，绣的小动物们也都栩栩如生，有的做得小巧精致，有的做得明快鲜艳，每一样商品都有各自的特色。而且物美价廉，十分便宜。

一转眼便到了傍晚了，傍晚的双廊也别有一番风味。黄昏的太阳照耀着洱海，波光粼粼的湖面上泛起了白光，一群漂亮的白族姐妹唱着特有的民族风，黄昏的洱海已经没有了人们的嘈杂，显得格外安静，让人们感到心旷神怡。我们来到了一家紧靠海边的烧烤档，要了许多美味，我还亲手烤了条那里特有的一种小白鱼，哈哈，别提味道有多鲜美……

在双廊，洱海传来的风会吹走一切不开心的回忆;苍山的雪会融化所用不开心的往事……

蝴蝶泉原名“无底潭”，位于云南大理苍山云弄峰下。传说很久以前，有父女俩人住在无底潭边。父亲勤劳、憨厚，女儿名叫雯姑，美丽、善良。一天，父女俩上山砍柴，突然一只身上带着箭伤的小鹿伏于他们面前求救。不久青年猎手霞郎赶了过来。善良的雯姑可怜受伤的小鹿，就向霞郎求情。霞郎答应了雯姑的请求，不再伤害这头小鹿，雯姑就把小鹿带回自己家中调养。从此，雯姑和霞郎从相识到相爱，并订下终身。

当地的霸主虞王看上了雯姑的美貌出众，一心想纳她为妾。在无数次的求亲均遭到拒绝之后，虞王恼羞成怒，决定来硬的。一天夜里，虞王带人闯入雯姑的家，杀害了雯姑的父亲，抢走了雯姑。这一幕都让被雯姑救下的小鹿看到了。小鹿夜奔苍山，找到了霞郎。霞郎闻讯与小鹿连夜下山，拼死救出了雯姑。正当他们想离开此地，远奔它乡时，官兵却追来了，一直追到无底潭边。在寡不敌众、走投无路的情况下，雯姑和霞郎双双跳进了无底潭，跟在后面的小鹿也跳进潭里，以身相殉。顷刻间风雨交加，电闪雷鸣。虞王见势不妙，带着官兵仓惶逃跑了。

第二天，雨过天晴，云开雾散，从无底潭中飞出一对彩色的花蝴蝶。它们缠缠绵绵，互相追逐，不久就吸引了许许多多的彩色蝴蝶，都飞来和雯姑和霞郎变成的彩蝶相伴。成千上万的蝴蝶一对一对排成行，围着无底潭翩翩飞舞。一会儿首尾相衔，一会儿并驾齐驱，五颜六色，就象仙女散花，十分壮观。从此，每年的这个时候，数不清的彩色蝴蝶就会飞到无底潭边聚会。年复一年，人们便把无底潭改称为“蝴蝶泉”，并代代相传至今。后人为了纪念雯姑和霞郎，采集了各种蝴蝶标本，在蝴蝶泉边建起了一座颇具规模的蝴蝶馆。

7月28日 星期一 天气：时晴时雨(大理)

我相信大家都看过金庸笔下的《天龙八部》吧!剧中的男主人公段誉是大理国的王子，他不仅长得英俊，而且还练得一身好武功，什么“凌波微步”，什么“六脉神剑”，他都达到了出神入化的境界。今天，我们就来到了传说中的大理国，开始寻找当年大理古城的繁华，寻找当年段誉的行踪。

一路上，导游跟我们介绍起了大理的风貌，大理城可以用“风花雪月”四个字来形容。风是指“下关风”，下关也就是现在的大理，因为它独特的地理环境，使这个地方一年中有风的日子特别多，风能让我们吹走一切愁绪;花是指“上关花”，温和的气候使大理的鲜花姹紫嫣红，特别是茶花，品种繁多，特别漂亮;雪那就是指著名的“苍山雪”了，据说苍山上有一座山峰阳春三月也有积雪，与大理城的姹紫嫣红构成了大理独特的风光;而月就说的是“洱海月”了，洱海是大理的母亲河，湖水碧波荡漾，每当月亮升起的时候，天上月与水中月使大理成了一座诗意的城市。

来到大理古城墙外，那里已经人山人海了，当我远远见到古城“大理”两个字的时候，我真的好像来到了古代，看到了段誉当年英勇杀敌的景象。导游介绍说：“西游记中，唐僧来到女儿国的场景就是在此地拍摄的。”我一想，怪不得这么面熟，原来这也是唐僧师徒走过的地方啊，大理古城的故事可真多!

回去的时候，一阵凉风吹过，虽说是盛夏时节，但让人感觉凉飕飕的，我想这就是有名的“下关风”了!哈哈，大理，一座充满历史故事的城市!

早就听说蝴蝶泉是大理最美的地方。今年十一长假，我有幸和哥哥一同游览了蝴蝶泉。

走进大门，首先映入我眼帘的是一只巨大的石蝴蝶，看着它栩栩如生的样子，好像要马上飞上天空似的。我顺着大陆来到胡蝶生化院，它是一个3D蝴蝶状建筑，这里不仅有美丽的花朵，还有各种各样、五颜六色的蝴蝶，在花丛中我看到了茉莉、百合还有一些我叫不上名的花，走了许久我们看到了大约半平方米的大盘子上散落着几片枯叶，不时地动一下。我走近一看呀!这不是枯叶蝶吗?紧接着我看到了白色精灵——白叶蝶，长着老虎花纹的虎头碟……真是好看极了。

从生化院出来，我顺着一条弯弯曲曲的小路来到天鹅湖，天鹅湖大约有几百平方米，湖水清澈见底，水面上一群悠闲的天鹅在湖面上快活的游着，我和哥哥上了船，划向天鹅群，我掰了几块面包屑给天鹅吃，几只天鹅游了过来，它们先闻了闻面包屑，又看了看我，见我没有恶意，便把伙伴都叫来吃，它们把船团团围住，争着抢着吃面包屑。

当我回旅馆的时候我总带着一丝惬意我们作为高级动物，为什么不能好好保护它们呢，让我们的未来更美好。

第二天，我早早的起了床，和哥哥来到了蝴蝶泉旁边的几座山峰，海拔大约有400多米，高耸入云，我和哥哥都看的目瞪口呆，最终，我们要上去游览一下风光，经过我们不懈的努力，终于登上了山顶，但是看不见下面的人群为什么呢，因为你只能看见高高的云层。

下山以后我和哥哥一直讨论，这里一定会变得更美。

如今的大理城，是明洪武十五年(1382年)在南诏、大理国的都城—羊苴咩城西部的旧址上修建的。历代曾经多次扩建、重修。大家看到的东(洱海)、南(双鹤)、西(苍山)、北(三塔)四座城门楼和部分城墙，按照当今国际上对古代文物的“修旧如旧”原则，已在逐步修葺，大体恢复了昔日的容貌。

白族居民

城内街道纵横、井井有条，为典型的棋盘式布局，九街十八巷大都保留明清“三坊一照壁”、“四合五天井”的白族居民建筑特点，显得故意盎然。

白族居民特点：青瓦白墙、朴素大方、典雅别致、崇尚文化。

所谓“三坊一照壁”，即每户院内均有一正房，两厢房;正房对面是一面墙壁。大理建房靠苍山、面洱海，正房坐西朝东，每当下午至傍晚阳光照耀在这一墙壁上再反射到院内，把整个院落都照得明亮，故称“照壁”。所谓“四合五天井”，即由四方房屋组成，有四个院落，其中四方房子中间的院落最大，每辆房子相交处各有一个漏角天井，共四个，较小，故称“四合五天井”。

苍山十九峰十八溪间的鹅卵石，被聪明的白族人民信手拈来，垒墙筑房，造就了民间所说的，大理有三宝，其一是“卵石砌墙墙不倒”的奇迹。根据8世纪的《蛮书》记载，大理用卵石砌墙的习俗已有一千多年的历史。千百年来的丰富经验，已形成特殊的砌墙技巧。其要点是：大小搭配、错缝垒叠、大头像内、小头向外、认真填塞、块石砌墙角。技法包括：干砌、夹泥砌和包心砌三种。有趣的是，刚砌好的卵石墙，用手掌拍打，会颤抖的才坚固耐久，于是有“新墙如豆腐”之说。另外还有哪两宝?待会儿下了城楼，我带大家细细看看去，慢慢道来 复兴路

穿过城门，回头看，在城门后方还有佛龛，龛内有佛像，这是其他古城楼所看不到的，这些佛像是大力作为“妙香佛国”的重要见证。

丽江，一个美丽的城市。有着令人惊叹的美景和永远值得引以为豪的文化遗产，它是中国的骄傲。

大研古城：

大研古城，是到丽江不能不去的一个旅游胜地。纯朴的纳西族人民便是这里的主人。纳西族人民的住所和新城区的高楼大厦是迥然不同的。这种住所最高的也不过两层楼那么高，房顶是古老的飞檐是屋顶，中间是一个大院子，有点像北京的四合院，但却有独特的纳西风情。这种房子和街道之间都有一条小河，小河清澈见底，一条条各色的小鱼再水中欢快的游着。让房子和街道连接起来的是一座座饱经沧桑的木桥，十分古朴。小桥，流水，人家形成一副美好的画卷尤其是到了晚上河灯的光芒映照在波光粼粼的水面一条条小鱼的鱼鳞在灯光的照映下反射出点点星光，就好像天上的星星落了下来，又像是仙女姐姐做梦时流下来的几滴香汗。这时你坐在小吃街吃着香喷喷的小吃，看着河边美景，仿佛置身于人间仙境。

玉龙雪山：

玉龙雪山，一个大雪纷飞的旅游胜地。我们的运气真是好，正好遇到了今年的第一场雪。刚到山脚，便感觉一股雪山寒气袭来。骑上马，上坡的时候感觉还挺轻快，但那种舒服的雪山寒气逐渐变成的刺骨的寒风，我不由自主地缩了脖子。风和雪开始大了起来。在松树上积了一层厚厚的霜，积了一层厚厚的雪，挂上了一条条亮晶晶的树挂。那一条条亮晶晶的树挂像一个个淘气的小娃娃，眨巴着眼睛望着这个世界。也许是外面的花花世界吸引了他们，不甘寂寞的他便“嗖嗖”地往下掉，还掉进了我的脖子里，凉飕飕的，。到了第一个停站点玉龙湖，我从马上下来，感到骨头钻心得痛，手和脚都动麻了，但丝毫没有减弱我们的兴奋，在雪地里又蹦又跳，已忘记了寒冷。

虎跳峡：

虎跳峡，又一个著名的旅游景点。走了进去，右边是姿态各已的岩石，左边是碧绿的金沙江，这时它安静的像小姑娘，平静的湖面仿佛凝固了一般，根本想象不到它是长江第一湾。越往前走越凉快，可金沙江的水流开始急起来。只能看见浩浩荡荡的江水从悬崖飞流直下，惊起滔天的波浪，悬崖下，一个个的旋涡再水面旋转，浪花四溅，那是多么壮观的场面!

大理蝴蝶泉公园位于苍山云弄峰下的绿树丛中，公园以“蝴蝶泉”而闻名。蝴蝶泉是一个方形潭，泉水清澈如镜，有泉底冒出，泉边弄荫如盖，一高大古树，横卧泉上，这就是“蝴蝶树”。每年春夏天之交，特别是4月15日，蝴蝶树芬芳引蝴蝶。大批蝴蝶聚于泉边，满天飞舞。最奇的是万千彩蝴蝶，交尾相随，倒挂蝴蝶树上，形成无数串，垂及水面，蔚为壮观。

牌坊上书“蝴蝶泉”三个大字，乃郭沫若游大理时留下的墨迹。泉池二三丈见方，四周用透亮的大理石砌成扩栏。泉水清澈见底，一串串银色水泡，自沙石中徐徐涌出，汩汩冒出水面，泛起片片水花。这泉水得苍山化雪之功，不仅水量稳定，水质也十分优良。蝴蝶泉公园的“泉”、“蝶”、“树”号称“三绝”。蝴蝶泉以南新建的蝴蝶馆，真实地再现了蝴蝶泉边蝴蝶的生态、品种以及与蝴蝶有关的蝴蝶文化，未能亲临蝴蝶会的游客可以到那里了解蝴蝶泉奇观。

比例划定：学校依据笔试成绩，按招生计划数1:3的比例划定笔试合格考生参加面试。依据笔试和面试成绩，按招生计划数1:2的比例确定测试合格考生名单。

在上世纪五下年代末，大理地区白族人民全身心地投入到生产建设的热潮之中，勤劳、善良、能干或了白族青年男女互相倾慕的标准。来自剑川的英俊而又多才多艺的白族小伙阿鹏.在一年一度的大理三月街的赛马会上出色的表现给来自洱晦边的副社长金花留下了难忘的印象，而贤惠漂亮的金花也同样吸引了阿鹏的眼光，他俨双双约定明年再相会。一年的相思，使阿鹏在第二年的大理三月街到来时急欲寻求金花，但几次与养殖金花、炼铁金花等四位金花发生了戏剧性的误会后，几经挫折，终于使这对恋人在蝴蝶泉边相会。“苍山脚下找金花，金花是阿妹。”金花蝴蝶泉边对镜梳妆，阿鹏弹着龙头三弦与金花情歌对唱，爱情在这里谱写了完美的篇章。

时光流逝五十年。在20__年一个春光明媚的日子，蝴蝶泉又一次引来了一对音乐“彩蝶”，这就是世界著名小提琴家盛中国先生和他的爱妻、日本钢琴家濑刀俗子。这对把音乐与美、音乐与爱完美结合在一起的异国恋人，千里迢迢“飞”到这里，实现了他们梦寐以求的一个宿愿，那就是在这方爱情与蝴蝶完美结合的天地，深情演绎他们音乐生涯中的结晶——小提琴协奏曲《粱祝》。在一阵阵如诉如泣的动人旋律中，一只只扑动着美丽翅膀的蝴蝶轻轻地落在盛先生的臂膀和濑田裕子夫人的肩上，似乎这些爱的精灵也被人间的爱情故事感动而翩翩起舞。天人合一，竟是这般绝妙的结合!让人顿觉如梦似幻，柔情百肠，心里不觉涌动着爱的波涛，心灵受到爱抚，情操为之升垡。

蝴蝶泉泉水清澈如镜，由泉底冒出，泉边浓荫如盖，一高大古树，横卧泉上，这就是“蝴蝶树”。每年4月15日，蝴蝶树散发着阵阵芳香，引来各种各样的蝴蝶。大批蝴蝶聚在泉边，满天飞舞。最奇的是万千彩蝶，交尾相衔，倒挂蝴蝶树上，形成无数蝶串，垂到水面，实乃世间一大奇观。中国著名作家郭沫若1961年游览此地时，手书“蝴蝶泉”三个大字，镌刻于泉边的坊石之上。

关于蝴蝶泉的由来，当地群众中有许多传说。其中一种说法是，很久以前潭边有一条恶蟒，专食人畜。一天，两位白族姑娘被恶蟒缠住，痛哭叫喊。当地猎人杜朝选听到后，杀死恶蟒，两人为报救命之恩，执意要嫁与杜朝选为妻，杜朝选婉言谢绝。于是，二位姑娘投潭而亡，杜朝选懊悔不已，随即也跳入潭中，三人化为三只彩蝶，飞舞于潭边。各方蝴蝶飞来相聚，人们称之为“蝴蝶会”。

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下。

蝴蝶泉，在大理城北40公里的苍山云弄峰下。由于长期的山水冲刷，砂石成片，山坡上树木稀少。但当你缓步上坡，行约半里，却见一片绿荫耀眼。走过古朴的石坊，迎面有一块高约3米的大理石碑挺立，碑呈棱形，正面右侧有郭沫若手书“蝴蝶泉”三个大字.左例刻郭老咏蝴蝶泉诗的手迹;碑的背面，书徐霞客游大理蝴蝶泉的一段日记。沿林荫小道曲折前行约三四十米，只见古树林立，浓荫蔽天，一方清泉嵌于其间，底铺青石，泉水明澈，常有人掷金属钱币于池中，观其缓缓旋落，阳光从树顶筛下，池底银光闪烁，倍感泉水清例。

泉池周围有大理石栏板，泉边一株高大古树横跨泉上，此树因花形似蝶，因此人们称为“蝴蝶树”。每当夏季来临，“蝴蝶树”开花，苍洱之间的蝴蝶成群来此聚汇，翻飞起舞，热闹非常。最奇的是万千彩蝶交尾相衔，倒挂横于泉止的蝴蝶树上，形成无数蝶串，垂至水面，五彩缤纷，蔚为壮观。最盛之期在农历四月十五日前后，所以农历四月十五日被定为“蝴蝶会”。