贾汪景点大全排名榜【热门20篇】

Shenyang Zhaoling Mausoleum of the Qing Dynasty:

Hi, good morning everyone, welcome to Shenyang Zhaol-ing Mausoleum of theQing Dynasty. I’m your tour guide, Vickey. I wish you guys can have a wonderfultime with us and make a lot of friends during this trip.

Zhaoling mausoleum is located in the northern suburb of Shenyang, alsoknown as North mausoleum. It is the mauso-leum of the second emperor of the Qingdynasty, HuangTaiJi and his empress. It is the largest and most magnificent oneof three Imperial Mausoleums in Qing dynasty, and is also one of the mostcompleted existing ancient imperial Mauso-leum building groups in stock. In20__, the UNESCO (Unit-ed Nations Educational, Scientific and CulturalOrganiza-tion) officially listed Shen Yang Zhaoling mausoleum as the WorldHeritage.

HuangTaiJi is the eighth son of the first emperor Nurhachi of Qing dynasty.He, who was born in Liaoning, was famous in politics and strategy. He unifiedthe Northeast China. Zhaoling mausoleum was build from 1643 to 1651. Theex-isting building was the result of reconstructions and en-largements. In termsof architectural style, Mausoleum Zhaoling not only absorbed the advantages ofthe Ming Dy-nasty (which is the times before Qing Dynasty), but alsoas-similated to Manchu people. So it’s a typical Mausoleum blend of Han andManchu culture.

Here we come to the long-en Palace. Long-en Palace is the main palace ofthis mausoleum. It is also known as the "Xiang Palace". It enshrines the shrinesof HuangTaiJi and his empress and the emperor held grand ceremonies here. It wasbuilt in 1643, and was rebuilt in 1691. It was named “long-en" in 1650 and theplaque was hung at the same time. Alright, you guys can go use the restroom. Weare gathering here after 15 minutes.

我国景点英文版导游词

下面几篇范文是我国的景点英文版导游词，感兴趣的不妨看看怎么写吧，欢迎阅读借鉴，希望你们喜欢。

北京故宫博物院英文导游词

hello, everyone,

we are now going to pay a visit to a place of special interest. this scenic spot is located at the center of beijing and is characterized by thousands of palatial architectures and purple walls as well as yellow glazed tile roofs- it is simply a sea of palaces. this is the world – famous wonder – the palace museum.

the palace museum has served as the royal residence during the ming and qing dynasties. it was here that a total of 24 monarchs ascended the throne and wielded power for some 500 years. the palace museum, as the most beautiful spot of interest throughout beijing, is unique for its location: to the northwest is beihai(north sea) park, famous for its white pagoda and rippling lake; to the west is the zhongnahai (central and south sea); to the east lies the the wangfujing shopping street; and to the north id jinshan park. standing in the wanchun (everlasting spring) pavilion at the top of jingshan(charcoal hill) park, you overlook the skyline of the palace museum. at the southern end of the palace is tian` anmen (gate of heavenly peace) and the famous square named after it . this is the symbol of the people` s republic of china.

a world-famous historical site, the palace museum is on the world heritage list of unesco and is an embodiment of oriental civilization.

the palace museum is rectangular in shape, 960 meters long from north to south and 750 meters wide from east to west, covering a space of 720,000 square meters of which 150,000 is building area . it has 9000-strong rooms in it . according to legend there are 9999.5 room-units in all .the whole compound is enclosed by a 10-meter-hign wall and is accessed through four entrances, namely, the meridian gate in the south ,the gate of military prowess in the north, donghua(eastern flowery ) gate in the north, donghua ( eastern flowery) gate in the east and xihua(western flowery ) gate in the west. on each corner there is a turret consisted of 9 roof beams, 18 pillars and 72 ridge . encircling the compound there is a 3,800-meter-long and 52 meter-wide moat, making the palace museum a self-defensive city-within-a city.

the palace museum was made a center of rule during the ming dynasty by zhun di, the fourth son of the founding emperor zhuyuanzhang. the whole complex straddles on an 8-kilometers-long central axis that stretches from yongding (forever stable) gate in the south to gulou (drum tower) in the north. prominence was given to the royal power by putting the “three main front halls” and “three back halls ”on the axis while arrange other subsidiary structure around them .the construction of the palace museum involved manpower and resources across china. for example, the bricks laid in the halls ,known as “gold brick, ” underwent complex, two –dozen processes. as the final touch ,the fired bricks were dipped in chinese wood oil. involving complicated processes and high cost, these brick are called “golden bricks.” the palace museum serves as a living embodiment of good tradition and styles unique to china` s ancient architecture. it reflects to the full the ingenuity and creativity of the chinese working people. a carefully preserved and complete group of royal residences, the palace museum is a prominent historical and tourist site.

what we are now approaching is the main entrance to the palace museum-the meridian gate, which is characterized by red walls, yellow glazed –tile roofs and upturned eaves. on top of this walls, yellow glazed-tile roofs and upturned eaves. on top of this magnificent building ,there stand five lofty halls with a main hall in the center. the main hall is roofed by multiple eaves and covers a space of 9 room-units. it is flanked by two wings on each side .the wings are square in shape ,complete with multiple and four edged eaves and pinnacles. all of these structures are connected by a colonnade. because these halls resemble a soaring bird, it was also know as wufenglou (five-phoenix tower) . inside the main hall there is a throne. drums and bells were stored in the wings. whenever the emperor presided over grand ceremonies or observed rites in the hall of upreme harmony, drums, bells and gongs would be struck to mark the occasion.

as the legend goes, the meridian gate used to be a place where condemned ranking officials would be executed. this not true. however, flogging was carried out here by the ming emperors ,if a courtier falls afoul of the emperor, he would be stripped of his court dress and flogging with a stick .at one point the punishment became so harsh that a total of 11 people died from fatal wound on a single occasion .on the other hand, this building was also used to observe important occasions like the traditional chinese lantern festival (15th day of the first lunar month). on these occasions, chinese lanterns would be hanged and sumptuous banquets would be given in honour of the whole court of ministers and other ranking officials.

upon entering the meridian gate we began our tour of the palace museum. the river foowing in front of us is known as jin shui he (golden water river) and the five marbles bridges spanning it are known as the inner golden water bridges. the on in the middle was used exclusive by the emperor and its banisters were carved with dragon and phoenix designs. the bridges flanking the imperial one were reserved for princes and other royal members. the rest were used by palatines. aside from decoration, the golden water river was also dug as precaution against fire. most of the structures within the palace museum are made of wood. what is more ,according to ancient chinese cosmology, the south is the abode of fire, so this brook was dug on the southern tip of the palace. in this way, the palace museum reflects traditional chinese culture.

this building is called the gate of supreme harmony .in the foreground stand two bronze lions. can anybody tell which is male and which is female? the one on the east playing with a ball is male, symbolizing power and universal unity. the other on the west with a cub cuddling underneath its claw is female? the one on the east playing with a ball is male, symbolizing power and universal unity. the other on the west with a cub cuddling underneath its claw is female, representing prosperity the endless succession. a layout of the palace museum is posted by the entrance . from it ,you can see that the palace museum has two main parts: the forecourt and the inner court. the three main halls constitute the mainstay of the forecourt, and it was here that the emperor announced decisions and observed rites. behind the forecourt there is the inner court, consisting of major halls and the imperial garden .it was where the emperor attended state affairs, lived and enjoyed his luxurious life. the exhibition system of the palace museum involves historical court relics and articles of ancient art and culture. the palace museum houses nearly one million articles of rare treasure, or one sixth of the total number in all of china `s museums. there are the three main halls of the palace museum, built on a triple marble terrace . since most of china `s architecture is made of wood, the buildings cannot be too tall. to gain the height of the architecture, ingenious ancient artisans built the hall on a gigantic stone terrace .it is also to this end that not a single plant was grown in the square. on stairways of triple marble terrace there are 18 bronze tripods .the verandah is flanked by bronze tortoises and cranes, which served as symbols of longevity .on the east is a sundial, an ancient timepiece. on the west there is a grain measure suggesting that the emperor was just and equitable.

in the front and on each flank ,there is a pair of gilt bronze vats (caldrons ) molded during the reign of emperor qianlong of the qing dynasty .each of these weights 2 tons and is filled with water as a precaution in the event of a fire .the structure in the very middle is the hall of supreme harmony ,also known as the throne hall. it is 64 meters in width and is 38 meters from entrance to rear. with terrace exclusive ,the hall is 26.92 meters in height and is 35.03 meters in all .covering and areaof 2,377 square meters, the hall of supreme harmony is china` s largest exiting wooden structure. the hall is supported by 6 thick ,round pillars carved in a design of coiling dragons. as the holiest place in the hall, the ceiling and colored patterns were made of the finest material available at that time. the throne was placed on a terrace and is flanked by statues of elephants, luduan (a unicorn which could travel 18,000 kilometers a day and understand all languages), cranes and incense barrels .over the throne there is the caisson ,or covered ceiling ,which consists of a coiling dragon playing with a ball in its mouth .this ball is known as xuanyuan mirror ,and was supposedly made by a chinese emperor of remote times to serve as a reminder that thee rulers to follow were his hereditary heirs. the throne is made of nanmu and painted in gold .magnificently built and luxuriously decorated ,this hall did not serve as a place in which the emperor attended to daily affairs. he used his hall for major events such as his birthday, conferral of title of empress or dispatch of generals to war.

behind the hall of supreme harmony ,there sits the hall of complete harmony. this structure is square in shape .each side is 24.15 meters. this was the place where the emperor relaxed and greeted his courtiers before proceeding to the hall of supreme harmony to observe rites. this was also the place where the emperor prepared prayers or examined seeds and sowers bef ore he attended ancestral sacrifices or participated in snowing ceremonies. a grand ceremony was also held here once every 10 years for the emperor to genealogize the royal blood. there are two sedan chairs on display in the hall. behind the hall of complete harmony ,you will see the hall of preserving harmony, which was used as a place where imperial examinations were held. the imperial examination was the hignest level of competing for meritorious appointment under the feudal system dating back to the sui dynasty. china` s last imperial examination was held in 1904 during the reign of emperor guangxu of the qing dynasty. to the rear of hall there is a marble ramp carved with cloud and dragon designs, the largest of its kind in the whole country . it is 16.57 meters in length, 3.07 meters in width, 1.7 meters thick and weighs 250 tons. it was quarried in fangshan county in suburban beijing. to bring this giant piece of stone to beijing people poured water onto the road and applied rolling blocks during the process.

we are now standing before the square of the hall of heaven purity. it served as a divide separating the forecourt from the inner court .this building is known as the gate of heavenly purity. emperor qianlong held court here. proceeding further north ,you can find three main rear halls ,i.e. the hall of heavenly purity. the hall of union and peace and palace of earthly tranquility. the hall of heavenly purity if flanked on either side by two gates named after the sun and moon .inside the enclosure there are 12 palaces and halls symbolizing constellations. all of the other buildings are centered around the palace of heavenly purity , which was meant to suggest that the monarch` s power was endowed by heaven. the empress and concubines lived in the inner court.

the hall of heavenly purity was where the emperor lived and attended to daily affairs. later the emperor moved to live in the palace of mental cultivation. looking up you can see a plaque bearing the chinese inscription “be open and above-board,” a manifesto to court struggle .behind the plaque a strongbox was stored containing a will bearing the name of the would –be royal successor. this approach of secretly selecting the next emperor was adopted by emperor yongzheng of the qing dynasty. two copies of the will were prepared .one was stashed by the emperor in person ,the other was placed inside the strong box behind the plaque. after the death of the emperor, the two copies would be compared and successor would be announced. it was in this way that emperor qianglong and others have ascended the throne.

behind the hall of heavenly purity you will see the hall of union and peace , which is indentical to the hall of complete harmony. it was there that the emperor received congratulations and tributes from imperial officials on major calender occasions , a total of 25 imperial seals are stored there. in the hall, you will see a plaque with the handwritten inscription of “we wei,” exhorting taoist doctrines.

further northward is the palace of earthly tranquillity, which once served as the living room of the empresses` . the hall was later converted into a sacrificial place .through the windowpanes on the eastern wall you can see the royal bed decorated with dragon and phoenix designs. this hall has also served as the bridal chamber of monarchs.

the gate of earthly tranquilliity leads to the imperial garden (known to westerners as qianlong` s garden ),which was used by the emperor ,the empress, and the concubines. a magnificent structure stands in the middle. it is called the qin `s an (imperial peace) hall. it is the only building in the palace museum that was built in taoist style. it served as a shrine to the taoist deity. the garden covers a space of 12,000 square meters ,and is 130 meters from east to the west and some 90 meters from north to the south. there are a dozen halls, verandahs, pavilions and waterside houses in the garden . on each of the fur corner there is a pavilion dedicated to the four seasons which is different in construction style and shape. the garden also features an imperial landscape. with rare trees and exotic rockery, the imperial garden served as a model for china` s imperial parks .in all ,a total of 10-strong building styles were applied.

the tall building we are now passing is the gate of military prowess, the back door of the palace museum. our visit is now drawing to a conclusion but the architectures of the palace are not . on the other side of the road is the 43-meter-hign charcoal hill , providing natural protection for the forbidden city. this was also an embodiment of china` s construction style-putting a pool in the front and a hill in the rear. now let` s climb up to wanchun (everlasting springs ) pavillion where we` ll have a great view of the palace museum.

北京天安门英文导游词

Tian’anmen( the Gate of Heavenly Peace), is located in the center of Beijing. It was first built in 1417 and named Chengtianmen( the Gate of Heavenly Succession). At the end of the Ming Dynasty, it was seriously damaged by war. When it was rebuilt under the Qing in 1651, it was renamed Tian’anmen, and served as the main entrance to the Imperial City, the administrative and residential quarters for court officials and retainers. The southern sections of the Imperial City wall still stand on both sides of the Gate. The tower at the top of the gate is nine-room wide and five –room deep. According to the Book of Changes, the two numbers nine and five, when combined, symbolize the supreme status of a sovereign.

During the Ming and Qing dynasties, Tian’anmen was the place where state ceremonies took place. The most important one of them was the issuing of imperial edicts, which followed these steps:

1) The Minister of Rites would receive the edict in Taihedian( Hall of Supreme Harmony), where the Emperor was holding his court. The minister would then carry the decree on a yunpan( tray of cloud), and withdraw from the hall via Taihemen( Gate of supreme Harmony)

2) The Minister would put the tray in a miniature longting( dragon pavilion). Beneath a yellow umbrella and carry it via Wumen( Meridian Gate), to Tian’anmen Gate tower.

3) A courtier would be invested to proclaim the edict. The civil and military officials lining both sides of the gateway beneath the tower would prostrate themselves in the direction of the emperor in waiting for the decree to the proclaimed.

4) The courtier would then put the edict in a phoenix-shaped wooden box and lower it from the tower by means of a silk cord. The document would finally be carried in a similar tray of cloud under a yellow umbrella to the Ministry of Rites.

5) The edict, copied on yellow paper, would be made known to the whole country.

Such a process was historically recorded as “ Imperial Edict Issued by Golden Phoenix”.

During the Ming and Qing dynasties Tian’anmen was the most important passage. It was this gate that the Emperor and his retinue would go through on their way to the altars for ritual and religious activities.

On the Westside of Tian’anmen stands ZhongshanPark( Dr. Sun Yat-sen’s Park), and on the east side, the Working People’s Cultural Palave. The Park was formerly called Shejitan( Altar of Land and Grain), built in 1420 for offering sacrificial items to the God of Land. It was opened to the public as a park in 1914 and its name was changed in 1928 to the present one in memory of the great pioneer of the Chinese Democratic Revolution.

The Working People’s Cultural Palace used to be Taimiao( the Supreme Ancestral Temple), where tablets of the deceased dynastic rulers were kept.

The stream in front of Tian’anmen is called Waijinshuihe( Outer Golden River),with seven marble bridges spanning over it . Of these seven bridges,historical records say the middle one was for the exclusive use of the emperor and was accordingly called Yuluqiao( Imperial Bridge). The bridges flanking it on either side were meant for the members of the royal family and were therefore called Wanggongqiao( Royal’s Bridges). Farther away on each side of the two were bridges for officials ranking above the third order and were named Pinjiqiao( ministerial Bridges). The remaining two bridges were for the use by the retinue below the third order and wre called Gongshengqiao( common Bridges). They anr the one in front of the Supreme Ancestral Temple to the east and the one in front of the Altar of land and Grain to the west.

The two stone lions by the Gate of Tian’anmen, one on each side were meant as sentries. They gaze toward the middle axis, guarding the emperor’s walkway. In front of the gate stands a pair of marble columns called Huabiao. They are elaborately cut in bas-relief following the pattern of a legendary dragon. Behind the gate stands another pair of similar columns. The story of Huabiao may be traced to a couple of sources. One of the versions accredits its invention to one of the Chinese sage kings named Yao, who was said to have set up a wooden pillar in order to allow the ordinary people to expose evil-doers, hence it was originally called a slander pillar. Later it ws reduced to a signpost, and now it serves as an ornament.

The beast sitting on the top of the column is called” hou”, a legendary animal, which is said to have been a watcher of an emperor’s behaviour. He was doing such duties as warning the emperor against staying too long outside the palace or indulging in pleasure and urging him to go to the people for their complaints or return in due time. Therefore, the two pairs of beasts were given the names” Wangjunhui”( Expecting the emperor’s coming back) and “ wangjunchu”( Expecting the emperor’s going out) respectinvely.

In the old days, Tian’anmen, as a part of the Imperial City, was meant for important occasions. The two rows of chaofang( antechamber), on the sides behind the main gate, wre reserved for civil and military members of the government waiting for imperial audience and in front of the gate, were offices of imperial administration.

On October 1, 1949, chairman Mao Zedong proclaimed on Tian’anmen Rostrum the founding of the People’s Republic of China. Since then Tian’anmen has been the symbol of New Chinea. Chairman Mao’s portrait is hung above the central entrance, flanked by two slogans:” Long Live the Great Unity of the Peoples of the World”. Today , the splendour of Tian’anmen attracts million of visitors from all over the world. The Rostrum on its top was opened in 1988 to the public for the first time in its history. It offers a panoramic view of the Square and the city proper.

Tian’anmen Square

Situated due south of Tian’anmen, the Square has an area of 44 hectares( 109 acres) that can accommodate as many as one million people for public gatherings. It has witnessed may historical events in China’s modern history and is a place for celebrations on such festive days as international Labour Day on May 1st and national Day on October 1st.

Around the Square are several famous buildings:

1 The Great Hall of the People

This is one of the largest congressional buildings in the world. Built in 1959, the hall consists of three parts: a 10,000-seat auditorium in the center, a banquet hall in the north wing facing Chang’an Street, with a seating capacity of 5,000, and offices for the Standing Committee of the National Peoples’ Congress of China in the south. In addition, thirty-four reception chambers are named after various provinces, autonomous regions and municipalities directly unde the Central Government, plus Hong Kong and Macao. Each is different from the other in decoration and furnishings to stress their local features.

2 The Museum of Chinese History and the Museum of the Chinese Revolution

These two museums were also built in 1959. the museum of Chinese History houses a permanent exhibition in four parts, covering the entire process of Chinese history spanning from 1.7 million years ago to 1919:

1) The Primitive Society( 1.7 million years ago to the 21st century BC);

2) The Slave Society(21st century BC to 476 BC.);

3) The Feudal Society(475 BC. To 1840 AD.);

4) The Semi-Colonial and Semi- Fedual Society(1840 to 1919.)

The Museum of the Chinese Revolution covers the period from 1919 to 1949.

3 The Monument to the People’s Heroes

the monument was built in memory of thousands of martyrs who died for the revolutionary cause of the Chinese people. Its construction began on August 1, 1952 and was not completed until 1958. in the form of an obelisk, the Monument as made of more than 17,000 pieces of tranite and white marble. The purple piece inlaid in the front of the Monument was brought from Qingdao, Shandong Province. It is 38 meters(124ft 8 in) high, the loftiest of its kind ever seen in the country. Not only is it an historic memorial for immortal heroes, but also it is an artistic work of excellent architectural value.

On the front side of the Monument is an engraved inscription in Chinese characters written by Chairman Mao Zedong, which reads” Eternal Glory to the People’s Heroes!”. On the back of the Monument is an article written by Chairman Mao, but in Chinese calligraphy by the late Premier Zhou Enlai.

At the top of the Monument are eight gigantic carved wreathes of such flowers as peony, lotus and chrysanthemum, symbolizing nobility, purity, and fortitude. At the base of the monument are eight marble reliefs depicting the Chinese historic events since 1840. They are:

1) The Burning of Opium in 1840:

2) The uprising of 1851 in Jintian, Guangxi;

3) The Revolution of 1911;

4) The May Fourth Movement of 1919;

5) The May 30th Movement of 1925;

6) The Uprising of 1927 in Nanchang, Jiangxi;

7) The War of Resistance against Japanese Aggression from 1937 to 1945;

8) The Victorious Crossing over the Yangtze River by the Peoples’s Liberation Army in 1949. This relief is flanked by two smaller ones—“ Supplying the Front” and “ Greeting the P.L.A.”.

4 Chairman Mao’s Mausoleum

Chairman Mao Zedong, the founder of the People’s Pepublic of China, passed away on Sepember 9, 1976. In commemoration of this great man, a mausoleum began to be constructed in November 1976, and was completes in August the following year. The Mausoleum was officially opened on September 9, 1977.

The mausoleum is surrounded by four groups of sculpture. East of the northern entrance is the sculpture depicting the period of the New Democratic Revolution( 1919-1949), and west of it is the one signifying the great achievements of the Chinese people during the period of slcialist revolution and construction since 1949. The sculptures in front of the southern gate are figures of workers, peasants soldiers, intellectuals, technicians and children.

Inside the Mausoleum are three main sections: A white marble statue of Chairman Mao is mounted on a platform in the front lobby. On the wall behind the statue is a 24-metre-long( 79-foot-long) tapestry, a fine needlepoint work with beautiful landscapes of the country.

In the main hall there is a crystal coffin, in which Chairman Mao’s body lies stately with the Communist Party’s flag covering over him.

On the wall of the southern lobby, a poem by Chairman Mao and in his own calligraphy is inscribed in gold inlay. It expresses his full great expectations for the country.

Tian’ anmen Square has now completed its renovation after eight months’ hard work to welcome the 50th anniversary of the People’s Republic in 1999.

河源苏家围英文导游词

The Sujiawei Hakka Village Tourism Zone is a must for tourists who are interested in the Hakka culture and customs.

Bordering Dongjiang River in the north and Jiushe River in the south, the village is located in the Heshui Township, 26km away from the city of Heyuan.

Today the village is described as a “picturesque village in south china”, featuring old trees and houses, wild lands, bamboos and fresh air. Also it has a profound cultural history and is said to be the habitat of descendants of Su Shi, who also known as Su Dongpo, a famous Chinese literate in Northern Song Dynasty. Hence All people living in the village now are surnamed “Su”.

It also provides some performances for travelers to get a better known of Hakka culture such as their wedding customs. You can take part in the producing lines of making bean curd, wine or oil; or enjoy yourself in activities like fishing, swimming and boating.

The first spot we encounter is the Yingqing Bridge, where has a panoramic view of Sujiawei. The bridge is a place to welcome all families, relatives and friends.

Here is purple perilla park. The purple perilla can be used as medicine to cure cold, or purple dye or cooking. The origin of this park is as follows: one day one of Su Shi’s offspring passed by this place, he dreamed five old men pointed a big tree and told him it is perilla tree. When he woke up, he found this place is full of perilla, and the environment is quite beautiful, so he thought the old men would like he move the Su clan here. So after he came back, he always mentioned this dream to his late generations. To fulfill his this dream, over 700 years ago, the Su clan moved here and Sujiawei started its story.

From this purple perilla park to Pool lips estate, is gallery of Hakka villages gender culture, which shows the Hakka people’s moral ideas and customs, they think everything has two opposite extremes like negative and positive. In Hakka dialect, have a boy baby is named “tian deng”, the same pronunciation as “add a lantern”. So in Chinese lantern festival, any family which has a new boy baby will hang a big lantern in their ancestors’ shrine.

Later we will visit Sugong Shrine Yongsi Hall, Guanghua hall, Su school and Yi Jiang temple. You may find the Hakka architecture is well preserved here. These ancient buildings are square flat houses with dark blue bricks and roof tiles that belong to the style of the Ming and Qing Dynasties. The oldest house, Yongsi Hall, was built in 1481 in memory of Su Dongshan, the eighth-generation descendant of Su Dongpo and as a place for the villagers to worship their ancestors and discuss important affairs.

Now we walk along the Dongjiang river and enjoy the Hakka folk music. At the riverside you see bamboo everywhere. Su Dongpo loved bamboo, he once said “I can eat without meat, but I can not live without bamboo. No meat to eat only makes me thin; but live without bamboo makes me vulgar”!

Walking so long time, are you a bit tired and thirsty? Let’s go to Her Workshops to taste Hakka traditional snacks and tea. There are tea leaf, sesame, peanut, red jujube and longan in the tea. Do you taste them?

Ok, after a break, we go to experience traditional Hakka wedding performance. If you are lucky to be chosen and act as the bridegroom, you will be invited to the stage and join their show.

The village also preserves many slogans printed on the walls during 1950s to 1970s, which are silent witnesses to Chinese modern history.

Do you see the big bamboo hats holding by bamboo sticks in line? It is farm four seasons gallery. On the bamboo hats marked farming planting and harvesting dates and festivals.

Finally we have 15-minutes free activity in the countryside vegetable fields. You may like farmers to pick fruits, vegetables you like in the fields.

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下。

大屿山是香港最大的岛屿，面积相当于两个香港岛。从东涌乘坐巴士前往昂坪，沿途树木葱茏，山岭起伏，其间的凤凰山和大东山保持着原始的自然风貌。向南的海岸拥有许多岬角和海湾，大屿山海岸线漫长曲折，港湾与沙滩、高山与流水、自然景观和历史古迹交相辉映。游遍全岛，恍如完成交错时光的穿梭之旅。

游大屿山西南部，可说是一步一古迹。从石壁水坝出发，沿引水道向西南走个多小时，便到达狗岭涌。此地方除被不少郊游人士列为最佳露营地点外，竖立?的「屿南石碑」，更见证了一百年前英国迫中国签下不平等条约、强租借新界的事件。站在这租借分界线，背后无尽的南中国海、索罟群岛、桂山岛、万山群岛全近在咫尺，游人在这里可尽享无限好风光。

再往西走便是香港境内的极西——分流。据悉，这里是西面珠江三角洲的黄泥水和东面南中国海清澈咸水的交汇，清水与浊水的分隔，故名分流。弯月形的分流东湾边缘有座雍正时期的炮台，当年曾负起镇守大屿山至珠江一带水域的重任。此外，附近的分流村、分流大学和天后庙，尽管皆空置破落，却又古意盎然，值得参观。

位于昂平大路的“竹园精舍”不可不去，里面有一幅中堂莲花图。这一朵莲花并非平常画家所画，而是出自慈禧太后御笔，画上印有慈大后玉玺，是镇山之宝。相传早年香港沦陷时期，日军经过竹园精舍时，连走路都不敢用力，只静悄悄地走过，更加不敢进入骚扰，慈禧太后御笔莲花图由此得以保存。在此参观，虽则没有宝莲寺的香火鼎盛，却更添禅院的幽雅脱俗。从东涌经沙螺湾、深屈，到大澳宝珠潭，有一段全长约8公里的古道。古道沿海而修，历来是远足者最喜欢的路段。沿途还有一些客家排屋，这在大屿山是很少见到的。

大澳渔村水乡风情极为浓郁，是大屿山最有生活气息的游览胜地。这里的河道，呈“入”字形伸展。那一撇的末端，就是大澳村的入海口，海就是着名的伶仃洋。傍晚时分，站在渡口的桥上看“伶仃落日”，景色壮美中另有一番沧桑。渡口租一艘游艇，进入水乡河道，一路前行，大澳水乡最有特色的吊脚楼让人目不暇接……

位于大屿山昂坪高原上的宝莲寺是香港规模最大的佛门胜地之一。宝莲寺创建于1920_年，虽仅70余年，但因建筑规模之大，地形环境之优美，有“南天佛国”之称，为香港四大禅林之首。禅寺牌坊正对的木鱼峰，有一座新建的世界最大的铜佛像———“天坛大佛”。大佛底座有三层，内一口大钟，每隔七分钟敲打一次，供人“解除108种烦恼”。它和宝莲寺共同组成了闻名遐迩的佛教旅游大区。

凤凰山是大屿山的最高山峰高达九百三十四米，是本港远足人士的旅游胜地，旅游人士每多摸黑登山，观看日出。

人们常说“自古名山僧占多”，其实是冤枉了出家人。与世无争的僧人隐身在高山峻岭之上，本意是修心养性，却常成为德高望重的高僧，因而山以僧名，闻名遐迩。而泉州开元寺就座落在平平无奇的鲤城区西街，与凡世的隔绝只靠山门前这堵象征性的屏障一紫云屏，这无形中缩短了尘世与佛门的距离。缺少名山大川的陪衬，却多了善男信女的亲近，这就是泉州开元寺的独特之处。

泉州开元寺是全国重点文物保护单位，也是福建省“十佳”风景区，或许大家想知道，开元寺何以能够闻名海内外呢?那就让我们一起慢慢领略、细细品味吧。

眼前这座别致的建筑就是开元寺的山门，也叫天王殿。它建于唐武则天垂拱三年(公元687年)，前后已经过几次火灾烧毁与重建，现存建筑是民国十四年(公元1920_年)修建的。大家先请看这石柱：上下端略细，中部较粗，呈梭子状，学名梭柱，据考证为唐朝的石柱风格，年已十分久远了。石柱上还悬挂有一木制对联“此地方称佛国，满街都是圣人”。这是南宋大理学家朱熹所撰，近高僧弘一法师所写的。它是泉州这个具有浓厚宗教文化色彩的古城风貌的真实写照。分坐在天王殿两旁的是按佛教密宗规制所配置的密迹金刚与梵王。它们怒目挺胸，状极威严，与一般寺庙所雕塑的四大金刚有较大差别，有人谑称它们为“哼哈二将”。

跨过山门就到了拜亭。站在这里，我们可以看到拔地而起的东西塔和宽敞明亮的东西两廊对称地排列在两旁，而我们所在的位置就在开元寺的中轴线上。佛教传入我国巳有一千多年历史，并在中国落地开花，与中国文化融为一体。开元寺的布局就突出了我国古建筑的南面为尊和中轴线为主的特点。

拜亭前的这个大石庭，是个“凡草不生”的拜庭，供古今官民朝拜和活动。每逢农历二十六日，这里人山人海，梵呗声声，一派泉南佛国景象。石庭两边分列着八棵200至800岁的大榕树，阴翳蔽日，盘根错节，增添了开元寺静寂、庄严的气氛。树下排列着11座唐、宋、明时期不同形式的古经幢、小舍利塔，以及两只贔屃。庭中还置立着一座3米多高的石雕焚帛炉，盖钮雕蹲狻猊，炉身周雕幡龙、祥云、莲瓣、蔓草等纹饰，形制优美，雕工精妙。焚帛炉稍后两侧，还有两座南宋绍兴十五年(公元1145年)泉州南厢柳三娘捐建的印度萃堵波的方形石塔，塔上刻有萨锤太子舍身饲虎的故事，是印度教在南宋时留下的痕迹。

在中轴线上的主体建筑，就是眼前这座大雄宝殿。因传说建殿之时有紫云盖地，所以又叫紫云大殿。大殿上方这块巨匾写有“桑莲法界”四个魏碑风格的大亨，以应桑开白莲之说。早在唐朝初期，泉州已盛产丝绸。这片地原是大财主黄守恭的桑树园，后来捐给匡护大师建寺。关于这件事，有一个很动人的传说：一天，黄守恭梦见有一个僧人向他募地建寺，他说等桑树开白莲花后就献地结缘。几天后，满园桑树果然都开出白莲花，黄守恭深被无边佛法所感动，果然把这片桑树园捐献出来。其实，黄守恭本为乐善好施之人，桑开白莲之说乃是人们敬慕佛祖，附会而成，但这一神奇的传说却为泉州人民所津津乐道，世相传，因而开元寺也得了“桑莲法界”的美称。

大雄宝殿始建于唐朝垂拱二年(公元686年)，先后经过唐、南宋、元、明几次受灾与重建，现存建筑物是明崇祯十年(公元1637年)遗物。大殿通高20米，面宽九间，进深六间，面积达1387.75平方米，大殿出拱深远，外观雄浑，保存唐朝宏模巨制、巍峨壮观的建筑风格。

大殿正中供奉的是御赐佛像毗卢遮那佛，汉译大日如来，是佛教密宗的最高神抵。其两旁是五王审邽修大殿时增塑的四尊大佛，依次为东方香积世界阿閦佛，南方欢喜世界是宝生佛，西方极乐世界阿弥陀佛，北方莲花世界成就佛，合称五方佛，也叫五智如来。这五尊大佛金光闪烁，衣纹清晰，神容慈祥，法相庄严，双手分别作说法、施与、接引、禅定等相，工艺精巧，令人叹绝。五方佛的胁侍有文殊、普贤、阿难、迦叶以及观音、势至、韦驮、关羽、梵王、帝释等诸天菩萨、护法神将共10尊。在大殿后正中供奉着密宗六观音的首座圣观音以及善才、龙女和两翼神态各异的十八罗汉。开元寺历住持皈宗不一：有法相宗、律宗、净土宗、密宗、禅宗等宗派，而大殿却能保持这种罕见的规制，这既值得夸耀，也是值得研究的。

大雄宝殿还有一个“百柱殿”的雅称。全殿原计划设立柱子一百根，后来因为需要放置佛像和腾出给佛教徒朝拜的地方，便加长了珩梁，减少了立柱，成为86根柱子的“百柱殿”。崇祯十年(公元1637年)右参政、按察使曾樱与总兵郑芝龙重修开元寺紫云大殿时，将其中木柱全部换成石柱。百柱殿的柱子形式丰富多彩，有宋、元、明各时期的海棠花式柱、圆柱、方柱。楞梭柱、蟠龙柱等。尤其是殿后廊檐间那对16角形辉绿岩石柱，雕刻着古印度和锡兰流传的古印度教大神克里希那的故事和花卉图案24幅，引起中外学者的极大兴趣。它与殿前月台须弥座束腰处的72幅辉绿岩狮身人面像和狮子浮雕，同为修殿时从已毁的元主印教寺移来的。它们是宋元时期泉州海外交通繁荣发达，中外文化友好交流的历史见证。

在五方佛前石柱和珩梁接合次，有两排相向的24尊体态丰腴、纹饰x丽、色彩斑斓，双翼舒展的天女，梵文“频伽”(即妙音鸟)。据佛经说：此鸟发声微妙，仙音优雅，连歌神紧那罗都不及她。他们原是佛的侍者，而能工巧匠们把她们的下半身嵌人柱榫里，翼胁之下爪足外露，上半身向前伸出，昂首挺胸，短衣半袒，樱洛圈胫胚，双臂伸展，腕着驯镯，手棒文房四宝，瓜果点心，丝竹管弦，翩翩若仙。他们不但给人以美的艺术享受，而且用以替斗拱，依托粗大的珩梁，减少其过大的跨度，极为巧妙地将宗教、艺术与建筑融合起来，令人称绝。

百柱殿的后侧西边，是据说开过白莲花的千年老桑树，即“桑蓬古迹”。看到它老态龙钟的样子，大家都相信它已有一千多岁高龄了，对其是否开过白莲花大多不去追究了。不过，在老桑树下，立有一块古老的石碑，言之凿凿，似乎确有其事。在1920_年的一次雷雨中，老桑树被雷电一劈为三，其中一技坠落在地上，于是僧人们将其用一块花岗岩托起，并镌一对联“此对生莲垂拱二年，支令勿坏以全其天“，老桑树果然奇迹般地活了下来，而且枝繁叶茂，青春焕发。前几年，大风将树于从托石上吹落地，末等人们再次扶植，它已落地生根了。如今，“三树同根”的老桑树犹如一朵盛开的花朵，向着北、东、南三个方向延伸开去，一年四季，郁郁青青。

大殿后面的甘露戒坛，建在中轴线的第二台阶上。据说唐朝时候，此地常降甘露，一个叫行昭的和尚于是在这里挖了一口甘露井。北来天津三年(公元1020_年)在井上建坛，遂称甘露戒坛。南宋建炎二年(公元1120_年)敦炤和尚认为戒坛不符合规范，又按《南山图经》改建为五级，其间高低宽窄都有严格的限制。后经元、明多次重修，现存建筑是清康熙五年(公元1666年)重建的四重檐八角攒尖式结构。坛顶正中藻井采用如意斗拱，交叠上收，如蜘蛛结网，似回纹织锦，结构复杂而精巧。坛之四周立柱斗拱和铺作间24尊“飞天乐伎”，身系五彩飘带，手持琵琶、二弦、洞萧、响板，轻歌曼舞，翩翩若飞。它们与百柱殿的频伽一样，既是建筑艺术的瑰宝，也是研究南音与南戏十分宝贵的形象资料。

藻井下分五级。坛台的最上层供奉明的卢舍那佛木雕坐像，其所坐莲花台座有一千叶莲花瓣，每片莲叶上各刻一尊6厘米大小的佛像，十分精妙。卢舍那四周各层侍立着金刚钩、金刚索、金刚铃、金刚锁四菩萨，还有释迦牟尼、阿弥陀佛、寒山、拾得、千手观音的及韦驮天将等24尊菩萨神像。其中尤以八大金刚塑像为最佳。它们怒目结发，赤足袒胸，显得无比威严。环绕坛座的束腰处还有护三皈、护五戒的各种神王牌64个。戒坛是佛教徒受戒的地方，这种神秘肃穆的氛围，正可使人敬畏不迭，诸念俱灭，一心皈依。据说这种戒坛在全国已寥若晨星了。常言道物以稀为贵，大家也算有眼福了。

戒坛之后，就是有“百宝楼”之称的藏经阁。这里原来是法堂，是元至元二十二年(公元1285年)，僧录刘鉴义建造的。元、明时期已经过多次重修，至民国十四年(公元1920_年)圆瑛和尚改建为水泥仿木结构的二层楼阁。楼下现为寺僧念经礼佛处，上层收藏各种版本经书3700多卷。五时的开闽王王审知身居王位，独霸闽疆，纯属机缘偶然，因此他当了闽王后，就与佛结缘，起大信心，立大誓愿，皈心受持，以求心理平衡。他先后舍钱百万缗造大殿等建筑，并搜集一万两黄金白银，研细为泥，请开元寺义英法师写了两部金银《大藏经》，现二楼还保存有残页。另外还有元朝如照法师刺血写成的《法x经》以及泰米尔文的贝叶经。它们是我国珍贵的佛学典籍。除此之外，藏经阁还保存有从盛唐至民国的历文物。其中各玉、铜、瓷、木质的大小佛像、菩萨、罗汉、天王、神将等32尊。明大书法家张瑞图及现高僧弘一法师等名家的字迹和木板楹联也珍藏在这里。一楼大厅里还收藏有12口南宋以来的方钟，其中特别有价值的是清道光十七年(公元1837年)，“鹿港郊公置”的铁钟，钟上铸有与泉州通商的鹿港郊46家商号的铭文，是研究中国台湾与泉州经济史的很有价值的资料。

在中轴线的两边，还有一些建筑群：东有由迦蓝祠改建的檀樾祠，纪念施主黄守恭。黄氏四安(南安、惠安、同安、安溪)后裔及海外紫云家族无不以此为荣。有俗称“小开元寺”的准提禅林，原供奉天台宗的准提菩萨;西有尊胜院，现已开辟一部分为弘一法师纪念馆，有水陆禅寺，以供寺僧栖息。

耸立在拜庭两侧广场中，相距约200米的八角五层楼阁式仿木结构石塔就是泉州东西塔，它是开元寺的重要文物。它以塔身的雄伟、形制的奇妙，建筑的神工和雕镂的精美而扬誉海宇，吸引着自宋至今的无数中外学者和游人前来游览、观瞻、揣摩和研究。

东塔名“镇国塔”，咸通六年(公元865年)由倡建者文偁禅师建成五层木塔。前后经过几次毁坏与重修，易木为砖。至嘉熙二年(公元1238年)本洪法师才易砖为石，后由法权法师，天锡法师继造，前后经十年才完工。东塔通高48.24米，塔平面分回廊、外壁、塔内回廊和塔心八角柱四部分。塔为框架式的结构。正中的塔心柱直贯于各层，是全塔的支撑。各层塔心柱上的八个转角处均架有石梁，搭连于2米厚的塔壁和倚柱，顶柱的护斗出x拱层层托出，缩小石梁跨度。石梁与粱托如同斧凿，榫眼接合，使塔心与塔壁的应力连结相依形成一体，大大加强了塔身的牢固性。塔壁使用加工雕琢的花岗岩，以纵横交错的方法叠砌，计算精确，筑工缜密。稳固的基础，配置着符合力学原理的坚实塔心，使这座重达一万多吨的建筑物虽经历700多年风霜雨露而巍然不动。公元1620_年的八级地震，也无法动摇动它的根基。石塔不但坚固无比，而且造型精致。塔檐呈弯弧状向外伸展，檐角高翘，使塔身有凌空欲飞的态势，显得轻盈。每一层各设四个门和四个龛，逐层互换。这样既平均分散重力，又可使塔的外型更加生动和美观。每层塔檐角各系铜铎一枚，微风吹动之时，铎1声叮咚，悦耳怡人。塔顶有八条大铁链，连结八个翘角与刹顶，显得气势磅礴，紫气飘摇。每一层塔壁上还刻有十六幅浮雕，分别刻有人天乘，声闻乘、缘觉乘、菩萨乘和佛乘，共计80幅栩翎如生的人物雕像。刀工细腻，线条流畅，巧夺天工。东塔已于1997年人选全国四大名塔邮票，可称得上：石塔之王。

西塔名仁寿塔。五梁贞明三年(公元920_年)王审知由福州泛海运木来泉州建此塔，初名“无量寿塔”。北来政和四年(公元1120_年)奏请赐名“仁寿塔”，前后经毁坏与重修多次，易木为砖，至宋绍定元年至嘉熙元年(公元1228--1237年)由自证法师易砖为石，先于东塔十年建成。西塔通高44.06米，略低于东塔，其规模与东塔几乎完全相同。唯男性有须观音及猴行者浮雕引起游客与学者的广泛兴趣。

泉州开元寺石塔是我国古石构建筑瑰宝。从石塔的建筑规模、形制和技艺等方面来看，都可以说得上精妙绝伦。它充分体现了宋劳动人民高度的智慧和伟大的创造性。它不但在中国石塔中堪称佼佼者，在世界上也是首屈一指的。它既是中世纪泉州海外交通鼎盛时期社会空前繁荣的象征，也是泉州历史文化名城特有的标志。现在，东西塔影雕作品已成为我市最高层领导人馈赠佳宾的珍贵礼品。因此可以说，东西塔已成为泉州的象征。既是泉州人民的骄傲，也是海外侨胞和台湾同胞所憧憬的乡影。即使是没有到过泉州的人也常在说：做人要“站着像东西塔，躺着像洛阳桥”，可见东西塔在他们心目中的份量。

大凡名刹，必有名僧。历开元寺僧人，或以佛学著作称胜，或以诗词文章闻名，或弘道扬名，或入世献身，有高僧：唐开山祖匡护大师，五唯识大师，律宗释弘则，净土宗释楚勤，南禅释文展，桥成造化的释义波，禅宗第一住持释妙恩，温陵禅师释戒环，蔼益大师释智旭，“为文似柳、为诗似陶“的释大圭，更有“念佛不忘救国、救国不忘念佛”、集佛学、书法、金石、音乐、绘画、诗文于一身的现律宗高僧弘一法师。

开元寺的得道高僧，也有不少出国弘法。如清朝顺治年间的木庵禅师，漂洋过海，扬名东瀛，成为日本黄檗宗的第二世传人;新中国成立后的转逢老和尚，足迹遍及印尼、尼泊尔、缅甸、泰国、新加坡、马来西亚。现任住待道元法师也曾应邀前往巴西弘法，禅风远播。

“佛国名传久，桑莲独擅声”，泉州开元寺以其悠久的历史，神奇的传说，独特的规制，巧妙的建筑、珍贵的文物、优美的艺术和卓越的声誉，正吸引着成千上万的僧民信众和十方游客前来礼朝膜拜，旅游观光。

女士们，先生们，参观完泉州开元寺，您是否有不虚此行的感觉呢?您是否对泉州这个宗教历史博物馆有更深的了解呢?但愿主城泉州丰富的人文景观与美丽的自然风光能在您心中留下美好的回忆。

洛阳老君山位于河南省洛阳市栾川县城南3公里处，是秦岭余脉八百里伏牛山的主峰，海拔2200米。老君山山势险峻、气势雄浑。“驻足峰巅，放眼四顾，可西瞻秦阙，南望楚地，北眺龙门，东瞰少林”。历代文人骚客对老君山多所推崇，明代诗人谢榛曾慨叹老君山之美“兼泰山之雄伟 、华山之险峻、庐山之朦胧、黄山奇峰七十二，君山奇景知多少!?”

洛阳老君山原名景室山，因西周朝“守藏室史”李耳(道教始祖，被道教尊为太上老君)到此归隐修炼，而被唐太宗易名为“老君山”，沿袭至今。老君山被尊为道教圣地，历代香火旺盛。

北魏时起，老君山从山门七里坪入口处起，有太清宫、十方院、灵官殿、淋醋殿、牧羊圈、救苦殿、传经楼、观音殿、三清殿、老君庙等庙

宇16处之多。历经历代毁毁修修，现存6处，以顶峰老君庙最为壮观。老君庙始建于北魏，铁椽铁瓦，以“铁顶”著称，在中原众多庙宇中屈指可数，素有“南有武当金顶，北有老君铁顶”之说。初一、十五朝拜老君庙的香客成群结队，四月初八的老君庙会上更是人山人海。灵官殿、淋醋殿、道德府等庙宇古朴凝重，香火炽盛。生态观光区的老君河有追梦谷;明太子慈烺藏身洞，即太子洞;六十年代野人壕曾发现野人足迹;原始林大部分地域至今无人进入。马鬃岭南侧有三千余亩的石林景观，千峰竞秀，蔚为壮观，被地质学者称为“北国石林”，有“北国张家界”之美誉。老君山保护区现有国家级保护动植物102种，有中草药830种之多，称之为国家中草药基因库。

老君山原貌保存良好，记录着十九亿年来华北古陆块南缘裂解、离散、增生、聚合、碰撞、造山等构造演化过程，被称为国家地质公园，具有极高的科学研究价值。1997年国务院批准在老君山建立国家级自然保护区，如今的老君山已成为国家级5A景区，是理想的旅游、避暑胜地。

20xx年河南省栾川老君山景区推出活动：中外所有李姓游客在20xx年，凭有效身份证件，可免费游览老君山。

而要找一处最理想一观香港这个国际大都会的地方，位於香港岛最高点的太平山可能是最值得推介的。也由於太平山下有数百万人的家居，入夜后，百万家灯火尽收眼帘，有如万株吊满灯泡的圣诞树般。如此耀目璀璨之夜景，没有其他地方的夜景可以跟她比较。

位於尖沙咀太空馆至洲际酒店之间的星光大道，在维港有两岸高厦的华灯倒映下，香港电影金像奖女神见证星星闪闪;象徵香港作为东方荷里活的星光大道，绝对是不能错过的香港旅游景点。晚上这里也是幻彩咏香江及激光水幕汇演的好地方。

香港海洋公园没有全球最大的海洋馆，也不是全球最大的机动游戏乐园，但香港海洋公园却可能是大家眼中全世界最快乐的海洋主题游乐园。除了有趣味十足的海豚海狮表演，也有由250多种数量达2千多条鱼群的海洋展览馆。喜欢刺激的朋友，盘山临海而建的机动游戏绝对是未玩先兴奋。

香港的景色真是多姿多彩啊!

各位朋友、各位来宾：你们好！南溪山在市区南面将军桥头，离火车站约一公里，因南溪萦绕而得名。它有东西两峰，彼此并列，耸拔千尺，北面的峭壁，山石洁白。雨后新晴，云雾初开，阳光照映在山石上，会发射出耀眼的光彩。

在古代“南溪新霁”就是桂林八景之一。南溪山的山洞多而奇，以北面的白龙洞最为有名。它的洞口高敞开阔，好像一间高大的石屋，石壁白色，有一石乳下垂，极似龙头，所以叫做白龙洞。洞内有双狮石、石笋迎春、白龙吐珠等奇景。出白龙洞往右行，便到玄岩，这是一个由钟乳石组成的丰富多采的画廊。此洞分为两道。一道可到穿云岩，该洞岩道较短，常有云雾穿门，岩口有不少珍贵的石刻。左道可通观音岩，它因洞口有一组钟乳石酷似观音菩萨而得名。

从观音岩沿左侧一条小路，可达龙脊洞。龙脊洞洞壁奇险，气势雄伟。现在这三洞已经贯通，从白龙洞入口，游到玄岩，再接着游龙脊洞，然后再出来。南溪山的外形像个巨大的马鞍，马鞍的凹处就是龙脊坳，这里嶙嶙巨石，若断若续，东高西低，极像龙脊。龙脊坳的南侧山腰有刘仙岩，洞内遍布宋明以来的石刻。出刘仙岩，便可到达一个上小下大的两层圆洞，有石级盘旋上下，形似一个巨大的田螺，故名螺窟。

南溪山已被建成公园，园内竹林青葱，松柏苍翠。南溪桥南有一泉，名叫白龙泉，泉水清冽，古时曾进贡皇帝，所以又称贡泉，现设饮泉茶室，供游人酌茗憩息。

始建于1272年的北京钟鼓楼，七百余年一直矗立在北京城中轴线上。两楼一高一矮、一横一竖相映成趣，飞檐走阁、振翅欲与天公试比高的雄韬伟略。钟鼓楼曾是元、明、清三代报时的中心，起着所谓“以时出治，声与政通”的作用，看到它仿佛听到了那萦绕在京城上空的厚重钟声，让人震憾!

说什刹海，不能不提德胜门城楼。明、清时期，每逢出兵打仗，兵士们都要从德胜门出发，由此开赴作战前线，借个“德胜”的口彩。现在，站到德胜门上，展现在眼前的则是一派生机盎然的科技园区，社会前进的脚步搭上科技的翅膀从此将不可阴遏。从城门望北还可以看到护城洒的垂柳碧波和关厢景物，这里的自然风光和科技园区的相互彰映还真有点不同一般!

夜幕降临，什刹海里还有不少游船，点点船火，阵阵琴声。什刹海的摇橹船是仿照“清明上河图”中的船形打造的，古色古香。游客在北海公园北门对面荷花市场码头上船，由头戴斗笠、身着黄色短衣的船夫摇船，船上点起古老的马灯，船头怀抱丝竹乐器的小姐弹拨出轻柔动听的民间乐曲。橹船穿过古老北京著名的景观“银锭桥”，游客饮茶小吃，同时观赏两岸丰富的人文景观和民俗生活景象。最为精彩的是日落日升，船行什刹海后海，游人点起蜡烛纸河灯放入水中，灯浮水面沿船尾浮动，忽明忽暗灿烂一片。丝竹声中岸上游人驻足观看，船上游客畅饮尽兴……

美景需有美食相伴，才显得生活惬意。正巧，烤肉季、竹园宾馆、历家菜等名吃，就是在什刹海畔。

各人好，我是你们的导游，各人可以叫我卢导，接待各人来到景致宜人，竹苞松茂的苏州园林，你们将会和我渡过如痴如醉的一天。

苏州园林997年12月被列入天下文化遗产之一。苏州是闻名的汗青文假名城和国度重点风光旅游都市，物华天宝，人杰地灵。苏州园林汗青久长，气派宏伟，实为中华民族的艺术宝贝。

沧浪亭，位于苏州南三元坊四面，在苏州汗青最为久长，是苏舜钦的私家花圃，沧浪亭占地1。08公顷，内有一泓净水贯串，波光倒影，情况万千。

下面我给你们讲个传说，乾隆天子颠末苏州，传闻有种对象叫说书，就请了王周士来说书，王周士名气响彻江浙，来了但不说，天子问他为什么，王说没有灯和椅子，天子就给了他一盏灯和一把椅子。王周士把三弦一拨，叮叮当当的声音既像百鸟朝凤，又像金鼓齐鸣，天子听的眉飞色舞便把他请进宫内，王周士反而过不惯，请了一天假，便回了苏州。他说不是他的说书吸引了天子，而是苏州的差异凡响，独具匠心的景致吸引了乾隆天子。可见苏州自古即是游览的最佳行止，也就是人们常说的“上有天国下有苏杭‘。

百闻不如一见，各人快快启航吧。

列位贵客，列位伴侣：

各人早上好，西北地区，很兴奋熟悉各人，并由我陪同各人去我国的闻名汗青文假名城和旅游胜地——苏州抚玩园林，到人世天国去享受一天。

在车到景点之前，我先为各人先容苏州园林的根基环境。“上有天国，下有苏杭。”苏州为典范的江南水乡都市，素有“东方威尼斯”之美誉。虽然，也请各人留意情形卫生，做一个文明旅客。

我们顿时到了今天黄金游的第一站——留园。好，留园到了。留园位于苏州市园林路。它应用了分合，明暗等比拟伎俩。各人好好抚玩吧!

留园不留我们，那我们就去狮子林吧!狮子林到了，你们跟我来，狮子林幻化莫测，值得一览。

穿过狮子林，出去约5千米，可见寒山寺，要不此刻各人苏息一会儿吧。说到寒山寺，各人天然会想起“姑苏城外寒山寺，夜半钟声到客船”的诗句吧!因唐初有个叫寒山的僧人未在这里住过而得名。此刻寺内存碑一方，上刻张继写的《枫桥夜泊》一诗。

辞别寒山寺，各人还恋恋不舍。但愿它能给你们留下一个柔美的回想。

列位伴侣，本日我们在人世天国——苏州渡过了柔美的一天。感谢列位!愿各人旅途安全舒畅，再会!

现在又开发了温泉游泳馆，温泉药浴及中医按摩，是您最美妙的享受。正在开发日本、芬兰等世界各种洗浴方式，阿尔山成为世界温泉洗浴中心为期不远。

一片绿色阳光，拂去尘世烦恼。一捧神泉圣水，洗净天下尘埃。阿尔山矿泉是大自然留给自己的最后珍藏，也是阿尔山远古送给现代的圣洁礼物。

好了，快来沐浴温泉吧，洗出男人的刚阳，洗出女子的娇媚，洗出健康和美丽，洗出开朗好心情!

我们观光的下一个景点是五里泉，距我们这里的疗养院矿泉群5华里而得名。五里泉东面是雄伟的大兴安岭主脉，其它三面是长满鲜花芳草的湿地。清晨，常有一条飞升的白雾，方圆三里缠绕着五里泉，象一条奇幻的白龙守护着五里泉，又象为五里泉披了一块胧朦的面纱。每天清晨，居民汇集五里泉边，一桶桶汲出清亮微甜的泉水回家，同时带回一山的鸟鸣，带回满身的花草香，带回一天的清爽。有幸还能看到几十只野生的黄羊群来五里泉饮水。缘于千年之交的冬雪，黄羊从遥远的蒙古国，侨居水草丰美的阿尔山，成为阿尔山人与自然和谐相处的动人风景和爱的乐章。

据中科院长春应用化学研究所、北京医科大学卫生系中心仪器室和吉林环境水文地质研究所测定，五里泉水中富含钙等20种人体必需的微量元素、放射性元素。1988年经国家饮用天然矿泉水技术评审组评审并报请国家地矿部批准，确认为含锂锶偏硅酸矿泉水。阿尔山矿泉水力争20__年奥运会指定饮品，争取成为内蒙古自治区第八个全国驰名商标。扬成武将军题字“圣水奇泉”，张勃夫教授题字盛赞五里泉为“天下第一奇特大奇”。据当地人介绍，阿尔山居民至今没有一例心脑血管和癌症患者，是否与每天饮用此泉有关呢?五里泉该是月亮沐浴的地方，沐浴了五里泉，月光才清凉如水，温润可人。爱慕美如水壮如山的阿尔山姑娘小伙吗?那您也快尝一口新汲的五里泉吧!让清泉滑过我们的脸，渗入我们的脏腑，滋润我们的心田。

山西地处黄河流域的中于地带，是中华民族古代文明和灿烂文化的主要发祥地。早在远古时代，中华民族祖先就在此劳作、生息和繁衍。相传，华夏民族的开山始祖黄帝、炎帝曾于此活动;中国史前的三位伟人尧、舜、禹也都先后在山西建都立业。山西名胜古迹甚多，现有国家级和省级文物保护单位上千处，石窟、佛寺及艺术雕刻遍布全省，辽金以前的地上木构建筑占全国的72%以上，国家级重点文物保护单位119处，居全国首位。全国仅有的四座唐代木构建筑。其中有3座在山西，总之，山西有“中国古代文化艺术宝库”之称。经过多年的开发建设，大同云冈石窟、应县木塔、五台山风景名胜区、恒山风景名胜区、晋祠风景名胜区、平遥古城、晋商大院文化旅游区、关帝庙、永乐宫、普救寺等旅游资源的产品已蜚声海内外。特别是平遥古城、云风石窟，已先后被联合国教科文组织列为世界遗产。

山西不仅文物古迹多，自然风光也十分壮美。山西境内有国家级和省级风景名胜区11个，其中国家级的有五台山、恒山、壶口、北武当山、五老峰等5个;国家级与省级的自然保护区11个;国家级和省级森林公园27个。黄河流经山西965公里，在壶口、龙门、孟门等河段形成了独特的景观，成为中外游客向往的去处。近年来陵川王蟒岭、锡崖沟、壶关太行大峡谷、宁武芦芽山、黎城黄崖洞、介休绵山、盂县藏山、阳城蟒河、沁水历山等得到初步开发;同时，各地兴办旅游的积极性高涨，旅游资源的开发全面开展，取得了较好的效果。目前，山西省对外开放的主要旅游区有大同、五台山、太原、临汾、运城、晋东南，全省仅年接待5万人以上的旅游景区、景点就达100多处。改革开放20_年来，山西旅游业发展的基础条件已有很大的改善，省内道路畅通，通讯便利，环境卫生发生了深刻变化，接待服务条件可以满足需求。

在新的世纪，山西经精心策划包装，推出了三大旅游区，即，以大同云冈石窟、佛教胜地五台山为主的晋北佛教文化旅游区;以平遥古城和乔家、渠家、王家、曹家等四大院为主的晋中晋商民俗文化旅游区;以黄河壶口瀑布、运城解州关帝庙为主的晋南黄河根祖文化旅游区。

Do you know where to look at Chinas 100 year history? Yes, its Shanghai.What about the 20-year history? Im coming to the Bund. The Bund is the windowof Shanghai, which reflects the features of Chinas largest economic center cityand international modern metropolis, as well as the characteristics of a famoushistorical and cultural city. Many overseas Chinese and Chinese love to callShanghai Bund the first Bay in Asia. Yes, she is beautiful. Please see, fromnorth to south, she rises from the south of Baidu bridge to Xinkai River. It isabout 1800 meters long, with a curved trend like a crescent moon, beautiful andpicturesque.

According to records, the Bund was originally called Yangzi road andHuangpu beach road. In 1945, in memory of Dr. Sun Yat Sen, it was renamedZhongshan, which is still used today. The Bund used to be known as the OrientalWall Street. With the rapid development of urban construction in Shanghai, ithas more modern urban flavor. In 1995, it was rated as one of the "ten newlandscapes of Shanghai in the 1990s", attracting tens of thousands of touristsevery day.

Ladies and gentlemen: today, when we are bathed in the sunshine of reformand opening up, we can enjoy a lot of beautiful scenery by walking on the Bund.First of all, look to the west, which is one of the symbols of Shanghai - theWorld Architecture Expo. As we all know, after the first war, Shanghai wasturned into a commercial port. At that time, Shanghai gradually became the placewhere foreign capital was most concentrated in China, and various western stylebuildings were also built along the Bund. A large number of banks, clubs andnightclubs of western countries are concentrated along the Huangpu River, whichreflects the plunder and aggression of Western colonization on Shanghai.

Although the tall buildings on the Bund were not designed by a singledesigner or built in the same era, they have a lot in common. They were the mostpopular styles in the west at that time. They adopted the western classicalarchitectural form. The whole building has a solemn and majestic momentum, andthe architectural tone is basically unified. In addition, on the east side,people can also see the broad and magnificent scenery of the Huangpu River fromthe observation platform in Shanghai. With the wind blowing on the river, theriver is shimmering, and the white seagulls are flying high and low, you can seethe port scenery of big cities. Looking from afar at the most novel skyscrapersin Pudong, the grand momentum makes the Bund beautiful. As a symbol of Shanghai,the Bund integrates river landscape and architectural landscape, and integrateswestern classical customs and modern Chinese civilization. Now lets have a lookat the main buildings near the Bund from south to north.

桂林是典型的山水城市，自然山水是构成桂林城市的基本元素。新建和疏浚的“两江四湖”工程，真实地体现了“千峰环野立，一水抱城流”的美妙景致和“城在景中，景在城中”的诗情画意。两江四湖景区是指漓江( 市区部分 ) 、桃花江、榕湖、杉湖、桂湖、木龙湖构成的环城风景带。风景带已开发三个主题景区即：以木龙古渡、古城墙为主景，宝积山、叠彩山为背景，体现城市文化的木龙古水道景区; 以山林自然野趣为特色的桂湖景区;以体现“城在景中，景在城中”的山水城市空间特征为特色的榕、杉湖景区。三个景区的园林绿化，或亭、台、楼、阁、园林建筑和名人雕塑，或名花、名草、名亭和桂林山水诗廊，均可让人感受到桂林的天生丽质与深厚的文化底蕴。

榕湖、杉湖景区

位于桂林市中心，北与中心广场毗邻，东与漓江隔路相望，繁华的中山路穿过湖区，是桂林城中开放式的休闲步行公园。榕、杉湖的历史最早可追溯到唐宋时期：当时为人工开掘的城南护城运河，称为南阳江，元代称为鉴湖，明代城池扩建，成为内湖。自明代起，成为桂林文化活动的中心。先后建有中国台湾巡抚、名士唐景崧的五美堂别墅，清代大词人王鹏运的祖居西园，国民党代总统李宗仁官邸、桂系将领白崇禧桂庐，教育家马君武的宅居等。

知音台

位于杉湖北侧，象鼻山旁，以中国古代琵琶造型为主要构架，辅以园林小路、涌泉、溪流、古树名木，构成—幅高山流水觅知音的优美意境。溪流的源头小山立有南宋诗人“桂林山水甲天下”诗作者王正功的铜像。

杉湖双塔

建于杉湖东南侧。 41 米 高的 9 层铜塔升腾湖中，与之相伴的 35 米 高的 7 层琉璃塔屹立于杉湖岛上，两塔通过 18 米长的水下水族馆连接。铜塔所有构件如塔刹、瓦面、翘角、斗拱等均由铜材铸锻而成，创造了三项世界之最，即最高的铜塔、最高的铜质建筑物、最高的水中塔。琉璃塔的装饰手法富有中国传统韵味。双塔互相辉映，成为城市中心的旅游新景观。

日月湾

位于杉湖北部，小广场上塑有“杉湖十子”浮雕。清代此处建有“补杉楼”，诗人龙启瑞、朱琦、彭昱尧等“杉湖十子”曾在此吟诗作赋。浮雕由接块花岗岩精雕细刻而成，极佳地体现出，中国古典文化的意蕴。

阳桥

地处中山中路中段，跨榕、杉两湖，是桂林古城南来北往的要道。始建于宋朝，名叫青带桥，又名通济桥，宣和年间吕源重建，后又多次重建改建。明洪武年间，桂林知府焦仲才乃以石建，更名阳桥。今天的阳桥是20 世纪末重建的，参照梵蒂冈大教堂的维特马尔桥设计，长 37 米 ，宽 50 米，桥型风格端庄大方，简练有致。阳桥的南北两个桥孔早洞是地下过街通道，里面雕琢有反映桂林历史人物浮雕组图。

玻璃桥

位于阳桥之西，为榕湖景区的观光桥，是我国第一座采用特种水晶玻璃构架的实用性桥梁。桥长 22.4 米 ，桥宽 2.64 米，无论是外部立面、雨廊屋顶还是桥面，均以工艺精致、造型考究的水晶玻璃为建筑构件，柱头、栏杆等桥梁构件和饰件也是用水晶玻璃专门熔铸的。桥廊为欧式风格。不论远望近观，水晶玻璃桥都显得晶莹剔透，可爱迷人。

榕城古荫

是榕、杉湖的精华景点。生机勃勃的古榕和历经沧桑的古南门交相辉映，互相呼应，令人顿生思古之幽情，感受到生命的顽强和生生不息。古榕植于宋代，已有八百余年的历史。近旁的古城门，亦建于宋代，是当时桂林古城南边的一座城门，称威德门。周边参天树木给人以城市森林之感。

黄庭坚系舟处

与大榕树紧密相连，是一处历史文化含量很高的景点，为纪念文学家黄庭坚而建，由系舟亭、石船、诗碑、书艺长河组成。北宋崇宁三年 (1104)，著名文学家、书法家黄庭坚被贬广西宜州，途经桂林，于此系舟登岸，写下了著名的《到桂林》

芙蓉廊

位于榕湖南岸，与大榕树遥遥相对，清代此处是桂林著名画家罗辰的故

居“芙蓉池馆”所在地。榕溪桥地处榕湖饭饭店东面，紧邻白崇禧故居，西与桂林图书馆相衔。桥型脱胎于中国著名古桥赵州桥，简洁沉稳，栏板及拱圈均由汉白玉雕刻制作，桥拱中心的龙头雕塑，雕工细致，气宇不凡，桥底则雕刻了翩然飞舞的凤凰，祥云缠绕，追求龙风呼应的传统境界。

桂湖景区

桂湖是西清、宝贤、丽泽三湖的统称。南宋末年，为抵御蒙古军队的进攻，桂林修筑城池。在修建城墙时，于其外开挖壕沟，因其三段水面临近古代桂林的西清、宝贤、丽泽三个城门而得名。今日桂湖景区已成为名花名木、名亭名桥博览园。

解放桥

解放桥地处市区漓江中段。在宋朝，便建有一座浮桥。 1939 年建钢木桁架桥梁，名为中正桥。 1944年，中正桥毁于日军野蛮的炮火。解放后重建此桥，命名为解放桥。随着城市规模的扩大、社会经济的发展，原桥已不能满足漓江两岸来往的需要。 1999 年 12 月 15 日桂林市再建解放桥。新解放桥采用跨空腹厢形连拱没计，桥长为 284 米 ，桥宽为 45 米。桥面宽阔，结构新颖，一弧跨江，轻盈流畅，与环境甚为协调。大桥两岸跨拱底喷绘有蓝天白云图案，为国内首创。东岸桥梁立交桥路段新辟了步行街，西岸匝道设汁成具有几何风格的小园林，并有地下通道相连。大桥两岸设置了绿化带、造型灯柱、喷泉水带等园林小品。临水一侧的玻璃棚、水幕墙跌水等营造优雅的氛围，桥拱下人行道旁还设有铜马群雕和亲水平台，沿着旋梯上桥，可伫立桥上观看象山水月、伏波晚棹、訾洲烟雨、花桥虹影、七星伴月、独秀擎筹著名景致。

北京清代，有十代帝王的王子封了王位，有亲王、郡王封号的有七十个。

为了显示他们的特殊地位和便于管理，清代王府一般都设在内城。

铁帽王府。清初对入关有功的8家王爵，封为世袭罔替，俗称铁帽王，他们的王府就叫铁帽王府，共有8处，5处在西城，三处在东城。

以后又封了几个铁帽王，共12个世袭罔替王爵。

北京有两个恭亲王，一个是顺治皇帝的第五子常宁，府址在今东四十条。

恭王府位于前海西街17号，是清代规模最大的一座王府，据说恭王府总面积为一百多亩。相当于中山公园，这是至今保存最好的一座王府，曾是和珅的宅邸。

1996年10月起开放的只是恭王府的后花园，占地9亩，但其规模已经是非常可观的。

恭王府分中东西三路，分别由多过四合院组成，后为长160米的二层后罩楼。

恭王府假山，此假山是用糯米浆砌筑成的，非常坚固，山上置两口缸，缸底有管子通到假山上，通过往缸中灌水的办法来增加院中的湿度，过去整个假山上都长满了青苔。

假山正中有一康熙皇帝为其母祝寿写的福字碑，这是恭王府的三绝之一，碑石长7.9米，贯穿整修假山。

垂花门，因门上有两个倒垂的.花卉而得名，门前的两棵龙瓜槐在和珅居住时就有，这种树比较珍贵。

垂花门内的牡丹院，院中有紫藤萝架。院子正中造形呈蝙蝠形状的小湖。

在清代的北京，往住宅中引入活水，是要经皇帝特批的，恭亲王府是少有的几个享此殊荣的王府之一。

西式门，据说在当时在北京只有3个。这也是恭王府的三绝之一，另一绝是戏楼和福字碑。

花院门内的假山石，起到影壁的作用，名称为独乐峰。

老君山，山名，中国很多地方都有老君山，而且大都跟老子相关，其中比较著名的有：河南洛阳老君山、陕西省商洛市老君山、河北怀来老君山、四川屏山县老君山、云南丽江老君山、四川新津老君山、湖北红安老君山、甘肃武山老君山。洛阳老君山位于河南省洛阳市栾川县城南3公里处，是秦岭余脉八百里伏牛山的主峰，海拔2200米，原名景室山。后因西周朝“守藏室史”李耳到此归隐修炼，并被道教尊为太上老君而被唐太宗易名为“老君山”，沿袭至今。

1997年由国务院批准建立国家级自然保护区，现为国家5A景区。老君山为世界地质公园八百里伏牛山脉主峰，海拔2200米，相传为道教始祖李耳的归隐修炼之地，北魏时建庙纪念，唐贞观年间受皇封修建铁顶老君庙。老君山历代香火旺盛，被尊为道教圣地、天下名山。老君山原貌保存良好，它记录着十九亿年来华北古陆块南缘裂解、离散、增生、聚合、碰撞、造山等构造演化过程，被称为国家地质公园，世界地质公园具极高科学研究价值。河南洛阳栾川县老君山本数据来源于百度地图，最终结果以百度地图数据为准。

北魏至今，老君山从山门七里坪入口处起，太清宫、十方院、灵官殿、淋醋殿、牧羊圈、救苦殿、传经楼、观音殿、三清殿、老君庙等庙宇16处之多。历代毁毁修修现存6处，以顶峰老君庙最为壮观，在中原众多庙宇中屈指可数。老君山现已开发的景观区6处，有景点179个。道教文化区沿途庙

宇历史悠久，山顶老君庙有“南有武当金顶，北有老君铁顶”之说，初一、十五朝拜老君庙香客成群结队，四月八老君庙会人山人海;生态观光区老君河有追梦谷，明太子慈烺藏身洞称为太子洞，六十年代野人壕曾发现野人足迹，原始林大部分地域至今无人进去，马鬃岭南侧有三千余亩的石林景观，被地质学者称为“北国石林”。老君山保护区现有国家级保护动植物102种，有中草药830种之多，称之为国家中草药基因库。

老君山乃“仙”“灵”之山，位于洛阳市栾川县城东3公里，因太上老君李耳在此归隐修炼而得名。老君庙始建于北魏，铁椽铁瓦，以“铁顶”著称，灵官殿、淋醋殿、道德府等庙宇古朴凝重，香火炽盛。老君山锦山秀水，风景如画。玉皇顶海拔2200米，巨阙壁立，为八百里伏牛山主峰;石林景区千峰竞秀，蔚为壮观，有“北国张家界”之美誉;老君山是中华儿女谒拜圣境。

澳门景点导游词（精选6篇）

最新版澳门景点导游词范文1

欢迎大家来到这!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下。

去澳门，人们说得多的，去得多的是赌场。我们一行人也是如此，一入境，直奔去澳门最豪华的赌场——威尼斯人。

我们坐清凉的巴士来到了威尼斯人赌场。一听到这个名字，就觉得这个地方一定很宽敞，一定十分豪华。我们一下巴士，就看到眼前是一群以黄色为主调的建筑，高大、雄伟。我们透过威尼斯人赌场的大门上面安装的玻璃窗往里面瞧，不知道我是不是看花了眼，总看到里面是一片金色，灯火辉煌，金光灿烂。那豪华的大型吊灯、那黄色的屋顶好像真的是用闪闪发光的金子来做成的呢!一进威尼斯人赌场的大门，一股股凉风朝我们跑来，哟，空调真舒服!

突然，我对大家会说：“我去旁边的厕所里小便。”他们同意了。我就飞快地坐上电梯上二楼，再踏着地毯，随着指示牌进入卫生间，跑到厕所里面去。一进去，就看见我的两侧都是洗手的，没有马桶。这时，我的头上冒出一个个问号：难道这里的没有马桶吗?突然，发现要从这里进去才能到女卫生间呢!找到了厕所后，我一边上小便，一边想：这里好像一个迷宫呀!

这儿还真是一个迷宫呢!到处都是通道，到处都是房间、大厅、电梯，似乎四通八达呢!

到了赌场，那里不允许小孩子进去，要21岁以上才能进去，所以是爸爸、葛阿姨、袁叔叔、袁婆婆和我外婆进去了，我呢就和妈妈、姐姐一起坐电梯到三楼逛“街”了。这儿的“街”不是大街上的街，却像真的大街上的“街”。这街又长又宽，似真似幻。人走在“街”上，头顶着仿真的“蓝天白云”，低头看着弯弯的“贡多拉河”，手扶着汉白玉砌成小桥、仿古的围廊、脚踏着干净、亮丽的石块铺成的路……我们一边享受着清爽的空调风，一边随意地享受着各国风情的街头文艺：弹手风琴的南亚小丑、拉小提琴的俄罗斯美女、吹萨克斯的欧洲帅哥……

在这儿，各种商品琳琅满目，应有尽有，一个商铺接着一个商铺。我们什么都想买，只恨包里的钱少了。每个商铺，我们都进去看一看，饱一饱眼福。我和姐姐看到一张两个巴掌那么大的贴纸，就十分想买，心想：这张贴纸，应该不是很贵吧!但一看，贵得不得了。你知道要多少钱吗?要澳币25元。这……这……也太贵了吧!

澳门的东西真美丽，就是太贵了，这儿真是富人的天堂!

最新版澳门景点导游词范文2

澳门赌场一般都是用“筹码”下赌的。所谓的“筹码”，是一种特制的塑料小圆牌，上面写有金额数，最小的筹码面值50元，最大的面值200万元。赌客进赌场先要到专门兑换“筹码”的柜台去买“筹码”，然后再去你想去的赌台下注。用现金直接下注也行，但超过1万元就不方便了。所以，在赌场用现金下注的大多为散户、小户，一掷万金、十万金的大赌客，绝对是用“筹码”下注，而且他们所持的一个“筹码”的面值至少为1万元。前不久的一天深夜，记者通过熟人进入位于友谊大马路上的励骏会会员赌场溜达了一圈。这个赌场内饰极其豪华，四壁都是耀眼的金色。

赌厅里设有免费自助餐厅、酒吧。每个赌厅只有几台赌桌，没有老虎机，更没有葡京赌场那种熙来攘往、人声鼎沸的场面，赌客很少，但个个腰缠万贯。记者在一赌桌前停留不到一分钟，就眼睁睁看着一位赌客下赌的4块“筹码”，被“庄荷”(赌桌工作人员)用小铲子轻轻扒了过去。要知道，每块“筹码”面值5万元啊!走出赌厅，还为刚才的一幕惊诧不已，朋友告诉记者，这不算输得多的，在赌场输赢20万元只是小意思。赌场“筹码”如同金钱。故此，许多赌场的常客赢了钱也不将“筹码”兑换成现金，免得下次来赌场还得兑换“筹码”，嫌麻烦。其实，也不全是因为这个原因，澳门的许多店铺用“筹码”是可以消费的，特别是赌场周围的一些餐馆、酒吧，绝对认可“筹码”。据说，有赌客光顾这些餐馆、酒吧，只要将几块“筹码”往餐桌上一扔，伙计立马会堆出灿烂的笑容，殷勤相待。也许在店小二的心目中，玩赌的人个个都是腰缠万贯。

一跨入澳门赌场，就给人一种莫名的“紧张”，一道如同机场的安全门横挡在面前，进入赌场必须穿越安全门，接受安全检查。所有检查程序和进入机场侯机大厅时的安检程序一模一样：要掏出身上所有的金属物件，连同手提物品一并交由安检人员检查。但比机场安检还严格，不许带照相机、摄像器材进入，赌场禁止拍照。

许多游客都觉得纳闷：不就是一个娱乐场所嘛，何以要安检?我曾就此问题问过好几位赌场工作人员，回答都是一致的：赌场到处是现金和“筹码”，而且都暴露在广庭大众面前，一旦有歹徒持凶器进来打劫，很容易得手不说，还会危及赌客的生命安全，故要防患于未然。

也许很多人并不清楚，赌场绝非一般的娱乐场所，它虽给人带来刺激，但更宜诱发各种犯罪的念头。穿梭其间就会发觉，各种“鱼饵”明目张胆地在四处招揽生意。所以，赌场安全是赌场老板首先要考虑的问题，也是政府监督最严的地方。澳门司法警察局建制里设有赌场督察处，专门负责赌场治安，昼夜24小时派有警员在各赌场值班巡逻。而赌场自身的防范监视装置更严密、周详，它是我迄今所听说并眼见的最庞大的商用监控系统。据说，光葡京赌场各处就装有六百多个电视监控探头，它从各种角度全天候摄下赌场每个角落的情况，分秒不漏。赌场工作人员告诉我，这些装置只是作监督赌场员工用，绝不针对顾客。否则谁还敢来赌场?说的倒也是那么个理，但不少人对此将信将疑。不过，记者看到，这些监视器确实发挥了威慑作用，“庄荷”(工作人员)每当离开赌桌时，都要面向“探头”展开双手，扑打扑打衣服，以示没拿什么东西。工作期间揩鼻涕、擦嘴脸的卫生纸，都随手向柜台外面一扔，却偏不往脚下的废纸篓里丢。不知情的人责怪其粗俗，岂不知这也是为了避嫌，特意这么作的。赌场一旦发现工作人员作弊，必开除无疑，绝不留情。据说，此类情况在澳门赌场极少发生。

最新版澳门景点导游词范文3

欢迎大家来到澳门松山灯塔!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下松山灯塔。

松山灯塔是我国沿海以及远东地区的第一座灯塔，因耸立在松山松涛中而得名，原称东望洋灯塔，所在的松山原名琴山，东望洋山，是澳门半岛的最高山岗，海拔九十三公尺，为澳门地区的地理座标的标志点。

松山灯塔与另两座三百年古迹松山炮台和松山教堂，构成松山三古迹，于此远眺，澳门全景及珠江口的壮丽景色尽收眼底，可领略古今变迁。

由一名土生葡人设计的松山灯塔，高十三公尺，于一八六五年九月二十四日放射光芒，九年后的一八七四年八月被台风吹毁，至一九一一年才重建，正式使用迄今。

今天我的讲解就到此结束了，下面是大家自由参观的时间，希望这次参观能给大家留下一个深刻的印象，预祝大家能玩的开心，谢谢。

最新版澳门景点导游词范文4

圣安多尼旧堂的现址建于一五五八年，与今日的安多尼堂位置相同，且是澳门的第一间小教堂。

教堂的历史间略载于教堂大门侧的一块石碑上，内容是：“兴建于一六三八年，一八零九年被焚毁，一八一零年重建，一八七四年再次被焚毁，一八七五年重修”，而在这教堂前地还有一个刻上一六三六年的十字架，于一九三零年再次被焚毁，亦再次被修葺，但外墙及钟楼的工程却于一九四零年才进行，圣安多尼是葡国军队的军人，其官衔为“上尉”。

每年在庆祝圣安多尼节的当天，即六月十三日，都会举行由市政府主席主持有关军薪俸奉献给圣人的仪式，更举行圣像游行。

最新版澳门景点导游词范文5

竹湾位于路湾南端，环境优美，面海靠山，海岸广阔，沙粒洁白。竹湾公园位于竹湾海滩旁，占地达四千平方米，包括小食部、更衣室及一个不规则形状的游泳池，最深可达3公尺(泳池由每日上午八时至晚上九时开放，星期六延迟至晚上十二时)。滩旁还建有水上活动中心，有专人训练驾驶独木舟、帆船。

在竹湾之上的[竹湾园]，依山而建，除了原有的树木外，房舍、小桥、小径栏杆都是就地取材，以松木搭建，与自然环境协调统一，朴实自然。园中遍布植物，碧绿苍翠，其间流过一道小溪，清幽古雅。

背靠山麓，面向海滩的竹湾酒店，是消闲休息的好去处。近来政府还在竹湾海滩旁新建了葡萄牙式旅游度假村，内有多幢别墅，设计独特，具有欧陆色彩。

最新版澳门景点导游词范文6

欢迎大家来到妈阁庙!我是你们的导游，我姓x，大家可以叫我小x。为了便于大家参观游玩，下面我首先大家介绍一下妈阁庙。

妈阁庙是中葡文化融合起点，也是澳门最著名的名胜古迹之一，至今已逾五百年，是澳门三大禅院中最古者。妈阁庙原称妈祖阁，在澳门东南方，俗称天后庙，建于一四八八年，正值明朝。背山面海，沿崖建筑，古木参天，风光优美。整座庙宇包括大殿、弘仁殿、观音阁等四座主要建筑，石狮镇门、飞檐凌空，是一座富有中国文化特色的古建筑。

1998年10月28日，在澳门最高点，路环岛的叠石塘山顶，又落成了全世界最高的妈祖雕像。她矗立在澳门的最高点，因此，无论从海面或还是陆地，都清晰可见。开光以来原本人迹罕至的路环岗顶，一时车水马龙，香火鼎盛。

每年春节和农历3月23日娘妈生辰日，是妈祖阁香火最鼎盛的时候。除夕午夜开始，不少善男信女纷纷到来拜神祈福，庙宇内外，一片热闹，而诞期前后，庙前空地会搭盖一大棚作为临时舞台，上演神功戏。

神功戏是澳门妈阁水陆演戏会历年的酬神习俗。“神功”是指为神做的功德。在节日、神诞等庆祝活动上表演粤剧，表达“神人共乐”的精神。

八一起义纪念馆位于南昌最繁华的一条街道——中山路，今年春节我和爸爸来到纪念馆参观。

刚进大门，看见一座崭新的大楼耸立在眼前。进入大楼，只见一只巨的手拿着一把枪，这象征着打响了革命的第一枪。

往里走，就看见了许多起义军从敌人手里缴获的战利品，有威力巨大的大炮、火力十足的机关枪......

继续往前走，就是一楼通往二楼的阶梯，虽说是一层阶梯，但是，这一层阶梯和其他阶梯大不一样，他四周的墙壁上都画上了井冈山的风景，就连阶梯也改成了石头的，旁边种满了花草，你一走上阶梯，你一定会感到你自己不是在一个纪念馆里，而是在美丽的井冈山上。

到了二楼，笔直往前走，不一会儿，便会来到一群“人群”中，这些人是用蜡做的，一个个生龙活虎、栩栩如生，就像真人一样。

再往前走，你能看见许多革命烈士的奖章，这些奖章完好无缺，有的还保持着以前的光彩。

不知不觉，我们走出了纪念馆，走出了纪念馆以后，一路上，我的内心久久不能平静，我在想：“没有这些革命烈士，就没有我们今天的幸福生活。”

来自朋友们：你们好!

欢迎你们来到我的家乡，年轻的直辖市——重庆。“君住江之头，我住江之尾。抬头思君不见君，共饮一江水。”今天迎来了你们来自朋友，我是大家的朋友——。很高兴担任这次三峡移民考察和大足石刻之旅，带领大家去感受重庆直辖五年的沧桑巨变，领略大足石刻的博大精深。1997年3月14日，是个春暖花开的日子，重庆成为了中国第四个直辖市。此次重庆“直辖”，三峡工程是“催化剂”，百万移民是直接动因。艰巨的历史任务，重庆人欣然接受，勇敢地挑起了“直辖”重任。

三峡工程，移民百万，什么概念?数量太大，相当于5个摩纳哥，10个图瓦卢，100个凡蒂冈;时间太短，三期移民，20xx年全部结束;困难太多，库区有2座城市，11座县城，116个集镇及一大批工厂企业，风景名胜等需要搬迁。

世界难题，难在哪里?难在经费?不，经费可以筹集。难在交通?不，交通可以组织。难在家园?不，家园可以重建……千难万难，最根本是难在人的观念。大宁河畔84岁的黄老太的态度是：“我生是宁河的人，死是宁河的鬼，一生一世不离开这里!”移民干部多次踏访，老人神情木然，不予理睬。事实上，一面故土难舍，乃是人之本性，是一种十分自然的现象。“金窝银窝离不开自己的草窝”，这一千古流传的俗语，是前人总结的。从古至今，上至皇帝重臣，下至寻常百姓，概莫能外。博学多才的李白可谓潇洒大气，但仍发出“床前明月光，低头思故乡”的感叹，文韬武略的曹呸可谓位尊，但同样“郁郁多悲思，绵绵思故乡。”中国台湾诗人余光中的一首《乡愁》，引起了千万游子的共鸣。重庆的移民，可是喝着长江水，唱着三峡歌成长的。突然要远离故土，能不眷恋吗?思乡是一种美德。有个不思乡的人，能爱家?能爱国吗?

党和国家深深理解移民们的故乡情结，专门成立移民开发局，抽调精兵强将，颁布一系列优惠政策，把“搬得出，稳得住，逐步能致富“作为认为目标。三峡移民，为你，党和国家领导不知来了多少回!全国专家、学者不知来了多少回!这意义移民们能百分之百地理解;这份量，移民们能够完完全全地掂量。

“舍小家，顾大家，舍自家，顾国家“，移民们想通了，移得情愿，移得开心，移得满意。如今，走进三峡库区，移民新城灿若星河，田野、果园瓜果飘香，乡镇企业，个体商业星罗棋布。谁能说这不是重庆直辖市五年的最大变化呢?

女士们、先生们：

我们面前这棵苍劲挺拨、风姿绰约的大树，就是20世纪四十年代，轰动世界植物学界的水杉王，也就是被誉为植物活化石的天下第一杉。

水杉王，位于谋道集镇东南凤凰山下，树高35米，胸径2.4米，冠幅22米，龙骨虬枝，高大挺拔，直插云天。树龄约500余年，为世界上最老最大的水杉树，誉称为"天下第一杉"，植物"活化石"，世界"水杉王"。近几十年来，常有国内外著名专家学者前来参观考察，水杉王已成为传播友谊和进行科学研究的珍稀植物标本了。水杉化石，最早发现于格陵兰中生代白垩纪至第三纪的地层中，距今约六千万年至一亿年之久。由于第四纪冰川的影响，水杉在世界其他地方早已绝迹，1941年，中央大学森林系教授干铎在经利川去万县(今万州)时于谋道溪路旁发现一株见所未见的古稀大树，引起重视。后来经过中央大学郑万钧教授和生物调查所胡先驌博士等专家反复考察、研究、鉴定，认定该树是杉类树种的一个新属，应名"水杉"。他们的论文《水杉新科及生存之水杉新种》发表后，推翻了"水杉早已灭绝"的定论，在世界植物学界引起了强烈轰动，被誉为"最近一个世纪以来，植物学界最重要的发现"。从此，各国专家纷至沓来参观考察。仅40年中，各国发表有关水杉的论文、著述就多达700余篇(部)。1974年郑万钧先生首先将水杉引种至欧美。中华人民共和国成立后，水杉引种栽培，已从大半个中国逐渐发展到欧、亚、美等洲70多个国家。1978年国务院副邓小平亲自把两株水杉赠送给尼泊尔皇家植物园，作为中尼两国人民友谊的象征。1992年邓小平同志视察南方时，又曾提到三峡附近的这棵大树。

水杉为落叶针叶乔木，单叶对生。花单性，雌雄同株。球形果圆或椭圆。树干通直，高可达50米以上。原生种古树大多分布在海拔1100米地带。它是优良的庭园观赏和绿化速生用材树种，春来嫩绿，夏至青葱，入秋变黄，临冬转红。水杉多在20至30年树龄时结实，籽实极为珍贵。据1983年调查，利川谋道至小河一带现有胸径20厘米以上的水杉母树5426株，其中胸径40厘米以上的有1800株，树龄多在50-220xx年间。其中，红沙溪张家湾一株水杉高51.5米、胸径1.1米，为全国水杉树高之冠。

说到这里，有人也许要问，为什么经过世纪冰川以后在世界上早已绝迹了的水杉，能在利川谋道到小河一带存活下来呢?这确实是一个值得深入研究的问题。关于这个问题，我们也曾多次向植物、地质专家请教，得到的答复是：一、利川是鄂渝交界的大山区，境内大部分地区海拔在800-1200米之间，由平缓的山顶与纵深的沟谷所形成的高凹封闭谷地(川湘凹陷)，最适于水杉生长。谋道至小河一带恰好是一个南北长30公里，东西宽20公里的高凹封闭谷地。二、上述谷地北高南低，地势倾斜，为中生带侏罗纪时期所形成的紫色砂岩，至侏罗纪以来很少变化，也未受到燕山运动的影响，地质古老、古生物繁多。三、第四纪冰川进入湖北，受到秦岭和大巴山的阻挡，其势已大大减弱。谋道、小河西北有齐岳山横阻，东北有佛宝山屏障，对冰川再次阻挡，因此，这个高凹封闭谷地一直处于比较稳定的温暖、湿润气候条件之中，为水杉等很多孑遗植物的保存和演替创造了良好条件。

女士们、先生们，水杉王是一棵古老的树，是当地土家族苗族人民顶礼膜拜的神树，它终年披红挂彩，好不潇洒。它的树身是至今还藏着一件宝物(请大家猜猜是什么?)。水杉王是一棵传播友谊的圣树，多少外国友人，为了一睹它的风采，不远万里来到利川，当看到它时不少人竟激动得热泪盈眶!让我们在这神圣的水杉树下留个影吧，让我们的友谊像水杉王一样万古长青!

位于汉口江岸与江汉两区之间，东南起自沿江大道的武汉关，向西北延伸，穿中山大道，至解放大道。沿路与黄陂街、洞庭街、鄱阳街、花楼街、江汉一、二、三路、铭新街、吉庆街等垂直相交，全长1550米。

江汉路始名于20世纪30年代，曾有“车马如梭人似织，夜深歌吹未曾休”的诗名来形容它，也有“小香港”的提法。在此，还可见30年代遗留下来的西洋建筑，曾是有名的商业门点集中区。经过几十年的发展，现在成为汉口最繁华的区域之一，人流量大，店铺达400余家，其中有经营特色的专业店和老字号90多家，近30个行业。

老字号的包括解放前繁盛一时的人民饭店、璇宫饭店、孙中山亲笔所书“精益求精”店名的精益眼镜店、为抵制日货而开的国货百货大楼，现名中心百货大楼、专卖洋钟表的亨达利钟表店、冠生园、华康副食、滋美食品厂、武汉中药店、四季美汤包馆。

各位旅客朋友们：

大家好!

晋祠有明确的纪念意义、浓厚的审美价值和强烈的艺术感染力。即便是一个单体建筑，也有着自己的序列。柱廊的排列，斗拱的组合，瓦垄的明暗相间，空间的穿插、色调的配置，都安置得合理妥贴，又符合审美习惯。而正是由于它的序列特征和人们流动式的观赏进程，又使得其空间艺术向时间艺术转化。

圣母殿前廊柱雕木质盘龙8条，倒映水中，随波浮动。殿内无柱，殿身当心间装板门，两梢间安直棂窗。四周柱子皆微向内倾形成“侧角”，角柱增高造成“生起”。下檐斗拱五铺作，单拱出两跳，柱头出平昂，补间单抄单下昂。上檐斗拱六铺作，单拱出三跳，柱头双抄单下昂，补间单抄出重昂，并施异形拱。柱头与补间不同，上檐与下檐相异。殿顶筒板瓦覆盖，黄绿琉璃剪边，色泽均衡精致，整个殿宇庄重而华丽。

鱼沼飞梁位于圣母殿与献殿之间，方池之上架十字形桥，在池中立石柱34根，柱头普柏枋相联，上置大斗，斗上施十字相交之拱，承托梁枋。东西宽广，南北下斜如翼，与圣母殿上翘的翼角遥相呼应，显示了殿翅欲飞之势。

圣母殿彩塑中，邑姜居中而座，神态庄严，雍容华贵，是研究宋代雕塑艺术和服饰的珍贵资料。[17]

献殿前的金人台上，四隅各立一尊宋代铁铸武士。而与之遥遥相望的圣母殿中侍女群像，各有各的特殊形象，身体的丰满与俊俏，脸形的清秀与圆润，各呈现出极不相同的思想感情。她们的阴柔之美与宋铸铁人的阳刚之气，也形成了鲜明对比。